Logo
Logo

Goldsmiths - University of London

Items where Division is "Art"

Up a level
Export as [feed] RSS
Group by: Date | Creators | Item Type | No Grouping
Number of items at this level: 1477.

Fusco, Maria and Birkett, Richard, eds. 2012. COSEY COMPLEX Book. Koln: Koenig Books. ISBN 978 3 86335 152 6 [Edited Book]

Sheikh, Simon, ed. 2006. Capital: It Fails Us Now. Berlin: b_books. ISBN 978-3933557698 [Edited Book]

Phillips, Andrea and Miessen, Markus, eds. 2011. Caring Culture: Art, Architecture and the Politics of Public Health. Berlin and Amsterdam: Sternberg Press/SKOR. ISBN 978-1-9341-5-71-9 [Edited Book]

Seymour, Benedict, ed. 2006. The Class of the New. Mute. ISBN 978-0955066474 [Edited Book]

Sheikh, Simon, ed. 1996. Compartments. Copenhagen: Edition Globe. [Edited Book]

Grant, Catherine and Rubin, Patricia, eds. 2012. Creative Writing and Art History. Wiley. ISBN 978-1-4443-5039-5 [Edited Book]

[img]
Preview
Coutts, Marion, ed. 2012. English Graphic. London: Frances Lincoln. ISBN 978-0-71123-370-6 [Edited Book]

[img]
Preview
Renton, Andrew, ed. 2008. Front of House. London: Parasol unit: foundation for contemporary art. ISBN 978-0-9560247-0-1 [Book]

Grant, Catherine and Waxman, Lori, eds. 2011. Girls! Girls! Girls! in Contemporary Art. Bristol: Intellect. ISBN 1841503487 [Edited Book]

Ogg, Kirsty, ed. 2010. Goshka Macuga The Nature of the Beast. London: Whitechapel Gallery. ISBN 978-0-85488-180-2 [Edited Book]

[img] [img]
Fusco, Maria, ed. 2009. The Happy Hypocrite #4. [Edited Journal]

[img] [img]
Fusco, Maria, ed. 2010. The Happy Hypocrite #5. [Edited Journal]

Schmitz, Edgar and Hao, Sophia Yadong, eds. 2016. Hubs and Fictions. On Current Art and Imported Remoteness. Berlin: Sternberg Press. ISBN 978-3-95679-025-6 [Edited Book] (Forthcoming)

Sheikh, Simon, ed. 2005. In the Place of the Public Sphere? Berlin: b_books. [Edited Book]

Sheikh, Simon; Houmann, Søren; Henckel, Peter Holst and Røssell, Peter, eds. 1994. Ja til Sven Dalsgaard! Copenhagen: Globe/ Art Action. [Edited Book]

Sheikh, Simon, ed. 2004. Knut Asdam Speech, Living, Sexualities, Struggle. Fine Arts Unternehmen Books. ISBN 978-3037200032 [Edited Book]

Sheikh, Simon, ed. 2007. Konst, makt och politik, Skriftserien Kairos 12. Stockholm: Raster förlag. [Edited Book]

Sheikh, Simon; Sander, Katya and Høgsbro Østergaard, Cecilie, eds. 1998. The Meaning of Site. Copenhagen: UNSPECIFIED. [Edited Book]

Carpenter, Ele, ed. 2016. The Nuclear Culture Source Book. London: Black Dog Publishing. [Edited Book] (Forthcoming)

Hlavajova, Maria; Sheikh, Simon and Winder, Jill, eds. 2011. On Horizons: A Critical Reader on Contemporary Art. Rotterdam and Utrecht: Post Editions and BAK basis voor actuele kunst. ISBN 9789460830372 [Edited Book]

Newman, Michael and Bird, Jon, eds. 1999. Rewriting Conceptual Art. London: Reaktion Books. [Edited Book]

[img]
Reckitt, Helena, ed. 2014. Sanja Iveković: Unknown Heroine - A Reader. London: Calvert 22. ISBN 9780956962898 [Edited Book]

Ogg, Kirsty, ed. 2011. Shadow Spans; Claire Barclay. London: Whitechapel Gallery. ISBN 978-0-85488-191-8 [Edited Book]

Phillips, Andrea and Erdemci, Fulya, eds. 2012. Social Housing - Housing the Social: Art, Property and Spatial Justice. Berlin and Amsterdam: Sternberg Press/SKOR. ISBN 978-3-943365-17-7 [Edited Book]

Grant, Catherine and Rubin, Patricia, eds. 2011. Special Issue: Creative Writing and Art History. [Edited Journal]

Newman, Michael and Elkins, James, eds. 2008. The State of Art Criticism. London and New York: Routledge. ISBN 978-0415977876 [Edited Book]

Whiles, Annie and Pearson, Mark, eds. 2008. United We Fall. UWF. ISBN 978-0956016409 [Edited Book]

Sheikh, Simon and Sander, Katya, eds. 2001. We are All Normal. London: BLACK DOG UK. ISBN 978-1901033236 [Edited Book]

Coutts, Marion, ed. 2004. Whitstable Biennale. Material. ISBN 978-0954788902 [Edited Book]

Seymour, Benedict, ed. 2000. britart.com. [Edited Journal]

Abbing, Hans; Lind, Maria; Stapleton, Jamie and Malik, Suhail. 2007. ''New money' discussion panel'. In: Rotterdam dialogues: the periphery complex [symposium]. Witte de With, Rotterdam, Netherlands 8th February 2007. [Conference or Workshop Item]

Acconci, Vito; Coutts, Marion; Norman, Nils; O'Shea, Mick; Rothschild, Eva and Tzaig, Uri. 2001. Vito Acconci/Acconci Studio, PARA-CITIES: Models for Public Spaces. Trouble Shooting. Bristol: Arnolfini. ISBN 0907738664 [Book]

Anderson, Wendy; Hirst, Nicky; Smith, Terry and Walsh, Bernard. 2003. Remember, Remember The 5th of November. In: "Remember, Remember The 5th of November", Pugh Pugh Gallery, Berlin, Germany. [Show/Exhibition]

[img]
Preview
Archer, Michael. 2012. A Céu Aberto [catalogue essay]. [Exhibition Catalogue]

[img] [img]
Preview
Archer, Michael. 2010. Eva Rothschild. In: , ed. Eva Rothschild. London: Stuart Shave/Modern Art and Koenig Books, pp. 129-133. ISBN 978-3-86560-910-6 [Book Section]

[img]
Preview
Archer, Michael. 2013. Fata Morgana [catalogue essay]. [Exhibition Catalogue]

[img]
Archer, Michael. 2008. Heaven [catalogue essay]. [Exhibition Catalogue]

[img]
Archer, Michael. 2009. It's Like This. In: , ed. Martin Creed. Birmingham, UK: Ikon Gallery, pp. 36-47. ISBN 978-1-904864-45-5 [Book Section]

[img] [img]
Preview
Archer, Michael. 2011. Jeff Koons: One Ball Total Equilibrium Tank. London/Cambridge, Mass: Afterall/MIT. ISBN 978-1-84638-079-2 (paperback), 978-1-84638-078-5 (hardback) [Book]

[img]
Archer, Michael. 2010. Moon Turned a Fire Red / Der Mond färbte ein Feuer rot. Parkett(87), pp. 104-115. ISSN 0256-0917 [Article]

[img]
Archer, Michael. 2008. No Man's Time: Material Fantasies. In: , ed. theanyspacewhatever. New York: Solomon R. Guggenheim Museum, pp. 116-122. ISBN 978-0-89207-377-1 [Book Section]

[img]
Archer, Michael. 2008. One and the Same. In: , ed. POLITICAL/MINIMAL. Nürnberg: Verlag für moderne Kunst, pp. 127-137. ISBN 978-3-941185-07-4 [Book Section]

[img]
Preview
Archer, Michael. 2013. Ripley. SALT.(3), pp. 14-15. [Article]

[img]
Preview
Ash, Jesse. 2010. The Figure of Speech: The Politics of Contemporary Chatter. Doctoral thesis, Goldsmiths, University of London [Thesis]

[img]
Preview
[img]
Ashery, Oreet. 2013. Party for Freedom. In: "Artangel Commission", 25 public and private venues across London, United Kingdom. [Performance]

Ashery, Oreet and Sansour, Larissa. 2009. The Novel of Nonel and Vovel. [Artist's Book]

[img]
Preview
[img]
Preview
Ashery, Oreet and Sansour, Larissa. 2009. The Novel of Nonel and Vovel. In: "The Novel of Nonel and Vovel", Iniva, London, United Kingdom, 2009-2011. [Performance]

[img]
Preview
Atkins, Edward. 2012. Us Dead Talk Love. [Film/Video]

[img]
Preview
[img]
Preview
Bance, David; Baldock, Jonathan; Beales, katriona; Closs, Lottie V.; Cummins, Sean; Dargan, Sam; Edwards, Sean; Fisher, Craig; Ford, Dan; Franklin, Simon; Fulton, Lynn; S Gubb, Mark; Mendelson, Zoe; Reynolds, Audrey; Simmonds, Gary; Swann, Debra; Woods, Richard; Annie, Whiles and Zakiewicz, Neil. 2010. Pile. In: "Pile", Chapter gallery, Cardiff, United Kingdom, 19th Nov-Dec 10th 2010 and 4th Feb-20th March 2011. [Show/Exhibition]

Barnett, Pennina. 2007. Chohreh Feyzdjou: Tout art est en exil: Pennina Barnett interviews Anne Cadenet. n. paradoxa, international feminist art journal, 20, pp. 83-87. ISSN 14610434 [Article]

Barnett, Pennina. 2002. Collection: Pennina Barnett interviews Wiebke Siem. n. paradoxa, international feminist art journal, 9, pp. 5-14. ISSN 14610434 [Article]

Barnett, Pennina. 2002. Small Gestures and Acts of Grace: an interview with Germaine Koh. Women: a Cultural Review, 13(3), pp. 356-369. ISSN 09574042 [Article]

Barnett, Pennina; Ross, David and Jefferies, Janis K.. 2003. Letter from the Editors. Textile The Journal of Cloth and Culture, 1(1), pp. 1-7. ISSN 14759756 [Article]

Batchelor, David. 2013. Flatlands. [Art Object]

Bauer, Diann; Chilver, John; Claxton, Ruth; Dale, Tom; Dawes, Nick; Dawood, Shezad; Gough, Stewart; Herbert, Samuel; Hibbs, Justin; Hopkins, James; Hughs Watts, Julian; Jones, Zebedee; Monroe, Ian; Ritson, Boo; Sanders-Dunnachie, Angus; Smith, Kevin; Richardson, Pamela; Stark, John; Wathen, Richard; White, James; Woolls, Leon; Zakiewicz, Neil and Bolivar, Juan. 2010. Dawnbreakers. In: "Dawnbreakers", John Hansard Gallery, Southampton, United Kingdom, 27 April - 12 June 2010. [Show/Exhibition]

[img]
Preview
[img]
Preview
Bedwell, Simon A.. 2009. Asphalt World. [Project]

Bedwell, Simon A.. 2007. The Furnishers. In: "The Furnishers", White Columns, 1/10/2007 - 2/11/2007. [Show/Exhibition]

Bedwell, Simon A.. 2002. Galleon and Other Stories. In: "Galleon and Other Stories", Saatchi Gallery, 7/7/2002 - 12/1/2004. [Show/Exhibition]

[img]
Preview
Bedwell, Simon A.. 2010. Heliotrope. In: "Heliotrope", Vulpes vulpes, United Kingdom, 12/06/2010-27/06/2010. [Show/Exhibition]

[img]
Preview
[img]
Preview
Bedwell, Simon A.. 2008. Other People's Projects. In: "Other People's Projects", White Columns, New York, United States, 22/02/08 - 30/03/08. [Show/Exhibition]

[img]
Preview
[img]
Preview
Bedwell, Simon A.. 2009. The Painter of the Hole. In: "Simon Bedwell", MOT International, United Kingdom, 5 September - 3 October 2009. [Show/Exhibition]

[img]
Preview
[img]
Preview
Bedwell, Simon A.. 2010. Royale with Cheese. In: "Royale with Cheese", Aicon gallery, United Kingdom, 06/03/2010-03/04/2010. [Show/Exhibition]

[img]
Preview
[img]
Preview
Bedwell, Simon A.. 2010. SO BE IT:INTERVENTIONS IN PRINTED MATTER. In: "So Be It: Interventions in Printed Matter", Andrew Roth Gallery, New York, United States, April 8– May 7, 2010. [Show/Exhibition]

[img]
Preview
Bedwell, Simon A.. 2006. Untitled (Death). In: "Cabaret", Ramis Barquet gallery, United States, February 17 – March 19, 2011. [Show/Exhibition]

[img]
Preview
Bedwell, Simon A.. 2004. Untitled (The Prelude). In: "WE ARE GRAMMAR", Pratt Manhattan Gallery, New York, United States, 21/2/2011-27/5/2011. [Show/Exhibition]

[img]
Bedwell, Simon A.. 2010. Untitled 1, Untitled 2, both acrylic on linen, 2010. In: "Standard Candles", Vulpes Vulpes, United Kingdom, 31 March - 25 April 2010. [Show/Exhibition]

[img]
Preview
[img]
Preview
Bedwell, Simon A.. 2010. Untitled, 2010. In: "La Belle Dame Sans Merci", Vegas Gallery, Vyner Street London, United Kingdom, 03/09/2010 - 03/10/2010. [Show/Exhibition]

[img]
Preview
Bedwell, Simon A.; Thompson, Amelia and Russell, John. 1998. Fax-Back. [Art Object]

Bedwell, Simon A. and Thompson, Milly. 2001. Century City. In: "Century City", Tate Modern, 1/30/2001 - 4/21/2001. [Show/Exhibition]

Bedwell, Simon A. and Thompson, Milly. 2002. John Moores 22 - The Ambassador. In: "John Moores 22 - The Ambassador", The Walker, 9/8/2002 - 12/8/2002. [Show/Exhibition]

[img]
Bedwell, Simon A.; Thompson, Milly and Russell, John. 2009. FAX. In: "Fax", The Drawing Center, United States, April 17 - July 23, 2009. [Show/Exhibition]

[img] [img]
Bedwell, Simon A.; Thompson, Milly and Russell, John. 2008. LESS IS LESS, MORE IS MORE, THAT'S ALL. In: "Less is less, more is more, that’s all", Bordeaux, France, 13 June - 05 September 2008. [Show/Exhibition]

[img]
Preview
[img]
Preview
Bedwell, Simon A.; Thompson, Milly; Russell, John and Williamson, Andrew. 2010. GRAND NATIONAL: ART FROM BRITAIN. In: "GRAND NATIONAL: ART FROM BRITAIN", Vestfossen Kunstlaboratorium, Vestfossen, Norway. [Show/Exhibition]

[img] [img]
Beech, Amanda; Gilbertson, Alice; Jones, Alison; Poole, Matthew and Putler, Viictoria. 2001. Moving, Balls Pond Rd, London. In: "Moving", 72 Balls Pond Rd, London, United Kingdom, 15-29th September. [Show/Exhibition]

[img]
Preview
Bhatara, Anjali; Quintin, Eve-Marie; Heaton, Pam F.; Fombonne, Eric and Levitin, Daniel. 2009. Bhatara, A., Quintin, E., Fombonne, E., Heaton, P. & Levitin, D. (2009).The Effects of Music on Social Attribution in Adolescents with Autism Spectrum Disorders. Child Neuropsychology, 13; 1 – 22. Child Neuropsychology, 15(4), pp. 375-396. ISSN 0929-7049 [Article]

Cain, B.. 2006. Here and Now, Present but not Concrete.. In: "Here and Now, Present but not Concrete.", Museum of Modern Art, 9/10/2006 - 10/6/2006. [Show/Exhibition]

Cain, B.. 2005. Places of Transition (Continental Breakfast). In: "Places of Transition (Continental Breakfast)", Museum of Modern Art, 3/12/2005 - 4/12/2005. [Show/Exhibition]

Cain, B.. 2006. This is what it is like. In: "This is what it is like", Netwerk and Fordham, 5/7/2006 - 6/10/2006. [Show/Exhibition]

Cain, B. and Gerovic, T.. 2006. Near Island: Score for Complex Scene. In: "Near Island: Score for Complex Scene", PM Gallery, 3/26/2006 - 4/20/2006. [Show/Exhibition]

[img]
Caines, Suzanne. 2015. The Interlocutor and the End Men. Doctoral thesis, Goldsmiths, University of London [Thesis]

[img]
Preview
Carpenter, Ele. 2010. Activist Tendencies in Craft. Concept Store #3 Art, Activism and Recuperation., 3, [Article]

[img]
Preview
Carpenter, Ele. 2011. Analogous: Digital / Analogue Metaphors. Digitalis Newspaper Catalogue, 0-0. [Article]

Carpenter, Ele. 2011. Coal-powered Craft: a past for the future. Journal of Modern Craft, 4(2), pp. 147-160. ISSN 1749-6772 [Article]

[img]
Preview
Carpenter, Ele. 2010. Intervention & Revolution, Interview with Gregory Sholette and Nato Thompson. In: Sarah Cook; Beryl Graham; Verina Gfader and Axel Lapp, eds. A Brief History of Working with New Media Art: Conversations with Artists. Sunderland UK / Berlin Germany: The Green Box, pp. 111-127. [Book Section]

Carpenter, Ele. 2009. 'Many:Many Workshop'. In: Micro Makers Faire. Chapter Arts Centre, United Kingdom 22-23 October 2009. [Conference or Workshop Item]

Carpenter, Ele. 2009. 'Mapping Data: Performing Landscape'. In: Mapping Data: Performing Landscape. Umea University, Sweden. [Conference or Workshop Item]

[img]
Carpenter, Ele. 2009. Open Source Embroidery. In: "Open Source Embroidery Exhibition", BildMuseet, Umea, Sweden, 6 June 2009 - 24 January 2010. [Show/Exhibition]

Carpenter, Ele. 2009. 'Open Source Embroidery at MzTek Unplugged'. In: MzTek. United Kingdom. [Conference or Workshop Item]

[img]
Carpenter, Ele. 2012. Open Source Embroidery: Curatorial Facilitation of Material Networks. In: Jessica Hemmings, ed. The Textile Reader. London: Berg, pp. 336-346. ISBN 9781847886347 [Book Section]

[img]
Preview
Carpenter, Ele. 2011. Shaggy Modernism. In: James Hutchinson, ed. James Hutchinson: works 2007–2011. Sunderland, UK: Art Editions North, pp. 49-51. ISBN 978‐0‐9549119‐9‐7 [Book Section]

Carpenter, Ele. 2016. Shifting the Nuclear Imaginary: Art and the Flight from Nuclear Modernity. In: Ryan Bishop and John Beck, eds. Cold War Legacies: Systems, Theories, Aesthetics. Edinburgh: Edinburgh University Press. ISBN 9781474409483 [Book Section] (In Press)

[img]
Preview
Carpenter, Ele. 2016. The Smoke of Nuclear Modernity Drifts through the Anthropocene. In: Helen Grove-White, ed. Power in the Land. Wales: X-10, pp. 17-29. ISBN 978-1-78280-732-2 [Book Section]

[img]
Carpenter, Ele. 2011. Social Making. In: Daniel Charny, ed. The Power of Making:The Importance of Being Skilled. London, UK: V&A Museum and Crafts Council, pp. 49-51. ISBN 9781851776535 [Book Section]

Carpenter, Ele. 2009. Stable, A film by Kathleen Herbert. In: "Stable, a film by Kathleen Herbert", Vita Kuben, Sweden, Feb - March 2009. [Show/Exhibition]

[img]
Carpenter, Ele. 2009. The Strategic and Tactical Time of Curating. In: , ed. Time at Work: CECAC 2008. 2 Post Media Books, pp. 66-71. [Book Section]

[img]
Preview
[img]
Preview
Carpenter, Ele; Mabb, David; Craighead, Alison; Crowe, Nick; Schuppli, Susan; Takeuchi, Kota and Erika, Kobayashi. 2016. Material Nuclear Culture, Exhibition. In: "Material Nuclear Culture", KARST Gallery, United Kingdom, 17 June - 13 August 2016. [Show/Exhibition]

Carpenter, Ele; Mabb, David; Crowe, Nick; Craighead, Alison and Schuppli, Susan. 2017. Perpetual Uncertainty, exhibition. In: "Perpetual Uncertainty", Bildmuseet, Sweden, 2 October 2016 - 15 January 2017. [Show/Exhibition] (Forthcoming)

[img]
Preview
Cenini, Marta Silvia. 2011. BRINGING THE WAR HOME:ETHICS AND JUSTICE IN A (POST) FEMINIST DEPICTION OF ABU GHRAIB. Masters thesis, Goldsmiths, University of London [Thesis]

[img]
Preview
Chance, Véronique. 2012. Re-presenting the Physical Act: An Exploration of the Physical Presence of the Body through its Screen Representation. Doctoral thesis, Goldsmiths, University of London [Thesis]

Chavez, Lia. 2012. In Radical Form(ation): Bergsonism, Bodies in Process, and Unconscious Vision. Doctoral thesis, Goldsmiths, University of London [Thesis]

[img] [img]
Preview
Chilver, John. 2012. 'Art and Number'. In: The New Numeracy. Dept of Sociology, Goldsmiths, London, United Kingdom 17/2/2012. [Conference or Workshop Item]

Chilver, John. 2007. Displacements of Shadow. Art Papers, 31(1), pp. 36-41. ISSN 15249581 [Article]

[img] [img]
Chilver, John. 2014. Entkoerperte Malerei. In: Gunter Reski and Hans-Juergen Hafner, eds. The Happy Fainting of Painting. Cologne: Verlag der Buchhandlung Walter Koenig, pp. 62-67. ISBN 9783863356705 [Book Section]

Chilver, John. 2012. The Happy Fainting of Painting. In: "The Happy Fainting of Painting", Zwinger Galerie, Berlin, Germany, 3/3/2012-28/4/2012. [Show/Exhibition]

Chilver, John. 2012. If Display Becomes Materiality. In: Edward Whittaker and Alex Landrum, eds. Painting With Architecture in Mind. Bath, UK: Wunderkammer Press, pp. 113-134. ISBN 978-0-9566462-1-7 [Book Section]

Chilver, John. 2004. 'James Rosenquist'. Untitled, 32, p. 70. [Article]

Chilver, John. 2001. John Chilver. In: "John Chilver", Casey Kaplan, New York, 9/7/2001 - 10/10/2001. [Show/Exhibition]

[img]
Preview
Chilver, John. 2009. John Chilver. In: "John Chilver", Keith Talent Gallery, London, United Kingdom, 17 June - 1 Aug 2009. [Show/Exhibition]

Chilver, John. 2002. Landscape. In: "Landscape", The Saatchi Gallery, 2/22/2002 - 5/17/2002. [Show/Exhibition]

Chilver, John. 2010. 'Miss the Start, Miss the End'. In: Space, Time and the Image. APT Gallery, London, United Kingdom 14 May 2010. [Conference or Workshop Item]

Chilver, John. 2007. Morandi with Heidegger. In: E Whittaker and A Landrum, eds. Nonsite to Celebration Park: Essays on Art and the Politics of Space. Bath: Bath Spa University, pp. 85-100. ISBN 9781905200726 [Book Section]

[img]
Chilver, John. 2014. Number intersecting with art: three studies. Distinktion: Scandinavian Journal of Social Theory, 15(2), pp. 239-249. ISSN 1600-910X [Article]

Chilver, John. 1999. 'On DJ Simpson', a dialogue with Dave Beech. In: Shahin Alfrassiabi, ed. Beck's Futures 2001 (Art Catalogue). University of Pennsylvania,Institute of Contemporary Art. ISBN 978-1900300315 [Book Section]

Chilver, John. 2008. Painting and Its Strata: Sub, Super, etc. In: , ed. Superstratum. Antwerp: Koraalberg Gallery, pp. 3-5. ISBN 9789079874002 [Book Section]

Chilver, John. 2004. 'Vertical Acceleration'. Starship, 6, [Article]

Chilver, John; Afrassiabi, Shahin; Ash, Jesse; Bauer, Diann; Bedwell, Simon A.; Billy, Vanessa; Bolivar, Juan; Burton, Adam; Carneiro da Cunha, Tiago; Coleman and Hogarth, Kim and Jenny; Cumberland, Stuart; Dany, Hans-Christian; Frearson, Annabel; Freee, Freee; Ghazi, Babak; Ghosts Eat Mirrors, Ghosts Eat Mirrors; Glogan, Jeremy; Gottelier, Luke; Gruenfeld, Thomas; Hemsworth, Gerard; Higashionna, Yuichi; Holmes, Emma; Jones, Gareth; Kartscher, Kerstin; Kollectiv, Pil and Galia; Lowe, Brigrid; Macuga, Goshka; Makh, Ellen; Pettitt, Daniel; Reski, Gunter; Rosler, Martha; Schultze, Michael; Sill, Heidi; Simpson, D. J.; Strange, Jack; Stubbs, Michael; Timberlake, John; Verzutti, Erika; Vinitsky, Yonatan and Wright, Carla. 2010. Use and Mention. In: "Use and Mention", Stephen Lawrence Gallery, University of Greenwich, London, United Kingdom, 26 Jan - 26 Feb 2010. [Show/Exhibition]

[img]
Preview
Chilver, John; Bedwell, Simon A.; Reski, Gunter and Vinitsky, Yonatan. 2010. Standard Candles. In: "Standard Candles", Vulpes Vulpes, London, United Kingdom, 31 March - 25 April 2010. [Show/Exhibition]

