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Staging Black Feminisms by Lynette Goddard

Osborne, Deirdre. 2008. Staging Black Feminisms by Lynette Goddard. Contemporary Theatre Review, 18(1), pp. 123-124. ISSN 1048-6801 [Article]

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Abstract or Description

review

Counter-stories are stories of self-definition. Positioned against master narratives, they enable oppressed people to refuse the identities imposed upon them by their oppressors and to re-identify themselves in more respect worthy terms. Lynette Goddard's book expertly articulates a counter-story of black women's performance practice in order to wrest it from the clutches of white feminist discourse and its attribution of an ‘automatic feminist disposition’ (11) – an intentionality ascribed through the double marginalization by sex-gender and race that black women must overcome in order to stage their work in the white male-dominated British theatre industry.

Item Type:

Article

Identification Number (DOI):

https://doi.org/10.1080/10486800701775517

Departments, Centres and Research Units:

Theatre and Performance (TAP)

Dates:

DateEvent
2008Published

Item ID:

16321

Date Deposited:

18 Jan 2016 15:51

Last Modified:

03 Jul 2017 11:34

Peer Reviewed:

Yes, this version has been peer-reviewed.

URI:

http://research.gold.ac.uk/id/eprint/16321

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