Cameron, Daniel; Zioga, Ioanna; Lindsen, Job P.; Pearce, Marcus; Wiggins, Geraint; Potter, Keith and Bhattacharya, Joydeep. 2019. Neural Entrainment is Associated with Subjective Groove and Complexity for Performed but not Mechanical Musical Rhythms. Experimental Brain Research, 237(8), pp. 1981-1991. ISSN 0014-4819 [Article]

Potter, Keith. 2019. Sketching a New Tonality: A Preliminary Assessment of Steve Reich’s Sketches for Music for 18 Musicians in Telling the Story of This Work’s Approach to Tonality. In: Sumanth Gopinath and Pwyll ap Sion, eds. Rethinking Reich. New York: Oxford University Press, pp. 191-215. ISBN 9780190605292 [Book Section]

Cameron, Daniel; Potter, Keith; Wiggins, Geraint and Pearce, Marcus. 2017. Perception of Rhythmic Similarity is Asymmetrical, and is Influenced by Musical Training, Expressive Performance, and Musical Context. Timing & Time Perception, 5(3-4), pp. 211-227. ISSN 2213-445X [Article]

Potter, Keith. 2017. Harmonic Progressions as a Gradual Process: towards an understanding of the development of tonality in the music of Steve Reich. In: Felix Woerner and Philip Rupprecht, eds. Tonality Since 1950. Stuttgart: Franz Steiner Verlag, pp. 189-207. ISBN 978-3-515-11582-7 [Book Section]

Potter, Keith. 2017. ‘New Chaconnes for Old?’ Steve Reich’s Sketches for Variations for Winds, Strings and Keyboards, with Some Thoughts on Their Significance for the Analysis of the Composer’s Harmonic Language in the Late 1970s. Contemporary Music Review, 36(5), pp. 406-439. ISSN 0749-4467 [Article]

Potter, Keith; Wilkins, Suzie and Wiggins, Geraint. 2016. On the Nature of Subjectivity in Music Analysis: some observations on analysing an early score by Philip Glass. In: Lauren Redhead and Vanessa Hawes, eds. Music and/as Process. Newcastle: Cambridge Scholars Publishing, pp. 34-55. ISBN 978-1-4438-9491-3 [Book Section]

Potter, Keith. 2015. Obituary: 'Roger Smalley; Composer, pianist and pupil of Karlheinz Stockhausen who became a leading figure of the European avant-garde'. The Independent, [Article]

Potter, Keith; Gann, Kyle and ap Sion, Pwyll. 2013. Introduction: experimental, minimalist, postminimalist? Origins, definitions, communities. In: Keith S. Potter; Kyle Gann and Pwyll ap Sion, eds. The Ashgate Research Companion to Minimalist and Postminimalist Music. Farnham: Ashgate, pp. 1-16. ISBN 9781 409435495 [Book Section]

Potter, Keith. 2013. Le Minimalisme. In: Nicolas Donin and Laurent Feneyrou, eds. Théories de la composition musicale au xxe siècle. 2 Lyon, France: Symétrie, pp. 775-800. ISBN 978-2-914373-60-9 [Book Section]

Potter, Keith. 2013. Mapping Early Minimalism. In: Keith S. Potter; Kyle Gann and Pwyll ap Siôn, eds. The Ashgate Research Companion to Minimalist and Postminimalist Music. Farnham, UK: Ashgate, pp. 19-37. ISBN 9781409435495 [Book Section]

Cameron, Daniel; Lindsen, Job P.; Pearce, Marcus; Wiggins, Geraint; Potter, Keith and Bhattacharya, Joydeep. 2012. 'Entrainment of Premotor Cortex Activity by Ambiguity in Musical Metre'. In: Proceedings of the 12th International Conference on Music Perception and Cognition and the 8th Triennial Conference of the European Society for the Cognitive Sciences of Music. Thessaloniki, Greece July 23-28. [Conference or Workshop Item]

Cameron, Daniel; Potter, Keith; Wiggins, Geraint and Pearce, Marcus T.. 2012. 'Perception of Rhythmic Similarity in Reich’s Clapping Music: Factors and Models'. In: Proceedings of the 12th International Conference on Music Perception and Cognition and the 8th Triennial Conference of the European Society for the Cognitive Sciences of Music. Thessaloniki, Greece July 23-28. [Conference or Workshop Item]

Potter, Keith. 2010. Philip Glass: First Classics, 1968-1969. London and New York: Chester Music. ISBN 0-521-48250 [Book]

Potter, Keith. 2010. Profile of John Adams for BBC Proms. [Digital]

Potter, Keith. 2008. Philip Glass: the compositions and some contexts. Glass: a Nonesuch Retrospective Box, pp. 49-72. ISSN Nonesuch 424508-2 [Article]

