Pryer, Anthony J.. 2014. The Ontology of Music and the Challenge of Performance: Identity versus Variety, and the Persistence of the ‘Text’. In: Taina Riikonen and Arjaana Virtanen, eds. The Embodiment of Authority: Perspectives on Performances, Interdisziplinäre Studien zur Musik. Frankfurt: Peter Lang, pp. 87-102. ISBN 978-3-631-65085 [Book Section]

Pryer, Anthony J.. 2014. ‘Real’ Nature, ‘Aesthetic’ Nature and the Making of Artworks: Some Challenges of Cross-Cultural Collaboration (in Japanese Translation). In: Kazuto Yamamoto and Naomi Matsumoto, eds. Shizengaku: a Search for the Coming Aesthetic. Kyoto: Nakanishiya, pp. 6-26. ISBN ISBN 978-4-7795-0791-5 [Book Section]

Pryer, Anthony J.. 2013. Hanslick, Legal Processes and Scientific Methodologies: How Not to Construct an Ontology of Music. In: Nicole Grimes; Siobhán Donovan and Wolfgang Marx, eds. Rethinking Hanslick: Music, Formalism and Expression. Rochester New York: University of Rochester Press, pp. 52-69. ISBN 9781580464321 [Book Section]

Pryer, Anthony J.. 2013. 'Real' Nature, 'Aesthetic' Nature and the Making of Artworks: Some Challenges of Cross-Cultural Collaboration. In: Kazuto Yamamoto and Naomi Matsumoto, eds. Shizengaku: A Search for the Coming Aesthetic. Kyoto: Nakanishiya, pp. 6-26. ISBN 978-4-7795-0791-5 [Book Section]

Pryer, Anthony J.. 2012. Claudio Monteverdi: Sacrae Cantiunculae; Madrigali Spirituali; Canzonette a 3 Voci. Cremona (Italy): Fondazione Claudio Monteverdi. ISBN 9788886288361 [Book]

Pryer, Anthony J.. 2011. Monteverdi, Two Sonnets and a Letter. In: Richard Wistreich, ed. Monteverdi. 5 Farnham: Ashgate, pp. 337-352. ISBN 9780754629023 [Book Section]

Pryer, Anthony J.. 2010. Review of 'Lydia Goehr and Daniel Herwitz, eds., The Don Giovanni Moment: Essays on the Legacy of an Opera' (New York: Columbia University Press, 2006). Eighteenth-Century Music, 7(1), pp. 112-114. [Article]

Pryer, Anthony J.. 2010. 'The Ontology of Music and the Challenge of Performance: Identity versus Variety, and the Persistence of the "Text"'. In: The Embodiment of Authority: Perspectives on Performance. Sibelius Academy, Helsinki, Finland. [Conference or Workshop Item]

Pryer, Anthony J.. 2009. Review of 'Jessica Waldoff, Recognition in Mozart’s Operas' (New York: Oxford University Press, 2006). Eighteenth-Century Music, pp. 270-273. [Article]

Pryer, Anthony J.. 2007. Approaching Monteverdi: His Cultures and Ours, Chapter 1. In: J. Whenham and R. Wistreich R, eds. The Cambridge Companion to Monteverdi. Cambridge University Press, pp. 1-19. ISBN 9780521875257 [Book Section]

Pryer, Anthony J.. 2004. Mozart's Operatic Audition. The Milan Concert, 12 March 1770: A reappraisal and revision. Eighteenth Century Music, 1(2), pp. 265-288. ISSN 14785706 [Article]

Pryer, Anthony J.. 2004. 'Vivaldi's Four Seasons and the Globalization of Musical Taste'. In: Musicology and Globalization: International Congress in Shizuoka. Shizuoka, Japan 2-4 November, 2002. [Conference or Workshop Item]

Pryer, Anthony J.. 2002. Review of 'Collean Reardon, Holy Concord Within Sacred Walls: Nuns and Music in Siena, 1575-1700' (Oxford: Oxford University Press, 2002). The Times literary Supplement(5184), p. 26. [Article]

