Norton, Barley. 2024. Intimacy in Ethnographic Film: Listening to How to Improve the World by Nguyễn Trinh Thi. In: Stephen Cottrell; Dafni Tragaki and Stephen Wilford, eds. Ethnomusicology and its Intimacies. New York: Routledge, pp. 148-162. ISBN 9781032431314 [Book Section]

Norton, Barley; Sendra, Estrella and Jackson, Joseph, eds. 2022. 'Musicology on Screen' Special Issue, Screenworks, 12(2). 2514-3123 [Edited Journal]

Norton, Barley. 2021. Ethnomusicology and Filmmaking. In: Stephen Cottrell, ed. Music, Dance, Anthropology. Hertfordshire: Sean Kingston Publishing, pp. 121-143. ISBN 978-1-912385-31-7 [Book Section]

Norton, Barley. 2021. Member of the REF 2021 Sub-panel 33 (2018-2021). [Professional Activity]

Norton, Barley. 2020. "Sự Truyền Tải Bằng Hình Thức Nghe Nhìn Của Di Sản Văn Hoá Trong Xã Hội Đương Đại" [“The Audiovisual Mediation of Cultural Heritage in Contemporary Society”]. In: Lâm Đoàn Trần, ed. Bảo Vệ Và Phát Huy Giá Trị Nghệ Thuật Xoè Thái Trong Xã Hội Đương Đại [“Safeguarding and Promoting of the Art of Xòe Dance of the Tai People in Contemporary Society"]. Hanoi: Nhà Xuất Bản Thế Giới, pp. 534-549. ISBN 9786047786602 [Book Section]

Norton, Barley. 2020. Mê Thảo Thời Vang Bóng (The Glorious Time in Mê Thảo Hamlet). 2002. Directed by Việt Linh, 108 minutes. Vietnam: Hãng Phim Giải Phóng (Liberation Film Company). [Film Review]. Yearbook for Traditional Music, 52, pp. 241-245. ISSN 0740-1558 [Article]

Norton, Barley. 2020. Make a Silence - Musical Dialogues in Asia, Journal of Anthropological Films Vol 4, No 2 (2020).. [Film/Video]

Norton, Barley and Hoang, Van Chung. 2020. Heritage of Future Past - Story Collection. Project Report. British Council, Vietnam. [Report]

Norton, Barley. 2020. Story 1 - The Sound of Gongs in Mơ H'ra Village - Gong Ensemble. [Film/Video]

Norton, Barley. 2020. Story 1 – The Sound of Gongs in Mơ H’ra Village - Đinh H’mưnh Song. [Film/Video]

Norton, Barley. 2020. Story 2 - The Future of Tradition. [Film/Video]

Norton, Barley. 2020. Story 3 - Lost Legends in Paradise: The Hanoi New Music Festival. [Film/Video]

Norton, Barley. 2020. Story 4 - Beatboxing versus traditional drumming. [Film/Video]

Norton, Barley. 2020. Review of the CD 'Hoạ Âm Xưa' by Saigon Soul Revival, Saigon Supersound. Songlines: The World Music Magazine, 156, p. 62. [Article]

Norton, Barley. 2020. Member of the Society for Ethnomusicology Council (Elected for 3-year Term, 2017-2020). [Professional Activity]

Norton, Barley. 2019. Review of the CD 'Streams' by Nguyên Lê Quartet, ACT. Songlines: The World Music Magazine(147), p. 65. ISSN 2059-6782 [Article]

Norton, Barley. 2019. Review of the CD 'The Art of the Vietnamese Zither: Đàn Tranh' by Tri Nguyen, ARC Music. Songlines: The World Music Magazine(147), p. 60. ISSN 1464-8113 [Article]

Norton, Barley and Matsumoto, Naomi, eds. 2019. Music as Heritage: Historical and Ethnographic Perspectives. Abingdon: Routledge. ISBN 9781138228047 [Edited Book]

Norton, Barley. 2019. Feature article “Dispatch from Vietnam”. Songlines: The World Music Magazine, 144, p. 85. [Article]

Norton, Barley. 2019. Review of the CD 'Saigon Supersound, 1964-75 Volume 2', INFRACom! Songlines: The World Music Magazine, 144, p. 68. [Article]

Norton, Barley. 2019. Filming Music as Heritage: The Cultural Politics of Audiovisual Representation. In: Barley Norton and Naomi Matsumoto, eds. Music as Heritage: Ethnographic and Historical Perspectives. Abingdon: Routledge, pp. 79-101. ISBN 9781138228047 [Book Section]

