-- Advertisement --

-- Advertisement --

Canadian Art

Feature

Canadian Art Gallery Hop: Super Saturday, Delicate Discussions

Various locations, Toronto Sep 20 2008
Angus Ferguson  <I>Untitled</I>  2007  Courtesy of Blanket Contemporary Art
Angus Ferguson Untitled 2007 Courtesy of Blanket Contemporary Art

Angus Ferguson Untitled 2007 Courtesy of Blanket Contemporary Art




The 2008 Whitney Biennial curators pegged it as a zeitgeist of “lessness.” The New Museum heralded it in its relaunch as a movement towards the “unmonumental.” And the Carnegie International compared it to “life on Mars.”

Whatever you choose to call it, it’s clear that there’s a predominating feeling of fragility or delicacy in the art world right now. Sculptures no longer tower—they teeter. Paintings articulate not confidence, but crisis. And everywhere across North America and Europe recent survey exhibitions reflect a cautious awareness among artists and curators of the fragile state of art, culture, history and even the planet itself. We are in a time when post-millennial doubt and the post-9/11 political world have engendered not the optimistic futurism imagined at the close of the 20th century but rather a new instability characterized by threatened global horizons.

This Saturday, the Canadian Art Gallery Hop initiates a conversation on this important trend—and other related ones—with a free panel discussion and a dozen gallery talks that add up to an intensive consideration of the forces shaping our art world today.

The free panel “Delicate: Art and Post-Millennial Culture” kicks off the day at 11am with insights from a trio of respected figures—Vancouver artist Gareth Moore, whose playful, ephemeral artworks have been exhibited from Rotterdam to San Francisco; Toronto curator Helena Reckitt, whose exhibition “Title in Progress” on lo-fi, participatory artist Harrell Fletcher has just opened at the Power Plant; and Montreal curator John Zeppetelli, whose work at the DHC-ART Foundation includes a major Christian Marclay exhibit opening this December. Canadian Art editor Richard Rhodes moderates.

Starting at 1pm, critics and curators continue the conversation with presentations at a dozen galleries across the city. Talks include Dan Adler in conversation with Nestor Kruger at 1pm at Art Metropole, curator Haema Sivanesan discussing the exhibition at Georgia Scherman Gallery at 2pm and artist Micah Lexier analyzing Jeannie Thib’s new wall-mounted works at Leo Kamen Gallery at 2:30pm.


Kim Dorland, Painter, Angell Gallery from Canadian Art on Vimeo.


Finally, the Gallery Hop throws a spotlight on the many galleries across the city that work year-round to bring contemporary art and its lessons to Canadians. Online video previews from several of these galleries, including the Barnicke Gallery, Feheley Fine Arts, Le Gallery, Angell Gallery and the Toronto Sculpture Garden offer special insights into the current moment, while an online mapping feature offers the opportunity to create one’s own customized, comprehensive tour.


Barbara Fischer, Curator, Justina M. Barnicke Gallery, U of T from Canadian Art on Vimeo.


This article was first published online on September 18, 2008.

RELATED STORIES

  • John Zeppetelli Audiocast: Collective Memory and the Making of "Re-Enactments"

    Is it possible to make anything new? Even if you’re an artist who works in appropriation? In this audio interview, DHC-ART Foundation curator John Zeppetelli tackles these questions and others raised by the foundation’s current exhibition, “Re-Enactments,” which continues to May 25 in Montreal.

  • Toronto Now

    From painters and photographers to philanthropists, writers and curators–portraits of the Toronto art community

 

FOUNDATION NEWS

More Foundation news

ONLINE

  • Danielle Egan’s Top 3: Best of BC

    A strange brew of fantasy films, wilderness outings, space-time snippets and raucous romances makes Vancouver writer Danielle Egan’s year-end picks both super and natural. Her choices lead off the cross-country part two of our year in review.

  • Amy Fung’s Top 3: Prairie Prescience

    From Winnipeg to Edmonton—and occasionally well beyond—Alberta critic Amy Fung finds her best of 2010 in a mix of old masters and new buildings. Civics, community and the logistics of travelling shows also pique the interest of this road-warrior reporter.

  • Ivan Jurakic’s Top 3: Outstanding in Ontario

    Impressed by a number of solid mid-career survey exhibitions this past year, Ontario curator Ivan Jurakic pulls three out of the mix that he feels really opened up an artist’s work—even if the price was an enduring sense of unease.

  • Marie-Eve Beaupré’s Top 3: Quebec Quality

    Painting, excess and excellent solo shows are three hallmarks of 2010 for Montrealer Marie-Eve Beaupré. In her best-ofs, she discusses how these trends applied to a couple of big, internationally known names—and to a less familiar Quebec one too.

  • Sue Carter Flinn’s Top 3: Atlantic Above All

    The importance of place in the making of art—and art communities—weaves through Halifax critic Sue Carter Flinn’s top picks for the year. From a once-closed watering hole to an over-protected city park, Carter Flinn maps out her local bests.

More Online

- Advertisements -



- Advertisements -
Report a problem