Blinder, Caroline. 2020. Richard Misrach and Kate Orff's Petrochemical America: Cartographies of the Picturesque. Journal of American Studies, 54(3), pp. 582-603. ISSN 0021-8758 [Article]

Blinder, Caroline and Lloyd, Christopher. 2020. US Topographics: Imaging National Landscapes. Journal of American Studies, 54(3), pp. 461-469. ISSN 0021-8758 [Article]

Blinder, Caroline. 2018. Looking for Harlem: The absent Narrator in Roy DeCarava and Langston Hughes' The Sweet Flypaper of Life (1955). CoSMo - Comparative Studies in Modernism(13), ISSN 2281-6658 [Article]

Blinder, Caroline. 2017. The Oxford Research Encyclopaedia - The Phototext in the 19th and 20th century. Oxford Research Encyclopedia of Literature, [Article]

Blinder, Caroline. 2016. American Alphabet: Photo-Textual Politics in Paul Strand and Nancy Newhall's Time in New England (1950). Journal of American Studies, 50(1), pp. 143-165. ISSN 0021-8758 [Article]

Blinder, Caroline. 2013. The Radical Camera: New York's Photo League 1936–1951: Mason Klein and Catherine Evans (eds). Photography and Culture, 6(1), pp. 107-112. ISSN 1751-4517 [Article]

Blinder, Caroline. 2005. `Looking for Love in all the Wrong Places': Brassaï in André Breton's 'Mad Love'. History of Photography, 29(2), pp. 114-122. ISSN 03087298 [Article]

Blinder, Caroline. 2004. The Transparent Eyeball: On Emerson and Walker Evans. Mosaic, 37(4), pp. 149-163. ISSN 00271276 [Article]

Blinder, Caroline. 1998. La Révolte Enfantine: On Georges Bataille's “La Morale de Miller” and Jean-Paul Sartre's “Un Nouveau Mystique”. Critique: Studies in Contemporary Fiction, 40(1), pp. 39-47. ISSN 0011-1619 [Article]

Blinder, Caroline. 1993. 'A Deadly Fascination: Heterology and Fascism in the Writings of Georges Bataille, Yukio Mishima, and Henry Miller'. Revista de Estudios Norteamericanos, 2, ISSN 1133-309-X [Article]

Blinder, Caroline. 2019. The American Photo-Text 1930-1960. Edinburgh: Edinburgh University Press. ISBN 9781474404129 [Book]

Blinder, Caroline. 2006. A Kind of Patriotism: Jack Kerouac's Introduction to Robert Frank's The Americans. Rodopi. ISBN 9042016981 [Book]

Blinder, Caroline. 2005. Its Beautiful Visual Entirety: Kerouac's introduction to Frank's The Americans. Cambridge Scholars Press. ISBN 1904303463 [Book]

Blinder, Caroline. 2000. A Selfmade Surrealist – Ideology and Aesthetics in the Work of Henry Miller. NC: Camden House. ISBN 978-1571131331 [Book]

Blinder, Caroline. 2023. An Unmade Book: Walker Evans’s 1970s Letter Polaroids. In: Paul Ernest Michael Edwards, ed. The Photobook World: Artists’ Books and Forgotten Social Objects. Manchester: Manchester University Press, pp. 173-183. ISBN 9781526167576 [Book Section]

Blinder, Caroline. 2023. The Lyrical Gaze: On James Agee and Helen Levitt’s 1944 film In The Street. In: Michael A. Lofaro, ed. James Agee in Context: New Literary, Visual, Cultural, and Historical Essays. Knoxville: University of Tennessee Press, pp. 154-178. ISBN 9781621907428 [Book Section]

Blinder, Caroline. 2020. ‘No Ideas but in Seeing’: Jim Jarmusch’s Paterson (2016). In: Andreas Kramer and Jan Röhnert, eds. Poetry and Film: Lyrik und Film. Abbas Kiarostami and Jim Jarmusch. Frankfurt am Main: Edition Faust, pp. 187-199. ISBN 9783945400760 [Book Section]

Blinder, Caroline. 2017. Ruses and Ruminations: The Architecture of Let Us Now Praise Famous Men. In: Michael A. Lofaro, ed. Let Us Now Praise Famous Men at 75: Anniversary Essays. Knoxville: University of Tennessee Press. ISBN 9781621902614 [Book Section]

Blinder, Caroline. 2017. ‘Ruses and Ruminations: The Architecture of Let Us Now Praise Famous Men’. In: Michael Lofaro, ed. Let Us Now Praise Famous Men at 75. Knoxville: U. of Tennessee Press. [Book Section]

Blinder, Caroline. 2016. Fragments of the Future: Walker Evans’s Polaroids. In: Catherine Gander and Sarah Garland, eds. Mixed Messages: American Correspondences in Visual and Verbal Practices. Manchester: Manchester University Press. ISBN 978-1-5261-0180-8 [Book Section]

Blinder, Caroline. 2012. James Agee. In: Mark Durden and Henry Bond, eds. Fifty Key Writers on Photography. London: Routledge, pp. 3-7. ISBN 978-0415549455 [Book Section]

Blinder, Caroline. 2012. Sitting Pretty: Municipal Chairs in the Photography of Doisneau and Kertész. In: , ed. The Everyday in Modernist Practice. London: European Modernism Association. [Book Section]