Norton, Barley and Matsumoto, Naomi. 2019. Introduction: Historical and Ethnographic Perspectives on Music as Heritage. In: Barley Norton and Naomi Matsumoto, eds. Music as Heritage: Historical and Ethnographic Perspectives. London and New York: Routledge, pp. 1-17. ISBN 9781138228047 [Book Section]

Norton, Barley. 2018. Linh Dung Discusses Experimental Music, Vietnam. [Film/Video]

Matsumoto, Naomi. 2018. L'opera dei pupi, Torneo, and Early Opera: Shared Traditions and Intangible Experiences. In: Barley Norton and Naomi Matsumoto, eds. Music as Heritage: Historical and Ethnographic Perspectives. Routledge-Taylor and Francis. ISBN 9781138228047 [Book Section]

Norton, Barley. 2018. Filming Music as Heritage. In: Hui Yu, ed. Ethnomusicology in Audiovisual Time. Zheijang: Zheijang University Press, pp. 78-90. ISBN 978-7-308-18210-2 [Book Section]

Norton, Barley. 2018. Review of the CD 'Lao Dreaming' by Wonderfeel, Skeletone. Songlines: The World Music Magazine, 136, p. 65. [Article]

Norton, Barley. 2018. Orchestrating the Nation: Court Orchestras, Nationalism and Agency in Vietnam. In: Tina K. Ramnarine, ed. Global Perspectives on Orchestras: Collective Creativity and Social Agency. New York: Oxford University Press, pp. 301-323. ISBN 9780199352227 [Book Section]

Norton, Barley. 2018. Chair of the British Forum for Ethnomusicology (2015-2018). [Professional Activity]

Norton, Barley. 2018. Music and Censorship in Vietnam since 1954. In: Patricia Hall, ed. The Oxford Handbook of Music Censorship. New York: Oxford University Press, pp. 303-331. ISBN 9780199733163 [Book Section]

Norton, Barley. 2017. Review of the CD 'Saigon Supersound, 1965-75 Volume 1', INFRACom! Songlines: The World Music Magazine, 131, p. 59. [Article]

Norton, Barley. 2017. Review of the CDs 'Dengue Fever' by Dengue Fever and 'Escape from Dragon House' by Dengue Fever. TUK TUK Records. Songlines: The World Music Magazine, 129, p. 63. [Article]

Norton, Barley. 2017. Member of the AHRC Peer Review College (2017-). [Professional Activity]

Norton, Barley. 2017. Vietnam: Popular Music and Censorship. In: Marie Korpe, ed. Targeting the Arts. Copenhagen, Denmark: Freemuse, pp. 21-31. ISBN 9788799886814 [Book Section]

Norton, Barley. 2016. Review of the CD 'Khmer Rouge Survivors: They Will Kill You, If You Cry', Glitterbeat Records. Songlines: The World Music Magazine(121), p. 61. [Article]

Norton, Barley. 2016. 'Music, Ethnicity and Heritage: A Comparison of Then and Lên đồng Rituals in Vietnam (Âm nhạc, Tộc người và Di Sản: So sánh giữa nghi lễ Then và Lên đồng của Việt Nam)'. Thông Báo Khoa Học Viện Âm Nhạc (Bulletin of Vietnamese Institute for Musicology), 156, pp. 22-33. ISSN 18594360 [Article]

Norton, Barley. 2016. Review of "Sounding Out Heritage: Cultural Politics and the Social Practice of Quan Ho Folk Song in Northern Vietnam" by Lauren Meeker (University of Hawaii Press, 2013). Journal of Vietnamese Studies, 11(2), pp. 122-124. ISSN 1559-372X [Article]

Norton, Barley. 2016. External Examiner for Music programmes at K.M. Music Conservatory in Chennai, India, validated by Middlesex University (2012-16). [Professional Activity]

Norton, Barley. 2015. Review of the CD 'Radio Vietnam', compiled by Mark Gergis. Sublime Frequencies. Songlines: The World Music Magazine, 109, p. 71. [Article]

Norton, Barley. 2015. Ca Trù Singing in Vietnam: Revival and Innovation. [Digital]

Norton, Barley. 2014. Exhibition catalogue text for the installation - "Homelands: Working the Rice, Working the Forest" by the Landscape Quartet featuring Nguyen Thanh Thuy.. [Printed Ephemera]