Chilver, John; Graw, Isabelle; Haverkost, Eberhard; Baer, Monika and Reski, Gunter. 2007. 'On Disappearance & Display'. In: , ed. The Worst & The Best: Yearbook 2007/2008. Oslo: KHIO/National Academy of Fine Arts Oslo, pp. 21-23. [Book Section]

[img]
Preview
Chilver, John; Lowe, Brighid; Capaldi, Leah; Chaimowicz, Marc Camille; Jeffery, Charlie; Jones, Gareth; Pedraglio, Francesco; Piper, Adrian; Schmuecker, Martina; Slotawa, Florian; Staton, Sarah and Wentworth, Richard. 2012. Parts and Labour (3 Hours Minimum Wage). In: "Parts and Labour (3 Hours Minimum Wage)", Camberwell Space, London, United Kingdom, 1/5/2012-26/5/2012. [Show/Exhibition]

Chilver, John; Lowe, Brighid and Mok, Honggyun. 2014. Parts and Labour (Osan). In: "Parts and Labour (Osan)", Osan Museum of Art, Korea, Republic of, November - December 2014. [Show/Exhibition]

Chilver, John; Malik, Suhail; Harris, Jane; Stubbs, Michael; Cooke, Nigel and Brown, Glenn. 2004. ''Painting as a Technology''. In: ‘Painting, Specifically’. Serpentine Gallery, London, United Kingdom. [Conference or Workshop Item]

Chilver, John and Slotawa, Florian. 2008. Contingency and the Paradox of Composition: Florian Slotawa. Art Papers, 32(5), pp. 32-37. ISSN 1524-9581 [Article]

Chilver, John and Vallotton, Felix. 2009. Felix Vallotton: Genres and Shallow Waters. Turps Banana, 7, pp. 28-35. ISSN 1749-3994 [Article]

[img]
Preview
Clark, Simon J.. 2013. Undead Melancholia; from Lost Modernism to Haptic Antagonism. Doctoral thesis, Goldsmiths, University of London [Thesis]

Comay, Rebecca and Newman, Michael. 2012. Ghostly Medium: James Coleman’s 'Charon'. In: Museo Nacional Centro de Arte Reina Sofía, ed. James Coleman. Madrid: Museo Nacional Centro de Arte Reina Sofia, pp. 35-52. ISBN 9788480264556 [Book Section]

Coutts, Marion. 2005. 01. Marion Coutts. In: , ed. Responding to Rome, British Artists in Rome 1995-2005. The British School at Rome. ISBN 978-0904152494 [Book Section]

Coutts, Marion. 1988. 4th International Triennial of Drawing. In: "4th International Triennial of Drawing", Wroclaw, Poland. [Show/Exhibition]

Coutts, Marion. 2005. Contribution to Helsinki photography festival 2005. In: Mika Elo; Brett Rogers and Marjatta Tikkanen, eds. To be continued... / jatkuu...: Helsinki Photography Festival 2005. Helsinki: Valokuvataiteilijoiden Liitto ry / Valokuvagalleria Hippolyte & British Council. ISBN 0-86-355-5489 [Book Section]

[img]
Preview
[img]
Preview
Coutts, Marion. 2002. Cult. In: "Cult", Chisenhale Gallery, United Kingdom, 9/4/2002 - 10/13/2002. [Show/Exhibition]

Coutts, Marion. 2006. Ein Bolzplatz fur die Kunst/ Ball of Fame, Young International Artists. In: "Ein Bolzplatz fur die Kunst/ Ball of Fame, Young International Artists", ex-Vitra Design Museum, Berlin, Germany. [Show/Exhibition]

[img]
Preview
[img]
Preview
Coutts, Marion. 2003. Everglade. In: "Everglade", Firstsite, The Minories: 7 June-3 August 2003 Angel Row Gallery: 14 Jan-28 Feb 2004 2 Princelet St: 1 May-16 May 2004, 6/7/2003 - 5/16/2004. [Show/Exhibition]

Coutts, Marion. 2001. Fair Play. In: , ed. Fair Play. London: Danielle Arnaud. ISBN 09537752-7-5 [Book Section]

Coutts, Marion. 1998. Fine Arts 1998-1999, The British School at Rome. Fine Arts 1998-1999, The British School at Rome, [Article]

Coutts, Marion. 2015. The Iceberg: A Memoir. Atlantic Books. ISBN 978-1782393528 [Book]

[img]
Preview
[img]
Preview
Coutts, Marion. 2005. Money. In: "Money", The Tabernacle Trust, Powis Square, 1/15/2005 - 2/26/2005. [Show/Exhibition]

[img]
Preview
[img]
Preview
Coutts, Marion. 2003. Mountain. In: "Mountain", Kettles Yard, 9/27/2003 - 11/2/2003. [Show/Exhibition]

[img]
Preview
[img]
Preview
Coutts, Marion. 2008. Reading Columns. [Art Object]

[img]
Preview
[img]
Preview
Coutts, Marion. 2008. Twenty Six Things. [Art Object]

Coutts, Marion and Fisher, Elizabeth. 2005. Marion Coutts, Kettle’s Yard. Kettles Yard Gallery. ISBN 1-904561-13-6 [Book]

Coutts, Marion and Furlong, William. 2003. Audio Arts: Volume 21 No 2. Audio Arts, [Article]

Coutts, Marion and Hopkins, David. 2000. essay by David Hopkins. Co-published by Morning Star with City Art Centre, polygon. Paperback with CD. In: Alex Finlay, ed. Without Day. Polygon An Imprint of Birlinn Limited; Pap/Com edition. ISBN 978-0748662777 [Book Section]

[img]
Preview
Coutts, Marion and Lubbock, Tom. 2011. Great Works: 50 Paintings Explored. Frances Lincoln, London. [Other]

[img]
Preview
Coutts, Marion and Lubbock, Tom. 2012. Introduction. In: Marion Coutts, ed. Until Further Notice, I am Alive. London: Granta, pp. 1-9. ISBN 978-1-84708-531-3 [Book Section]

Coutts, Marion; O'Reilly, Sally; Deary, Vincent; Wood, Katherine and Bode, Steven. 2003. Marion Coutts. Film & Video Umbrella. ISBN 978-1904270058 [Book]

Craighead, Alison and Thomson, J.. 2007. BEACON at BFI Southbank. In: "BEACON at BFI Southbank", BFI Southbank, 6/22/2007 - 8/19/2007. [Show/Exhibition]

Craighead, Alison and Thomson, J.. 2006. Decorative Newsfeeds. In: "Decorative Newsfeeds", Neuberger Museum of Art, State University of New York, 2/12/2006 - 6/25/2006. [Show/Exhibition]

Craighead, Alison and Thomson, J.. 2007. Short Films about Flying. In: "Short Films about Flying", Laboral Museum, Gijon (Spain), 3/30/2007 - 6/30/2007. [Show/Exhibition]

Craighead, Alison and Thomson, J.. 2006. Unprepared Piano. In: "Unprepared Piano", Mejan Labs, Stockholm, 1/26/2006 - 3/5/2006. [Show/Exhibition]

[img]
Preview
[img]
Craighead, Alison and Thomson, JON. 2011. Thomson & Craighead solo show at Watermael Station and Vénerie Stables Brussels. In: "Thomson & Craighead", Watermael Station & Vénerie Stables, Belgium, 26th of october 2011 to 18th of Decemeber 2011. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2012. Belief. [Film/Video]

[img]
Preview
Craighead, Alison and Thomson, Jon. 2011. Cloud Sounds. In: "Cloud Sounds", Netherlands Media Art Institute, Amsterdam, Netherlands, 19th February - 29th April 2011. [Show/Exhibition]

[img]
Preview
Craighead, Alison and Thomson, Jon. 2011. Current: an experiment in collecting digital art. In: "Current: an experiment in collecting digital art", Harris Museum, Preston, United Kingdom, 26 March – 4 June 2011. [Show/Exhibition]

[img] [img]
Craighead, Alison and Thomson, Jon. 2011. Gateways, Art and Networked Culture, Tallinn. In: "Gateways", Kumu Art Museum Tallinn, Estonia, 1st of june 2011- sept 2011. [Show/Exhibition]

[img]
Preview
Craighead, Alison and Thomson, Jon. 2011. LA BIENNALE DE MONTREAL 2011, Centre International d'Art Contemporain de Montreal, Canada.. In: "LA BIENNALE DE MONTREAL 2011", Centre International d'Art Contemporain de Montreal, Canada, 1-31 of May 2011. [Show/Exhibition]

[img] [img]
Craighead, Alison and Thomson, Jon. 2012. A LIVE PORTRAIT OF TIM BERNERS-LEE (AN EARLY WARNING SYSTEM). In: "National Media Museum, Life Online Galleries", National Media Museum in Bradford, United Kingdom, MARCH 2012- MARCH 2013. [Show/Exhibition]

[img]
Craighead, Alison and Thomson, Jon. 2010. London Wall. In: "London Wall", Museum of London, United Kingdom, 28 May to 5 Sep 2010. [Show/Exhibition]

[img]
Craighead, Alison and Thomson, Jon. 2012. London Wall N4 in 'Being Social', Furtherfield Gallery. In: "Being Social", FurtherField Gallery, McKenzie Pavillion, United Kingdom, Date: Saturday 25 February - Saturday 28 April 2012. [Show/Exhibition]

[img]
Craighead, Alison and Thomson, Jon. 2012. Mirror Neurons. In: "Mirror Neurons", National Glass Centre, Sunderland, United Kingdom, 1st of march 2012 -20th of may 2012. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2008. The New Normal (Beacon). In: "The New Normal", Artist Space , NY, United States, april 25 2008 - ongoing currenty 2010. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2012. October. In: "Brighton Photo Biennal", Brighton, United Kingdom, 6 October - 4 November 2012. [Show/Exhibition]

[img]
Craighead, Alison and Thomson, Jon. Samsung Art Prize. [Professional Activity]

[img]
Preview
Craighead, Alison and Thomson, Jon. 2011. Short Film about War at The Recontres Internationales. In: "The Recontres Internationales 2011", Paris, France, NOv 18th -26th 2011. [Show/Exhibition]

[img]
Preview
[img]
Preview
Craighead, Alison and Thomson, Jon. 2010. Thomson & Craighead, HICA (Highland Institute of Contemporary Art). In: "Thomson & Craighead", HICA, United Kingdom, 20 june - 25 july 2010. [Show/Exhibition]

[img]
Craighead, Alison and Thomson, Jon. 2008. Thomson & Craighead, Moderna Museet, Stockholm. In: "Thomson & Craighead at Studion,", Moderna Museet in Stockholm,, Sweden, 2 - 30 October 2008. [Show/Exhibition]

[img]
Craighead, Alison and Thomson, Jon. 2009. Timecode. In: "Timecode", Dundee Contemporary Arts, United Kingdom, 17 January 2009 - 8 March 2009. [Show/Exhibition]

[img]
Preview
Craighead, Alison and Thomson, Jon. 0011. Tomorrow Never Dies. In: "Tomorrow Never Dies", Design Gallery BWA Wroclaw, Poland, sept 8th 2011. [Show/Exhibition]

[img]
Craighead, Alison and Thomson, Jon. Vital Spark Award 2011-2012. [Professional Activity]

[img]
Preview
[img]
Preview
Craighead, Alison; Thomson, Jon and Rushton, Steve. 2010. A Short Film About War. [Film/Video]

Crowe, Nick. 1999. The Citizens. [Project]

Crowe, Nick. 2002. Constantly Falling Rocks. In: , ed. Life is Good in Manchester. Trice Publications. [Book Section]

Crowe, Nick. 2008. Contemporary Glass. In: Blanche Craig, ed. Contemporary Glass. London: Black Dog Publishing. ISBN 978-1906155360 [Book Section]

Crowe, Nick. Digital Art (World of Art). In: Christiane Paul, ed. Digital Art (World of Art). London: Thames & Hudson Ltd. ISBN 978-0500203675 [Book Section]

Crowe, Nick. 2006. The Dream of the Big Fat Pipe. In: , ed. The Artist Handbook. London: Thames and Hudson. [Book Section]

Crowe, Nick. 2003. Internet Art. In: Julian Stallabrass, ed. Internet Art : The Online Clash of Culture and Commerce. Tate Publishing; 1st Trade Paperback edition. ISBN 978-1854373458 [Book Section]

Crowe, Nick. 2006. Nick Crowe, Commemorative Glass. Manchester: Cornerhouse Publications. ISBN 978-0955047800 [Book]

Crowe, Nick. 2000. Parallel Lines. Manchester: Trice Publications. [Book]

Crowe, Nick. 2007. Pavel Büchler’s Loops. In: , ed. Pavel Büchler - Absentmindedwindowgazing Van Abbemuseum 2007. Veenman Publishers. ISBN 978-90-8690-080-0 [Book Section]

Crowe, Nick. 2006. The Reporters of the BBC Website. Berlin: The Green Box. ISBN 978-3908175131 [Book]

Crowe, Nick. 2010. Theorizing Digital Cultural Heritage (Media in Transition). In: Fiona Cameron and Sarah Kenderine, eds. Theorizing Digital Cultural Heritage. Cambridge, Mass: MIT Press. ISBN 978-0262514118 [Book Section]

Crowe, Nick. 2006. Unplanned Articulation. Convergence, 12(2), pp. 137-141. ISSN 1354-8565 [Article]

Crowe, Nick. 2009. We are the Real Time Experiment: 20 Years of FACT. In: Michael Stubbs and Karen Newman, eds. We are the Real Time Experiment. Liverpool University Press. ISBN 978-1846312298 [Book Section]

[img]
Preview
Crowe, Nick and Ian, Rawlinson. 2012. Nick Crowe and Ian Rawlinson. In: "The Opera", Salt, Istanbul, Turkey, 18 September 2012 - 25 September 2012. [Show/Exhibition]

[img]
Preview
Crowe, Nick and Ian, Rawlinson. 2012. The Opera. In: "The Opera", Plataforma Revolver, Lisbon, Portugal, 15 November 2012 - 31 December 2012. [Show/Exhibition]

Crowe, Nick and Kivland, Sharon. 2006. Their Dark Materials. Manchester: i3 Publications. ISBN 9780954205874 [Book]

Crowe, Nick and O'Reilly, Sally. 2007. Labyrinth: LEO. CSKX Publishing. ISBN 978-0955757501 [Book]

Crowe, Nick and Rawlinson, Ian. 2005. Artist Pages. In: Nick Crinson, ed. Urban Memory, History and Amnesia in the Modern City. London: Routledge. ISBN 978-0415334068 [Book Section]

[img]
Preview
Crowe, Nick and Rawlinson, Ian. 2010. Black Hole Hums B Flat. In: "Black Hole Hums B Flat", Duke Street, London, United Kingdom, 11 October 2010 - 14 November 2010. [Show/Exhibition]

[img]
Crowe, Nick and Rawlinson, Ian. 2012. Concentration in the Age of Distribution. ROUNDTABLE, 1(1), -. [Article]

[img]
Preview
Crowe, Nick and Rawlinson, Ian. 2010. Dimensions in British Contemporary Art. In: "Dimensions in British Contemporary Art", Dehli, India, 2010 - 2011. [Show/Exhibition]

[img]
Preview
Crowe, Nick and Rawlinson, Ian. 2011. The Fireworks. In: "The Fireworks", Gallery Kit / Isolation Room, St Louis, United States, 12 January 2011 - 10 February 2011. [Show/Exhibition]

[img]
Preview
Crowe, Nick and Rawlinson, Ian. 2011. The Fireworks. In: "The Fireworks", Whitworth Art Gallery, Manchester, United Kingdom, 05 February 2011 - 05 June 2011. [Show/Exhibition]

[img]
Preview
Crowe, Nick and Rawlinson, Ian. 2012. Flights of Fancy. In: "Flights of Fancy", Bablylon Kino, Berlin, Germany, June 2012 - September 2012. [Show/Exhibition]

Crowe, Nick and Rawlinson, Ian. 2009. The Four Horsemen. [Art Object]

[img]
Preview
Crowe, Nick and Rawlinson, Ian. 2011. I'll Be Your Mirror. In: "I'll Be Your Mirror", St Louis, United States, 30 September 2011 - 15 April 2012. [Show/Exhibition]

Crowe, Nick and Rawlinson, Ian. 2009. Involved, Socially. In: "Involved, Socially", Triple Base Gallery, SF, United States, 7 August 2009 - 9 September 2009. [Show/Exhibition]

[img]
Preview
[img]
Preview
Crowe, Nick and Rawlinson, Ian. 2011. Kritische Masse. In: "Kritische Masse", Dresden, Germany, 20 October 2011 - 20 November 2011. [Show/Exhibition]

Crowe, Nick and Rawlinson, Ian. 2012. Libretto. [Project]

[img]
Preview
[img]
Preview
Crowe, Nick and Rawlinson, Ian. 2011. Memory of Hope. In: "Memory of Hope", Liverpool, United Kingdom, 5 August 2011 - 3 September 2011. [Show/Exhibition]

Crowe, Nick and Rawlinson, Ian. 2009. Mobile Research Station. In: "Mobile Research Station", Skultpuren Park, Berlin, Germany, June 2009. [Show/Exhibition]

[img]
Preview
Crowe, Nick and Rawlinson, Ian. 2012. The Nail, The Colours, The Mast. In: "The Nail, The Colours, The Mast", Berlin, Germany, 27 April 2012 - 6 May 2012. [Show/Exhibition]

Crowe, Nick and Rawlinson, Ian. 1999. Nick Crowe and Ian Rawlinson. Manchester City Art Galleries. ISBN 978-0901673626 [Book]

Crowe, Nick and Rawlinson, Ian. 2007. Nick Crowe and Ian Rawlinson: At 25 Meters: At 25 Metres (FACT). Liverpool University Press. ISBN 978-1846311475 [Book]

[img]
Preview
Crowe, Nick and Rawlinson, Ian. 2010. No Sign of Helicopters. In: "No Sign of Helicopters", Ceri Hand Gallery, Liverpool, United Kingdom, 16 September 2010 - 16 October 2010. [Show/Exhibition]

Crowe, Nick and Rawlinson, Ian. 2009. The Northern Art Prize. In: "The Northern Art Prize", Leeds City Art Gallery, United Kingdom, 15 Novmeber 2009 - 20 February 2010. [Show/Exhibition]

[img]
Preview
Crowe, Nick and Rawlinson, Ian. 2010. Re-Make/Re-Model. In: "Re-Make/Re-Model", National Glass Centre, Sunderland, United Kingdom, 14 October 2010 - 27 February 2011. [Show/Exhibition]

Crowe, Nick and Rawlinson, Ian. 2010. Save Us (Group Show). In: "Save Us", Christchurch, Macclesfield, United Kingdom, 17 June 2010 - 1 July 2010. [Show/Exhibition]

Crowe, Nick and Rawlinson, Ian. 2009. Something out of Nothing. In: "Something out of Nothing", The Invisible Dog, Brooklyn, United States, 3 October 2010 - 31 October 2010. [Show/Exhibition]

[img]
Preview
Crowe, Nick and Rawlinson, Ian. 2011. Stolen Artifact. In: "Stolen Artifact", Kotti Shop, Berlin, Germany, 25 June 2011 - 9 July 2011. [Show/Exhibition]

Crowe, Nick and Rawlinson, Ian. 2009. Stranger Things Art Happening. In: "Stranger Things Art Happening", Aspex Gallery, Portsmouth, United Kingdom, 27 June 2009 - 23 August 2009. [Show/Exhibition]

[img]
Preview
Crowe, Nick and Rawlinson, Ian. 2011. Synthetic Real. In: "Synthetic Real", London, United Kingdom, 24th November 2011 to 14th January 2012.. [Show/Exhibition]

[img]
Preview
Crowe, Nick and Rawlinson, Ian. 2012. Towards A Free Society. In: "Towards A Free Society", Institute of Jamais Vu, London, United Kingdom, 21 June 2012 - 8 July 2012. [Show/Exhibition]

Crowe, Nick and Rawlinson, Ian. 2010. The Ursynów Community Rope Ladder Workshop. In: "The Knot", UNDEFINED, 30 May - 30 November 2010. [Show/Exhibition]

[img]
Preview
[img]
Preview
Crowe, Nick and Rawlinson, Ian. 2010. The Ursynów Memorial Ski Lift. In: "The Knot", Warsaw, Poland, 30 May - 30 November 2010. [Show/Exhibition]

[img]
Preview
Crowe, Nick and Rawlinson, Ian. 2010. The Way We Do Art Now. In: "How We Do Art Now", Tanya Leighton Gallery, Berlin, Germany, 1 May 2010 - 5 June 2010. [Show/Exhibition]

[img]
Preview
Crowe, Nick and Rawlinson, Ian. 2011. We Are Here to Help the People. In: "We Are Here to Help the People", Whitworth Art Gallery, Manchester, United Kingdom, 9 April 2011. [Performance]

[img]
Preview
Cruz, Carla. 2015. Democracy: a (Non) Artistic Intervention?: Attempts to Perform Democracy through Art. Doctoral thesis, Goldsmiths, University of London [Thesis]

Cruz, Juan. 2001. Application for Planning Permit: Proposal to Build a Metaphor. In: "Application for Planning Permit: Proposal to Build a Metaphor", The Melbourne Festival, 10/11/2001 - 11/3/2001. [Show/Exhibition]

Cruz, Juan. 2005. Juan Cruz is translating don Quijote (again). In: "Juan Cruz is translating don Quijote (again)", Peer, 9/16/2005 - 11/6/2005. [Show/Exhibition]

Cruz, Juan. 2001. Portrait of a Sculptor. In: "Portrait of a Sculptor", Matts Gallery, 7/1/2001 - 9/2/2001. [Show/Exhibition]

Cruz, Juan. 2001. Squatters. In: "Squatters", Fundao de Serralves and Witte de With, 6/26/2001 - 9/23/2001. [Show/Exhibition]

[img]
Danino, Nina. 2010. 'Attending to the Other: Critical Theory and Spiritual Practice'. In: Attending to the Other: Critical Theory and Spiritual Practice. Faculty of Theology, St. Catherine's College, Oxford University, Oxford, United Kingdom 23rd-26th September 2010. [Conference or Workshop Item]

[img]
Preview
[img]
Preview
Danino, Nina. 2010. Communion. [Film/Video]

[img]
Preview
Danino, Nina. 2012. Contemporary Visual Art Programme 2012. In: "Contemporary Art Programme", Mount Stuart, Isle of Bute, United Kingdom, 23 June-31 October 2012. [Show/Exhibition]

Danino, Nina. 2006. Film, the Body and the Fold. In: J. Hatfield and S. Littman, eds. Experimental Film and Video: An Anthology. John Libbey, pp. 93-101. ISBN 9780861966646 [Book Section]

[img]
Preview
Danino, Nina. 2010. For the Sake of the Image. In: "For the Sake of the Image", Jerwood Visual Arts, London, United Kingdom, 8 March 2010. [Show/Exhibition]

[img]
Preview
[img]
Preview
Danino, Nina. 2010. From Floor to Sky - British Sculpture and the Studio Experience. In: "From Floor to Sky - British Sculpture and the Studio Experience", Ambika, P3, London, United Kingdom, 5 March-4 April 2010. [Show/Exhibition]

[img]
Danino, Nina. 2010. From Floor to Sky -The Experience of Art School and the teaching of Peter Kardia. In: Peter Kardia; Malcolm Le Grice and Hester Westley, eds. From Floor to Sky -The Experience of Art School and the teaching of Peter Kardia. London: A&C Black, pp. 58-62. ISBN 9781408114995 [Book Section]

[img]
Danino, Nina. 2010. Geography of Proximity. In: "Geography of Proximity", Valletta, Malta, 14 October-15 November 2010. [Show/Exhibition]

Danino, Nina. 2012. Gibraltar-Genoa. [Art Object]

[img]
Preview
[img]
Danino, Nina. 2012. The Land seen from the Sea. In: ""The Land seen from the Sea"", Genoa, Italy, 2 February -4 May 2012. [Show/Exhibition]

[img]
Preview
[img]
Preview
Danino, Nina. 2010. Little Constellation - a vision of contemporary art in geo-cultural micro areas and small European States. In: "Little Constellation - a vision of contemporary art in geo-cultural areas and small European States", Fabbrica del Vapore, Milan, Italy, 8 March -8 April 2010. [Show/Exhibition]

Danino, Nina. 2012. 'Little Constellation - Workshop Gibraltar'. In: Little Constellation- Workshop Gibraltar. Gibraltar, Gibraltar 7-11 December 2012. [Conference or Workshop Item]

[img]
Preview
[img]
Preview
Danino, Nina. 2010. Little Constellation: Contemporary Art in Geo-cultural Micro-areas and small States of Europe. In: Rita Canarezza and Pier Paolo Coro, eds. LIttle Constellation: Contemporary Art in geo-cultural micro-areas and small States of Europe. Milan, Italy: Mousse Publishing, pp. 82-86. ISBN 9788896501078 [Book Section]

[img]
Preview
Danino, Nina. 2011. Maya Deren in Context: British Women Filmmakers. In: "Maya Deren in Context: British Women's Filmmaking", BFI Southbank, London, United Kingdom, 9 October 2011. [Show/Exhibition]

[img]
Preview
Danino, Nina. 2009. Podcast Interview. [Broadcast]

Danino, Nina. 1980. Slide–tape: Key Work in the UK since the 1960s. In: "Slide-tape: Key work in the UK since l980s.", Vivid , Birmingham, United Kingdom, 4 October- 30 November 2012. [Show/Exhibition]

Danino, Nina. 2007. Stabat Mater - A Nameless Place, Film the Feminine and the Sacred. In: G. Pollock and V. Turvey-Sauron, eds. The Sacred and the Feminine - Imagination and Sexual Difference. I.B.Tauris, p. 288. ISBN 9781845115203 [Book Section]

