Entitled "Chaleur humaine", the second edition of the Art & Industry Triennale of Dunkirk takes on the subject of energies, addressing, among other themes, extractivism, bodies at work, access to natural resources, anthropogenic landscapes and sustainability, along with the uses and misuses of energy, and energy's narrative potentialities, whether oneiric or critical.

The Dunkirk Triennale explores the ways in which artists, designers, architects, landscape gardeners and other practitioners have, since the first oil crisis, taken up the question of energies, their stories and imprints, their myths and fantasies, as well as than their potentials and consequences.

The triennale presents works from the collections of the National Museum of Modern Art – Centre Pompidou, and the National Center for Visual Arts (Cnap), along with new commissions for the FRAC Grand-Large Hauts-de-France, the LAAC Musée de France and the public realm.

https://research.gold.ac.uk/id/eprint/33135