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"Transcribing Vocality: Voice at the Border of Music After Modernism"

Karantonis, Pamela. 2015. "Transcribing Vocality: Voice at the Border of Music After Modernism". In: Ben MacPherson; Amanda Smallbone and Konstantinos Thomaidis, eds. Voice Studies: Critical Approaches to Process, Performance and Experience. Abingdon, United Kingdom: Routledge, pp. 162-176. ISBN 978-1-13880-9352 [Book Section]

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Abstract or Description

This chapter features in the Routledge Voice Studies series inaugural volume "Voice(s): Critical Approaches to Process, Performance and Experience". It considers some of the challenges in documenting and writing meaningfully about classical vocal pedagogy as it applies to singing. It is situated within the cultural studies tradition of illuminating and interrogating the power structures embedded in disciplinary practices. Attendant to this is the location of vocal pedagogy as it arises from ideological and cultural investments that underscore perceptions of vocality as a marker of artistic and cultural identity in performance.

Item Type:

Book Section

Departments, Centres and Research Units:

Music
Theatre and Performance (TAP)

Dates:

DateEvent
October 2015Published

Item ID:

24894

Date Deposited:

31 Oct 2018 12:19

Last Modified:

24 Jan 2019 13:23

URI:

http://research.gold.ac.uk/id/eprint/24894

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