Danino, Nina. 2008. Subversive Film Festival 2008: Hommage 1968. In: "Subversive Film Festival 2008: Hommage 1968", Zagreb, Croatia, 18 - 24 May 2008. [Show/Exhibition]

[img]
Danino, Nina. 2008. Tatton Park Biennal. In: "Tatton Park Biennal", Tatton Park, United Kingdom, 3 May - 28 Sep 2008. [Show/Exhibition]

Danino, Nina. 2012. Terrace. [Film/Video]

[img]
Danino, Nina and Boulton, Jack. 2011. Communion. Stimulus Respond, 2011(Summer), pp. 83-92. [Article]

Danino, Nina; Canezza, Rita; Coro, Pier Paolo; Mangion, Mark and Racanovic, Svetlana. 2012. 'Little Constellation - Gibraltar Workshop'. In: Little Constellation - Workshop Gibraltar. Gibraltar 7-12th December. [Conference or Workshop Item]

Danino, Nina; Coro, Pier Paolo and Canarezza, Rita. 2012. Little Constellation - small States on un-certain stereotypes. Mousse Publsiher, Milan Italy. [Other]

Danino, Nina; De Witt, H.; Gray, L. and Plate, S.. 2005. Landscape, Film, Time and the Visionary: Speaking in the Dark. In: Catherine Grant, ed. Visionary Landscapes, The Films of Nina Danino. London: Black Dog Publishing, 120-128, 66. ISBN 1904772072 [Book Section]

[img]
Danino, Nina and Garavaggio, Giovanni. 2011. L'Ospite et L'Instruso. In: "L’Ospite et L'Instruso", Studio Ermanno Cristini, Varese, Italy, 9-30 April 2011. [Show/Exhibition]

Danino, Nina; Joseph-Lester, Jasper; Petresin, Vesna; Laurent, Robert; Crone, Bridget and Zoller, Maxa. 2012. Abstract Image in Future Film and Video Art. Moving Image Review & Art Journal (MIRAJ), 1(2), pp. 79-88. ISSN 2045-6298 [Article]

[img]
Preview
Danino, Nina and Maziere, M.. 2002. The Undercut Reader - Critical Writings on Artists' Film and Video. Wallflower Press. ISBN 1903364477 [Book]

[img]
Preview
Danino, Nina and Syder, Larry. 2010. 'For the Sake of the Image'. In: For the Sake of the Image. Jerwood Visual Arts, London., United Kingdom 8 March 2010. [Conference or Workshop Item]

Davis, Paul. 2007. Good Riddance. In: "Good Riddance", MOT International, London, 2/3/2007 - 3/10/2007. [Show/Exhibition]

Davis, Paul. 2007. Intentional Computing. In: "Intentional Computing", Seventeen Gallery, 5/30/2007 - 6/23/2007. [Show/Exhibition]

Davis, Paul and Arcangel, Cory. 2004. The 2004 Whitney Biennial. In: "The 2004 Whitney Biennial", Whitney Museum of Modern Art, 3/11/2004 - 5/30/2004. [Show/Exhibition]

Davis, Paul and Davidson, E.. 2006. Satellite of Love. In: "Satellite of Love", Witte de With Centre, 1/26/2006 - 3/26/2006. [Show/Exhibition]

Day, P.. 2006. Ibon Aranberri. The Logic of Stories. Afterall, 14, pp. 29-36. ISSN 1846380332 [Article]

Day, P.. 2002. Nostalgia. In: "Nostalgia", Art in General, 9/24/2002 - 2/1/2003. [Show/Exhibition]

Day, P.. 2005. Sin teoría revolucionaria no hay revolucíon: Estrategias política del arte contemporáneo en México [Without Revolutionary Theory There is no Revolution: Political Strategies in Contemporary Art in Mexico]. In: 'Issa Ma Benítez Dueñas, ed. Cronicas del paraiso: Arte contemporaneo y sistema del arte en Mexico. Ephemera Books, pp. 78-89. [Book Section]

Day, P.. 2002. Zero and Zero to the power of one. In: "Zero and Zero to the power of one", Art and Idea, 10/4/2002 - 11/1/2002. [Show/Exhibition]

[img]
Preview
De Ville, Nicholas. 2003. Album: Style and Image in Sleeve Design. Mitchell Beazley. ISBN 1840006056 [Book]

De Ville, Nicholas. 2002. Les Écoles d'art Britannique [British Art Schools and the Influence of Art Education]. In: , ed. Blast to Freeze L'art Britannique au XXe Siècle [Blast to Freeze: British Art in the 20th Century]. Hatje Cantz, pp. 106-111. ISBN 3775712488 [Book Section]

De Ville, Nicholas. 2001. Malcolm Morley� - Life After Death? Modern Painters, 14(3), pp. 54-58. ISSN 09536698 [Article]

De Ville, Nicholas. 2006. On Falling Down: Writing a Catalogue Essay for Graham Dolphin, Even. In: No named Editor, ed. Thirty Three and a Third. Seventeen, pp. 1-4. ISBN 0955437504 [Book Section]

Dean, Mark. 2010. The Beginning of the End. In: "The Beginning of the End", Beaconsfield, London, United Kingdom, Nov 2010 - 27 Feb 2011. [Show/Exhibition]

[img]
Preview
[img]
Preview
Dean, Mark. 2010. Christian Disco (Terminator). [Film/Video]

Dean, Mark. 2004. Disco Maquette. In: "Disco Maquette", Sketch, 7/23/2004 - 9/11/2004. [Show/Exhibition]

Dean, Mark. 2002. Game On. In: "Game On", Barbican Art Gallery, 5/16/2002 - 9/15/2002. [Show/Exhibition]

Dean, Mark. 2002. The Return of Jackie & Judy (+ Joey). In: "The Return of Jackie & Judy (+ Joey)", Laurent Delaye Gallery, 2/1/2002 - 3/28/2002. [Show/Exhibition]

Dean, Mark. 2005. (Version) for Lightsilver. In: "(Version) for Lightsilver", Beaconsfield, 2/23/2005 - 5/8/2005. [Show/Exhibition]

Dean, Mark; Dean, Tacita; Sierra, Santiago and Wallinger, Mark. 2009. The Enigma of Arrival. In: "The Enigma of Arrival, Leeds Art Gallery, 2009", Leeds Art Gallery, United Kingdom. [Show/Exhibition]

[img]
Preview
Drake, Colin and Mabb, David. 2008. Commodity Form. [Exhibition Catalogue]

Fenton, Natalie; Ahmed, Sara; Anim-Addo, Joan; Blackman, Lisa; Jefferies, Janis K.; Puwar, Nirmal and Reckitt, Helena. 2013. 'Feminism@ Goldsmiths'. In: Feminism@ Goldsmiths. Goldsmiths, Universirty of London, United Kingdom. [Conference or Workshop Item]

Fisher, Sam. 2004. The Five Corners of Painting. In: "The Five Corners of Painting", Artconnexion, 2/5/2004 - 2/28/2004. [Show/Exhibition]

Fisher, Sam. 2001. Gymnasium. In: "Gymnasium", Bregenzer Kunstverein, 7/14/2001 - 9/2/2001. [Show/Exhibition]

Fisher, Sam. 2005. Incorrigible Sentimental. In: "Incorrigible Sentimental", Kerlin Gallery, 7/8/2005 - 8/6/2005. [Show/Exhibition]

Fisher, Sam. 2003. 'Virtual Reality and its effect on the Artist'. In: Art, Design and Virtual Reality Symposium. University of Marmara 6/15/2003. [Conference or Workshop Item]

Frearson, Annabel. 2015. Cash, not Rocks! The transformation of cultural value. Doctoral thesis, Goldsmiths, University of London [Thesis]

[img]
Preview
Freee, Freee; Whiles, Annie; David, Jo; House, Rachel; Kenning, Dean; Cobb, Nicholas; Robbins, Freddie; Cloth, Jay; Wayman, Mark; Kwan, Gayle Chong; Bishop, Mark (J. M.); Harrison, Ellie and Socialist Choir, Strawberry thieves. 2009. The Peckham Experiment. In: "The Peckham Experiment", Camberwell Space, Camberwell College of Art, United Kingdom, 28th September-7th November 2009. [Show/Exhibition]

Fusco, Maria. 2009. 'Accelerated History: Is Time Enough? Duration, Location and Accelerated Histories'. In: Motel Out Of The Blue An international symposium on Instant Urbanism, Hospitality and Accelerated History. Het Blauwe Huis, 3 - 9 Aug 2009. [Conference or Workshop Item]

Fusco, Maria. 2009. 'Art + Writing Panel Discussion'. In: Art + Writing Panel Discussion. Spike Island, Bristol, United Kingdom. [Conference or Workshop Item]

Fusco, Maria. 2009. 'Art Publishing in the Contemporary world'. In: Art Publishing in the Contemporary world. NCAD, Dublin, Ireland. [Conference or Workshop Item]

Fusco, Maria. 2009. 'Arts Writing Symposia Day 1: Who is this who is coming?'. In: Arts Writing Symposia. Whitechapel Galler, London, United Kingdom. [Conference or Workshop Item]

Fusco, Maria. 2008. 'Derrida, Doom Knots and the Blank Page'. In: The Aesthetics of Trash: Objects and Obsolescence in Cultural Perspective. University College Dublin, Ireland 4 - 6 Sep 2008. [Conference or Workshop Item]

Fusco, Maria. 2012. Donald. Edinburgh: Collective Gallery. ISBN TBC [Book]

Fusco, Maria. 2009. Don’t say yes – say maybe: fiction writing and art writing. In: , ed. Telling Stories: Countering Narrative in Art, Theory and Film. Cambridge: Cambridge Scholars Publishing, pp. 28-37. ISBN 978 1 4438 0532 2 [Book Section]

Fusco, Maria. 2006. The Dream that Kicks; Transdisciplinary Practice in Action. The Artists Information Company. ISBN 090773071X [Book]

Fusco, Maria. 2008. 'Fictionalising Practice and Politics'. In: Art Writing Beyond Criticism. ICA, London, United Kingdom. [Conference or Workshop Item]

Fusco, Maria. 2012. Gonda. [Film/Video]

[img] [img]
Fusco, Maria, ed. 2008. The Happy Hypocrite #1. [Edited Journal]

[img] [img]
Fusco, Maria, ed. 2008. The Happy Hypocrite #2. [Edited Journal]

[img] [img]
Preview
Fusco, Maria, ed. 2009. The Happy Hypocrite #3. [Edited Journal]

Fusco, Maria. 2009. 'Jeff Koons: Popeye Series'. In: Jeff Koons: Popeye Series. Serpentine Gallery, London, United Kingdom. [Conference or Workshop Item]

Fusco, Maria. 2009. 'Judgment and Contemporary Art Criticism: Forum'. In: Judgment and Contemporary Art Criticism. Emily Carr University of Art + Design, Vancouver, Canada 27 - 28 Feb 2009. [Conference or Workshop Item]

Fusco, Maria. 2009. 'Material: Sprache [Language as Material] symposium'. In: Material: Sprache. Kunstuniversitaet Linz, Austria. [Conference or Workshop Item]

Fusco, Maria. 2008. The Mechanical Copula. In: Mark Beasley, ed. Hey Hey Glossolalia. New York: Creative Time. ISBN 9781928570073 [Book Section]

[img]
Preview
Fusco, Maria. 2010. The Mechanical Copula. Berlin/New York: Sternberg Press. ISBN 978 1 934105 19 1 [Book]

Fusco, Maria. 2001. Professional is environmental. Amateurism is anti-environmental: Some networks of association in visual arts publishing. In: No Named Editor, ed. Unbound: Art Publishing in Scotland. Fruitmarket Gallery, pp. 34-43. ISBN 0947912045 [Book Section]

[img]
Fusco, Maria. 2008. SPUME. [Digital]

Fusco, Maria. 2010. Say who I am. In: , ed. Judgment and Contemporary Art Criticism. Vancouver, Canada: Fillip and Artspeak. [Book Section]

Fusco, Maria. 2009. 'Three Uses of the Knife: International workshop on art writing and criticism'. In: Three Uses of the Knife. International workshop on art writing and criticism. Contemporary Art Centre, Vilnius, Lithuania. [Conference or Workshop Item]

Fusco, Maria. 2007. Window Strikes. In: K. Henry, ed. Copy Work. Contemporary Art Gallery, pp. 79-92. ISBN 9781897302163 [Book Section]

Fusco, Maria. 2008. ‘The World in your Head’, ‘The World in your Hand’ and ‘The World Tomorrow’. In: R. Klanten and M. Huebner, eds. Fully Booked: Cover Art and Design for Books. Berlin: Gestalten. ISBN 978-3-89955-209-6 [Book Section]

Fusco, Maria. 2008. 'Writing Encounters'. In: WRITING ENCOUNTERS: CURATING THE ENCOUNTER BETWEEN WRITING AND PERFORMANCE. St John University, York, United Kingdom 11 - 13 Sep 2008. [Conference or Workshop Item]

Fusco, Maria. 2009. The incunabulum and the plastic bag. In: , ed. A Manual for the 21st Century Art Institution. Köln and London: Koenig Books and Whitechapel Gallery. ISBN 978 3865606 181 [Book Section]

[img]
Preview
Fusco, Maria and Hunt, Ian. 2004. Put About: A Critical Anthology on Independent Publishing. Book Works. ISBN 187069970X [Book]

Garfield, Rachel. 2001. Ali G: Just Who Does He Think He Is. Third Text, 2(54), pp. 63-70. ISSN 09528822 [Article]

Garfield, Rachel. 2011. Avinash Chandra. London: Lund Humphries/Delhi Art Gallery. [Book]

[img]
Garfield, Rachel. 2010. For Some Time Now. In: "For Some Time Now", Oranim, Israel, 24 May - 30 June 2010. [Show/Exhibition]

[img] [img]
Garfield, Rachel. 2009. A Particular Incoherence: The films of Vivienne Dick. In: Treasa O'Brian, ed. Between Truth and Fiction, The Films of Vivienne Dick. Ireland/UK: Crawford Art Centre and the Lux, London, pp. 39-48. ISBN 0-9548569-8-8 [Book Section]

[img]
Preview
Garfield, Rachel. 2011. 'Picturing the 'People of the Book''. In: Picturing the 'People of the Book'. Austin, Texas, United States. [Conference or Workshop Item]

Garfield, Rachel. 2007. Radical Uncertainty and Elegaic Practices. In: No Named Editor, ed. AfterShock. Sainsbury's Centre for the Visual Arts, pp. 87-89. ISBN 9781094600963 [Book Section]

Garfield, Rachel. 2006. Towards a Re-Articulation of Cultural Identity. Third Text, 20(1), pp. 99-108. ISSN 09528822 [Article]

Garfield, Rachel. 2005. You'd Think So Wouldn't You?. In: "You'd Think So Wouldn't You?", University of Hertfordshire Galleries Focal Point Gallery Artsdepot, 9/28/2005 - 5/10/2006. [Show/Exhibition]

[img]
Garfield, Rachel. 2008. Zineb Sedira - Biography. New Media Encyclopedia, [Article]

[img]
Garfield, Rachel and Wainwright, Leon. 2011. 'Putting the Cosmopolitan to Work: Experimental Film and Video'. In: Cosmopolitan Practice Symposium. MMU, Manchester, United Kingdom. [Conference or Workshop Item]

[img]
Garfield, Rachel; Wechsler, James; Betancour, Michael; Craven, David; Harrison, Helen; Kuspit, Donald and Power, Susan. 2008. ‘Questioning Perceptions of Jewish Identity in the work of Ary Stillman’,. In: James Wechsler, ed. Ary Stillman: from Impressionism to Abstract Expressionism. New York: Merrel, pp. 149-163. ISBN ISBN 9781858944333 [Book Section]

[img] [img]
Preview
Gee, Nicholas. 2012. Trouble in the garden: exploring the ambivalence of public space and private property. Doctoral thesis, Goldsmiths, University of London [Thesis]

[img]
Preview
[img]
Preview
Gluckman, Eliza and Day, Lucy. 2010. The Jolly (Good) Show: Light and shade in contemporary art practice.. In: "The (Jolly) Good show", Collyer Bristow Gallery, London., United Kingdom, 22 September - 1 December 2010. [Show/Exhibition]

Gordon, Melissa. 2013. Material Evidence. In: "Material Evidence", Spike Island, Bristol, United Kingdom, 6 July to 1 September 2013. [Show/Exhibition]

Gourvil, Olivier. 2009. La Peinture est Presque Abstrait. In: "La Peinture est Presque Abstrait", Transpalette Emmetrop, France, 2009 - 2010. [Show/Exhibition]

[img]
Gourvil, Olivier and Geoffroy, Gross. 2009. Instants et Glissements - Dessins de 20 Artisites Contemporains. In: "Instants et Glissements - Dessins de 20 Artistes Contemporains", La Box Ecole Nationale Superieure d'Art de Bourges., France, 5 - 21 November 2009. [Show/Exhibition]

[img]
Preview
Grant, Catherine. 2006. Different Girls: performances of adolescence in contemporary photographic portraits. Doctoral thesis, Courtauld Institute of Art, London [Thesis]

Grant, Catherine. 2013. The Effort of Perfection: Performing Adolescence. In: Jo Longhurst, ed. On Perfection: An Artists’ Symposium. Intellect. ISBN 9781841507101 [Book Section]

Grant, Catherine. 2011. Fans of Feminism: Re-writing Histories of Second-wave Feminism in Contemporary Art. Oxford Art Journal, 34(2), pp. 265-286. ISSN 0142-6540 [Article]

[img]
Preview
Grant, Catherine. 2015. Feminism Lives! (Again). Photoworks Annual(22), pp. 196-206. [Article]

Grant, Catherine. 2008. Interview with Hal Foster. Immediations, 2(1), [Article]

[img]
Grant, Catherine. 2016. Learning and Playing: re-enacting feminist histories. In: Victoria Horne and Lara Perry, eds. Feminist Art Histories: Renewing Radical Critiques of Theory and Practice. London: I. B. Tauris. ISBN 9781784533250 [Book Section] (Forthcoming)

Grant, Catherine. 2008. Lisa Castagner. In: Filippo Maggia, ed. New Photography in Britain. Skira. ISBN 978-8861305434 [Book Section]

Grant, Catherine. 2000. Performativity: Collier Schorr, Anna Gaskell, Sarah Jones. n.paradoxa: international feminist art journal, 6, pp. 88-92. [Article]

Grant, Catherine. 2002. Private Performances: Editing Performance Photography. Performance Research, 7(1), pp. 34-44. ISSN 1352-8165 [Article]

[img]
Grant, Catherine. 2010. Spiritual America. Words Without Pictures, pp. 193-197. ISSN 978-1-59711-142-3 [Article]

[img]
Grant, Catherine. 2016. A Time of One's Own. Oxford Art Journal, ISSN 0142-6540 [Article] (Forthcoming)

Grant, Catherine. 2008. The Uncertain Spectator: theories of female spectatorship and the work of Anna Gaskell. In: Alexandra M. Kokoli, ed. Feminism Reframed: Reflections on Art and Difference. Cambridge Scholars Publishing, pp. 159-176. ISBN 9781847184054 [Book Section]

Grant, Catherine and Burbridge, Ben. 2012. Photography and Exhibitionism: An Introduction. EitherAnd, [Article]

Gray, Ros. ‘The African Revolution Becomes Something Else’. In: Irit Rogoff, ed. Translating the Image. UNSPECIFIED. [Book Section] (Forthcoming)

Gray, Ros. 2005. '‘Algumas experimentações emergentes nas telas em Moçambique’'. In: Encontros – Maputo 2005, Festival of Documentary Films at the Centro Cultural Franco. Moçambicano, Maputo, Mozambique 27 September–4 October 2005. [Conference or Workshop Item]

Gray, Ros. 2010. An Archive of Aspirations. Jornal do Atelier Real, pp. 11-12. [Article]

Gray, Ros. 2003. Chinese Whispers: Variations on Textile. Textile The Journal of Cloth and Culture, 1(2), pp. 158-173. ISSN 14759756 [Article]

Gray, Ros. 2003. ‘Chinese Whispers: Variations on Textile’. Textile The Journal of Cloth and Culture, 1(2), pp. 158-173. ISSN 14759756 [Article]

Gray, Ros. 2010. Dreaming of Islands. In: , ed. Renée Green: Endless Dreams and Time-Based Streams. San Francisco, CA: Yerba Buena Center for the Arts. [Book Section]

Gray, Ros. 2009. ‘Front of House’. Textile The Journal of Cloth and Culture, 7(2), ISSN 14759756 [Article]

Gray, Ros. 2012. 'Haven't you heard of internationalism?' Communist cinema in Mozambique. In: Lars Lyngsgaard and Fjord Kristensen, eds. Postcommunist Film - Russia, Eastern Europe and World Culture: moving images of postcommunism. Abingdon: Routledge, pp. 53-74. ISBN 9780415671644 [Book Section]

Gray, Ros. 2010. 'Henrique Neves and Clément Darrasse’s ‘Made in.''. In: Henrique Neves and Clément Darrasse’s ‘Made in.'. British Council, Lisbon, Portugal. [Conference or Workshop Item]

[img]
Preview
Gray, Ros. 2014. A Lingering Lusotopia: Thinking the Planetary from Angola. Art Margins, 3(1), pp. 3-27. ISSN 2162-2574 [Article]

Gray, Ros. 2002. Lost and Found: A Modicum of Dignity. The Journal of Visual Culture, 1(1), pp. 131-134. ISSN 14704129 [Article]

Gray, Ros. 2012. 'The Militant Image - A Ciné Geography lecture'. In: Cinematic Migrations lecture series, MIT programme in Art, Culture and Technology. MIT, United States. [Conference or Workshop Item]

Gray, Ros. 2003. '‘Momentary Stability’'. In: Warp:Woof – Aurality, Musicality, Textuality, Congress CATH 2003. University of Leeds, United Kingdom 10 – 12 July 2003. [Conference or Workshop Item]

[img]
Gray, Ros. 2014. 'O Anticolonialsimo da Imagen Militante in the Próximo Futuro series Novos Poderes'. In: A arte do comum e a produção da cultura: O Anticolonialismo da Imagem Militante à Guerra das Escritas. Gulbenkian Foundation, Portugal. [Conference or Workshop Item]

Gray, Ros. Respondent to Renée Green. In: Irit Rogoff, ed. Fieldwork. UNSPECIFIED. [Book Section] (Forthcoming)

Gray, Ros. 2007. 'Third Cinema: Filming the Revolution in Mozambique'. In: Curating the Postcolonial, conference organised by the Royal College of Art. Goethe Institute, London, United Kingdom. [Conference or Workshop Item]

Gray, Ros and Eshun, Kodwo. 2011. The Militant Image: A Ciné-Geography: Editors’ Introduction. Third Text, 25(1), pp. 1-12. ISSN 0952-8822 [Article]

Greenhill, Joanna and Walsh, Bernard. 1999. 'Snake in the Grass/Raising Dirt: a conference paper'. In: Disciplines, Fields and Change in Art Practice. UCE, Birmingham, United Kingdom. [Conference or Workshop Item]

Greenhill, Joanne and Walsh, Bernard. 1999. The Snake in the Grass / Raising Dirt. In: Jacquie Swift and John Swift, eds. Disciplines, Fields and Change in Art Education. 1 ARTicle Press. ISBN 1-873352-92-1 [Book Section]

[img]
Preview
Gronemeyer, Wiebke. 2015. The Curatorial Complex: Social Dimensions of Knowledge Production. Doctoral thesis, Goldsmiths, University of London [Thesis]

[img]
Preview
Gupta, Sunil; Singh, Radikal; Nasar, Hammad; Alam, Shahidul; Pinney, Christopher; Gadihoke, Sabeena and Kapur, Geeta. 2010. Where Three Dreams Cross: 150 Years of Photography from India, Pakistan and Bangladesh. London, UK: Whitechapel Gallery, Fotomuseum Winterthur, Steidl. ISBN 978-0-85488-179-6 [Book]

Hammond, Chris. 2010. 2010. London, United Kingdom January 14th - December 18th 2010. [Show/Exhibition]

Hammond, Chris. 2006. The Alpine Fantasy of Victor B. In: Jeremy Akerman and Eileen Daly, eds. The Alpine Fantasy of Victor B and Other Stories. Serpent's Tail, pp. 165-178. ISBN 978-1852429263 [Book Section]

Hammond, Chris. 2007. Collaborative Networks. In: Michael Stanley, ed. Person to Person, People to People. Milton Keynes Gallery, pp. 7-9. ISBN 9780955344077 [Book Section]

Hammond, Chris. 2004. I am the Wrath of God. In: "I am the Wrath of God", MOT, 8/27/2004 - 10/1/2004. [Show/Exhibition]

Hammond, Chris. 2006. Not Quite Ten Years Without Martin Kippenberger. In: "Not Quite Ten Years Without Martin Kippenberger", MOT, 4/1/2006 - 5/6/2006. [Show/Exhibition]

Hammond, Chris. 2007. Propaganda Machine. In: "Propaganda Machine", The Serpentine Gallery, 6/30/2007 - 7/1/2007. [Show/Exhibition]

Hammond, Chris. 2009. A Work A Day. In: "A Work A Day", MOT International, United Kingdom, 27 June - 24 July 2009. [Show/Exhibition]

Hammond, Chris and Reid, Clunie. 2009. Clunie Reid. In: "Clunie Reid", MOT International, United Kingdom, 10 October - 14 November 2009. [Show/Exhibition]