Norton, Barley. 2014. Review of the CD 'The Don Cai Tai Tu: Chamber Music of the Mekong Delta', Inedit/Maison des Cultures du Monde. Songlines: The World Music Magazine(103), p. 75. [Article]

Norton, Barley. 2014. CD Review of Nostalgique Vietnam: Chansons de charme, poèmes et prières 1937-1954, Buda Musique. Songlines: The World Music Magazine(101), p. 75. [Article]

Norton, Barley. 2014. Music Revival, Ca Trù Ontologies, and Intangible Cultural Heritage in Vietnam. In: Caroline Bithell and Juniper Hill, eds. The Oxford Handbook of Music Revival. New York: Oxford University Press, pp. 160-181. ISBN 9780199765034 [Book Section]

Norton, Barley. 2014. Engendering Emotion and the Environment in Vietnamese Mediumship. Vietnam Social Sciences Review, 164(6), pp. 1-16. [Article]

Norton, Barley. 2014. Review of the film "This is a Music! Reclaiming an Untouchable Drum" (2010, Directed by Zoe Sherinian, DVD, 74 minutes). Yearbook for Traditional Music, 46, pp. 249-250. ISSN 0740-1558 [Article]

Norton, Barley. 2013. Engendering Emotion and the Environment in Vietnamese Music and Ritual. In: Fiona Magowan and Louise Wrazen, eds. Performing Gender, Place and Emotion in Music: Global Perspectives. Rochester, New York: Rochester University Press, pp. 29-59. ISBN 9781580464642 [Book Section]

Kutschke, Beate and Norton, Barley, eds. 2013. Music and Protest in 1968. Cambridge: Cambridge University Press. ISBN 9781107007321 [Edited Book]

Norton, Barley. 2013. Vietnamese Popular Song in ‘1968’: War, Protest and Sentimentalism. In: Beate Kutschke and Barley Norton, eds. Music and Protest in 1968. Cambridge: Cambridge University Press, pp. 97-118. ISBN 9781107007321 [Book Section]

Norton, Barley. 2013. Committee Member for the Society for Ethnomusicology's 2013 Alan Merriam Prize for the most distinguished, published English-language monograph in the field of ethnomusicology. [Professional Activity]

Norton, Barley. 2013. Music, Protest & the Vietnam War. Goldlink Magazine(40), pp. 18-20. [Article]

Norton, Barley. 2012. Review of the CD 'Saigon Rock and Soul: Vietnamese Classic Tracks 1968-1974'. SF060. Songlines: The World Music Magazine, 85, p. 81. [Article]

Norton, Barley. 2012. Review of the CD 'Song Hanh' by Onno Krijn and Ngo Hong Quang. Noon Records. Songlines: The World Music Magazine., 84, p. 94. [Article]

Norton, Barley. 2012. Review of the CD 'Tree of Dreams' by Huong Thanh. Buda Musique. Songlines: The World Music Magazine., 83, p. 88. [Article]

Norton, Barley. 2011. Huong Thanh - Vietnam's Song Bird. Songlines, 80, p. 27. [Article]

Norton, Barley. 2011. Review of the CD "Burma: Classical Theatre Music". VDE-Gallo. Songlines: The World Music Magazine, 74, p. 78. [Article]

Norton, Barley. 2010. Hanoi Eclipse: The Music of Dai Lam Linh. [Film/Video]

Norton, Barley. 2010. “Nhân Học Âm Nhạc Việt?” (“The Anthropology of Vietnamese Music?”). In: Hy Van Luong, ed. Hiện Đậi và Động Thái của Truyền Thống Ở Việt Nam: Những Cách Tiếp Cận Nhân Học (Modernities and the Dynamics of Tradition in Vietnam: Anthropological Approaches). 2 Ho Chi Minh City: National University of Ho Chi Minh Press, pp. 623-636. [Book Section]

Norton, Barley. 2010. Review of Music, National Identity and the Politics of Location: Between the Global and the Local, edited by Ian Biddle and Vanessa Knights. Ethnomusicology Forum, 19(2), pp. 268-269. [Article]

Norton, Barley and Blackburn, Philip. 2009. Vietnam: Music on the Move. In: Simon Broughton, ed. The Rough Guide to World Music: Europe and Asia. 2 London: Rough Guides, pp. 778-797. ISBN 1843538660 [Book Section]