Pryer, Anthony J.. 2002. Review of 'Reinhard Strohm and Bonnie Blackburn, eds., Music as Concept and Practice in the Late Middle Ages, The New Oxford History of Music, Vol.III, part 1' (Oxford: Oxford Uiversity Press, 2002). BBC Music Magazine, p. 112. [Article]

Pryer, Anthony J.. 2002. Thirty items for the revised edition of the Oxford Companion to Music: Braille Notation, Chironomy, Coloration, Corona, Degree, Durum, Diastematic Neumes, Franconian Notation, Graphic Notation, Half-Coloration, Ligatures, Mensural Music, Mensural Notation, Middle C Modus, Mollis, Prolatio, Shape Note, Tempus, Accidental, Clef, Dot, Intabulation, Intavolatura, Liquescent Nuemes, Mensurstrich, Musica Ficta, Notation, Tablature, Time Signature. In: Alison Latham, ed. The Oxford Companion to Music. Oxford: Oxford University Press, p. 159. ISBN 0198662122 [Book Section]

Pryer, Anthony J.. 2001. Review of 'Fiona Kisby, ed., Music and Musicians in Renaissance Cities and Towns' (Cambridge: Cambridge University Press, 2001). The Times Literary Supplement(5124), p. 37. [Article]

Pryer, Anthony J.. 2001. Review of 'Ian Spink, Henry Lawes: Cavalier Songwriter' (Oxford, Oxford University Press; 2001). The Times Literary Supplement(5114), p. 33. [Article]

Pryer, Anthony J.. 2000. Review of 'Victor Crowther, The Oratorio in Bologna, 1650-1730 (Oxford: Oxford University Press, 2000)'. The Times Literary Supplement(5095), p. 37. [Article]

Pryer, Anthony J.. 2000. Review of 'Robert Spaethling, editor and translator, Mozart's Letters, Mozart's Life (London: Faber and Faber, 2000)'. The Times Literary Supplement, p. 32. [Article]

Pryer, Anthony J.. 2000. Machaut and the Moderns: A Distant Mirror. BBC Music Magazine, pp. 26-28. [Article]

Pryer, Anthony J.. 2000. Review of Der Stein der Weisen, singspiel by Mozart, Henneberg, Schack, Gerl and Schikaneder, performed at St Jude on the Hill, Hampstead. The Times Literary Supplement(5071), [Article]

Pryer, Anthony J.. 2000. Review of 'Julie E. Cumming, The Motet in the Age of Du Fay' (Cambridge University Press, 1999). The Times Literary Supplement(5054), p. 33. [Article]

Pryer, Anthony J.. 2000. Review of 'John Whenham, Monteverdi Vespers 1610 (Cambridge University Press, 1998)' and 'Claudio Monteverdi: Songs and Madrigals, trans. Denis Stevens, (Long Barn Books, 1999)'. BBC Music Magazine, p. 93. [Article]

Pryer, Anthony J.. 1999. Review of 'Dolores Pesce, ed., Hearing the Motet: Essays on the Motet of the Middle Ages and the Renaissance' (Oxford: Oxford University Press, 1998). The Times Literary Supplement(5046), p. 29. [Article]

Pryer, Anthony J.. 1999. Review of 'Jessie Ann Owens, Composers at Work: the Craft of Musical Composition 1450-1600' (Oxford University Press, 1998). The Times Literary Supplement(5039), p. 33. [Article]

Pryer, Anthony J.. 1999. Review of 'Jerrold Levinson, Music in the Moment (Ithaca, NY; Cornell University Press, 1999)'. The Times Literary Supplement(5035), p. 20. [Article]

Pryer, Anthony J.. 1999. Trouble in Arcadia: Music Aesthetics and the Bounds of Culture. Journal of the Royal Musical Association, 124(1), pp. 134-152. ISSN 0269-0403 [Article]