Hand, Janet. 2007. Art - Write. Journal of Writing in Creative Practice, 1(1), pp. 47-52. ISSN 17535190 [Article]

Hand, Janet. 2002. Follow me. In: John Gange, ed. Monograph: Tim Brennan. Information as Material, pp. 5-79. ISBN 0953676544 [Book Section]

Hand, Janet. 2001. Intimate Gestures: Proximity as a Deformation of Genre. In: K. Honnef, ed. Melanie Manchot - Love is a Stranger. Prestel Verlag, pp. 24-27. ISBN 9783791325323 [Book Section]

Hand, Janet. 2005. Sophie Calle's art of following and seduction. Cultural Geographies, 12(4), pp. 463-485. ISSN 14744740 [Article]

Hansen, Rikke. 2007. Endpoints, Turning Points. In: , ed. Vendepunkter. Byggeriets Hus, pp. 2-5. ISBN 879915611 [Book Section]

Hansen, Rikke and Wilbert, Chris. 2005. 'Setting the Crime Scene: Aspects of performance in Jack the Ripper guided tourist walks'. In: International Conference for Tourism Studies and Cultural Change: Tourism and Performance: Scripts, stages, and stories. Sheffield Hallam University, United Kingdom 10/1/2005. [Conference or Workshop Item]

Hansen, Rikke and Wilbert, Chris. 2006. Setting the Crime Scene: Jack the Ripper Walks, Tourism, and the Media. Merge: Sound, Thought, Image, 17, pp. 30-34. ISSN 14026570 [Article]

[img]
Harbison, Isobel. 2015. The Prosumer Complex. Doctoral thesis, Goldsmiths, University of London [Thesis]

Harper, Andy. 2007. The Ballad of Mistah Bones. In: "The Ballad of Mistah Bones", Frost and Reed Contemporary, 6/18/2007 - 7/20/2007. [Show/Exhibition]

Harper, Andy. 2006. Broca's Area a painting exhibited at John Moores 24 - Exhibition of Contemporary Painting. In: "Broca's Area a painting exhibited at John Moores 24 - Exhibition of Contemporary Painting", Walker Art Gallery, 9/16/2006 - 11/26/2006. [Show/Exhibition]

Harper, Andy. 2005. Cloud and Vision. [Exhibition Catalogue]

Harper, Andy. 2009. East End Academy, Whitechapel Gallery, London. In: "East End Academy : Painting Edition", Whitechapel Gallery, 9 July-30 August 2009. [Show/Exhibition]

Harper, Andy. 1998. Featured artist in Tank. Tank, 2, [Article]

Harper, Andy. 2001. Green Lung. In: "Green Lung", Essex University Gallery, 11/2/2001 - 11/29/2001. [Show/Exhibition]

[img]
Preview
[img]
Preview
Harper, Andy. 2010. An Orrery for Other Worlds. In: "An Orrery for Other Worlds", Aspex Gallery, United Kingdom, 6 Feb - 18 April 2010. [Show/Exhibition]

Harper, Andy. 2002. Review. 'mix', independent art and culture magazine, 27(3), [Article]

[img]
Preview
[img]
Preview
Harper, Andy. 2009. Solo Show at Danese gallery - Andy Harper: New paintings and works on paper. In: "Andy Harper: New paintings and works on paper", Danese Gallery, New York, United States, 16th October - 14th November. [Show/Exhibition]

Harper, Andy. 2006. Toffee Armistice. In: "Toffee Armistice", Lemon Sky Project, 12/6/2006 - 1/24/2007. [Show/Exhibition]

[img]
Preview
[img]
Preview
Harper, Andy. 2011. Towards a New Architecture. In: "Towards a New Architecture", The Page Gallery, Korea, Democratic People's Republic of, 12th May to 12th June 2011. [Show/Exhibition]

Harris, Jane and Walsh, Bernard. 2004. Virtuous Dress. In: Gavin Carver and Colin Beardon, eds. New visions in performance : the impact of digital technologies. Lisse; Exton, PA: Swets & Zeitlinger Publishers, pp. 139-152. ISBN 9026519664 [Book Section]

[img]
Harris, Mark. 2011. Countercultural Intoxication: An Aesthetics of Transformation. In: Adam Lerner and Elissa Auther, eds. West of Center: Art and the Counterculture Experiment in America, 1965–1977. Minneapolis: University of Minnesota Press, pp. 324-343. ISBN 978-0-8166-7726-9 [Book Section]

[img]
Preview
[img]
Preview
Harris, Mark. 2010. Morning Star. In: "Morning Star", Country Club Gallery, Cincinnati, United States, 2010-2012. [Show/Exhibition]

[img]
Preview
Harris, Mark. 1999. Pipilotti Rist's Music. In: , ed. Wishing for Synchronicity: Works by Pipilotti Rist. Houston, Texas: Contemporary Arts Museum Houston, pp. 14-23. ISBN 978-1-933619-17-0 [Book Section]

[img]
Preview
Haste, Polly; Hayton, Annette and Jones, Alison. 2014. Promoting Diversity in Fine Art Education the case of Fine Art at Goldsmiths. British Journal of Sociology of Education, pp. 1-19. ISSN 0142-5692 [Article]

[img]
Helmerdig, Silke. 2016. Fragments, futures, absence and the past: A new approach to photography. Doctoral thesis, Goldsmiths, University of London [Thesis]

[img]
Preview
Hemsworth, Gerard. 2010. Gerard Hemsworth: Hidden Agenda. In: "Gerard Hemsworth, Hidden Agenda, Solo Exhibition", The Aldrich Contemporary Art Museum, Ridgefield, CT, United States, 21 Jun 2009 - 10 Jan 2010. [Show/Exhibition]

Hemsworth, Gerard. 2005. Gerard Hemsworth: Mushrooms in the Rain. In: "Gerard Hemsworth: Mushrooms in the Rain", Galeria Brito Cimino, 9/28/2005 - 10/27/2005. [Show/Exhibition]

[img]
Preview
Hemsworth, Gerard. 2009. Gerard Hemsworth: Now Then. In: "Gerard Hemsworth: Now Then", Galerie Michael Janssen, Berlin, Germany, 16 Jan - 28 Feb 2009. [Show/Exhibition]

[img]
Preview
Hemsworth, Gerard. 2009. Gerard Hemsworth: Water into Wine. In: "Gerard Hemsworth, Water into Wine, Solo Exhibition", Thomas Rehbein Gallery, Koeln, Germany, 22 April - 13 June 2009. [Show/Exhibition]

Hemsworth, Gerard. 2002. Painting as a Foreign Language. In: "Painting as a Foreign Language", Centro Brasileiro Britanico, 3/21/2002 - 4/17/2002. [Show/Exhibition]

Hemsworth, Gerard. 2004. Paper Democracy. In: "Paper Democracy", Centro Brasileiro Britanico, 9/23/2004 - 12/30/2004. [Show/Exhibition]

Hemsworth, Gerard. 2002. Sidewinder. In: "Sidewinder", Centre of International Modern Art Gallery, Kolkata 2002/01/15-2002/02/09 Visual Arts Gallery, India Habitat Centre,New Delhi 2002/03/11-2002/03/20 Prince of Wales Museum of Western India, Mumbai 2002/04/09-2002/04/16, 1/15/2002 - 4/16/2002. [Show/Exhibition]

[img] [img]
Hershman Leeson, Lynn; Stacey, Jackie and Garfield, Rachel. The Complete Roberta Breitmore. [Professional Activity]

Hirst, Nicky; Hays, Dan; Wilson, Jane and Louise; Emin, Tracey; Lucas, Sarah and Walsh, Bernard. 2001. The End is Nigh. In: "The End is Nigh", C.S.K.X. Studios, London, United Kingdom, 1-23 March 2001. [Show/Exhibition]

Hirst, Nicky; Leo, and Walsh, Bernard. 1992. Busby Babes and Two Soldiers. In: "CSKX Exhibition", Zero Goodsway, Kings Cross, London, United Kingdom. [Show/Exhibition]

[img]
Preview
Hoechtl, Nina. 2012. If only for the length of a lucha: queer/ing, mask/ing, gender/ing and gesture in lucha libre. Doctoral thesis, Goldsmiths, University of London [Thesis]

Johnstone, Stephen, ed. 2008. The Everyday. London and Cambridge, MA: Whitechapel Gallery/The MIT Press. ISBN 9780262600743 [Edited Book]

Johnstone, Stephen. 1993. 'The Politics of Seduction'. In: Mike Gane, ed. Baudrillard Live: Selected Interviews. London: Routledge, pp. 152-155. ISBN 978-0415070386 [Book Section]

Johnstone, Stephen. 1995. Walter Benjamin’s Panorama. In: Charlotte Pöchhacker, ed. film+arc. graz, 2nd biennale of film und architektur. Graz. ISBN 39500284-1-2 [Book Section]

Johnstone, Stephen and Ellard, Graham. 2006. The Bomb Interview: Anthony McCall with Graham Ellard and Stephen Johnstone. Bomb Magazine., 97, pp. 65-75. ISSN 07433204 [Article]

Johnstone, Stephen and Ellard, Graham. 2013. Everything Made Bronze. [Film/Video]

Johnstone, Stephen and Ellard, Graham. 2001. Gymnasion. In: "Gymnasion", Bregenzer Kunstverein, Palais Turn and Taxis, 7/14/2001 - 9/2/2001. [Show/Exhibition]

Johnstone, Stephen and Ellard, Graham. 2009. Machine On Black Ground. [Film/Video]

Johnstone, Stephen and Ellard, Graham. 2006. Motion Path. In: "Motion Path", De La Warr Pavilion, 4/1/2006 - 7/31/2006. [Show/Exhibition]

Johnstone, Stephen and Ellard, Graham. 2008. Motion Path. A Building Films Itself. In: Frank Eckardt, ed. Media and Urban Space: Understanding, Investigating and Approaching Mediacity. 1 Berlin: Frank and Timme. Verlag fur Wissenschaftliche Literatur, Berlin., pp. 181-200. ISBN 978-3-86596-142-6 [Book Section]

Johnstone, Stephen and Ellard, Graham. 2010. Neue Museen. [Film/Video]

Johnstone, Stephen and Ellard, Graham. 1998. Passagen (Electric art) CD-ROM. Ellipsis Architectural Press/Film and Video Umbrella, with assistance from the Arts Council of England. ISBN 9781899858163 [Book]

Johnstone, Stephen and Ellard, Graham. 1995. 'Passagen'. [Exhibition Catalogue]

Johnstone, Stephen and Ellard, Graham. 1997. Photographic project. COIL, 4, [Article]

Johnstone, Stephen and Ellard, Graham. 2009. Proposal for an Unmade Film (Set in The Future). In: "'In Search of the Unknown'", NIMK, Amsterdam, Netherlands. [Show/Exhibition]

Johnstone, Stephen and Gange, John. 1993. 'Believe Me. Everybody Has Something Pierced in California : A Conversation with Nayland Blake'. New Formations: A Journal of Culture, Theory, Politics, 19, ISSN 0950-2378 [Article]

[img]
Preview
[img]
Preview
Johnstone, Stephen and Graham, Ellard. 2010. Things to Come. [Film/Video]

Jones, Alison. 2007. Art can, and must change Peoples' Ideas. In: , ed. Gustav Metzger. Warsaw, Poland: National Gallery of Art Warsaw, Poland and Kunsthalle Lund, Sweden. ISBN 9788389145994 [Book Section]

[img]
Jones, Alison. 2006. Bin bags. [Image]

[img]
Preview
[img]
Preview
Jones, Alison. 2005. Episode. In: "Episode", Temporary Contemporary, United Kingdom, 2005-6. [Show/Exhibition]

[img]
Preview
[img]
Preview
Jones, Alison. 2003. Family Business. In: "Family Business", Pitzhanger Manor, London, United Kingdom, 2003. [Show/Exhibition]

[img]
Jones, Alison. 2008. Feminista Mistah. In: "Feminista, Mistah", AVA Gallery, UEL, United Kingdom. [Show/Exhibition]

Jones, Alison. 1999. 'Hannah Wilke’s Whore Art'. In: Obscene Powers Conference. John Hansard Gallery, Southampton University, United Kingdom. [Conference or Workshop Item]

Jones, Alison. 2004. Interview with Gustav Metzger. Forum for Holocaust Studies, [Article]

Jones, Alison. 2001. ‘Interview with Jemima Stehli’. Everything Magazine(3.4), pp. 32-37. [Article]

Jones, Alison. 1999. 'Jemima Stehli: On all fours naked in high heels - a critical position?'. Women: a cultural review, 10(3), pp. 297-307. ISSN 0957-4042 [Article]

Jones, Alison. 1999. ‘Martha Rosler at Icon Gallery’. Socialist Review, [Article]

Jones, Alison. 1999. '‘On all fours naked in high heels’'. In: Sex and Art Visual Arts Research Group. Goldsmiths College, London, United Kingdom. [Conference or Workshop Item]

Jones, Alison. 2000. 'Playing the Prostitute - a trope of 21st Century Alienation'. In: Art and Philosophy Conference. University of Portsmouth, United Kingdom. [Conference or Workshop Item]

Jones, Alison. 2008. Subtle Abyss. In: "Subtle Abyss", Nordisk Kunst Plattform Project Space, Norway, 4th - 27th July 2008. [Show/Exhibition]

Jones, Alison and Bannerman, Margot. 2003. Review of 'Dreams and Conflicts, the Dictatorship of the Viewer', Venice Biennale. Socialist Review, 276, ISSN 0161-1801 [Article]

[img]
Preview
[img]
Preview
Jones, Alison; Beech, Amanda and Glass, Kirsten. 2011. The Edge of Luxury. In: "The Edge of Luxury", Fold Gallery, United Kingdom, 2nd September 2011 - 2nd October 2011. [Show/Exhibition]

Jones, Alison and Eggesbø, John Øivind. 2008. 'Alison Jones in conversation with John Øivind Eggesbø'. In: Alison Jones in conversation with John Øivind Eggesbø. Nordisk Kunst Plattform Project Space, Norway July 2008. [Conference or Workshop Item]

[img]
Preview
[img]
Preview
Jones, Alison and Thompson, Milly. 2016. Alison Jones & Milly Thompson C21ST RECENT HISTORY Valentines Day, 2016. In: "Alison Jones & Milly Thompson C21ST RECENT HISTORY Valentines Day", FILET, 103 Murray Grove, London N1 7QF, United Kingdom. [Show/Exhibition]

[img]
Preview
[img]
Jones, Alison; Whiles, Annie and Walsh, Bernard. 2011. Invitation. In: "Invitation", York College Gallery, United Kingdom, 10/01/2012 - 9/02/2012. [Show/Exhibition]

Jordan, M.; Beech, Dave and Hewitt, Andy. 2004. The Functions of Public Art. In: "The Functions of Public Art", Centre for Contemporary Art, ICA London, Venice Biennale 51, Second Guangzhou Biennale, 4/3/2004 - 1/15/2006. [Show/Exhibition]

Jordan, M.; Beech, Dave and Hewitt, Andy. 2006. Have You Heard the One about the Public Sphere?. In: "Have You Heard the One about the Public Sphere?", Hull Time Based Arts, 10/6/2006 - 11/16/2006. [Show/Exhibition]

Jordan, M.; Beech, Dave and Hewitt, Andy. 2006. How to Talk to Public Art. In: "How to Talk to Public Art", The Big Screen, BBC Manchester, 11/10/2006 - 12/1/2006. [Show/Exhibition]

Jordan, M. and Hewitt, A.. 2004. Futurology: The Black Country 2024. In: "Futurology: The Black Country 2024", New Art Gallery Wallsall, 7/30/2004 - 9/12/2004. [Show/Exhibition]

[img]
Preview
[img]
Preview
KERBEL, JANICE. 2010. SOLO EXHIBITION of REMARKABLE, Art Now Tate Britain. In: "REMARKABLE: JANICE KERBEL", TATE BRITAIN, ART NOW, United Kingdom, 7 MAY - 15 AUGUST 2010. [Show/Exhibition]

[img]
Kalpaxi, Elisavet. 2012. Narcissism and Narrativity in Photographic Self- portraiture. Doctoral thesis, Goldsmiths, University of London [Thesis]

Kelly, Susan. 2012. Against Critical Content: Transversality and the Micropolitics of the Intervention. In: Altés Arlandis Alberto and Lieberman Oren, eds. Intervention, Duration, Effects. Umeå, Sweden: University of Umeå, ---. ISBN - [Book Section]

Kelly, Susan. 2010. Amorph: Etwas Geschieht. Kunstforum International(202), pp. 143-153. ISSN 0177-3674 [Article]

Kelly, Susan. 2012. Asking, We Walk. In: Peter Lichtenfels and John Rouse, eds. Performance, Politics and Activism. London: Palgrave Macmillan, ---. ISBN - [Book Section]

[img]
Preview
Kelly, Susan. 2010. The Centrifugal Book of Europe: A Partial Guide to the Micropolitics and Material Conditions of a Project. In: , ed. The Centrifugal Book of Europe. Belfast: Centrifugal, Belfast, pp. 59-73. ISBN 978-0-955-6395-1-7 [Book Section]

Kelly, Susan. 2006. Communities of the Question. In: Will Bradley; Mika Hannula; Cristina Ricupero and Superflex, eds. Self-Organisation/Counter Economic Strategies. Superflex, Sternberg Press, pp. 233-279. ISBN 1933128135 [Book Section]

[img]
Preview
[img]
Preview
Kelly, Susan. 2012. JURISDICTIONS. [Project]

Kelly, Susan. 2003. Lobby, Amorph! 03 Performance Art Biennale. In: "Amorph! 03 Performance Art Biennale,", Finlandia Hall and Harrakka Island, 09/08/2003 - 31/08/2003. [Performance]

[img]
Kelly, Susan. 2010. Manufacturing Today. In: "Manufacturing Today", DORA Kulturbunker, Trondheim, Norway, Exhibition: April - May 2010, Project June 2008 - June 2013. [Show/Exhibition]

[img]
Preview
Kelly, Susan. 2009. Medium. In: Lynette Hunter and Shannon Rose Riley, eds. Mapping Landscapes in Performance as Research: Scholarly Acts and Creative Cartographies. New York: Palgrave Macmillan, pp. 142-144. ISBN 13-978-0-230-22219-9 [Book Section]

[img]
Preview
Kelly, Susan. 2011. Narratives of Disobedience. In: "Narratives of Disobedience", Künstlerhaus Büchsenhausen, Innsbruck, Austria, 05.11.-02.12.2011. [Show/Exhibition]

[img]
Preview
Kelly, Susan. 2008. Several Silences. In: "Several Silences", Belfast, Northern Ireland (2010), United Kingdom, 2008-2010. [Show/Exhibition]

[img]
Preview
Kelly, Susan. 2012. Space Matters. In: "Space Matters", Neue Galerie, Austria, June 21 - August 4, 2012. [Show/Exhibition]

Kelly, Susan. 2013. ‘What does a Question do? Micropolitics and Art Education’. In: Irit Rogoff and Jean-Paul Martinon, eds. The Curatorial: A Philosophy of Curating. London: IB Tauris, pp. 107-112. ISBN 9781780763729 [Book Section]

[img]
Preview
Kelly, Susan; Elfving, Taru; Hewitt, Nicole; Jewesbury, Daniel; O' Beirn, Aisling; Henriksson, Minna; Hamm, Kalle; Boynik, Sezgin and PLATFORMA 9,81, Croatia. 2010. Centrifugal. [Project]

Kelly, Susan and Morton, S.. 2003. What is to be Done? Questions for the 21st Century. In: "What is to be Done? Questions for the 21st Century", The Lenin Museum, 2/22/2003 - 4/21/2003. [Show/Exhibition]

Kelly, Susan and Morton, Stephen. 2004. Calling up Annie Moore. Public Culture, 16(1), pp. 119-131. ISSN 08992363 [Article]

[img]
Preview
[img]
Preview
Kerbel, Janice. 2011. Kill the Workers!. [Art Object]

[img]
Preview
Kerr, Vicki. 2015. Airspace – Zones of Fidelity and Failure. Doctoral thesis, Goldsmiths, University of London [Thesis]

Kirwan, Richard. 2002. Free love and Modern love. In: "Free love and Modern love", The British School at Rome, 9/17/2002 - 9/21/2002. [Show/Exhibition]

Kirwan, Richard. 2007. Modern Manners. In: "Modern Manners", Galerie Hollenbach, 2/12/2007 - 4/10/2007. [Show/Exhibition]

Kirwan, Richard. 2009. Plastic Culture - Legacies of Pop 1986 - 2008. In: "Touring exhibition", Harris Museum & Art Gallery, Preston, United Kingdom, March 2009 - February 2010. [Show/Exhibition]

Kirwan, Richard. 2010. Richard Kirwan - New Work. In: "Richard Kirwan - New work", Galerie Hollenbach, Stuttgart, Germany. [Show/Exhibition]

Kirwan, Richard. 2001. Surface Tension: New British Painting. In: "Surface Tension: New British Painting", Gallery Holly Snapp, 6/6/2001 - 7/25/2001. [Show/Exhibition]

Kirwan, Richard. 2006. Sweetness and Light. In: "Sweetness and Light", Marksman Gallery, 5/11/2006 - 6/18/2006. [Show/Exhibition]

Kirwan, Richard and Oldfield, Simon. 2010. Modern Love. In: "MODERN LOVE", Simon Oldfield Gallery, London, United Kingdom, October 7th - November 13th 2010. [Show/Exhibition]

Kirwan, Richard and Sturgis, Daniel. 2009. Liz Arnold. In: "Liz Arnold", Camden Arts Centre, London, United Kingdom. [Show/Exhibition]

[img]
Preview
[img]
Koester, Joahim and Le Feuvre, Lisa. 2009. Joachim Koester: Poison Protocols and Other Histories Stills, Edinburgh. In: "Joachim Koester: Poison Protocols and Other Histories", Stills, United Kingdom, 6 August – Sunday 25 October 2009. [Show/Exhibition]

[img]
Preview
[img]
Kollectiv, Galia. 2013. Art in the Age of its Dissolution: Beyond The Democratic Paradox. Doctoral thesis, Goldsmiths, University of London [Thesis]

[img]
Preview
[img]
Kollectiv, Pil. 2013. Art in the Age of its Dissolution: Beyond The Democratic Paradox. Doctoral thesis, Goldsmiths, University of London [Thesis]

Kreider, K.. 2005. The Edge of Emily's Desk. In: "The Edge of Emily's Desk", Woburn Square Studios, 11/14/2005 - 11/20/2005. [Show/Exhibition]

Kreider, K.. 2006. 'Faces and Folds in 'the vastest earthly day': Page and Spatial Practice in Emily Dickinson's Later Manuscripts'. In: Contemporary Experimental Women's Poetry Festival. Cambridge, United Kingdom 10/6/2006. [Conference or Workshop Item]

Kreider, K. and O'Leary, J.. 2006. CELL. In: "CELL", ART X Exhibition and Symposia, 4/30/2006 - 5/7/2006. [Show/Exhibition]

Kreider, K. and O'Leary, J.. 2005. Eight Rooms. In: "Eight Rooms", Triskel Arts Centre, 8/24/2005 - 9/10/2005. [Show/Exhibition]

Lai, Phillip. 1999. Contribution to Bent Aura. In: , ed. Bent aura (STOPSTOP). STOPSTOP. ISBN 978-1902052014 [Book Section]

Lai, Phillip. 2007. Free To meet For Coffee sometime. In: "Free To meet For Coffee sometime", London, Modern Art, 1/12/2007 - 2/11/2007. [Show/Exhibition]

Lai, Phillip. 2001. 'Guest speaker at Li Yuan Chia exhibition talk'. In: Li Yuan Chia exhibition talk. Camden Arts Centre / London, United Kingdom. [Conference or Workshop Item]

Lai, Phillip. 2005. In The Poem About Love You Don't Write The Word Love. In: "In The Poem About Love You Don't Write The Word Love", CCA, 11/12/2005 - 1/28/2006. [Show/Exhibition]

Lai, Phillip. 2006. John Frumism. In: "John Frumism", Hotel, 6/4/2006 - 7/23/2006. [Show/Exhibition]

Lai, Phillip. 1997. Phillip Lai, The Showroom. [Exhibition Catalogue]

Lai, Phillip. 2008. Phillip Lai: solo exhibition (Berlin, 2008). In: "Open Container, Galerie Giti Nourbakhsch", Berlin, Germany, 13 Dec 2008 - 24 Jan 2009. [Show/Exhibition]

Lai, Phillip. 2009. Phillip Lai: solo exhibition (Glasgow, 2009). In: "Introduction and Jargon", Glasgow, United Kingdom, 5 - 30 May 2009. [Show/Exhibition]

Lai, Phillip. 2009. Phillip Lai: solo exhibition (London, 2009). In: "Phillip Lai, Stuart Shave/Modern Art", London, United Kingdom, 20 Nov - 19 Dec 2009. [Show/Exhibition]

Lai, Phillip. 2012. Phillip Lai: solo exhibition (London, 2012). In: "Phillip Lai, Stuart Shave/Modern Art", London, United Kingdom, 13 Jan 2012 - 18 Feb 2012. [Show/Exhibition]

Lai, Phillip. 2012. Phillip Lai: solo exhibition (Turin, 2012). In: "Visitor", Turin, Italy, 14 May - 16 June 2012. [Show/Exhibition]

Lai, Phillip. 2006. 'Public lecture - Artists Lecture Series'. In: Artists Lecture Series, Arnolfini. Bristol, United Kingdom. [Conference or Workshop Item]

Lai, Phillip. 2007. A metal bar fell on someone's head or something. In: "A metal bar fell on someone's head or something", Galeria Franco Noero, Torino, Italy, 11/11/2007 - 1/15/2008. [Show/Exhibition]

