Franklin, Michael. 2023. Response to the Culture, Media and Sport Committee’s Call for Evidence to the British Film and High-End Television Inquiry. [Professional Activity]

Musgrave, George; Dinardi, Cecilia; Franklin, Michael; Murphy, Oonagh and Prime, Sian. 2022. Submission of evidence to the UK Parliament House of Lords ‘A Creative Future’ Inquiry. [Professional Activity]

Franklin, Michael. 2022. Risk in the Film Business - Known Unknowns. Abingdon: Routledge. ISBN 9780367675301 [Book]

Leisewitz, Adrian; Musgrave, George and Franklin, Michael. 2022. SHAPESLewisham and the Shape of Lewisham: Connectivity, Communication and Construction in a Creative Enterprise Zone. Project Report. Goldsmiths, University of London, London. [Report]

Behrens, Ronny; Zhang Foutz, Natasha; Franklin, Michael; Funk, Jannis; Gutierrez-Navratil, Fernanda; Hofmann, Julian and Leibfried, Ulrike. 2021. Leveraging analytics to produce compelling and profitable film content. Journal of Cultural Economics, 45(2), pp. 171-211. ISSN 0885-2545 [Article]

Giannatou, Evi; Campagnolo, Gian Marco; Franklin, Michael; Stewart, James K and Williams, Robin. 2019. Revolution postponed? Tracing the development and limitations of open content filmmaking. Information, Communication & Society, 22(12), pp. 1789-1809. ISSN 1369-118X [Article]

Campagnolo, Gian Marco; Giannatou, Evi; Franklin, Michael; Stewart, James and Williams, Robin. 2019. Revolution remixed? The emergence of Open Content Film-making as a viable component within the mainstream film industry. Information, Communication & Society, 22(13), pp. 1871-1888. ISSN 1369-118X [Article]

Franklin, Michael. 2018. Examining the understanding and management of risk in the film industry: A Research Synopsis. Project Report. Goldsmiths / Olsberg / SPI, London. [Report]

Franklin, Michael; Stoyanova Russell, D and Townley, B. 2015. From Marketing to Performing the Market: The Emerging Role of Digital Data in the Independent Film Business. In: Nolwenn Mignant; Cecilia Tirtaine and Joël Augros, eds. Film Marketing Into the Twenty-First Century. London: Palgrave on behalf of the British Film Institute, pp. 147-162. ISBN 9781844578382 [Book Section]

Drake, P; Franklin, Michael; Sathe, D and Tierney, S. 2015. We Are Colony: Digital VOD Distribution for Independent Film. Project Report. Nesta, London. [Report]

Haywood, Gordon; Nilsson, Johan; Franklin, Michael; Gilbert, Paul; Johansson Krafve, Linus; Lindén, Lisa; MacGillivray, Mark and Meckin, Robert. 2014. Valuation Studies: A Collaborative Valuation in Practice. Valuation Studies, 2(1), pp. 71-85. ISSN 2001-5992 [Article]

Franklin, Michael. 2013. What metrics really mean, a question of causality and construction in leveraging social media audiences into business results: Cases from the UK film industry. Participations: Journal of Audience and Reception Studies, 10(2), pp. 298-320. ISSN 1749-8716 [Article]

Franklin, Michael; Searle, Nicola; Stoyanova, Dimitrinka and Townley, Barbara. 2013. Innovation in the Application of Digital Tools for Managing Uncertainty: The Case of UK Independent Film. Creativity and Innovation Management, 22(3), pp. 320-333. ISSN 0963-1690 [Article]

Franklin, Michael; Searle, Nicola; Stoyanova, Dimitrinka and Townley, Barbara. 2013. Innovation in the application of digital tools for managing uncertainty: the case of UK independent film. Creativity and Innovation Management, 22(3), pp. 320-333. [Article]

Franklin, Michael. 2012. Internet-enabled dissemination: managing uncertainty in the film value chain. In: Dina Iordanova and Stuart Cunningham, eds. Digital Disruption: Cinema Moves On-line. St Andrews: St Andrews Film Studies, pp. 101-116. ISBN 978-0-9563730-9-0 [Book Section]

Franklin, Michael and Kelly, M. 2009. Analysis of the corporate finance of SMEs in the UK film industry. Project Report. UK Film Council, London. [Report]