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Photographic Scale

Fisher, Andrew. 2012. Photographic Scale. Philosophy of Photography, 3(2), pp. 310-329. ISSN 2040-3682 [Article]

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Abstract or Description

This article sets out to develop a critical and theoretical interpretation of what scale means in and for photography, an investigation provoked by the expansive character of photography in the context of networked digital culture that also involves questions relating to historical practices and theorisations of photography. Scale has many different meanings in these contexts and these are normally addressed separately in specialised discursive frameworks. This article explores an alternative, namely, that it is its very diversity which gives the clue to what scale means for photography. The article projects a concept of ‘photographic scale’ to delineate the relational form of scale in photography and argues that photographic scale has ontological significance for photography. This concept denotes a ubiquitous, variegated and compound play between differing but necessarily associated scales that inform the spatiotemporality of photography, that allow for its sense as a form of visual representation, that structure its modes of materialisation and that figure significantly in determinations of its global geo-political processes

Item Type:

Article

Identification Number (DOI):

https://doi.org/10.1386/pop.3.2.310_1

Keywords:

Scale; photographic scale; place; social ontology of photography; space; spatiotemporality; time

Departments, Centres and Research Units:

Visual Cultures

Dates:

DateEvent
December 2012Published

Item ID:

15796

Date Deposited:

16 Dec 2015 21:49

Last Modified:

14 Jan 2019 08:33

Peer Reviewed:

Yes, this version has been peer-reviewed.

URI:

http://research.gold.ac.uk/id/eprint/15796

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