Norton, Barley. 2009. External Examiner for UNESCO for the nomination file "Ca tru singing of the Viet people". [Professional Activity]

Norton, Barley. 2009. Review of the CD 'Saiyuki' by Nguyen Le, ACT 9483-2. Songlines: The World Music Magazine, 64, p. 97. [Article]

Norton, Barley. 2009. Songs for the Spirits: Music and Mediums in Modern Vietnam. Urbana and Chicago: University of Illinois Press. ISBN 9780252033995 [Book]

Norton, Barley. 2008. Book review of P’ungmul: South Korean Drumming and Dance by Nathan Hesselink, University of Chicago Press. World of Music, 50(1), pp. 120-121. [Article]

Norton, Barley. 2008. CD Review: Huong Thanh, Cai Luong Music. Songlines: The World Music Magazine., 53, p. 77. [Article]

Norton, Barley. 2008. Ca Tru Restoration: Issues and Challenges. In: . Vietnamese Institute for Musicology, ed. Ca Tru Singing of the Viet People. Hanoi: Vietnamese Institute for Musicology, pp. 187-192. ISBN No ISBN [Book Section]

Norton, Barley. 2008. Review of the CD "Fragile Beauty" by Huong Thanh and Nguyen Le. ACT 94512. Songlines: The World Music Magazine., 50, p. 101. [Article]

Norton, Barley. 2007. CD Review: Que Huong (Homeland). Songlines: The World Music Magazine., 44, p. 75. [Article]

Norton, Barley. 2007. CD Review: The Rough Guide to the Music of Vietnam. Songlines: The World Music Magazine, 46, p. 67. [Article]

Norton, Barley. 2007. CD Review: Vietnam: Vocal music from the Northern Plains. Songlines: The World Music Magazine, 41, p. 75. [Article]

Norton, Barley. 2007. Feature article "Postcard from Hanoi, Vietnam". Songlines: The World Music Magazine., 45, p. 51. [Article]

Norton, Barley. 2007. A Review Essay on Recordings of Music from Vietnam. World of Music, 49(1), pp. 215-222. [Article]

Norton, Barley. 2006. Effeminate’ Men and ‘Hot-Tempered’ Women: The Performance of Music and Gender in Vietnamese Mediumship. In: Karen Fjelstad and Hien Thi Nguyen, eds. Possessed by the Spirits: Mediumship in Contemporary Vietnamese Communities. Ithaca, NY: Cornell University Press, pp. 55-75. ISBN 0877271410 [Book Section]

Norton, Barley. 2005. Review of 6 CD Box Set , “Vietnam – Mother Mountain and Father Sea, an Introduction to the Traditional Music of Vietnam”. White Cliffs Media WCM 9991. Ethnomusicology Forum, 14(1), pp. 121-123. [Article]

Norton, Barley. 2005. Singing the Past: Vietnamese Ca Tru, Memory and Mode. Asian Music, 36(2), pp. 27-56. [Article]

Norton, Barley. 2005. Website on Vietnamese Ca Tru. [Digital]

Norton, Barley. 2004. Lên đồng Việt Nam: Cấu tạo âm nhạc của thần thánh (Vietnamese mediumship rituals: the musical construction of the spirits). In: Đức Thịnh Ngô, ed. Đạo Mẫu và các hình thức Shaman trong các tộc người ở Việt Nam và châu Á (The Mother Religion and Forms of Shamanism among Ethnic Groups in Vietnam and Asia). Hanoi: Social Science Publishing House, pp. 310-341. [Book Section]

Harris, Rachel and Norton, Barley. 2002. Introduction: Ritual Music and Communism. British Journal of Ethnomusicology, 11(1), pp. 1-8. ISSN 1741-1912 [Article]

Norton, Barley. 2002. The Moon Remembers Uncle Ho: The Politics of Music and Mediumship in Northern Vietnam. British Journal of Ethnomusicology, 11(1), pp. 71-100. ISSN 1741-1912 [Article]

Harris, Rachel and Norton, Barley, eds. 2002. Red Ritual: Ritual Music and Communism, British Journal of Ethnomusicology, . 0968-1221 [Edited Journal]

Norton, Barley. 2001. Ca tru: the music of north Vietnam. Nimbus Records NI5626, Wyastone. [Other]

Norton, Barley. 2000. Vietnamese Mediumship Rituals: The Musical Construction of the Spirits. The World of Music, 42(2), pp. 75-97. [Article]