2 2 2016
Table of Contents
Editorial
| Introduction: Art and finance | PDF HTML |
| Gerald Nestler, Suhail Malik | 94-95 |
Research articles
| Contemporary art, capitalization and the blockchain: On the autonomy and automation of art’s value | PDF HTML |
| Laura Lotti | 96-110 |
| Shared stakes, distributed investment: Socially engaged art and the financialization of social impact | PDF HTML |
| Emily Rosamond | 111-26 |
Essays
| Contemporary art and financialization: Two approaches | PDF HTML |
| Victoria Ivanova | 127-37 |
| Terminal value: Building the alternative Bloomberg | PDF HTML |
| Christopher Wood, Alasdair King, Ruth Catlow, Brett Scott | 138-50 |
Interview
| Plotting the art market: An interview with Clare McAndrew | PDF HTML |
| Clare McAndrew, Suhail Malik, Gerald Nestler | 151-67 |
Artists' statements
| Diagrams and algorithms | PDF HTML |
| Paolo Cirio | 168-72 |
| The Institute for Southern Contemporary Art (ISCA) | PDF HTML |
| João Enxuto, Erica Love | 173-74 |
| The Institute for Southern Contemporary Art (ISCA) | FILM |
| João Enxuto, Erica Love | N/A |
| Everything is always (the liquid protocol) | PDF HTML |
| / UBERMORGEN | 175-79 |
| Whisper - Status code: No entity found | FILM |
| Sylvia Eckermann, Gerald Nestler | N/A |
| Dynamic global infrastructure: The freeport as value chain | PDF HTML |
| Kathleen Ditzig, Robin Lynch, Debbie Ding | 180-88 |
Review forum
| The necessity of multi-disciplinary scholarship for finance: On Ayache and Roffe | PDF HTML |
| Timothy C. Johnson | 189-204 |
| Response to Johnson: A random sample versus the radical event | PDF HTML |
| Elie Ayache | 205-16 |
| Model hagiography: A reply to Johnson and Munger on probability, philosophy and transcendental argumentation | PDF HTML |
| Jon Roffe | 217-24 |