Photography against the Olympic spectacle

Marrero-Guillamón, Isaac. 2012. Photography against the Olympic spectacle. Visual Studies, 27(2), pp. 132-139. ISSN 1472-586X [Article]

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Abstract or Description

This article sets the official images of the transformation of East London for the 2012 Olympics against two independent documentary photography projects, Alessandra Chilá's Olympian Visions and Chris Dorley-Brown's Decisive Moments. The first section analyses the Olympic Delivery Authority's computer-generated images as acts of political imagination and in terms of the production of consensus. The work of Chilá and Dorley-Brown is then presented as a counter-representation of the changes in the area, and at the same time a critical reflection on the constructed nature of the documentary image. Through the use of post-production techniques and text–image combinations, these photographers have abandoned the idea of a transparent access to reality, while remaining committed to a broader notion of realism.

Item Type:

Article

Identification Number (DOI):

https://doi.org/10.1080/1472586X.2012.677497

Departments, Centres and Research Units:

Anthropology

Dates:

DateEvent
2012Published

Item ID:

8996

Date Deposited:

11 Oct 2013 08:49

Last Modified:

29 Apr 2020 16:15

Peer Reviewed:

Yes, this version has been peer-reviewed.

URI:

http://research.gold.ac.uk/id/eprint/8996

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