Latham, William. 2007. Mutator 2.. In: "Mutator 2. Willliam Latham and Team Mutator", The National Institute for Medical Research, 11/1/2007 - 12/12/2007. [Show/Exhibition]

Le Feuvre, Lisa. 2010. Alexander and Susan Maris: The Pursuit of Fidelity (a ‘retrospective’). In: "Alexander and Susan Maris: The Pursuit of Fidelity (a ‘retrospective’)", Stills, United Kingdom, August - September 2010. [Show/Exhibition]

Le Feuvre, Lisa. 2010. British Art Show 7: In the Days of the Comet. In: "British Art Show 7: In the Days of the Comet", Nottingham Contemporary, United Kingdom, October 2010 - November 2011. [Show/Exhibition]

Le Feuvre, Lisa. 2010. Donald Smith’s Partial History of Exhibitions 1993-2010. In: "Donald Smith’s Partial History of Exhibitions 1993-2010", Chelsea Space, 12.03.10 - 17.04.10. [Show/Exhibition]

[img]
Le Feuvre, Lisa. 2010. Failure. London: MIT Press / Whitechapel Gallery. ISBN 978-0-262-51477-4 [Book]

Le Feuvre, Lisa. 2010. From island thought to water thought: Renée Green’s Endless Dreams and Water Between. In: , ed. Renée Green. San Francisco: Yerba Buena Center for the Arts/ DAP. [Book Section]

Le Feuvre, Lisa. 2003. Gordon Matta-Clark: The Space Between. In: "Gordon Matta-Clark: The Space Between", Centre for Contemporary Arts, Glasgow; Architectural Association, London, 1/25/2003 - 5/30/2003. [Show/Exhibition]

[img]
Preview
Le Feuvre, Lisa. 2010. If at First you Don’t Succeed…. Tate etc(18, Sp), pp. 30-37. [Article]

[img]
Preview
Le Feuvre, Lisa. 2010. Joachim Koester. In: , ed. 100 Video Artists. Barcelona: Exit, pp. 254-257. ISBN 9788493734701 [Book Section]

Le Feuvre, Lisa. 2007. Lawrence Weiner: Inherent in the Rhumb Line. In: "Lawrence Weiner: Inherent in the Rhumb Line", National Maritime Museum, 2/22/2007 - 12/9/2007. [Show/Exhibition]

Le Feuvre, Lisa. 2010. Nothing is written. We all know that. Don’t we. In: , ed. Esther Shalev-Gerz. Paris: Jeu de Paume, pp. 24-35. ISBN 9782849751879 [Book Section]

Le Feuvre, Lisa. 2009. Renée Green: Endless Dreams and Water Between National Maritime Museum, London. In: "Renée Green: Endless Dreams and Water Between", National Maritime Museum, London, United Kingdom. [Show/Exhibition]

Le Feuvre, Lisa. 2009. Sea Change. In: , ed. Zineb Sedira: Under Sky and Over the Sea. Finland: Pori Art Museum, pp. 40-59. ISBN 9789525648188 [Book Section]

Le Feuvre, Lisa. 2006. Simon Faithfull: Ice Blink. In: "Simon Faithfull: Ice Blink", Stills, Edinburgh; Parkers Box, New York; Cell, London, 3/18/2006 - 4/30/2006. [Show/Exhibition]

Le Feuvre, Lisa and Zataari, A.. 2004. Hashem El Madani: Studio Practices. In: "Hashem El Madani: Studio Practices", The Photographers Gallery London, touring to Sfeir-Semler Gallery, Beirut (2005), 10/14/2004 - 11/28/2004. [Show/Exhibition]

Leckey, Mark. 2009. In the Long Tail. In: "Institute of Contemporary Arts", London, United Kingdom. [Performance]

Leckey, Mark. 2011. SEE, WE ASSEMBLE. In: "SEE, WE ASSEMBLE", Serpentine Gallery, London, United Kingdom, 19/05/2011 - 26/06/2011. [Show/Exhibition]

[img]
Preview
[img]
Preview
Leckey, Mark. 2013. The Universal Addressability of Dumb Things. In: "Nottingham Contemporary", Nottingham, United Kingdom. [Show/Exhibition]

Leventon, Rosie and Coutts, Marion. 1991. Rosie Leventon and Marion Coutts: Installation. sculpture. works on paper. In: "Rosie Leventon and Marion Coutts: Installation. sculpture. works on paper", Oriel Gallery and Leeds Polytechnic Gallery, United Kingdom. [Show/Exhibition]

Lomax, Yve. 2002. A Burning Issue. In: T Horkova; E. Maurer; J. Hofleitner and R. Maurer-Horak, eds. Image/Images - Current Positions in Photography. Passagen Verlag, pp. 73-82. ISBN 385165515X [Book Section]

Lomax, Yve. 2006. On Bringing Education to Life: Notes for Further Thought. In: Irit Rogoff; A. Nollert; B. De Baere; Y. Dziewior; C. Esche and K. Niemann, eds. Academy. Revolver, pp. 223-227. ISBN 3865883036 [Book Section]

Lomax, Yve. 2006. Thinking Stillness. In: D. Green and J. Lowry, eds. Stillness and Time: Photography and the Moving Image. Photoworks/Photoforum, pp. 55-63. ISBN 1903796180 [Book Section]

Lomax, Yve. 2009. To Not Happen. Parallax, 15(4), pp. 33-44. ISSN 1353-4645 [Article]

Lubbock, Tom; Coutts, Marion and Murray, Peter. 2000. Marion Coutts, Yorkshire Sculpture Park. Yorkshire Sculpture Park. ISBN 978-1871480320 [Book]

[img]
Preview
[img]
Preview
Mabb, David. 2016. About Two Worlds. In: "About Two Worlds", Handel Street Projects, United Kingdom, 16 January – 20 February 2016. [Show/Exhibition]

[img]
Preview
Mabb, David. 2016. About Two Worlds. Salvage, 3, pp. 177-190. ISSN 2058-6361 [Article]

[img]
Preview
[img]
Preview
Mabb, David. 2014. Announcer. Focal Point Gallery, Southend on Sea, United Kingdom 12th April 2014 -12th July 2014. [Show/Exhibition]

[img]
Preview
[img]
Preview
Mabb, David. 2015. Announcer. In: "Announcer", William Morris Gallery, United Kingdom, 27-June - 27 Sept 2015. [Show/Exhibition]

[img]
Preview
Mabb, David. 2014. Announcer (broadsheet). [Exhibition Catalogue]

[img]
Preview
[img]
Preview
Mabb, David. 2013. Art into Everday Life. In: Marta Rabikowska, ed. The Everyday of Memory; Between Communism and Post-Communism. Oxford, Bern, Berlin, Bruxelles, Frankfurt am Main, New York, Wien.: Peter Lang, pp. 137-146. ISBN ISBN 978-3-0343-0847-2 [Book Section]

[img]
Preview
[img]
Preview
Mabb, David. 2006. Art into Everyday Life. In: "Art into Everyday Life", Contemporary Art Centre, 1/20/2006 - 3/19/2006. [Show/Exhibition]

Mabb, David. 2003. Art of the Stitch and Sample. In: Polly Leonard, ed. Art of the Stitch and Sample. London: Embroiderers Guild. [Book Section]

[img]
Preview
Mabb, David. 2004. Artist Contribution in Transmission: Speaking and Listening Volume 3 Ornament and Utility. In: Emma Cocker; Lesley Sanderson and Sharon Kivlan, eds. Transmission: Speaking and Listening Volume 3 Ornament and Utility. Site Gallery. ISBN 9781899926510 [Book Section]

[img]
Preview
Mabb, David. 2004. Arttextiles 3. In: "Arttextiles 3", Bury St Edmunds Art Gallery. [Show/Exhibition]

[img]
Preview
Mabb, David. 2012. Bed Peace. In: "Dreamers of Dreams part of Late at Tate", Tate Britain, United Kingdom. [Show/Exhibition]

[img]
Preview
[img]
Preview
Mabb, David. 2013. Commodity as comrade. Ephemera Journal, 13(2), pp. 445-448. ISSN 2052-1499 [Article]

[img]
Preview
Mabb, David. 2002. Critical Home Video. [Exhibition Catalogue]

[img]
Preview
Mabb, David. 2011. Current (Green Engineering Object). [Printed Ephemera]

[img]
Preview
[img]
Preview
Mabb, David. 2011. David Mabb. In: "Artist of the Day", Flowers, United Kingdom, 29/6/11. [Show/Exhibition]

Mabb, David. 2002. David Mabb. In: , ed. Sidewinder. Calcutta: CIMA Gallery. ISBN 8187977019 [Book Section]

[img]
Preview
[img]
Preview
Mabb, David. 2003. A Factory As It Might Be or The Hall Of Flowers. In: "A Factory As It Might Be or The Hall Of Flowers", Art Gallery of Windsor, Canada, 8/9/2003 - 10/5/2003. [Show/Exhibition]

[img]
Preview
[img]
Preview
Mabb, David. 2012. Fruit Twigs Card. [Printed Ephemera]

[img]
Preview
Mabb, David. 2003. Further Up In The Air. In: "Further A Field", Liverpool, United Kingdom. [Show/Exhibition]

[img]
Preview
[img]
Preview
Mabb, David. 2009. "Have nothing in your houses that you do not know to be useful, or believe to be beautiful”. In: ""Have nothing in your house that you do not know to be useful, or believe to be beautiful"", Leo Kamen Gallery, Toronto, Canada, Feb 21 - Mar 21, 2009. [Show/Exhibition]

[img]
Preview
Mabb, David. 2010. Hijack: Morris Dialectically in William Morris in the Twenty-First Century. In: Phillipa Bennett and Rosie Miles, eds. William Morris in the Twenty-First Century. (20) Oxford, Bern, Berlin, Bruxelles, Frankfurt am Main, New York, Wien: Peter Lang, pp. 153-166. ISBN 978-3-0343-0106-0 [Book Section]

[img]
Preview
Mabb, David. 2013. Historical Materialism Poster 2013. [Printed Ephemera]

[img]
Preview
Mabb, David. 2014. Historical Materialism Poster 2014. [Printed Ephemera]

[img]
Preview
Mabb, David. 2015. Historical Materialism Poster 2015. [Printed Ephemera]

Mabb, David. 2014. In England's Green and Pleasant Land. In: "Mr and Mrs Andrews", Transition Gallery, 29 November - 21 December 2014. [Show/Exhibition]

Mabb, David. 2004. Inter. In: "Inter", Harris Museum and Art Gallery, London, United Kingdom. [Show/Exhibition]

Mabb, David. 2005. Interview. In: , ed. Pilot: 2. London: Pilot. [Book Section]

[img]
Preview
Mabb, David. 2014. Left Helicon Cover. [Printed Ephemera]

[img]
Preview
Mabb, David. 2014. 'Legacies of Malevich Symposium: Abstraction then and Now'. In: Legacies of Malevich Abstraction then and Now. Camberwell College of Art, London, United Kingdom 23rd October 2014. [Conference or Workshop Item]

[img]
Preview
[img]
Preview
Mabb, David. 2013. Luibov Popova Untitled Textile Design on William Morris Wallpaper for Historical Materialism. In: "The Difference Loom", Iziko South Africa National Gallery, Annexe, South Africa, 21 August – 27 September 2013. [Show/Exhibition]

[img]
Preview
[img]
Preview
Mabb, David. 2016. Maid with Two Squares. [Art Object]

[img]
Preview
[img]
Preview
Mabb, David. 2010. The Morris Kitsch Archive. In: "The Morris Kitsch Archive", Delaware Center for Contemporary Art, Wilmington, Delaware, United States, 13/08/10 – 05/12/10. [Show/Exhibition]

[img]
Preview
[img]
Preview
Mabb, David. 2005. Morris in Jaipur: The Work of Art in the Context of Hand-made Reproduction. In: "Morris in Jaipur: The Work of Art in the Context of Hand-made Reproduction", Queens Galley, British Council, 3/18/2005 - 4/9/2005. [Show/Exhibition]

Mabb, David. 2010. Morris/Fruit, Rodchenko/Triple Peaks. In: Gill Saunders, ed. Walls Are Talking: Wallpaper, Art and Culture. Chicago and London: The Whitworth Art Gallery, Manchester and KWS Publishers. [Book Section]

Mabb, David. 2009. Notes on the Morris Kitsch Archive. Textile: The Journal of Cloth and Culture, 7(3), [Article]

[img]
Preview
Mabb, David. 2002. Pattern Crazy. In: "Pattern Crazy", Crafts Council Gallery, London, United Kingdom. [Show/Exhibition]

[img]
Preview
[img]
Preview
Mabb, David. 2013. Regime Change Begins at Home. In: "Regime Change Begins at Home", William Morrris Gallery, United Kingdom, 1st May - 28th July 2013. [Show/Exhibition]

[img]
Preview
[img]
Preview
Mabb, David. 2008. Rhythm 69. [Art Object]

[img]
Mabb, David. 2015. Rhythmus. In: "‘Graphics Interchange Format: 25 Years of Focal Point Gallery", FocalPoint Gallery, United Kingdom, 21 July - 19 September 2015. [Show/Exhibition]

Mabb, David. 2003. Science Fiction Double Feature. In: "Science Fiction Double Feature", Aas, Birmingham, United Kingdom. [Show/Exhibition]

Mabb, David. 2006. The Sneeze. [Exhibition Catalogue]

[img]
Preview
Mabb, David. 2002. Some Introductory Notes On My Morris Works. The Journal of William Morris Studies, 15(1), [Article]

Mabb, David. 2003. Spring, Fine Arts. Spring, Fine Arts, The British School at Rome, [Article]

[img]
Preview
[img]
Preview
Mabb, David. 2004. Transitional Monument. [Art Object]

Mabb, David. 2005. Two series of paintings: Elegies to the Third International and Unrealised Projects Series. In: Dave Beech and Mark Hutchinson, eds. There is Always an Alternative. London: Arts Council. [Book Section]

[img]
Preview
[img]
Preview
Mabb, David. 2004. William Morris, "Ministering to the swinish luxury of the rich". In: "William Morris, "Ministering to the swinish luxury of the rich"", Whitworth Art Gallery, University of Manchester, United Kingdom, 4/10/2004 - 12/23/2004. [Show/Exhibition]

[img]
Preview
Mabb, David. 2004. Wish You Were Here. In: "Wish You Were Here", Waygood Gallery, Newcastle, United Kingdom. [Show/Exhibition]

[img]
Preview
[img]
Preview
Mabb, David. 2014. beaT bouT. [Art Object]

[img]
Preview
[img]
Preview
Mabb, David; Bilton, Joshua; Harvey-Regan, Darren; Moore, Jenny; Ounanian, Steven; Pickering, Kate and Warne Thomas, Charlotte. 2014. Who Thinks the Future?. Lewisham Art House, United Kingdom 26th September - 5th October 2014. [Show/Exhibition]

Mabb, David; Buxey, K.R.; Harris, Mark; Ishige, Yasu; Lai, Adrienne; Lewis, Peter Lloyd; Macrae, Sheena; Maier, Johannes; Wyatt, Angus and Kollectiv, Pil and Galia. 2002. Critical Home Video (Peterborough). [Exhibition Catalogue]

[img]
Preview
Mabb, David; Edwards, Steve and Arscott, Caroline. 2004. David Mabb, William Morris. Ministering to the Swinish Luxuary of the Rich. [Exhibition Catalogue]

[img]
Mabb, David; Edwards, Steve and Day, Gail. 2010. ‘What Keeps Mankind Alive?’: the Eleventh International Istanbul Biennial. Once More on Aesthetics and Politics. Historical Materialism, 18(4), pp. 135-171. [Article]

[img]
Preview
Mabb, David; Edwards, Steve; Higgs, Matthew; Périnet, Francine and Fleming, Marnie. 2001. David Mabb: The Decorating Business. [Exhibition Catalogue]

Mabb, David and Gibson, Catherine. 2000. Problems of Everyday Life. [Printed Ephemera]

[img]
Preview
Mabb, David; Jablonskiene, Lolita and Rees, Simon. 2006. Mabb: Art into Everday Life. [Exhibition Catalogue]

[img]
Preview
[img]
Preview
Mabb, David; Parekh, Manisha; Dayanita, Dayanita Singh and Audiobombing Crew, . 2011. Serial Pursuits. In: "Serial Pursuits", Nature Morte, Berlin, Germany, December 13, 2011 - January 28, 2012. [Show/Exhibition]

[img]
Preview
[img]
Preview
Mabb, David and Schrat, Henrik. 2013. David Mabb & Henrik Schrat. In: "LoBe", Berlin, Germany. [Show/Exhibition]

[img]
Preview
[img]
Preview
Mabb, David; Syjuco, Stephanie; Slavick, Susanne and Lynn Waddell, Stacy. 2013. Highlights from The Morris Kitsch Archive. In: "Ornament and Crime", Ortega y Gasset Projects, United States, November 2nd – December 15th, 2013. [Show/Exhibition]

[img]
Preview
[img]
Preview
Mabb, David and Walsh, Mary Ruth. 2011. Utopia Ltd. In: "Utopia Ltd", Highlanes Gallery Drogheda, Ireland, 30/04/2011-03/08/2011. [Show/Exhibition]

Mabb, David and et al., . 2007. Dialogues, Biennale of Contemporary Art. In: "Dialogues, Biennale of Contemporary Art, Menage", St Petersburg, Russian Federation. [Show/Exhibition]

Mabb, David and et al., . 2004. Interview. In: , ed. Pilot:1 Q&A by Doriane Laithier. London: Pilot. [Book Section]

[img]
Preview
MacKisack, Matthew. 2013. Cancelling Phantasmata: The Fate and Function of the Inner Image. Doctoral thesis, Goldsmiths, University of London [Thesis]

[img]
Preview
Maier, Johannes. 2011. Embeddedness as Condition and Strategy in Contemporary Art and Cultural Production. Doctoral thesis, Goldsmiths, University of London [Thesis]

Malik, Suhail. 2007. Art - critique - capital. In: Bridget Crone and Kirsty Ogg, eds. The Showroom annual 2005/6. London: Showroom, p. 38. [Book Section]

[img]
Preview
Malik, Suhail. 2008. Critique as alibi: moral differentiation in the art market. Journal of Visual Art Practice, Special Issue on Critique, 7(3), pp. 283-295. ISSN 14702029 [Article]

[img]
Malik, Suhail. 2011. Educations Sentimental and Unsentimental: Repositioning the Politics of Art and Education. Redhook: Journal of Curatorial Studies, 1, n/a-n/a. [Article]

Malik, Suhail. 2004. Gewalt. In: "Gewalt", Loushy Art and Editions, 2/19/2004 - 3/19/2004. [Show/Exhibition]

Malik, Suhail. 2008. Hadassah Emmerich. Review - 32 Jahre Künstlerhaus Bethanien, [Article]

Malik, Suhail. 2006. 'Introduction' and 'Fucking straight death metal' in Special Section of journal. Journal of Visual Culture, Special Section 'The war in Iraq and visual culture', 5(1), pp. 107-112. [Article]

Malik, Suhail. 2008. Measure for Measure. In: Juan Bolivar, ed. Geometry Wars. Southampton: John Hansard Gallery, xvii-xxi. ISBN 978 0854328932 [Book Section]

Malik, Suhail. 2007. 'Method without discipline'. In: Inventing methodologies 2: an interdisciplinary workshop on postgraduate practice-based research. Goldsmiths, University of London February 2007. [Conference or Workshop Item]

Malik, Suhail. 2006. On the Compostability of Painting. In: No named editor, ed. Nigel Cooke: Paintings 2001-2006. Koenig Books, pp. 22-32. ISBN 3865600662 [Book Section]

[img]
Preview
Malik, Suhail. 2007. 'On the conditions of politics'. In: On the Conditions of Politics conference. Conway Hall, London 28 June 2007. [Conference or Workshop Item]

Malik, Suhail. 2002. Painting as Contemporary Art. In: No Named Editor, ed. Painting as a Foreign Language. Centro Brasileiro Britanico, pp. 8-17. ISBN 8588116073 [Book Section]

Malik, Suhail. 2008. Untitled. In: Pil and Galia Kollectiv, ed. Institute of Psychoplasmics. London: Pump House Gallery, pp. 30-62. ISBN 978 0 954467 [Book Section]

[img]
Preview
Malik, Suhail. 2010. You Are Here. In: Bassam el-Baroni; Jeremy Beaudry and Nav Haq, eds. Manifesta 8: The European Biennial of Contemporary Art, Region of Murcia (spain) in dialogue with northern Africa. Milan: Manifesta, pp. 58-61. ISBN 97888 3661697 8 [Book Section]

[img]
Malik, Suhail. 2007. A boom without end? Liquidity, critique and the art market. Mute: culture and politics after the net, 2(6), pp. 92-99. ISSN 1356-7748-261 [Article]

[img] [img]
Preview
Malik, Suhail; Beech, Amanda; Esche, Charles; Phillips, Andrea; Poole, Matthew and Sassen, Saskia. 2007. 'Discussion panel for Pilot:3'. In: Venice Biennale. Monastery of St Damien and St Cosimo, Venice, Italy Summer 2007. [Conference or Workshop Item]

Malik, Suhail; Mitchell, Jo; Gaskin, Viviene; Morris, Michael and Bohn, Chris. 2007. 'Discussion panel on Jo Mitchell's 'Concerto for voice and machinery''. In: Panel. ICA, London. [Conference or Workshop Item]

[img]
Malik, Suhail and Phillips, Andrea. 2011. The Wrong of Contemporary Art: Aesthetics and Political Indeterminacy. In: Paul Bowman and Richard Stamp, eds. Reading Rancière: Critical Dissensus. London: Continuum, pp. 111-128. ISBN 978 1 4411 9037 6 [Book Section]

[img]
Malik, Suhail; Phillips, Andrea and Beech, Amanda. 2007. 'Resistance or invention? Art and global capital assemblage'. In: Local operations. Sackler Centre of Arts Education at the Serpentine Gallery, London, United Kingdom 23 May - 1 July 2007. [Conference or Workshop Item]

Malik, Suhail; Phillips, Andrea and Klee, Steve. 2007. 'Discussion panel on 'Aernout Mik: solo exhibition''. In: Panel discussion. Camden Arts Centre, London, United Kingdom February - April 2007. [Conference or Workshop Item]

[img]
Malik, Suhail; Phillips, Andrea and Olfers, Sophie Van. 2007. 'National (Re)Presentation: a four session research project'. In: Four evening discussions. Witte de With, Rotterdam, Netherlands 4-25 October 2007. [Conference or Workshop Item]

[img]
Preview
Marin, Livia. 2011. Rules of Engagement: Trope of Estrangement - A relation between art and consumer object. Doctoral thesis, Goldsmiths, University of London [Thesis]

[img]
Preview
Martin, Simon. 2010. British Art Show 7: In the Days of the Comet. In: "British Art Show 7: In the Days of the Comet", Nottingham,London,Glasgow,Plymouth, United Kingdom, 2010 - 11. [Show/Exhibition]

Martin, Simon. 2010. Incidents of Mirror-Travel in Yucatan and Elsewhere. In: Leon Pablo, ed. Incidentes de Viaje Espejo en Yucatan y otros Lugares/Incidents of Mirror-Travel in Yucatan and Elsewhere. Instituto Nacional de Bellas Artes y Literatura. ISBN 978-6076050873 [Book Section]

Martin, Simon. 2009. Simon Martin. In: "Simon Martin", Chisenhale Gallery, London, United Kingdom, 28th November 2008 – 18th January 2009. [Show/Exhibition]

Martin, Simon. 2013. Simon Martin. In: "Simon Martin", Northern Gallery for Contemporary Art, Sunderland, United Kingdom, 31 January - 3 May 2013. [Show/Exhibition]

Martin, Simon. 2007. This is an artists project…. TANK, 4(9), [Article]

Martin, Simon. 2012. UR Feeling. In: "UR Feeling", Camden Arts Centre, London, 28 September 2012 - 2 December 2012. [Show/Exhibition]

[img] [img]
Preview
Mathus Ruiz, Miguel. 2011. Tactility and Opticality in Contemporary Abstract Painting. Other thesis, Goldsmiths, University of London [Thesis]

Monroe, Ian and Palour, Selma. 2012. Parallel Universe. In: "Parallel Universe", Charlie Dutton Gallery, London, United Kingdom, 1/2/2012-25/2/2012. [Show/Exhibition]

[img]
Nasar, Hammad; Ratnam, Niru; Malik, Amna and Garfield, Rachel. 2010. 'When the Sixties Didn't Swing'. In: UNSPECIFIED. Whitechapel Art Gallery, United Kingdom 30 Sept 2010. [Conference or Workshop Item]

Newman, Michael. 2008. 'Absolute Nonsense'. In: , ed. Un coup de dés: Writing Turned Image: An Alphabet of Pensive Language. Vienna: Generali Foundation, pp. 220-223. ISBN 978-3865605436 [Book Section]

Newman, Michael. 2003. 'Alfred Jensen's Diagrams'. [Exhibition Catalogue]

Newman, Michael. 1985. 'Allegories of the Subject.'. [Exhibition Catalogue]

Newman, Michael. 1985. 'Amikam Toren.'. Art Monthly(91), [Article]

Newman, Michael. 1982. Bill Woodrow. [Exhibition Catalogue]

Newman, Michael. 1982. 'Bill Woodrow.'. Art Monthly(53), [Article]

Newman, Michael. 2012. 'Body as Place: Antony Gormley Outside-In'. In: , ed. Antony Gormley: Model. London: White Cube: UNSPECIFIED. [Book Section]

