Clayton, Sue, ed. 2020. The New Internationalists: Activist Volunteers in the European Refugee Crisis. London: Goldsmiths Press. ISBN 9781912685660 [Edited Book]

Clayton, Sue; Gupta, Anna and Willis, Katie. 2018. Unaccompanied Asylum Seekers Policy Response and Research Directions. In: Tracey Skelton and Stuart Aitken, eds. Establishing Geographies of Children and Young People. Springer Singapore: Springer; 2016 edition. ISBN 9789812870407 [Book Section]

Eshun, Kodwo. 2017. On Her Devolves The Labour: Cinematic Time Travel of the Song of the Shirt. In: Sue Clayton and Laura Mulvey, eds. Other Cinemas : Politics, Culture and Experimental Film in the 1970s. London: I.B. Tauris, pp. 257-270. ISBN 9781784537180 [Book Section]

Clayton, Sue. 2017. Calais Children: A Case to Answer. [Film/Video]

Freedman, Des (D. J.); Tryhorn, Chris; Goblot, Vana; Born, Georgina; Loughrey, Pat; Chitty, Andrew; Griffee, Andrew; Watson, Neil; Clayton, Sue; Normington, David; Douglas, Omega and O’Neill, Onora. 2016. A Future for Public Service Television: Content and Platforms in a Digital World. Project Report. [Report]

Clayton, Sue. 2015. The Therapeutic use of Film and Theatre to liberate Young Refugees from Disempowering Identities. In: Taiwo Afuape and Gillian Hughes, eds. Liberation Practices: Towards Emotional Wellbeing Through Dialogue. Routledge. ISBN 978-1138791121 [Book Section]

Clayton, Sue and Chaudhuri, Shohini. 2013. Clouds of Unknowing: Buddhism and Bhutanese Cinema. In: Lina Khatib, ed. Storytelling in World Cinemas: Contexts: Vol 2. Columbia University Press, pp. 157-171. ISBN 978-0231163378 [Book Section]

Clayton, Sue and Chaudhuri, Shohini. 2012. Storytelling in Bhutanese cinema: Research context and case study of a film in development. Journal of Screenwriting, 3(2), pp. 197-214. ISSN 1759-7137 [Article]

Clayton, Sue. 2011. Flawed Heroes, Fragmented Heroines: The Use of Myth in Cinema Screenwriting. In: Sanja Bahun-Radunovic and V.G. Julie Rajan, eds. Myth and Violence in the Contemporary Female Text. Ashgate; New edition, pp. 161-186. ISBN 978-1409400011 [Book Section]

Clayton, Sue. 2010. On Screenwriting Outside the West. In: Jill Nelmes, ed. Analysing the Screenplay. Routledge, pp. 175-197. ISBN 978-0415556330 [Book Section]

Clayton, Sue. 2009. The Retreat Option. Twelvepoint.com Screenwriting magazine, [Article]

Clayton, Sue. 2007. Mythic Structure Screenwriting. New Writing, 4(3), pp. 208-223. ISSN 1479-0726 [Article]

Clayton, Sue. 2007. Visual and Performative Elements in Screen Adaptation. Journal of Media Practice, 8(2), pp. 129-145. ISSN 1468-2753 [Article]

Clayton, Sue. 2007. Film-Making in Bhutan- The View from Shangri-La. New Cinemas, 5(1), pp. 75-90. ISSN 14742756 [Article]

Clayton, Sue. 2003. What Makes a Perfect Blockbuster. [Other]

Clayton, Sue. 1996. Cannes Do, an analysis of Cannes Film Festival. Vertigo, 5, [Article]

Clayton, Sue. 1994. Dancing at the Crossroads, a writer's autobiography. Vertigo, 3, [Article]

Clayton, Sue. 1990. The Ideology of Lifestyle. Campaign Magazine, [Article]

Clayton, Sue. 1985. contributor. In: John Walker, ed. Once and Future Film: British Cinema in the Seventies and Eighties. Methuen Publishing. ISBN 978-0413535504 [Book Section]

Clayton, Sue. 1983. Notes on Teaching Film- includes synopses of many original taught courses. Feminist Review, 14(1), pp. 84-95. ISSN 0141-7789 [Article]

Clayton, Sue. 1982. Cherchez la Femme. In: Simon Blanchard and David G. Morley, eds. What's This Channel Four?: An Alternative Report. Law Book Co of Australasia. ISBN 978-0906890288 [Book Section]

Clayton, Sue. 1982. Introduction to ICA Womens Arts Catalogue. In: , ed. ICA Womens Arts Catalogue. [Book Section]

Clayton, Sue. 1980. Reviews contributor. In: Helen Baehr, ed. Women and Media. Pergamon. ISBN 978-0080260617 [Book Section]

Clayton, Sue and Curling, Jonathan. 1979. On Authorship. Screen Magazine, 20(1), [Article]