Burt, Philippa and Shevtsova, Maria. 2024. Dialogue: The Role of the Editor. New Theatre Quarterly, 40(4), ISSN 0266-464X [Article] (In Press)

Shevtsova, Maria. 2023. The 2023 Theatre Olympics in Budapest. New Theatre Quarterly, 39(4), pp. 377-386. ISSN 0266-464X [Article]

Butusov, Yury and Shevtsova, Maria. 2023. In Conversation in Apocalyptic Times. New Theatre Quarterly, 39(4), pp. 283-306. ISSN 0266-464X [Article]

Shevtsova, Maria. 2023. “Music, singing, word, action”: the Opera-Dramatic Studio 1935–1938. Stanislavski Studies, 11(1), pp. 3-17. ISSN 2056-7790 [Article]

Wilson, Robert and Shevtsova, Maria. 2022. Covid Conversations 5: Robert Wilson. New Theatre Quarterly, 38(1), pp. 1-26. ISSN 0266-464X [Article]

Klein, Stacy and Shevtsova, Maria. 2021. Covid Conversations 4: Stacy Klein. New Theatre Quarterly, 37(4), pp. 299-322. ISSN 0266-464X [Article]

Shevtsova, Maria. 2021. Moscow’s Golden Mask Festival: The Russian Case (Online, 2021). New Theatre Quarterly, 37(4), pp. 376-388. ISSN 0266-464X [Article]

LeCompte, Elizabeth; Valk, Kate and Shevtsova, Maria. 2021. Covid Conversations 3: Elizabeth LeCompte and Kate Valk. New Theatre Quarterly, 37(3), pp. 205-222. ISSN 0266-464X [Article]

Bogart, Anne and Shevtsova, Maria. 2021. Covid Conversations 2: Anne Bogart. New Theatre Quarterly, 37(2), pp. 103-118. ISSN 0266-464X [Article]

Sellars, Peter and Shevtsova, Maria. 2021. Covid Conversations 1: Peter Sellars. New Theatre Quarterly, 37(1), pp. 1-19. ISSN 0266-464X [Article]

Shevtsova, Maria. 2019. ‘Small Forms’ and Large: the Russian Case at the Golden Mask, 2019. New Theatre Quarterly, 35(3), pp. 275-285. ISSN 0266-464X [Article]

Shevtsova, Maria. 2017. Interdisciplinary Approaches and the Sociology of Theatre Practices. Culture Teatrali, 26, pp. 70-79. ISSN 1825-8220 [Article]

Shevtsova, Maria. 2017. Revolutions Remembered: the Golden Mask Festival in Moscow 2017. New Theatre Quarterly, 33(3), pp. 288-298. ISSN 0266-464X [Article]

Shevtsova, Maria. 2016. Political Theatre in Europe: East to West, 2007–2014. New Theatre Quarterly, 32(2), pp. 142-156. ISSN 0266-464X [Article]

Shevtsova, Maria. 2016. The Baltic House Theatre Festival, St Petersburg: Twenty-Five Years On. New Theatre Quarterly, 32(1), pp. 61-67. ISSN 0266-464X [Article]

Shevtsova, Maria. 2015. Alive, Kicking – and Kicking Back: Russia's Golden Mask Festival 2015. New Theatre Quarterly, 31(3), pp. 232-240. ISSN 0266-464X [Article]

Shevtsova, Maria. 2014. Shakespeare in Gyula: Report on the Gyula Shakespeare Festival 2014. New Theatre Quarterly, 30(4), pp. 397-402. ISSN 0266-464X [Article]

Shevtsova, Maria. 2014. Stanislavsky to Grotowski: Actor to Performer/Doer. New Theatre Quarterly, 30(4), pp. 333-340. ISSN 0266-464X [Article]

Shevtsova, Maria. 2014. Odin at Fifty. New Theatre Quarterly, 30(3), p. 298. ISSN 0266-464X [Article]

Shevtsova, Maria. 2014. The Seagull Directed by Oskaras Korsunovas. Critical Stages: The IATC Webjournal/Scénes Critiques: Revue de l'AICT, [Article]

Shevtsova, Maria. 2013. Shakespeare in Summer: Report on the Gyula Shakespeare Festival, 2013. New Theatre Quarterly, 29(4), pp. 394-398. ISSN 0266-464X [Article]

LeCompte, Elizabeth; Valk, Kate and Shevtsova, Maria. 2013. A Conversation on The Wooster Group's Troilus and Cressida with the RSC. New Theatre Quarterly, 29(3), pp. 233-246. ISSN 0266-464X [Article]

Shevtsova, Maria. 2013. Notes on 'Noteworthy' Productions at the Berlin Theatertreffen, 2013. New Theatre Quarterly, 29(3), pp. 294-301. ISSN 0266-464X [Article]

LeCompte, Elizabeth; