Finburgh, Clare. 2019. “Un metteur en scène, un théâtre, un continent, un monde. Thomas Ostermeier et la Schaubühne. Entretien réalisé par Clare Finburgh”. Théâtre/Public, 230, pp. 4-23. ISSN 0335-2927 [Article]

Finburgh, Clare and Boenisch, Peter, eds. 2018. The Great Stage Directors, volume 6: Littlewood, Planchon, Strehler. London: Bloomsbury Methuen. ISBN 9781474254168 [Edited Book]

Finburgh, Clare. 2017. ‘Violence without Violence’: Spectacle, War and Lola Arias’s MINEFIELD (CAMPO MINADO). Theatre Research International, 42(2), pp. 163-178. ISSN 0307-8833 [Article]

Finburgh, Clare. 2017. Watching War on the Twenty-First Century Stage: Spectacles of Conflict. London: Bloomsbury Academic. ISBN 9781472598660 [Book]

Finburgh, Clare. 2017. Introduction. In: Chris Campbell, ed. The Oberon Anthology of Contemporary French Plays. Oberon. ISBN 9781786820723 [Book Section]

Finburgh, Clare. 2017. Théâtres de violence : Les nouvelles écritures théâtrales britanniques. Théâtre/Public, 223, pp. 31-64. [Article]

Finburgh, Clare. 2016. Genet mis en scène : Table ronde avec Philippe Adrien, Antoine Bourseiller, Frédéric Fisbach et Sébastien Rajon. In: Agnès Vannouvong, ed. Genet et les arts. Dijon: Les Presses du Réel, pp. 147-160. ISBN 9782840666837 [Book Section]

Finburgh, Clare. 2016. Jean Genet et l’art du comédien: Un jeu maladroit. In: Agnès Vannouvong, ed. Genet et les arts. Les Presses du Réel, pp. 119-132. ISBN 9782840666837 [Book Section]

Lavery, Carl and Finburgh, Clare, eds. 2015. Rethinking the Theatre of the Absurd: Ecology, the Environment and the Greening of the Modern Stage. London: Bloomsbury Academic. ISBN 9781472513205 [Edited Book]

Finburgh, Clare. 2015. Mises en scène de l’événement historique: la Terreur dans le théâtre anglais contemporain. In: Catherine Courtet; Mireille Besson; Françoise Lavocat and Alain Viala, eds. Corps en scènes. CNRS, pp. 189-200. ISBN 9782271086747 [Book Section]

Finburgh, Clare. 2014. Entries on Jean Genet, Eugène Ionesco and Michel Vinaver. In: Maggie B. Gale and John F. Deeney, eds. Fifty Modern and Contemporary Dramatists. London: Routledge. ISBN 9780415630368 [Book Section]

Finburgh, Clare, ed. 2014. Migration, Comparative Critical Studies, 11(2-3). 1744-1854 [Edited Journal]

Finburgh, Clare. 2014. Derrière l’écran : La Guerre à la télévision sur la scène anglaise. Théâtre/Public, 212, pp. 99-108. ISSN 978-2-84260-660-2 [Article]

Finburgh, Clare. 2014. Jean Genet Eugène Ionesco, Michel Vinaver. In: Maggie Gale and John Deeney, eds. Fifty Contemporary and Modern Dramatists. Routledge, pp. 101-116. ISBN 9780415630351 [Book Section]

Finburgh, Clare. 2014. Press, Patrols and Power: The British Army in Recent UK Theatre. Double jeu - Figurations du pouvoir, pp. 45-55. ISSN 1762 -0597 [Article]

Finburgh, Clare. 2014. Theatre’s Other: Event and Testimony in British Verbatim Plays. Sillages critiques, 18, ISSN 1969-6302 [Article]

Finburgh, Clare. 2012. French Theatre ‘dans la merde’. Contemporary Theatre Review, 22(2), p. 287. ISSN 1048-6801 [Article]

Finburgh, Clare and Bradby, David. 2012. Jean Genet. Routledge. ISBN 9780415375061 [Book]

Finburgh, Clare. 2012. Quel est le rôle des Nègres de Genet à Londres en 2007 ? The Blacks Remixed au Theatre Royal Stratford East. In: Eden Martin, ed. L'Héritage de Genet. Méthode !, pp. 91-98. ISBN 9782906591610 [Book Section]

Finburgh, Clare. 2011. Le théâtre britannique contemporain post-11 septembre 2001: du théâtre verbatim à l’allégorie. In: David Lescot and Laurent Véray, eds. Les mises en scène de la guerre au XXè siècle Théâtre et cinéma. Paris: Presses Universitaires de Paris Ouest, pp. 583-603. ISBN 2847365761 [Book Section]

Finburgh, Clare and Lavery, Carl, eds. 2011. Contemporary French Theatre and Performance. Palgrave. ISBN 9780230305663 [Edited Book]