Newman, Michael. 1996. 'Conceptual Art from the 1960s to the 1990s: An Unfinished Project?'. Kunst & Museumjournaal, 7(1/2/3), pp. 95-104. [Article]

Newman, Michael. 2002. Cristina Iglesias. [Exhibition Catalogue]

Newman, Michael. 2011. 'Dara Birnbaum: Exploding the Image. In: , ed. Dara Birnbaum: The Dark Matter of Media Light. Munich, Berlin, London, New York: DelMonico Books/Prestel, pp. 51-80. ISBN 978-3791351247 [Book Section]

Newman, Michael. 2011. 'Dead Mirrors: relics and photographs in Georges Rodenbach’s Bruges-la-Morte'. Photographies, 4(1), pp. 27-43. ISSN 1754-0763 [Article]

Newman, Michael. 2001. The Demotic Art of Gillian Wearing. Parachute(102), ISSN 0318-7020 [Article]

Newman, Michael. 1994. Derrida and the Scene of Drawing. Research in Phenomenology, 24, pp. 218-234. ISSN 0085-5553 [Article]

Newman, Michael. 1985. 'Edward Allington.'. Art Monthly(89), [Article]

Newman, Michael. 1989. 'Ernesto Tatafiori.'. [Exhibition Catalogue]

Newman, Michael. 2005. Evident Hypotheses: Marco Poloni's Photographic Scripts for Short Films. In: , ed. Shadows Collide with People: Gianni Motti / Shahryar Nashat / Marco Poloni / Ingrid Wildi. Zurich: Edition Fink and Berne. ISBN 978-3906086798 [Book Section]

Newman, Michael. 1985. 'The Face of Things.'. [Exhibition Catalogue]

Newman, Michael. 1999. 'Form in the Age of the World Picture: A Reading of Panofsky's Perspective as "Symbolic Form",'. In: , ed. La Part de l'Oeil, N° 15-16 : Problème de la Kunstwissenschaft. Brussels: Holger Schmid. ISBN 978-2930174105 [Book Section]

Newman, Michael. 1982. 'From Concept to Symbol.'. [Exhibition Catalogue]

Newman, Michael. 1991. From World to Earth: Richard Deacon and the End of Nature. In: , ed. Interpreting Contemporary Art. London: Reaktion, pp. 177-204. ISBN 978-0064302050 [Book Section]

Newman, Michael. 1983. 'Georg Baselitz.'. Art Monthly(62), [Article]

Newman, Michael. Hans Bellmer: Works and Writings. UNSPECIFIED. [Book] (Forthcoming)

Newman, Michael. 1985. 'Helen Chadwick, Mikey Cuddihy and Annette Messager.'. Art Monthly(85), ISSN 0142-6702 [Article]

Newman, Michael. 1998. Horizonlessness. [Exhibition Catalogue]

Newman, Michael. 1997. 'Imants Tillers. [Exhibition Catalogue]

Newman, Michael. 1981. 'Jack Goldstein.'. ZG Magazine, London. [Other]

Newman, Michael. 1985. 'James Coleman.'. Artforum, [Article]

[img]
Preview
Newman, Michael. 2007. Jeff Wall: Works and Collected Writings. Ediciones Poligrafa. ISBN 9788434311312 [Book]

Newman, Michael. 2007. Jeff Wall: Works and Writings. Barcelona: Ediciones Poligrafa. ISBN 978-8434311312 [Book]

Newman, Michael. 1999. Joe Scanlan's Nesting Bookcases: Duchamp, Design and the Impossibility of Disappearing. In: , ed. Rewriting Conceptual Art. London: Reaktion Books. [Book Section]

Newman, Michael. 1989. 'John Wilkins' Re-marks.'. [Exhibition Catalogue]

Newman, Michael. 2011. 'Joining Hilary Lloyd'. [Exhibition Catalogue]

Newman, Michael. 1992. La spécificité de la critique et la nécessité de la philosophie. In: , ed. La place du goût dans la production philosophique des concepts et leur destin critique. Archives de la critique dart, pp. 130-158. ISBN 978-2950629302 [Book Section]

Newman, Michael. 1982. 'Leon Golub.'. [Exhibition Catalogue]

Newman, Michael. 1982. 'Man's Place: Four Works.'. Art and Artists(193), [Article]

Newman, Michael. 1996. 'Marking Time: Memory and Matter in the Work of Avis Newman'. In: , ed. Inside the Visible: Elliptical Traverse of Twentieth Century Art in, of and from the Feminine. Cambridge, Mass. & London: The MIT, pp. 271-279. ISBN 978-0262540810 [Book Section]

Newman, Michael. 1999. 'McQueen's Materialism.'. [Exhibition Catalogue]

Newman, Michael. 1995. 'Memory and Matter.'. [Exhibition Catalogue]

Newman, Michael. 1991. Mimesis and Abjection in Recent Photowork. In: , ed. Thinking Art: Beyond Traditional Aesthetics. London: ICA Documents, pp. 111-129. ISBN 978-0905263182 [Book Section]

Newman, Michael. 2009. Moving Image in the Gallery Since the 1990s. In: Stuart Comer, ed. Film and Video Art. London: Tate, pp. 86-121. ISBN 9781854376077 [Book Section]

Newman, Michael. 1984. 'Nancy Spero.'. Art Monthly(79), [Article]

Newman, Michael. 1991. 'Now and Then.'. [Exhibition Catalogue]

Newman, Michael. 1982. Objects and Figures. [Exhibition Catalogue]

Newman, Michael. 1988. 'Olivier Richon.'. Camera Austria(25), [Article]

Newman, Michael. 1993. 'Operation Atopia.'. [Exhibition Catalogue]

Newman, Michael. 1981. 'Orozco at the Museum of Modern Art, Oxford.'. Burlington Magazine(934), [Article]

Newman, Michael. 2012. Phenomenality and Materiality in Agnes Martin. In: Lynne Cooke and Karen Kelly, eds. Agnes Martin. New York: Yale University Press and Dia Foundation, pp. 199-227. ISBN 9780300151053 [Book Section]

Newman, Michael. 2001. Photography, the Readymade and the Ends of Painting in Gerhard Richter's Photo-Paintings. In: , ed. La Part de l'Oeil, N° 17-18 : Peinture pratique théorique. La Part de l'Oeil. ISBN 978-2930174235 [Book Section]

Newman, Michael. 1986. 'The Postmodern Labyrinth.'. [Exhibition Catalogue]

Newman, Michael. 1981. 'Rauschenberg Re-evaluated.'. Art Monthly(47), [Article]

Newman, Michael. 2014. Reading the Future of Genealogy: Kant, Nietzsche, Plato. In: , ed. Nietzsche and Modern German Thought. London: Routledge, pp. 257-281. ISBN 978-0415755429 [Book Section]

Newman, Michael. 1996. 'Recovering Andre'. In: , ed. Carl Andre and the Sculptural Imagination Vol 2. Oxford: Museum of Modern Art,, pp. 6-10. ISBN 978-1901352009 [Book Section]

Newman, Michael. 2004. Remembering and Repeating: Hanne Darboven's Work. In: Lynne Cooke; Karen Kelly and B. Funcke, eds. Robert Lehman Lectures on Contemporary Art Volume 2. Dia Center for the Arts, pp. 123-154. ISBN 0944521789 [Book Section]

Newman, Michael. 1990. 'Review of The Problems of Modernity: Adorno and Benjamin, Edited by Andrew Benjamin.'. The British Journal of Aesthetics, 30(4), pp. 390-392. ISSN 1468-2842 [Article]

Newman, Michael. 1989. Revising Modernism, Representing Postmodernism. In: , ed. Postmodernism: Institute of Contemporary Arts Documents. London: Free Association Books, pp. 95-154. ISBN 978-1853430787 [Book Section]

Newman, Michael. 1983. 'Richard Prince and the Uncanny.'. Art Monthly(72), [Article]

Newman, Michael. 2006. Richard Prince: Untitled (couple). Afterall Books, MIT Press. ISBN 1846380030 [Book]

Newman, Michael. 2003. Salvage. [Exhibition Catalogue]

Newman, Michael. 2000. 'Sensibility, Language and the Trauma of the Other: Emmanuel Levinas from Phenomenology to the Immemorial.'. In: , ed. The Face of the Other and the Trace of God: Essays on the Philosophy of Emmanuel Levinas. New York: Fordham University Press, pp. 90-129. ISBN 978-0823219667 [Book Section]

Newman, Michael. 2010. Seth Price’s Operations in Price, Seth. In: K. Jentjens and A. Nathan-Dorn, eds. Seth Price. Zurich: JRP Ringier. ISBN 978-3-03764-028-9 [Book Section]

Newman, Michael. 1999. Solid Light. [Exhibition Catalogue]

Newman, Michael. 2007. The Specificity of Criticism and its Need for Philosophy. In: , ed. The State of Art Criticism. London: Routledge, pp. 29-60. ISBN 978-0415977876 [Book Section]

Newman, Michael. 1981. 'Stephen Willats.'. UNSPECIFIED. [Other]

Newman, Michael. 2002. Stuart Brisley. [Exhibition Catalogue]

Newman, Michael. 2009. 'Suburban Hospitality'. In: , ed. Can I Come Over to Your House? The First Ten Years of The Suburban, The Suburban and Manawa. Oak Park, IL: WI: Poor Farm Press. [Book Section]

Newman, Michael. 1992. Suffering from Reminiscences. In: , ed. Postmodernism and the Re-reading of Modernity. Manchester: Manchester University Press, pp. 84-114. ISBN 978-0719037450 [Book Section]

Newman, Michael. 2003. Tacita Dean: Fictions du temps qui tourne. Les Cahiers du Musée national d’art moderne, 86, pp. 5-21. [Article]

Newman, Michael. 2007. 'Towards the Reinvigoration of the 'Western Tableau': Some Notes on Jeff Wall and Duchamp'. Oxford Art Journal, 30(1), pp. 81-100. ISSN 0142-6540 [Article]

Newman, Michael. 1996. The Trace of Trauma: Blindness, Memory and the Gaze in Derrida and Blanchot. In: , ed. Maurice Blanchot: The Demand of Writing. London: Routledge, pp. 153-173. ISBN 978-0415125963 [Book Section]

Newman, Michael. 2003. The Traces and Marks of Drawing. In: Catherine De Zegher, ed. The Stages of Drawing: Gesture and Act. Tate Publishing and The Drawing Centre, pp. 93-108. ISBN 1854374885 [Book Section]

Newman, Michael. 1988. 'Undecidable Objects.'. [Exhibition Catalogue]

Newman, Michael. 1986. Vision as Metaphor: Towards a Fragmentary History. In: , ed. The Mirror And the Lamp. Edinburgh and London: The Fruitmarket Gallery and ICA, pp. 6-46. [Book Section]

Newman, Michael. 2008. 'What Makes It Hold Together: Jaki Irvine's Acknowledgments'. In: , ed. The Square Root of Minus One is Plus or Minus i: Jaki Irvine: Assembled Works 1993-2008. Milan: Charta; Sligo: Model Arts and Niland Gallery, pp. 69-147. ISBN 978-8881587025 [Book Section]

Newman, Michael and Comay, Rebecca. 2012. Ghostly Medium: James Coleman’s Charon (MIT Project). [Exhibition Catalogue]

Newman, Michael; Lee, Pamela; Elkins, James; Hudson, Suzanne and Getsy, David. 2013. Seminar. In: , ed. New Games: Postmodernism After Contemporary Art. London: Routledge, pp. 217-244. ISBN 978-0415988803 [Book Section]

Newman, Michael and Millar, Jeremy. 2004. 'Interrupting the Pan: Marine Hugonnier’s Ariana'. [Exhibition Catalogue]

Newman, Michael and Price, Seth. 2010. Price, Seth. JRP Ringier. ISBN 978-3-03764-028-9 [Book]

[img]
Preview
Nicholas, Cullinan; Andrew, Hunt and Thompson, Milly. 2009. Milly Thompson ‘Savoir Faire’. Southend-on-Sea: Focal Point Gallery. ISBN 978-1-907185-01-4 [Book]

Noble, Richard. 2000. ‘Access for All, Freedom for the Few’. In: , ed. Art for All?: Their Policies and Our Culture. London: Peer. ISBN 978-0953977208 [Book Section]

Noble, Richard. 2004. ‘The Aesthetics of Contingency’. catalogue of David Batchelor: Shiny/Dirty, [Article]

Noble, Richard. 2005. Art Since 1900 : A Review Essay. Art Monthly, ISSN 0142-6702 [Article]

Noble, Richard. 1995. ‘Freedom and Containment’. In: , ed. Jana Sterbak: Velleitas. Barcelona: Fundacio Antoni Tapies. ISBN 978-8488786067 [Book Section]

Noble, Richard. 2005. Imagining the Political: Some Provisional Thoughts on Art and Politics. In: , ed. The Showroom Annual 2003/04. London: The Showroom. ISBN 978-0954236236 [Book Section]

Noble, Richard. 2005. The Meaning of What Remains. In: Eckhard Schneider, ed. Rachel Whiteread: Walls, Doors, Floors and Stairs. Kunsthaus Bregenz, pp. 66-94. ISBN 388375935X [Book Section]

Noble, Richard. 2002. Mona Hatoum: A Living Between. Parachute, 4(108), pp. 178-191. ISSN 03187020 [Article]

Noble, Richard. 2004. Start Making Sense. catalogue essay for Michael Craig-Martin: Surfacing, [Article]

Noble, Richard. 2003. ‘Tierra de pájaros / Birdland’. In: , ed. Hannah Collins. La calle/The Street. Malaga: CAC Málaga. ISBN 978-8436159073 [Book Section]

Noble, Richard. 2007. The Utopian Body. In: Michael Mack, ed. Antony Gormley. Steidl/Mack, pp. 11-51. ISBN 9783865210296 [Book Section]

[img]
Preview
Noble, Richard. 2009. Utopias. London/New York: Whitechapel/MIT. ISBN 978-26264069-5 [Book]

[img]
Preview
Noble, Richard. 2009. The lure of utopia. [Exhibition Catalogue]

Noble, Richard and Blazwick, Iwona. 1999. ‘The Phenomenology of Play’. In: , ed. Annie Ratti. Como and Milan: Centre for Contemporary Art. [Book Section]

Noble, Richard; Fang, H.; Gormley, Antony and Haier, Z.. 2003. An Anthropoetics of Space: Antony Gormleys Field. In: R. Riley, ed. Asian Field. British Council, pp. 190-201. ISBN 0863555101 [Book Section]

Ogg, Kirsty. 2010. Bethan Huws; Capelgwyn. In: "Bethan Huws; Capelgwyn", Whitechapel Gallery, London, United Kingdom, 29 January - 18 March 2011. [Show/Exhibition]

Ogg, Kirsty. 2010. The Bloomberg Commission: Claire Barclay: Shadow Spans. In: "The Bloomberg Commission: Claire Barclay: Shadow Spans", Whitechapel Gallery, London, United Kingdom, May 2010 - May 2011. [Show/Exhibition]

Ogg, Kirsty. 2000. Interview text, Jonathan Monk. Bildung exhibition catalogue, [Article]

[img]
Preview
[img]
Preview
Ogg, Kirsty. 2010. Where Three Dreams Cross: 150 Years of Photography from India Pakistan and Bangladesh. In: "Where Three Dreams Cross: 150 Years of Photography from India Pakistan and Bangladesh", Whitechapel Gallery, London, United Kingdom, 21 Jan - 11 April 2010, 12 June- 22 August 2010. [Show/Exhibition]

Ogg, Kirsty. 2008. A show of many parts, each part more spectacular and elaborate than the last. In: "A show of many parts, each part more spectacular and elaborate than the last City Gallery, Leicester", City Gallery, Leicester, United Kingdom, 12 September – 29 October 2008. [Show/Exhibition]

[img]
Preview
Parlour, Selma. 2013. Depicting Limits: Syntax, Abstraction and Space in Contemporary Painting. Doctoral thesis, Goldsmiths, University of London [Thesis]

Pennell, Jacqueline D.. 1997. 20/20. [Exhibition Catalogue]

Pennell, Jacqueline D.. 2006. 2step. In: "2step", Kunstnernes Hus, 5/12/2006 - 6/25/2006. [Show/Exhibition]

Pennell, Jacqueline D.. 2001. Camoflage, The Nehru Centre, London. Leaflet, Jacqueline Pennell and The Contemporary Arts Society 2000, [Article]

Pennell, Jacqueline D.. 2003. Crooked Light. In: "Crooked Light", Royal West of England Academy, 6/29/2003 - 7/26/2003. [Show/Exhibition]

Pennell, Jacqueline D.. 1995. Experience. In: , ed. Experience: Challenging Visual Indifference Through New Sensory Experience. Booth-Clibborn Editions. ISBN 978-1873968208 [Book Section]

Pennell, Jacqueline D.. 1992. Four European Artists, Crawford Municipal Art Gallery. In: "Four European Artists, Crawford Municipal Art Gallery", Crawford Municipal Art Gallery, Ireland. [Show/Exhibition]

Pennell, Jacqueline D.. 1998. The Glass Border, Danielle Arnaud Gallery. In: , ed. Opening Lines: New Contexts for Artists' Projects. London: London Arts Board. ISBN 978-0947784379 [Book Section]

Pennell, Jacqueline D.. 2003. The Greatest Show on Earth. In: "The Greatest Show on Earth", The Metropole Galleries, 1/18/2003 - 3/2/2003. [Show/Exhibition]

Pennell, Jacqueline D.. 2005. Les Merveilles Du Monde. In: "Les Merveilles Du Monde", Musee des Beaux Arts Dunkerque, 6/26/2005 - 10/16/2005. [Show/Exhibition]

Pennell, Jacqueline D.. 1991. The Light Show. In: "The Light Show", Walsall Museum and Art Gallery, United Kingdom. [Show/Exhibition]

Pennell, Jacqueline D.. 2002. The Luck Of The Dice. World Sculpture News, 8(3), [Article]

Pennell, Jacqueline D.. 2007. Museum Van Nagsael. Veenman Publishers. ISBN 978-9086900343 [Book]

Pennell, Jacqueline D.. 1996. Rear Window, Mirror, Mirror, Rear Window. In: , ed. Mirror Mirror. UNSPECIFIED. ISBN 978-0952104063 [Book Section]

Pennell, Jacqueline D.. 1997. Solo, Urban Eye. In: , ed. text on Jacqueline Pennell by Kathy Kubicki. UNSPECIFIED. ISBN 1 90156000 7 [Book Section]

Pennell, Jacqueline D.. 1996. Works Perfectly, Rear Window. In: "Rear Window", Sara Lane Studios, Stanway Street, London, United Kingdom, 19 July – 15 September 1996. [Show/Exhibition]

[img]
Preview
Peña, Jillian. 2013. Performing the Multiple : Dancing a Differently Configured Subjectivity. Doctoral thesis, Goldsmiths, University of London [Thesis]

[img]
Pfenningstorff, Barbara. 2014. Aesthetics of Immanence. Doctoral thesis, Goldsmiths, University of London [Thesis]

Phillips, Andrea. 2008. '1907... After the party: panel discussion'. In: Venice Architecture Biennale. Giardini, Venice, Italy. [Conference or Workshop Item]

Phillips, Andrea. 2009. 'Aesthetics of Democracy'. In: Building Democracy. Platform Garanti, Istanbul, Turkey. [Conference or Workshop Item]

Phillips, Andrea. 2008. 'Ambivalent Ruins roundtable'. In: ambivalent ruins: anniversaries in art education. Graduate School of Creative Arts and Media, Dublin, Ireland. [Conference or Workshop Item]

[img]
Preview
Phillips, Andrea. 2013. Art Work. In: Jason Bowman, ed. Esther Shalev-Gerz: The Contemporary Art of Trusting Uncertainties and Unfolding Dialogues. Stockholm: Art & Theory, pp. 239-253. ISBN 9789198087475 [Book Section]

[img]
Preview
Phillips, Andrea. 2012. Art and Housing: The Private Connection. In: Andrea Phillips and Fulya Erdemci, eds. Social Housing-Housing the Social: Art, Property and Spatial Justice. 2 (2) Berlin/Amsterdam: Sternberg Press/SKOR, not known-not known. ISBN 978-3-943365-17-7 [Book Section]

Phillips, Andrea. 2015. Art as Property. In: Angela Dimitrakaki and Kirsten Lloyd, eds. Economy: Art, Production and the Subject in the 21st Century. 11 Liverpool: Liverpool University Press. ISBN 9781781381380 [Book Section]

Phillips, Andrea. 2010. Art building, architecture building, curating politics. In: Dorian Wiszniewski, ed. Florence: Curating the City. Edinburgh: Edinburgh College of Art, pp. 20-25. ISBN 978-0-9559706-0-5 [Book Section]

Phillips, Andrea. 2009. Beyond Attendance. In: UNSPECIFIED, ed. Sarah Morris: Beijing. Cologne: Walther Konig. ISBN 978-86560-6646-4 [Book Section]

[img]
Phillips, Andrea. 2009. The Body of a Building: Exquisite Corpse at Curating Architecture. In: Nikolaus Hirsch; Philippe Misselwitz; Markus Miessen and Matthias Gorlich, eds. Institution Building: Artists, Curators, Architects in the Struggle for Institutional Space. Berlin and New York: Sternberg Press, pp. 52-71. ISBN 978-1-933128-54-2 [Book Section]

Phillips, Andrea. 2009. Building Democracy. In: UNSPECIFIED, ed. Public Art: Architecture and Participation. Seoul: SAMUSO, pp. 1-10. ISBN ISBN: 978-89-93535-02-0 [Book Section]

Phillips, Andrea. 2009. Building Democracy. In: Celine Condorelli; Gavin Wade and James Langdon, eds. Support Structures. Berlin: Sternberg Press, pp. 88-132. ISBN 978-1-933128-45-0 [Book Section]

Phillips, Andrea. 2005. Cultural geographies in practice: Walking and looking. Cultural Geographies, 12(4), pp. 507-513. ISSN 14744740 [Article]

Phillips, Andrea. 2008. Curating architecture: Office Kersten Geers, David Van Severen. In: Moritz Kung, ed. 1907... After the Party: Office Kersten Geers David Van Severen Belgian Pavilion Venice 2008. Antwep: De Singel. [Book Section]

Phillips, Andrea. 2007. 'Democratic Affect: Architecture in the Museum'. In: Defining Space. University College Dublin, Ireland. [Conference or Workshop Item]

Phillips, Andrea. 2006. Distribution. Performance Research, 11(3), pp. 47-49. ISSN 13528165 [Article]

Phillips, Andrea. 2009. 'Doing Democracy 3'. In: Platform 2009. Ganju/Seoul, Korea, Republic of. [Conference or Workshop Item]

Phillips, Andrea. 2010. Education Aesthetics. In: Mick Wilson and Paul O'Neill, eds. Curating and the Educational Turn. Amsterdam: De Appel/Open Editions. ISBN 978-0-949004-18-5 [Book Section]

Phillips, Andrea. 2011. Education Aesthetics. In: Felicity Allen, ed. On Education. Cambridge, Mass./London: MIT/Whitechapel, not known-not known. ISBN 978-0-262-51636-5 [Book Section]

Phillips, Andrea. 2011. English Pastoral. LOG(23), pp. 78-84. ISSN 1547-4690 [Article]

Phillips, Andrea. 2009. Improvisation Rights. In: Kate McFarlane, ed. Cornelius Cardew: Play for Today. London: The Drawing Room. ISBN 978-0-9558299-1-8 [Book Section]

Phillips, Andrea. 2013. Istanbul Biennial 2013. In: "Istanbul Biennial", Istanbul, Turkey. [Show/Exhibition]

Phillips, Andrea. 2010. 'Jacques Ranciere: the how of emancipation'. In: Big ideas: Jacques Ranciere: the how of emancipation. Whitechapel Gallery, London, United Kingdom. [Conference or Workshop Item]

Phillips, Andrea. 2009. 'The Knight's Move: Andrea Phillips'. In: The Knight's Move: Andrea Phillips. Stroom, Den Haag, Netherlands. [Conference or Workshop Item]

Phillips, Andrea. 2012. List. In: Celia Lury and Nina Wakeford, eds. Inventive Methods. London: Routledge, Taylor & Francis, not known-not known. ISBN 978-0-415-57481-5 [Book Section]

Phillips, Andrea. 2012. 'Love not Money?'. In: Contemporary Art and its Commercial Markets: A Report on Current Conditions and Future Scenarios. Tensta Konsthall, Stockholm, Sweden. [Conference or Workshop Item]

Phillips, Andrea. 2011. Making It Up: Aesthetic Arrangements in the Barents Region. In: Hilde Methi and Kristin Tarnesvik, eds. Hotel Polar Capital. Kirkenes: Sami Art Festival, pp. 55-68. ISBN 978-82-998333-4-9 [Book Section]

[img]
Phillips, Andrea. 2012. 'Object - subject - public - space'. In: Portrait of Space. Portrait of Space, Dublin, Ireland. [Conference or Workshop Item]

Phillips, Andrea. 2008. Objects, Props, Assemblages. In: Kirsty Ogg, ed. Showroom Annual: Props, Events, Encounters: the Performance of New Sculpture. London: The Showroom. ISBN 0-9542362-6-2 [Book Section]

Phillips, Andrea. 2011. 'Objects, Props, Assemblages' Performed. In: Tirdad Zolghdhar; Freya Chou and Hongjohn Lin, eds. Actors Explain Biennials in Mandarin. Taipei: Taipei Museum of Fine Arts, pp. 54-60. ISBN 978-986-02-6866-9 [Book Section]