Blinder, Caroline. 2012. Through an American Lens : Camera Work (1903-17); 291 (1915-16); Manuscripts (1922-3). In: Peter Brooker and Andrew Thacker, eds. The Oxford Critical and Cultural History of Modernist Magazines Volume II: North America 1894-1960. Oxford, UK: Oxford University Press, pp. 271-292. ISBN 9780199545810 [Book Section]

Blinder, Caroline. 2012. Wright Morris. In: Mark Durden, ed. Fifty Key Writers on Photography. London: Routledge, pp. 175-180. ISBN 978-0415549455 [Book Section]

Blinder, Caroline. 2011. ‘Brassaï’s Chair , Henry Miller and The Eye of Paris’. In: Natasha Gregorian, ed. Text and Image Relations in Modern European Culture. Indiana: U. of Purdue Press. [Book Section]

Blinder, Caroline. 2011. Sitting Pretty: Modernism and the Municipal Chair in the Photographs of André Kertész and Robert Doisneau. In: Sascha Bru; Laurence Nuijs; Benedikt Hjartarson; Peter Nicholls; Tania Ørum and Hubert Berg, eds. Regarding the Popular : Modernism, the Avant-Garde and High and Low Culture. (2) Berlin, Germany: Walter de Gruyter, pp. 191-204. ISBN 9783110274691 [Book Section]

Blinder, Caroline. 2010. Animating the Gudgers : On the Problems of a Cinematic Aesthetic in Let Us Now Praise Famous Men. In: Caroline Blinder, ed. New Critical Essays on James Agee and Walker Evans : Perspectives on Let Us Now Praise Famous Men. New York, NY: Palgrave Macmillan, pp. 145-164. ISBN 9780230102927 [Book Section]

Blinder, Caroline. 2010. Introduction. In: Caroline Blinder, ed. New Critical Essays on James Agee and Walker Evans: Perspectives on Let Us Now Praise Famous Men. New York: Palgrave Macmillan, pp. 1-22. ISBN 978-0230102927 [Book Section]

Blinder, Caroline. 2009. The Bachelor’s Drawer: Art and Artefact in the Work of Wright Morris. In: Mick Gidley, ed. Writing With Light – Words and Photographs in American Texts. London: Peter Lang, pp. 63-81. ISBN 978-3039115723 [Book Section]

Blinder, Caroline. 2009. ‘Not so Innocent: Vision and Culpability in Weegee’s Photographs of Children’. In: Marlene Kadar; Jeanne Perreault and Linda Warley, eds. Photographs, Histories, and Meanings. New York: Palgrave Macmillan, pp. 9-25. ISBN 978-0230617704 [Book Section]

Blinder, Caroline. 2008. All things Either Good or Ungood: American Pictures Revisited in Jacob Holdt’s United States 1970-1975. In: Brett Rogers, ed. Deutsche Borse Photography Prize 2008. London: Photographers' Gallery, pp. 69-72. ISBN 978-0907879831 [Book Section]

Blinder, Caroline. 2006. Entries on Anais Nin, Erskine Caldwell, and Surrealism. In: Gaëtan Brulotte and John Phillips, eds. The Encyclopaedia of Erotic Literature. London: Routledge. ISBN 978-1579584412 [Book Section]

Blinder, Caroline. 2006. A Kind of Patriotism: Jack Kerouac's Introduction to Robert Frank's The Americans. In: Rui Carvalho Homem and Maria de Fatima Lambert, eds. Writing and Seeing: Essays on Word and Image. (95) Amsterdam and New York: Rodopi, pp. 235-244. ISBN 9042016981 [Book Section]

Blinder, Caroline. 2005. Entries on André Breton, Jack Kerouac, and Edgar Allan Poe. In: Bill Marshall, ed. France and the Americas: Culture, Politics, and History (Transatlantic Relations). ABC –Clio Publications. ISBN 978-1851094110 [Book Section]

Blinder, Caroline. 2005. Its Beautiful Visual Entirety: Kerouac's introduction to Frank's The Americans. In: D. Cunningham; A. Fisher and S. Mays, eds. Photography and Literature in the Twentieth Century. Cambridge Scholars Press, pp. 109-122. ISBN 1904303463 [Book Section]

Blinder, Caroline. 2005. ‘Love Under the Sky: On Robert Frank and Jack Kerouac’. In: Rui Carvalho Homen and Maria d Fatima Lambert, eds. Writing and Seeing: Essays on Literature and the Visual Arts. Amsterdam: Rodopi, pp. 215-234. [Book Section]

Blinder, Caroline. 1999. ‘Between the Unimagined and the Imagined: Photographic Aesthetics and Literary Illumination in James Agee’s Let Us Now Praise Famous Men’. In: Wim Tigges, ed. Moments of Moment: Aspects of the Literary Epiphany. Amsterdam/Atlanta: Brill | Rodopi. ISBN 978-9042006362 [Book Section]

Blinder, Caroline, ed. 2010. New Critical Essays on James Agee and Walker Evans: Perspectives on Let Us Now Praise Famous Men. New York: Palgrave Macmillan. ISBN 978-0230102927 [Edited Book]