Finburgh, Clare. 2011. “Display and Disguise in Michel Vinaver’s 11 septembre 2001”. In: Manon Mathias; Maria O'Sullivan and Ruth Vortsman, eds. Essays in French Literature, Thought and Culture. Peter Lang, pp. 183-203. [Book Section]

Finburgh, Clare. 2011. Jean Genet et le théâtre de l’‘ornement’. In: Hadrien Laroche, ed. Pour Genet. Editions MEET. ISBN 9782911686719 [Book Section]

Finburgh, Clare. 2011. La Théâtralisation de l’attentat : la représentation du terrorisme dans le théâtre britannique contemporain. In: Christine Douxami, ed. Théâtres politiques en mouvement. Besançon: Les Cahiers de la MSHE, pp. 17-27. ISBN 9782848673943 [Book Section]

Finburgh, Clare. 2011. Translating Contemporary French Theatre: How ‘Linguistic Translation’ becomes ‘Stage Translation’. In: Roger Baines; Cristina Marinetti and Manuela Perteguella, eds. Staging and Performing Translation. Basingstoke: Palgrave, pp. 230-249. ISBN 9780230228191 [Book Section]

Finburgh, Clare. 2011. “‘Vérité’ ou ‘mensonge’ ? Le Théâtre politique en Grande-Bretagne post-11 septembre”. Agôn (Special Issue), [Article]

Finburgh, Clare. 2010. Internal and External Dramaturgies: The French Context. Contemporary Theatre Review, 20(2), pp. 203-213. ISSN 1048-6801 [Article]

Finburgh, Clare. 2010. Croisements. In: Michel Corvin, ed. Noëlle Renaude : Un atlas alphabétique. Paris: Éditions Théâtrales, pp. 136-138. ISBN 9782842603267 [Book Section]

Finburgh, Clare. 2010. La Vue d'ailleurs. In: Michel Corvin, ed. Noëlle Renaude : Un atlas alphabétique. Paris: Éditions Théâtrales, pp. 162-163. ISBN 9782842603267 [Book Section]

Finburgh, Clare. 2008. Women in Howard Barker’s Theatre: Object or Subject? Études britanniques contemporaines, 35, pp. 127-139. ISSN 1168-4917 [Article]

Finburgh, Clare. 2007. Un monstre bariolé : Les Paravents de Jean Genet, mis en scène par Frédéric Fisbach. Alternatives théâtrales, 93(summer), pp. 24-27. ISSN 0774-4145 [Article]

Finburgh, Clare. 2007. Les Mille plateaux de Noëlle Renaude : Par les routes. Théâtre/Public, 183, pp. 26-31. ISSN 0335-2927 [Article]

Finburgh, Clare. 2007. Voix/Voie/Vie: The Voice in Contemporary French Theater. Yale French Studies, 112, pp. 99-115. ISSN 0044-0078 [Article]

Shevtsova, Maria; Finburgh, Clare and Lavery, Carl, eds. 2006. Jean Genet: Performance and Politics. London: Palgrave Macmillan. ISBN 9781403994806 [Edited Book]

Finburgh, Clare; Lavery, Carl and Shevtsova, Maria, eds. 2006. Jean Genet: Performance and Politics. Palgrave. ISBN 9780230595439 [Edited Book]

Finburgh, Clare. 2006. 'Micro-treatise on a Mini-politics': Genet, Individualism and Collectivity. In: Clare Finburgh; Carl Lavery and Maria Shevtsova, eds. Jean Genet: Performance and Politics. Basingstoke: Palgrave Macmillan, pp. 79-91. ISBN 9780230595439 [Book Section]

Shevtsova, Maria. 2006. The Theatre of Genet in Sociological Perspective. In: Clare Finburgh; Carl Lavery and Maria Shevtsova, eds. Jean Genet: Performance and Politics. London: Palgrave Macmillan, pp. 44-54. ISBN 9781403994806 [Book Section]

Finburgh, Clare. 2005. The Tragedy of Optimism: Kateb Yacine's Le cadavre encercle and Les ancetres redoublent de ferocite. Research in African Literatures, 36(1), pp. 115-129. ISSN 0034-5210 [Article]

Finburgh, Clare. 2004. Speech Without Acts: Politics and Speech-Act Theory in Genet's The Balcony. Paragraph, 27(2), pp. 113-129. ISSN 0264-8334 [Article]

Finburgh, Clare. 2004. Unveiling the Void: The Presence of Absence in the Scenography of Jean Genet's The Screens. Theatre Journal, 56(2), pp. 205-224. ISSN 0192-2882 [Article]

Finburgh, Clare. 2002. Jean Genet and the Poetics of Palestinian Politics: Statecraft as Stagecraft in 'Quatre heures a Chatila'. French Studies, 56(4), pp. 495-509. ISSN 0016-1128 [Article]

Finburgh, Clare. 2002. Facets of Artifice: Rhythms in the Theater of Jean Genet, and the Painting, Drawing and Sculpture of Alberto Giacometti. French Forum, 27(3), pp. 73-98. ISSN 0098-9355 [Article]