MacDonald, Richard and Songkhunatham, Peera. 2021. Conjuring the People: Entrepreneurial Localism and the Case of the Khon Kaen Model. Way Magazine, [Article]

MacDonald, Richard. 2018. A place for memory: Family photo collections, social media and the imaginative reconstruction of the working class neighbourhood. In: Silke Arnold-de Simine and Joanna Leal, eds. Picturing the Family: Media, Narrative, Memory. London: Bloomsbury, pp. 151-170. ISBN 9781474283601 [Book Section]

MacDonald, Richard. 2017. The Rise of the Film Society Movement. In: I. Q. Hunter; Laraine Porter and Justin Smith, eds. The Routledge Companion to British Cinema. London: Routledge, pp. 109-118. ISBN 978-0-415-70619-3 [Book Section]

MacDonald, Richard. 2016. The Appreciation of Film: The Postwar Film Society Movement and Film Culture in Britain. Exeter: University of Exeter Press. ISBN 9780859898881 [Book]

MacDonald, Richard. 2016. Elevating the Film Review: Critics and Critical Practice at the Monthly Film Bulletin. Film Studies, 14(1), pp. 93-111. ISSN 1469-0314 [Article]

MacDonald, Richard. 2015. “Going Back in a Heartbeat”: Collective memory and the online circulation of family photographs. Photographies, 8(1), pp. 23-42. ISSN 1754-0763 [Article]

MacDonald, Richard; Couldry, Nick and Dickens, Luke. 2015. Digitisation and Materiality: Researching Community Memory Practice Today. The Sociological Review, 63(1), pp. 102-120. ISSN 1467-954X [Article]

MacDonald, Richard; Couldry, Nick; Stephansen, Hilde and Clark, Wilma. 2015. Digital platforms and narrative exchange: hidden constraints, emerging agency. New Media and Society, 17(6), pp. 919-938. ISSN 1461-4448 [Article]

MacDonald, Richard and Dickens, Luke. 2015. “‘I can do things here I can’t do in my own life”: The making of a civic archive at the Salford Lads’ Club’. ACME: An International E-Journal for Critical Geographies, 14(2), [Article]

Couldry, Nick; Stephansen, Hilde; Fotopoulou, Aristea; MacDonald, Richard; Clark, William and Dickens, Luke. 2014. Digital citizenship? Narrative exchange and the changing terms of civic culture. Citizenship Studies, 18(6-7), pp. 615-629. ISSN 1362-1025 [Article]

MacDonald, Richard. 2014. Film Appreciation and Cultural Leadership: Rudolf Arnheim, Roger Manvell and Two Books Called Film. Canadian Journal of Film Studies, 23(1), pp. 109-127. [Article]

MacDonald, Richard; Couldry, Nick and Stephansen, Hilde. 2014. Constructing a Digital Storycircle: Digital Infrastructure and Mutual Recognition. International Journal of Cultural Studies, ISSN 1367-8779 [Article]

MacDonald, Richard. 2014. The Vanguard of Film Appreciation: The Film Society Movement and Film Culture, 1945-1965. In: Geoffrey Nowell-Smith and Christophe Dupin, eds. The British Film Institute, the Government and Film Culture, 1933-2000. Manchester: Manchester University Press. ISBN 978-0719095740 [Book Section]

MacDonald, Richard. 2013. Book review of Expanded Cinema: Art, Film, Performance. Moving Image Review and Art Journal, 2(1), pp. 108-115. ISSN 20456298 [Article]

MacDonald, Richard. 2013. Evasive Enlightenment: World Without End and the Internationalism of Postwar Documentary. Journal of British Cinema and Television, 10(3), pp. 452-474. ISSN 1743-4521 [Article]

MacDonald, Richard and Stollery, Martin. 2012. For Documentary: Remembering Dai Vaughan. [Digital]

MacDonald, Richard and Stollery, Martin. 2011. Interview with Dai Vaughan: “Between a Word and a Thing/You Encounter Only Yourself". Journal of British Film and Television, 8(3), pp. 430-446. ISSN 1743-4521 [Article]

MacDonald, Richard and Ingawanij, May Adadol. 2010. ‘Blissfully Whose? Jungle Pleasure, Ultra-Modernist Cinema and the Cosmopolitan Thai Auteur,’. In: Rachel Harrison and Peter Jackson, eds. The Ambiguous Allure of the West: Traces of the Colonial in Thailand. Southeast Asia Program Publications, Cornell University. ISBN 978-0877276081 [Book Section]