[img]
Phillips, Andrea. 2009. 'PLAY FOR TODAY: Cornelius Cardew conference'. In: Play for Today: Cornelius Cardew Conference. ICA, London, United Kingdom 21 - 22 Nov 2009. [Conference or Workshop Item]

Phillips, Andrea. 2009. 'Panel Discussion: The London Perambulator'. In: The London Perambulator. Whitechapel Galler, London, United Kingdom. [Conference or Workshop Item]

Phillips, Andrea. 2007. 'Park Nights: Pavilion Politics'. In: Park Nights. Serpentine Gallery, London, United Kingdom. [Conference or Workshop Item]

Phillips, Andrea. 2007. 'Pavilion Politics'. In: Pavilion Politics. Serpentine Gallery, London, United Kingdom. [Conference or Workshop Item]

Phillips, Andrea. 2010. Pavilion Politics. LOG(20), tbd-tbd. ISSN tbd [Article]

Phillips, Andrea. 2009. 'The Politics of Practice-based Research'. In: UNSPECIFIED. Konstfack, Stockholm, Sweden. [Conference or Workshop Item]

Phillips, Andrea. 2012. 'Public Education'. In: Cultures of Capitalism IV. Whitechapel Gallery, London, United Kingdom. [Conference or Workshop Item]

[img]
Preview
Phillips, Andrea. 2013. Public Space [Crossed Out]. In: Michael Elmgreen; Dragset Ingar; Eva Kraus and Nan Mellinger, eds. A Space Called Public. Munich: Walter Koenig, pp. 248-259. ISBN 9783863354398 [Book Section]

[img]
Phillips, Andrea. 2014. Remaking the Art Centre. In: Emily Pethick; Binna Choi and Maria Lind, eds. Cluster - Dialectionary. Berlin: Sternberg Press, pp. 4-18. ISBN 9783956790607 [Book Section]

Phillips, Andrea. 2009. 'Sarah Morris'. In: Vortrag zu Sarah Morris. Museum of Modern Art, Frankfurt, Germany. [Conference or Workshop Item]

Phillips, Andrea. 2011. A Short Plan for Art Institutions Post-participation. In: Markus Miessen and Valerie Kolowratnik, eds. Waking Up from the Nightmare of Participation. Utecht: Expodium, pp. 268-274. ISBN 978-94-90474-00-3 [Book Section]

Phillips, Andrea. 2006. Slipping away from Citizenship. In: Sally Tallant and Louise Coysh, eds. Dis-assembly. Serpentine Gallery, pp. 14-21. ISBN 1905190115 [Book Section]

Phillips, Andrea. 2009. 'Special Aesthetic Zones'. In: Barents Region conference. Barents Cultural Centre, Kirkenes, Norway 19-23 February 2009. [Conference or Workshop Item]

Phillips, Andrea. 2006. Spirits, Ghosts, Atmospheres of Capital. In: Bridget Crone, ed. The Showroom Annual 2005/6. The Showroom Annual (London: The Showroom), pp. 44-47. ISBN 0954236254 [Book Section]

[img]
Preview
Phillips, Andrea. 2011. Too Careful: Contemporary Art's Public Making. In: Andrea Phillips and Markus Miessen, eds. Caring Culture: Art, Architecture and the Politics of Public Health. 1 (1) Berlin/Amsterdam: Sternberg Press/SKOR, pp. 35-56. ISBN 978-1-9341-5-71-9 [Book Section]

Phillips, Andrea. 2008. 'Transnational Images'. In: Contemporary Landscape Photography. Bergen Art Academy, Bergen, Norway. [Conference or Workshop Item]

Phillips, Andrea. 2011. Why Practice-based PhDs are Political. In: Jose Quaresma; Fernando Dias and Juan Guadix, eds. Investigacao em Arte e Design Fendas no Metodo e na Criacao. Lisbon: CIEBA, pp. 69-80. ISBN 978-989-8300-15-7 [Book Section]

Phillips, Andrea and Erdemci, Fulya. 2010. Actors, Agents and Attendants. [Project]

Phillips, Andrea and Malik, Suhail. 2012. Tainted Love: Art’s Ethos and Capitalization. In: Maria Lind and Olav Velthuis, eds. Art and its Commercial Markets: A Report on Current Changes and with Scenarios for the Future. Berlin/Stockholm: Sternberg Press/Tensta Konsthall, pp. 209-240. ISBN 978-1-934105-99-3 [Book Section]

Phillips, Andrea and Malik, Suhail. 2011. The wrong of contemporary art: aesthetics and political indeterminacy. In: Paul Bowman and Richard Stamp, eds. Reading Rancière. London: Continuum, tbd-tbd. ISBN 978-1441137814 [Book Section]

[img]
Preview
[img]
Preview
Phillips, Andrea; Renton, Andrew; Le Feuvre, Lisa and Schmitz, Edgar. 2008. Curating Architecture. [Project]

Phillips, Andrea and Schmitz, Edgar. 2008. Curating Architecture. In: "Curating Architecture", The Showroom, London, United Kingdom. [Show/Exhibition]

[img]
Phillips, Andrea and Watson, Grant. 2014. Tagore Pedagogy and Visual Cultures. [Project]

[img]
Preview
[img]
Preview
Pickering, Gail. 2008. BRUTALIST PREMOLITION. In: "Nought to Sixty - Solo Exhibition", ICA, United Kingdom, 5 May - 2 Nov 2008. [Show/Exhibition]

Pickering, Gail. 2007. Dissident Sunset. In: "Dissident Sunset", RLBQ Gallery, 41 Rue Tapis Verte, 9/12/2007 - 11/11/2007. [Show/Exhibition]

Pickering, Gail. 2008. Gail Pickering: solo exhibition. In: "Gail Pickering Solo Exhibition", Gasworks, United Kingdom, 12 June - 27 July 2008. [Show/Exhibition]

Pickering, Gail. 2007. Hungary and Other Economies. In: "Hungary and Other Economies", Jousse Entreprise Gallery, 24 Rue Louise Weiss, 3/17/2007 - 4/13/2007. [Show/Exhibition]

[img] [img]
Pickering, Gail. 2008. MAD MASTERS. In: "Mad Masters", South London Gallery, United Kingdom, 26 June 2008. [Show/Exhibition]

[img]
Pickering, Gail. 2012. Not Yet No Longer. In: "Not Yet No Longer", Institute of Contemporary Arts, London, United Kingdom, 26 May 2012; 30 Oct 2012; 2 June-2 September 2012. [Performance]

Pickering, Gail. 2004. PraDal. In: "PraDal", Matts Gallery, 42-44 Copperfield Road, 2/13/2004 - 3/30/2004. [Show/Exhibition]

Pickering, Gail. 2010. SIXTY SIX SIGNS OF NEON - Episodes 2010-11. In: "British Art Show 7", Nottingham Contemporary, United Kingdom, 23 Oct 2010 - 4 Dec 2011. [Show/Exhibition]

Pickering, Gail. 2001. Youthquake. In: "Youthquake", W139 Gallery, Warmoesstraat 139, 11/3/2001 - 12/2/2001. [Show/Exhibition]

[img]
Preview
Ramos Martinez, Manuel. 2009. We Are All Spectators. Parallax, 15(3), pp. 124-126. ISSN 1353-4645 [Article]

Rebecca, Beasley. 2012. The Outside. In: "Tate Britain", London, United Kingdom, 7 April–2 September 2012. [Show/Exhibition]

[img]
Preview
[img]
Preview
Reckitt, Helena. 2010. Adaptation: Between Species. In: "Adaptation: Between Species", The Power Plant, Toronto, Canada, 19 June - 12 August, 2010. [Show/Exhibition]

[img]
Preview
[img]
Preview
Reckitt, Helena. 2010. Adaptation: Between Species. In: "Adaptation: Between Species", The Power Plant, Toronto, Canada, 19 June - 12 August, 2010. [Show/Exhibition]

[img]
Preview
Reckitt, Helena. 2010. Adaptation: Between Species. In: "Adaptation: Between Species", The Power Plant, Toronto, Canada, 19 June - 12 August, 2010. [Show/Exhibition]

Reckitt, Helena. 2008. 'Back to the Front: Critical Curatorial Panel'. In: CREATING RESISTANCE: Arts Practice/ Political Praxis. University of British Columbia, Vancouver, Canada 24 October 2008. [Conference or Workshop Item]

[img] [img]
Preview
Reckitt, Helena. 2013. Because the Night: Curating One-Off Nocturnal Events. Art Papers, 37(3), pp. 42-45. ISSN 1524-9581 [Article]

Reckitt, Helena. 2014. 'Being Visible: Feminism, Art and the Internet'. In: Being Visible: Feminism, Art and the Internet. Institute of Contemporary Arts, London, United Kingdom 10 January 2014. [Conference or Workshop Item]

[img]
Preview
Reckitt, Helena. 2014. Between Mirrors. Magic Mirror, pp. 1-17. ISSN 9780992884017 [Article]

[img]
Preview
[img]
Preview
Reckitt, Helena. 2009. Carey Young: Counter Offer. In: "Carey Young: Counter Offer", The Power Plant, Toronto, Canada, 14 March - 18 May 2009. [Show/Exhibition]

[img]
Preview
Reckitt, Helena. 2012. Christoph Büchel, Piccadilly Community Centre. Journal of Curatorial Studies, 1(1), pp. 101-104. ISSN 20455836 [Article]

Reckitt, Helena. 2012. 'Civil Partnerships? Queer and feminist curating'. In: Civil Partnerships? Queer and Feminist Curating. Tate Modern, United Kingdom 19 May 2012. [Conference or Workshop Item]

Reckitt, Helena. 2014. 'Do You Wish To Direct Me? Contemporary artists under the influence of feminism'. In: Dialogues on Conflict - Feminist Perspectives and Art Practice. University of Wales, Trinity Saint David, Swansea, United Kingdom 16 May 2014. [Conference or Workshop Item]

Reckitt, Helena. 2008. 'Domesticity: Feminist Art and the Idea of the Home'. In: Domesticity: Feminist Art and the Idea of the Home. Ulrich Museum, Wichita, Kansas, United States 7 February 2008. [Conference or Workshop Item]

Reckitt, Helena. 2014. 'Drama in the Gallery'. In: Drama in the Gallery. Institute of Contemporary Arts, London, United Kingdom 5 December 2014. [Conference or Workshop Item]

[img]
Preview
Reckitt, Helena. 2012. 'Feminist Perspectives in Art Productions and Theories of Art'. In: Feminist Perspectives in Art Productions and Theories of Art. Bilbao, Spain 5, 6, 7 October 2012. [Conference or Workshop Item]

[img]
Preview
[img]
Preview
Reckitt, Helena. 0005. Flux Night: Free Association. In: "Flux Night: Free Association", Flux Projects, Atlanta, United States, 5 October 2013. [Show/Exhibition]

[img]
Preview
Reckitt, Helena. 0005. Flux Night: Free Association. In: "Flux Night: Free Association", Flux Projects, Atlanta, United States, 5 October 2013. [Show/Exhibition]

[img]
Preview
[img]
Preview
Reckitt, Helena. 2013. Forgotten Relations: Feminist Artists and Relational Aesthetics. In: Angela Dimitrakaki and Lara Perry, eds. Politics in a Glass: Case Feminism, Exhibition Cultures and Curatorial Transgressions. 7 Liverpool: Liverpool University Press, tbd-tbd. ISBN 9781846318931 [Book Section]

[img]
Preview
Reckitt, Helena. 2012. GENDER ALARM!: Queer Feminist Exhibitions in a ‘Year of Feminist Art’. In: Leila Pourtavaf, ed. Féminismes Électriques. Montreal: La Centrale Galerie Powerhouse, pp. 26-41. ISBN 978-2-89091-321-9 [Book Section]

[img]
Preview
Reckitt, Helena. 2013. Gerard Byrne: Like a Man. In: Kirsty Ogg, ed. Gerard Byrne: A State of Neutral Pleasure. London and Stockholm: The Whitechapel Gallery, pp. 36-51. ISBN 978-0-85488-212-0 [Book Section]

[img]
Preview
[img]
Preview
Reckitt, Helena. 2014. Getting Rid of Ourselves. In: "Getting Rid of Ourselves", OCAD U Onsite Gallery, Canada, July 16 2014 - October 11 2014. [Show/Exhibition]

Reckitt, Helena. 2013. 'Getting Rid of Yourself'. In: Socially Engaged Practice: Ethics, Aesthetics, Politics or Economics?. Centre for Contemporary Art, Glasgow, United Kingdom 2 March 2013. [Conference or Workshop Item]

Reckitt, Helena. 2012. A House Divided: American Art Since 1955. Times Higher Education Supplement, p. 30. [Article]

[img]
Preview
[img]
Preview
Reckitt, Helena. 2010. Joachim Koester: Hypnagogia. In: "Joachim Koester: Hypnagogia", The Power Plant, Toronto, Canada, 26 March - 24 May, 2010. [Show/Exhibition]

Reckitt, Helena. 2013. 'Joan & Martin Goldfarb Summer Institute, Unexpected Encounters: Sexual Difference and Art Now'. In: Joan & Martin Goldfarb Summer Institute, Unexpected Encounters: Sexual Difference and Art Now. York University, School of Art & Art History, Canada May 12 2014. [Conference or Workshop Item]

[img]
Preview
Reckitt, Helena. 2012. Katherine Taylor: Heavy Weather. Katherine Taylor: Heavy Weather, pp. 1-25. [Article]

[img]
Preview
[img]
Preview
Reckitt, Helena. 2012. Keren Cytter: Based on a True Story. In: "Keren Cytter: Based on a True Story", Oakville Galleries, Ontario, Canada, 14 April – 10 June 2012. [Show/Exhibition]

Reckitt, Helena. 2008. Manon de Boer. In: "Manon de Boer", The Power Plant, Toronto, Canada, 20 September - 23 November, 2008. [Show/Exhibition]

[img]
Preview
[img]
Preview
Reckitt, Helena. 2008. Manon de Boer. In: "Manon de Boer", The Power Plant, Toronto, Canada, 20 September - 23 November, 2008. [Show/Exhibition]

[img]
Reckitt, Helena. 2008. Neither to Criticize Nor Glorify: Paul Shambroom's Studied Objectivity. In: Diane Mullin, ed. Paul Shambroom Picturing Power. Minneapolis: Weisman Art Museum, University of Minnesota, Minneapolis, pp. 32-45. ISBN 9781933045757 [Book Section]

[img]
Preview
[img]
Preview
Reckitt, Helena. 2008. Not Quite How I Remember It. In: "Not Quite How I Remember It", The Power Plant, Toronto, Canada, 7 June - 1 September, 2008. [Show/Exhibition]

[img]
Preview
[img]
Preview
Reckitt, Helena. 2009. Nothing to Declare: Current Sculpture from Canada. In: "Nothing to Declare", The Power Plant, Toronto, Canada, 11 December 2009 - 7 March 2010. [Show/Exhibition]

[img]
Preview
[img]
Preview
Reckitt, Helena. 2012. Once More With Feeling, Nuit Blanche. In: "Nuit Blanche: Once More With Feeling", Toronto, Canada, 30 September 2012. [Show/Exhibition]

[img]
Preview
Reckitt, Helena. 2009. Opening a Closing Door: Feminist and Queer Artists as Historians. Reading Room: A Journal of Art and Culture, pp. 88-103. [Article]

Reckitt, Helena. 2010. 'Performing Publics, Panel on Artists’ Re-enactment'. In: Performing Publics: Artists' Re-enactments. Performance Studies International, Ontario College of Art and Design, Toronto, Canada 9 - 13 June 2010. [Conference or Workshop Item]

Reckitt, Helena. 2011. 'Rehearsal'. In: Rehearsal. Adam Auditorium, City Gallery Wellington, New Zealand 17 August 2011. [Conference or Workshop Item]

[img]
Preview
Reckitt, Helena. 2011. To Make Time Appear. Art Journal, 70(3), pp. 58-63. [Article]

Reckitt, Helena. 2008. 'Vancouver and its Feminisms'. In: Vancouver and its Feminisms. Vancouver Art Gallery, Vancouver, Canada 25 October 2008. [Conference or Workshop Item]

[img]
Reckitt, Helena. 2010. Wendelien van Oldenburgh: The Past is Never Dead. The Past is Never Dead, pp. 2-3. [Article]

[img]
Preview
Reckitt, Helena. 2009. Who Was that Woman? C Magazine, 104, pp. 88-103. [Article]

Reckitt, Helena. 2012. Yoko Ono: To the Light. Times Higher Education Supplement, pp. 19-20. [Article]

Reckitt, Helena; Blackwell, Adrian and Various, others. 2010. 'Love is a force that acts as the productive motor of every emancipatory politics'. In: Love is a force that acts as the productive motor of every emancipatory politics. JMB Gallery, University of Toronto, Toronto, Canada 18 March 2010. [Conference or Workshop Item]

[img]
Preview
Reckitt, Helena; Conlon, Natasha; Barton, Christina; Smith, Terry; French, Blair; Newby, Kate and Tamait-Quennell, Megan. 2012. Roundtable: Reading Exhibitions, ed. Natasha Conlon. Reading Room: A Journal of Art and Culture, 5, pp. 150-167. [Article]

[img]
Preview
[img]
Preview
Reckitt, Helena and Davies, Jon. 2010. Ryan Trecartin: Any Ever. In: "Ryan Trecartin: Any Ever", The Power Plant, Toronto, Canada, The Power Plant: 26 March - 24 May, 2010; LA MOCA: 18 July - 17 October, 2010; MOCA Miami: 24 June - 4 September, 2011; MoMA/PS1: June 19, 2011—September 3, 2011. [Show/Exhibition]

[img]
Preview
[img]
Preview
Reckitt, Helena; Fletcher, Harrell; Bastos, Augusto; Brandt, Thomas; Frey, Sean; Jickling, Hannah; Kobayashi, Alison SM; O'Donnell, Darren; Reed, Helen; Reid, Kerri; Shaw, Kristin; Swintak, Swintak; Tanaka, Maiko; Wah, Amy and Wielonda, Karen. 2008. Harrell Fletcher: Born out of Pleasure. In: "Harrell Fletcher: Born out of Pleasure", The Power Plant, Toronto, Canada. [Show/Exhibition]

Reckitt, Helena and LGBT, Network. 2013. 'My Queer Museum'. In: My Queer Museum. Victoria & Albert Museum, London, United Kingdom 15 March 2013. [Conference or Workshop Item]

[img]
Preview
Reckitt, Helena; Mullin, Diane and Scoates, Christopher. 2009. Paul Shambroom: Picturing Power. In: "Paul Shambroom: Picturing Power", Weisman Art Museum- University. of Minnesota, United States, 1 April 2008 - 5 April 2009. [Show/Exhibition]

[img]
Reckitt, Helena; Rhodes, Richard; Zeppetelli, John and Moore, Gareth. 2008. 'Delicate: Art and Post-Millennial Culture'. In: Delicate: Art and Post-Millennial Culture. Art Gallery of Ontario, Toronto, Canada 20 September 2008. [Conference or Workshop Item]

Reckitt, Helena; Trecartin, Ryan and Davies, Jon. 2010. 'International Lecture Series: Ryan Trecartin in conversation with Jon Davies and Helena Reckitt'. In: International Lecture Series: Ryan Trecartin. The Drake Hotel, Toronto, Canada 23 March 2010. [Conference or Workshop Item]

Reckitt, Helena and White, Ian. 2009. 'Talk to the Pie 6: 43 After 66, Ian White and Helena Reckitt'. In: Talk to the Pie 6: 43 After 66, Ian White and Helena Reckitt. Gladstone Hotel, Toronto, Canada 10 April 2009. [Conference or Workshop Item]

Renton, Andrew. 2002. “Aesthetics of the Seamless (Norman Bryson, Mark Gisbourne, Sharon Morris, Andrew Renton, Irit Rogoff)”. In: , ed. Concepts on the Move (Lier & Boog). Amsterdam and New York: Editions Rodopi B.V., pp. 81-92. ISBN 978-9042012691 [Book Section]

Renton, Andrew. 2002. Andrew Renton and Sacha Craddock in Conversation. In: , ed. The Producers: Contemporary Curators in Conversation. Gateshead and Newcastle: Baltic and University of Newcastle, pp. 9-46. ISBN 978-1903655139 [Book Section]

Renton, Andrew. 2007. Another Memory of the Old Home. In: , ed. Ângela Ferreira: Maison Tropicale. Lisbon: Institutos das Artes & Ministério da Cultura, pp. 60-77. ISBN 978-972-99322-8-1 [Book Section]

[img]
Preview
[img]
Preview
Renton, Andrew. 2008. Art TLV 08: Open Plan Living. In: "Art TLV: Open Plan Living", Helena Rubenstein Pavilion, Museum of Tel Aviv and others, Israel, 27 September 2008 - October 18 2008. [Show/Exhibition]

Renton, Andrew. 2003. “Ben Kodesh l’Kodesh” (“...Between what is holy and what is holy”). In: Andrew Renton, ed. Borders of Sanctity in Art, Society and Jewish Thought. Jerusalem: Keter Publishing with Adi Foundation, pp. 146-149. ISBN 965-07-1172-4 [Book Section]

Renton, Andrew. 2010. Bergotte's Vermeer and other Histories. In: Wouter Davidts, ed. Crack: Koen van den Broek. Amsterdam: Valiz, Amsterdam; S.M.A.K., Ghent; Lannoo, Tielt, pp. 62-71. ISBN 978 90 78088 41 7 [Book Section]

Renton, Andrew. 2002. “Bethan Huws”. In: , ed. 100 Reviews Backwards. Verlag der Buchhandlung Walther Konig, p. 65. ISBN 978-3883756493 [Book Section]

Renton, Andrew. 2002. “Browser: a Second Visit to the Archive”. In: , ed. Potential: Ongoing Archive. Amsterdam and Southampton: Artimo Foundation Breda, pp. 60-65. ISBN 978-9075380484 [Book Section]

Renton, Andrew. 2005. Complications of Absence: Ignasi Aballí and the Constrained Object. In: , ed. 0-24 h. Barcelona: Museo De Arte Contemporáneo De Barcelona = Museu D'art Contemporani De Barcelona, pp. 117-130. ISBN 978-8489771147 [Book Section]

Renton, Andrew. 2003. “Conversation between Jonathan Callan, Edward Allington, and Andrew Renton, 4th November 2002, Deptford, London”. In: , ed. Jonathan Callan: Interference. Walsall: New Art Gallery Walsall, pp. 68-71. ISBN 978-0946652662 [Book Section]

Renton, Andrew. 2002. Correspondence. In: , ed. Ghada Amer. London: Gagosian Gallery, pp. 7-19. ISBN 978-1880154755 [Book Section]

Renton, Andrew. 2002. “Disappearing, Dislodging and Logging Off in B.C.”. In: , ed. The Beachcombers. London: Drawing Room, pp. 11-16. [Book Section]

Renton, Andrew. 2005. Don’t think you knew you were in this song: How Ziggy Sang Susan. In: , ed. SUSAN PHILIPSZ. Malmo Konsthall, pp. 46-65. ISBN 978-9177041061 [Book Section]

Renton, Andrew. 2002. “Douglas Gordon, 24 Hour Psycho”. In: , ed. 100 Reviews Backwards. Verlag der Buchhandlung Walther Konig, p. 56. ISBN 978-3883756493 [Book Section]

Renton, Andrew. 2002. Five Pieces for A.M. In: , ed. Nothing is Sudden – Arbeiten mit Licht. Köln: StadtRevue Verlag, pp. 10-21. [Book Section]

Renton, Andrew. 2003. Holding Centre. In: , ed. I Only Want You to Love ME. Brighton: Photoworks, pp. 100-103. ISBN 978-1903796092 [Book Section]

Renton, Andrew. 2006. I saw and know what I saw…: Linder as Witness. In: , ed. Linder: Works 1976-2006. Zurich: JRP Ringier, pp. 128-137. ISBN 3-905701-60-x [Book Section]

Renton, Andrew. 2002. “Ian Davenport, Gary Hume, Michael Landy” and “East Country Yard Show”. In: , ed. 100 Reviews: Backwards. Verlag der Buchhandlung Walther Konig, pp. 40-48. ISBN 978-3883756493 [Book Section]

Renton, Andrew. 2007. In Lieu of the Face. In: , ed. Portrait, Landscape, Process, Monochrome. London: Alexia Goethe Gallery, pp. 6-13. ISBN 978-1906463007 [Book Section]

Renton, Andrew. 2002. “Modern Medicine”. In: , ed. 100 Reviews: Backwards. Verlag der Buchhandlung Walther Konig, p. 87. ISBN 978-3883756493 [Book Section]

Renton, Andrew. 2005. Mushrooms in the Rain: Gerard Hemsworth and the Deceptive Perspective. In: , ed. Gerard Hemsworth, Mushrooms In The Rain (exhibition catalogue). São Paulo: Galeria Brito Cimino, pp. 4-6. [Book Section]

Renton, Andrew. 2007. Only you can make this world seem right. In: , ed. Jesper Just - Film Works: Film Works 2001-2007. Rotterdam: Witte de With Centre for Contemporary Art, pp. 82-99. ISBN 978-9073362734 [Book Section]

Renton, Andrew. 2008. Painting Less Subject: Detached Indices and Red Herrings (for K.C.). In: Ben Tufnell, ed. Keith Coventry: Vanishing Certainties. Painting and Sculpture 1992 - 2009. London: Haunch of Venison, pp. 32-33. ISBN 972-1-905620-37-1 [Book Section]

Renton, Andrew. 2005. Prescription Material: You are what you eat. In: , ed. Marc Quinn: Chemical Life Support. London: White Cube, pp. 2-5. ISBN 978-0954650186 [Book Section]