Pryer, Anthony J.. 1998. 'Groomed for Notoriety'. Review of 'Margaret Bent and Andrew Wathey, eds., Fauvel Studies (Oxford, 1998)', and 'Timothy McGee,The Sound of Medieval Song (Oxford, 1998)'. The Times Literary Supplement(4985), p. 18. [Article]

Pryer, Anthony J.. 1998. Review of 'Nicholas Cook, Music: A Very Short Introduction (Oxford, 1998)'. BBC Music Magazine, p. 107. [Article]

Pryer, Anthony J.. 1998. Review of 'Kenneth Levy, Gregorian Chant and the Carolingians (Princeton, 1998)'. The Times Literary Supplement(4978), p. 32. [Article]

Pryer, Anthony J.. 1998. 'Curators and Creators'. Review of 'Bernard Sherman, Inside Early Music (New York and Oxford, 1997)', and 'Paul Henry Lang, Musicology and Performance (New Haven, 1997)'. The Times Literary Supplement(4964), p. 18. [Article]

Pryer, Anthony J.. 1997. Review of 'Roger Scruton, The Aesthetics of Music (Oxford, 1997)'. BBC Music Magazine, 6(4), p. 22. [Article]

Pryer, Anthony J.. 1997. Review of 'Luis Gasser, Luis Milan on Sixteenth-Century Performance Practice (Bloomington, Indiana University Press; 1997)'. The Times Literary Supplement(4926), [Article]

Pryer, Anthony J.. 1997. Introduction to the Complete Secular Music of Guillaume Dufay (c. 1400-1474). Complete recording of the secular music of Guillaume Dufay (c. 1400-1474) by the Medieval Ensemble of London, [Article]

Pryer, Anthony J.. 1997. Review of 'Robert L Kendrick Celestial Sirens: Nun's Music in Early Modern Milan (Clarendon Press, Oxford; 1996)'. The Times Literary Supplement, p. 19. [Article]

Pryer, Anthony J.. 1997. Review of 'Lawrence Kramer, Classical Music and Postmodern Knowledge (University of Claifornia Press, 1995)'. The British Journal of Aesthetics, 37(1), pp. 90-92. [Article]

Pryer, Anthony J.. 1997. Monteverdi, two sonnets and a letter. Early Music, 25(3), pp. 357-371. ISSN 0306-1078 [Article]

Pryer, Anthony J.. 1996. 'That Quality of Charm and Grace'. Review of 'Martha Feldman, City Culture and the Madrigal at Venice (California UP, 1996)' and 'Iain Fenlon and Tim Carter (eds.), Con che soavità: studies in Italian opera, song and dance, 1580-1740 (Oxford, Clarendon Press, 1995)'. The Times Literary Supplement(4870), p. 20. [Article]

Pryer, Anthony J.. 1996. Review of 'Iain Fenlon, Music, Print and Culture in Early Sixteenth-Century Italy (British Library, 1994)'. The Times Literary Supplement(4860), p. 23. [Article]

Pryer, Anthony J.. 1996. Authentic Performance, Authentic Experience and "Pur ti miro" from Poppea. In: Raffaello Monterosso, ed. Performing Practice in Monteverdi's Music: the Historic-Philological Background. Cremona: Fondazione Claudio Monteverdi, pp. 191-213. ISBN 88-86288-25-5 [Book Section]

Pryer, Anthony J.. 1996. Nattiez's 'Music and Discourse': Situating the Philosophy. Music Analysis, 15(1), pp. 101-116. ISSN 0262-5245 [Article]

Pryer, Anthony J.. 1996. Settling Old Scores: The Authentic Performance Argument. In: Erik Levy and Calum MacDonald, eds. BBC Music Magazine Top 1000 CDs Guide. London: BBC Worldwide, pp. 19-22. ISBN 0-563-38709-2 [Book Section]

Pryer, Anthony J.. 1994. Re-thinking History. The Musical Times, 135(1), pp. 682-690. ISSN 0027-4666 [Article]

Pryer, Anthony J.. 1977. Guillaume de Machaut, c. 1300-1377. Music and Musicians, pp. 26-30. [Article]