Potter, Keith. 2008. Programme Notes. BBC Symphony Orchestra/Mikhail Agrest, [Article]

Potter, Keith. 2007. '1976 and All That: Minimalism and Postminimalism, Analysis and Listening Strategies.'. In: Proceedings of the First International Conference on Music and Minimalism. Bangor, United Kingdom 11/1/2007. [Conference or Workshop Item]

Potter, Keith; Wiggins, Geraint and Pearce, Marcus T.. 2007. An Objective Basis for Music Theory: Information-Dynamic Analysis of Minimalist Music. Musicae Scientiae, 11(2), pp. 295-324. ISSN 1029 8649 [Article]

Potter, Keith. 2006. Programme notes for works by Steve Reich (Los Angeles Master Chorale/Grant Gershon). Lincoln Center, New York, [Article]

Potter, Keith. 2006. Obituary: 'James Tenney; Musical Maverick'. The Independent, [Article]

Potter, Keith. 2006. Programme notes for works by Steve Reich (London Symphony Orchestra and Chorus/Xian Zhang). Barbican Centre, [Article]

Potter, Keith. 2005. Obituary: 'Carla Hinrichsen; Music Publisher at Peters Music'. The Independent, [Article]

Potter, Keith. 2005. Obituary: 'Hugh Davies; Iconoclastic innovator in electronic music'. The Independent, [Article]

Potter, Keith. 2004. What's The Score? The Independent, [Article]

Potter, Keith. 2003. A Conversation with James Dillon. In: P. O'Hagan, ed. Aspects of British Music of the 1990's. Ashgate, pp. 131-140. ISBN 0004707729 [Book Section]

Potter, Keith. 2002. Obituary: 'Earle Brown: Innovative and Influential Composer.'. The Independent, [Article]

Potter, Keith. 2002. 'Hi-tech tales for a weird, wired world'. The Independent, [Article]

Potter, Keith. 2002. Four Musical Minimalists: La Monte Young, Terry Riley, Steve Reich, Philip Glass. Cambridge University Press. ISBN 9780521015011 [Book]

Potter, Keith. 2001. Programme notes for the British premieres of Philip Glass's Second and Third Symphonies (BBC Symphony Orchestra/Marin Alsop). Barbican Centre, [Article]

Potter, Keith. 2001. 'Klinghoffer Resurrected' (Concert Review). The Independent, [Article]

Potter, Keith. 2001. Entries on 20th-century British composers and other subjects: 'Minimalism'; 'Bedford, David', 'Bryars, Gavin', 'Fitkin, Graham', 'Martland, Steve', 'Montague Stephen', 'Skempton, Howard'. In: Stanley Sadie and John Tyrell, eds. The New Grove Dictionary of Music and Musicians. London: Macmillan. [Book Section]

Potter, Keith. 2001. Entry on David Bedford. In: L. Finscher, ed. Die Musik in Geschichte und Gegenwart. Kassel: Barenreiter. [Book Section]

Potter, Keith. 2001. Four revised articles on contemporary American composers: 'Adams, John', 'Glass, Philip', 'Monk, Meredith' and 'Reich, Steve'; also versions of previously published entries on 'Kagel, Mauricio' and 'Schnittke, Alfred'. In: Amanda Holden, ed. The New Penguin Opera Guide. London: Penguin Books. [Book Section]

Potter, Keith. 2000. A ripe harvest of Eastern promise. The Independent, p. 16. [Article]

Potter, Keith. 2000. Booklet essay for Philip Glass: Violin Concerto, Prelude and Dance from Akhnaten and Company (Naxos 8 554568). Philip Glass: Violin Concerto, Prelude and Dance from Akhnaten and Company, [Article]

Potter, Keith. 2000. 'Notes on Cage'. 'John Cage: The Seasons' (ECM New Series 1696), [Article]

Potter, Keith. 1996. The pursuit of the unimaginable by the unnarratable, or some potentially telling developments in non-developmental music. Contemporary Music Review, 3-4, pp. 3-11. [Article]

Potter, Keith. 1995. 'Cornelius Cardew: some (Postmodern?) reflections on Experimental Music and political music. In: Mark Delaere, ed. New Music, Aesthetics and Ideology/Neue Musik, Asthetik und Ideologie. Wilhelshaven: Germany: Florian Noetzel, pp. 152-169. [Book Section]

Potter, Keith. 1993. The Current Musical Scene. In: Robert P. Morgan, ed. Modern Times: from World War I to the present. Englewood Cliffs, NJ/Basingstoke: Prentice Hall/Macmillan, pp. 349-387. ISBN 0 13 590159 6 [Book Section]