Renton, Andrew. 2006. “Public and Private Collecting”. In: , ed. Frieze Projects: Artists' Commissions and Talks: Artists Commissions and Talks 2003-2005. London: Frieze, pp. 137-145. ISBN 978-0955320101 [Book Section]

Renton, Andrew. 2006. “Space Girl and the Strange Case of Being in Two Places at the Same Time”. In: , ed. Sophie Von Hellermann: Judgement Day. London: Koenig Books, pp. 162-167. ISBN 978-3865600578 [Book Section]

Renton, Andrew. 2006. Stay forever and ever and ever. In: "Stay forever and ever and ever", South London Gallery, 5/2/2006 - 6/24/2006. [Show/Exhibition]

Renton, Andrew. 2009. Ten Fragments (for I.K.). In: Elena Volpato, ed. Ian Kiaer: What Where. Turin: Archive Books, pp. 43-47. [Book Section]

Renton, Andrew. 2007. Threshold and its Shadow (for YS). In: , ed. Yehudit Sasportas. Der israelische Pavillon auf der Biennale Venedig. Israeli Pavilion 52nd Biennale Vezezia and Dumont, pp. 39-61. ISBN 978-3832177737 [Book Section]

Renton, Andrew. 2006. ’Unknown Content’:Diminished Return. In: , ed. (Re)volver, Lisbon: Plataforma Revolver. UNSPECIFIED, pp. 32-42. [Book Section]

Renton, Andrew. 2005. Walking through Wall: Catherine Yass’s Politics of Unseeing. In: , ed. Catherine Yass: Filmography. Fundacio Antoni Tapies, pp. 72-89. ISBN 978-8489152731 [Book Section]

Renton, Andrew. 2005. West. In: , ed. The Journey: Dietmar Lutz. London: emilyTsingou Gallery, pp. 23-39. ISBN 978-0953245826 [Book Section]

Renton, Andrew. 2006. You are still here…. In: , ed. Mona Hatoum: Hot Spot. White Cube. [Book Section]

Renton, Andrew. 2008. “‘…so begin always again and again’: Syntactical Spaces, Indebted Figures in the Work of Muntean/Rosenblum”. In: , ed. Muntean/Rosenblum: Make Death Listen. Zurich: JRP Editions, pp. 92-93. ISBN 978-3905701982 [Book Section]

[img]
Preview
[img]
Preview
Renton, Andrew; Corrales, Marcos; Jubelin, Narelle and Ferreira, Angela. 2008. Front of House. In: "Front of House, London", Parasol Unit, United Kingdom, 16 April - 29 May 2008. [Show/Exhibition]

Renton, Andrew and Jubelin, Narelle. 2002. Shumakom ("No place"). In: "Shumakom ("No place")", Beit Ha'omanim (Artists' House), Jerusalem, 5/1/2002 - 6/1/2002. [Show/Exhibition]

Renton, Andrew and Lapa, P.. 2003. Ângela Ferreira: Em Sítio Algum . No Place at All. Museu Nacional de Arte Contemporânea. ISBN 9727761895 [Book]

[img]
Preview
Renton, Andrew and Rosenthal, Norman. 2004. Jason Martin. Charta. ISBN 8881584832 [Book]

Renton, Andrew and Temin, Kathy. 2009. Running Past a Richard Serra: Kathy Temin and Andrew Renton in Conversation. In: Sue Cramer, ed. Kathy Temin. Melbourne, Australia: Heide Museum of Modern Art, pp. 73-79. ISBN 9781921330124 [Book Section]

Renton, Andrew and White, Laura. 2008. Broken Surface: Belated Forms. In: Laura White, ed. Laura White: the Stuff of Images. Manchester: Castlefield Gallery, unpaginated. ISBN 978-0-9559557-1-6 [Book Section]

[img]
Preview
[img]
Preview
Renton, Andrew; van den Broek, Koen and Verhoeven, Thibaut. 2010. Koen van den Broek: Curbs and Cracks. In: "Curbs and Cracks", Stedelijk Museum voor Actuele Kunst, Ghent, Belgium, 28 January to 10 May 2010. [Show/Exhibition]

Rifkin, Adrian. 2007. Addressing Ekphrasis: A Prolegomenon to the Next. Journal of Classical Philology, 102, pp. 72-82. ISSN 0009837X [Article]

Rifkin, Adrian. 2009. Apart from Sex. Journal of Visual Culture, 8(3), pp. 265-277. [Article]

Rifkin, Adrian. 2005. From Structure to Enigma and Back, Perhaps. Journal of Visual Culture, 4(3), pp. 364-381. ISSN 14704129 [Article]

[img]
Preview
Rifkin, Adrian. 2009. Oh I do Like to be Beside the Sea Side. Borderlands, 8(2), [Article]

Rifkin, Adrian. 2007. Wotan Envy. Parallax, 12(4), pp. 26-49. ISSN 1460700X [Article]

Rifkin, Adrian; Berry, Chris and Lok, Susan Pui San. 2009. Altius, Lentius. In: Adrian Rifkin, ed. Faster, Higher. London: Film and Video Umbrella, pp. 40-50. ISBN 978-1-904270-29-4 [Book Section]

[img]
Rosamond, Emily. 2016. Economies of Character (or, Character in the Age of Big Data). Doctoral thesis, Goldsmiths, University of London [Thesis]

Schmitz, Edgar. 2010. Some Turn and Some Don't (On Set-Ups). In: Paul o'Neill and Mick Wilson, eds. Curating and the Educational Turn. London/ Amsterdam: Open Editions/ de Appel. ISBN 978-0-949004-18-5 [Book Section]

Schmitz, Edgar. 2010. Soundtrack. In: "British Art Show 7. In The Days of the Comet", Nottingham Contemporary, New Art Exchange, Castle Museum, Nottingham, United Kingdom, October 2010 - December 2011. [Show/Exhibition]

Schmitz, Edgar. 2015. Surplus Cameo Decor: sindanao 2. In: "Surplus Cameo Decor: sindanao 2", Shanghai Himalayas Museum, China, 28.6.-9.8.2015. [Show/Exhibition]

Schmitz, Edgar. 2010. Traps Against Capture. In: Simon D. O'Sullivan and Stephen Zepke, eds. Deleuze and Contemporary Art. Edinburgh: Edinburgh University Press, pp. 208-224. ISBN 978-0748638383 [Book Section]

Schmitz, Edgar. 2010. Which Way to Heaven? In: Lisa Le Feuvre, ed. Failure. Whitechapel/ MIT. ISBN 978-0-262-51477-4 [Book Section]

Seers, Lindsay. UNSPECIFIED. UNDEFINED. [Show/Exhibition]

Seers, Lindsay. Aften Posten. In: , ed. Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS. UNSPECIFIED, pp. 6-7. [Book Section]

Seers, Lindsay. 2011. Cyclops [Monocular]. In: "'Promising in Kabelvåg' – Seers' 'Cyclops [Monocular]' at the Lofoten International Art Festival (LIAF)", Lofoten International Art Festival (LIAF), Norway, 10/09/2011. [Show/Exhibition]

Seers, Lindsay. 2011. Dis-covery. [Exhibition Catalogue]

Seers, Lindsay. 2009. Extramission 6 (Black Maria). In: "Extramission 6 (Black Maria)", Tate Collection, London, United Kingdom. [Show/Exhibition]

Seers, Lindsay. 2009. Extramission 6, Tate Collection. In: "Extramission 6, Tate Collection", London, United Kingdom. [Show/Exhibition]

Seers, Lindsay. 2005. Eyes of Others. In: "Eyes of Others", Gallery of Photography, 10/27/2005 - 11/27/2005. [Show/Exhibition]

Seers, Lindsay. 2007. Human Camera. Article Press. [Book]

Seers, Lindsay. 2005. I saw the Light. In: "I saw the Light", Gasworks Gallery, 9/22/2005 - 10/30/2005. [Show/Exhibition]

Seers, Lindsay. 2010. It has to be this way 1.5. In: "It has to be this way", Matt's Gallery, London, United Kingdom. [Show/Exhibition]

Seers, Lindsay. 2010. It has to be this way². In: "It has to be this way²", National Gallery Denmark, Denmark, 21 May 2010 - 12 June 2011. [Show/Exhibition]

Seers, Lindsay. 2007. My Camera Life. In: , ed. Human Camera. Article Press. ISBN 978-1-873352-64-9 [Book Section]

Seers, Lindsay. 2011. Reconstructing the Past. In: "Lindsay Seers' Photographic Narrative", UNDEFINED, May/June 2011. [Show/Exhibition]

Seers, Lindsay. 2004. Sphere Catalogue. [Exhibition Catalogue]

Seers, Lindsay. 2007. Swallowing Black Maria. In: "Swallowing Black Maria", Smart Project Space, 7/14/2007 - 8/18/2007. [Show/Exhibition]

Seers, Lindsay. 2009. Top Ten. Art Forum, [Article]

Seers, Lindsay. 2008. The Trilogy. In: "The Trilogy", Rugby Art Gallery & Museum, United Kingdom. [Show/Exhibition]

Seers, Lindsay. 2006. The Truth was always there. In: "The Truth was always there", The Collection, 9/23/2006 - 1/21/2007. [Show/Exhibition]

Seers, Lindsay. 2005. Wunderkammer. [Exhibition Catalogue]

Seers, Lindsay. 2002. images. Radical Philosophy, 113, pp. 26-30. ISSN 0300-211X [Article]

Seymour, Benedict. 2005. ‘ASBO as agent’. In: "TOTAL ASBO show", Pogo Cafe,, United Kingdom. [Show/Exhibition]

Seymour, Benedict. 2002. Back to Zero. Mute, 1(21), [Article]

Seymour, Benedict. 2002. Bio-Pics. Mute, 1(23), [Article]

Seymour, Benedict. 2001. Blockbusting the Election. Mute, 1(20), [Article]

Seymour, Benedict. 2000. Coral Maze. Mute, 1(17), [Article]

Seymour, Benedict. 2009. Creativity's Rainbow. MUTE MAGAZINE, 2(14), pp. 100-107. ISSN ISSN 1356-7748-214 [Article]

Seymour, Benedict. 2001. DO THE RIGHT THING! - DIE ANTI-GLOBALISIERUNGS-BEWEGUNG NACH DEM 11. SEPTEMBER. Texte zur kunst, 44, pp. 112-119. ISSN 09409459 [Article]

Seymour, Benedict. 2000. Everything Must Go. Mute, 1(16), [Article]

Seymour, Benedict. 2006. Introduction: Another Green World. Mute, 2(3), pp. 114-119. ISSN 0955066433 [Article]

Seymour, Benedict. 2001. The Last Picture Show. Mute, 1(22), [Article]

, ed. 2010. Mute Magazine Vol 2 #15. [Edited Journal]

Seymour, Benedict. 2006. Mutiny in the Mainstream. Journal of Visual Culture, 5(1), pp. 112-114. ISSN 14704129 [Article]

Seymour, Benedict. 2001. Nationalize This! What Next for Anti-Globalization Protests? Radical Philosophy, 107, pp. 2-5. ISSN 0300-211X [Article]

Seymour, Benedict. 2010. 'Principio Potosí. Modernidad y la llamada acumulación originaria.'. In: Principio Potosí. Modernidad y la llamada acumulación originaria. Reina Sofia, United Kingdom. [Conference or Workshop Item]

Seymour, Benedict. 2000. Rabble Rousers. Mute, 1(18), [Article]

Seymour, Benedict. 2000. Review ‘Club Circuits’. Public Art Journal, [Article]

Seymour, Benedict. 2000. Review ‘Wooden Heart’. Art Monthly, 235, [Article]

Seymour, Benedict. 1998. The Situationist City. Mute, 1(11), [Article]

Seymour, Benedict. 2006. Text and images of regeneration mapping project in Else/where: Mapping — New Cartographies of Networks and Territories. In: Janet Abrams and Peter Hall, eds. Else/where: Mapping — New Cartographies of Networks and Territories. University of Minnesota Press. ISBN 978-0972969628 [Book Section]

Seymour, Benedict. 2002. When Worlds Collide. Frieze, 65, [Article]

Seymour, Benedict and Iles, Anthony. 2005. The Re-Occupation. Mute, [Article]

Sheikh, Simon. 2010. Aesthetic Subjects in Urban Spaces – Some Remarks on the Films of Knut Åsdam. In: , ed. Knut Asdam: The Long Gaze, the Short Gaze. Berlin/New York: Sternberg Press, pp. 190-205. ISBN 978-1934105283 [Book Section]

Sheikh, Simon. 2005. Anstelle der öffentlichkeit? Oder: Die Welt in Fragmenten. In: Gerald Raunig and Ulf Wuggenig, eds. Publicum – Theorien der öffentlichkeit. Vienna: Turia + Kant, pp. 80-88. [Book Section]

Sheikh, Simon. 2000. ‘The Art World Between Fragmentation and Globalization’. In: , ed. Encuentro de Teoria y Critica. Bienal De La Habana, pp. 104-106. [Book Section]

Sheikh, Simon. 2010. The Art of Imagination. In: Marie Nerland, ed. An Anthology for the 25th Anniversary of BIT Teatergarasjen. Oslo: BIT Teatergarasjen, pp. 47-51. ISBN 978-8299667845 [Book Section]

Sheikh, Simon. 2013. ‘Articulation: On the Position of the Curator’. In: Ann Demester; Edna van Duyn and Hendrik Folkerts, eds. The Shadowfiles 3 - Curatorial Education. Amsterdam: Appel. ISBN 978-9073501782 [Book Section]

Sheikh, Simon. 2011. Avant-garde Citizens. Double Agents, and Model Workers. In: Ellen Blumenstein, ed. Under Deconstruction: Libia Castro & Olafur Olafsson. Berlin: Sternberg Press, pp. 27-33. ISBN 9781934105443 [Book Section]

Sheikh, Simon. 2006. Battle Lines are Being Drawn – The Cultural Politics of Identity in Denmark. In: , ed. : Framework 5. Helsinki: UNSPECIFIED, pp. 104-106. [Book Section]

Sheikh, Simon. 2007. Battle Lines are Being Drawn – The Cultural Politics of Identity in Denmark. In: Minna Henriksson and Sezgin Boynik, eds. Contemporary Art and Nationalism. Critical Reader. Pristhina: University of Kosovo, pp. 56-60. ISBN 978-9951874403 [Book Section]

Sheikh, Simon. 1997. Baustop, Randstadt. Spex, 11(98), pp. 60-61. [Article]

Sheikh, Simon. 1995. Behaviour and Destruction: The Video Works of Søren Martinsen. In: , ed. Land, Lipski, Martinsen, Videos. Copenhagen: Galleri Nicolai Wallner. [Book Section]

Sheikh, Simon. 2001. ‘Between Thought and Expression – Notes on Leif Kath’s Work Between Form and Formlessness’. In: Leif Kath, ed. Leif Kath. New York: DCA Gallery, pp. 5-9. [Book Section]

[img]
Sheikh, Simon. 2012. Burning From the Inside – New Institutionalism Revisited. In: Beatrice von Bismarck; Jörn Schafaff and Thomas Weski, eds. Cultures of the Curatorial. Berlin, Germany: Sternberg Press, pp. 361-373. ISBN 9781934105979 [Book Section]

Sheikh, Simon. 1997. Byrummet som forlystelsespark. Øjeblikket, 34, pp. 8-9. [Article]

Sheikh, Simon. 2001. ‘CUDI – en mod-offentlighed?’. In: , ed. CUDI – Center for Urbanitet, Dialog og Information. Odense: Kunsthallen Brandts Klædefabrik. [Book Section]

Sheikh, Simon. 2001. CUDI: A Counter Public. Arsis, 3, pp. 30-31. [Article]

Sheikh, Simon. 1997. Caught in the Crossfire. In: , ed. Claus Carstensen: Crossover. Arken Museum of Modern Art, pp. 28-31. [Book Section]

Sheikh, Simon. 1996. The Choice of a New Generation? Siksi, XI(2), pp. 76-77. [Article]

Sheikh, Simon. 2004. Christiania: Networks of Anti-Discipline. In: , ed. Territories: The Frontiers of Utopia and Other facts on the Ground, catalogue. Malmö: Malmö Konsthall, pp. 29-30. [Book Section]

Sheikh, Simon. 2003. Christiania: Netzwerke der Anti-Disziplin. An Architectur, 10, pp. 41-43. [Article]

Sheikh, Simon. 2004. Christiania: Netzwerke der Anti-Disziplin. Malmoe, 21, pp. 22-23. [Article]

Sheikh, Simon. 2003. ‘Christiania: Netzwerke der Anti-Disziplin’. An Architectur, 10, pp. 41-43. [Article]

Sheikh, Simon. 1999. Christiania: Netzwerke der Anti-Disziplin’ / ‘Christiania: Networks of Anti-Discipline. In: , ed. 45. Internationale Kurzfilmtage Oberhausen Festival Katalog 1999. UNSPECIFIED, pp. 89-93. [Book Section]

Sheikh, Simon. 1999. Close-Up, Face Off – Contemporary Art, Film and Fragmentation. In: , ed. Close-Ups – Contemporary Art and Carl Th. Dreyer. NIFCA & Nikolaj, Copenhagen Contemporary Art Center, pp. 93-96. [Book Section]

Sheikh, Simon. 1996. Column. Plum Velvet, 1, [Article]

Sheikh, Simon. 2004. Common Property/Allgemeingut. Springerin, 10(3), pp. 62-63. [Article]

Sheikh, Simon. 2004. ‘Common Property/Allgemeingut’. Springerin, 3, pp. 62-63. [Article]

Sheikh, Simon. 1997. Compartments, why Bother? Xerox, 4, [Article]

Sheikh, Simon. 2011. Constitutive Effects: The Techniques of the Curator. In: Zoya Kocur, ed. Global Visual Cultures. Oxford: Wiley-Blackwell, pp. 48-56. ISBN 978-1405169202 [Book Section]

Sheikh, Simon. 2007. ‘Constitutive Effects: The Techniques of the Curator’. In: Paul O'Neill, ed. CURATING SUBJECTS. Amsterdam: De Appel, pp. 174-185. [Book Section]

Sheikh, Simon. 2005. A Conversation. In: , ed. Gregor Neuerer – A Stolen Moment, catalogue. Innsbruck: Kunstpavillon der Tiroler Künstlerschaft, pp. 35-40. [Book Section]

Sheikh, Simon. 2003. ‘A Conversation’. Danger Museum Newsletter, 18, [Article]

Sheikh, Simon. 2007. Correcting the Principles of Correction (its Facilities and Discourses). In: , ed. Crime and Punishment, catalogue. Tallinn: Tallinn Kunstihoone, pp. 64-67. [Book Section]

Sheikh, Simon. 2003. Counter-Public Works: Remapping Public Space. In: , ed. Printed Project 1. Dublin: UNSPECIFIED, pp. 37-42. [Book Section]

Sheikh, Simon. 2003. ‘Counter-Public Works: Remapping Public Space’. In: , ed. Printed Project 1. Dublin: UNSPECIFIED, pp. 37-42. [Book Section]

Sheikh, Simon. 1996. Den sorte kasse i den hvide kube. Øjeblikket, 30, pp. 19-21. [Article]

Sheikh, Simon. 1998. ‘Der bedauernswerte Entertainer – das Typen Repertoire von Peter Land’ / ‘The Sorry Entertainer – the Typecasting of Peter Land’. In: , ed. Come Closer. Köln: Liechensteinische Staatliche Kunstsammlung / Octagon, pp. 86-89. [Book Section]

Sheikh, Simon. 1994. Det Minimale Objekt – Serialitet og Fænomenologi. Passepartout, 2(3), pp. 75-92. [Article]

Sheikh, Simon. 1992. Dette er ikke et kunstværk. North-debat, 21, pp. 15-17. [Article]

Sheikh, Simon. 2002. ‘Double Vision – The Drama Documents of Joachim Koester’. In: Joahim Koester, ed. Joachim Koester Werke 1992 - 2001 - Different Stories, Different Places: 28.2 - 14.4.2002. Nürnberg: Kunsthalle Nürnberg, pp. 26-50. [Book Section]

Sheikh, Simon. 2002. ‘Double Vision – The Drama Documents of Joachim Koester’. In: , ed. Oito relatos nórdicos. , Centro Galego de Arte Contemporánea, Santiago de Compostel, pp. 88-102. [Book Section]

Sheikh, Simon. 2002. ‘Efterskrift’. In: Brian O'Doherty, ed. I den hvide kube (in Danish). Copenhagen: Rævens Sorte Bilbiotek,, pp. 125-131. ISBN 978-8773781852 [Book Section]

Sheikh, Simon. 1995. The Empty Stage. In: , ed. Lars Mathisen: Safe Condition, Live Play Act. Malmö Konstmuseum, pp. 2-16. [Book Section]

Sheikh, Simon. 2008. The End of an Idea. In: Mel Jordan and Malcolm Miles, eds. Art and Theory After Socialism. Bristol: University of Chicago Press, pp. 67-75. ISBN 978-1841502113 [Book Section]

Sheikh, Simon. 1993. Exclusion. In: "Exclusion", Consul, Århus, Denmark. [Show/Exhibition]

Sheikh, Simon. 2007. Exhibition as Medium. In: Rael Artel and Airi Triisberg, eds. Public Preparation. Tallinn: UNSPECIFIED, pp. 56-62. [Book Section]

Sheikh, Simon. 2009. Exhibition-Making and the Political Imaginary. In: , ed. Malmö Art Academy yearbook. UNSPECIFIED. [Book Section]

Sheikh, Simon. 1994. The Grey Area. Film & Video Newsletter 6, pp. 3-4. [Article]

Sheikh, Simon. 1997. ‘Hal Foster: The Return of the Real’. Periskop, 6, pp. 124-125. [Article]

Sheikh, Simon. 1995. Hin hlidin. In: , ed. Sólgin / Addicted. Iceland: Slunkaris, pp. 5-7. [Book Section]

Sheikh, Simon. 2005. How Does It Feel? NIFCA Info, p. 1. [Article]

Sheikh, Simon. 1997. I Los Angeles’ spejlbillede. Øjeblikket, 32/33, pp. 62-64. [Article]

Sheikh, Simon. 2002. Identification of a Woman. In: , ed. Ann Lislegaard – Eyes Wide Open. Copenhagen: The National museum of Photography. [Book Section]

Sheikh, Simon. 2007. Identification of a Woman. In: , ed. Ann Lislegaard – Science Fiction and Other Worlds. Oslo: Astrup Fearnley Museum of Modern Art, pp. 76-82. [Book Section]

Sheikh, Simon. 2004. Imagining Berlin – Some Attempts at Entries into a City Space. In: Ute Meta Bauer, ed. Komplex Berlin / Complex Berlin. Verlag Buchhandlung Walter König: Verlag Buchhandlung Walter König, pp. 148-160. [Book Section]

Sheikh, Simon. 1999. Imagining Berlin – Some Attempts at Entries into a City Space. In: Ute Meta Bauer, ed. Komplex Berlin (Complex Berlin) : 3rd Berlin Biennale for Contemporary Art. Koln: Verlag der Buchhandlung Walther Konig, pp. 148-160. ISBN 978-3883757889 [Book Section]

Sheikh, Simon. 2007. In Dreams Begin Responsibilites – Notes on Art, Horizons, and the Imaginary. In: Dorothee Bienert, ed. Don’t Worry – Be Curious! Frankfurt/Main: Revolver, pp. 33-36. ISBN 978-3865883872 [Book Section]

Sheikh, Simon. 2002. In the Place of the Public Sphere. In: Stephan Dilemuth, ed. The Academy and the Corporate Public. Köln: Permanent Verlag, pp. 218-221. [Book Section]

Sheikh, Simon. 2008. In the Place of the Public Sphere? Or, The World in Fragments. In: , ed. Public Good. UNSPECIFIED, pp. 46-55. [Book Section]

Sheikh, Simon. 2009. In the Place of the Public Sphere? Or, The World in Fragments. In: Claire Doherty, ed. Situation. Cambridge, Mass.: MIT Press, pp. 137-141. [Book Section]

Sheikh, Simon. 2012. ‘Instituting the Institution’. In: Joao Mourao and Luis Silva, eds. Performing the Institution(al), Volume 2. Lisbon: Kunsthalle Lissabon, pp. 90-103. [Book Section]

Sheikh, Simon. 1998. Joachim Koester’s Double Vision. World Art, 15, pp. 33-35. ISSN 2150-0894 [Article]

Sheikh, Simon. 1999. Kunstens Sted og Stedets Kunst. Øjeblikket, 39/40, pp. 26-30. [Article]

Sheikh, Simon. 2010. ‘Letter to Jane’. In: Paul O'Neill and Mick Wilson, eds. Pedagogical Subjects. London: Open Editions, pp. 61-75. [Book Section]

Sheikh, Simon. 2001. Lisa Strömbeck. Kunstbeeld – tijdschrift voor bildende kunst Nederlands, 5, [Article]

Sheikh, Simon. 2007. Maria Eichhorn: The Aesthetics of Administration and the Administration of Aesthetics. In: , ed. Untitled 43. London: UNSPECIFIED, pp. 38-43. [Book Section]

Sheikh, Simon. 1996. Mellemkomster – Bevægelse og fortabelse. Louisiana Revy, 36(3), pp. 70-74. [Article]

Sheikh, Simon. 1999. ‘Melting in Time 1995’. In: , ed. Kirsten Justesen: Re Kollektion. Aalborg: Nordjyllands Kunstmuseum, p. 44. [Book Section]

Sheikh, Simon. 1993. Multiples: Kopiens Diskurs. edition Campbells Occasionally, 2(3), pp. 8-9. [Article]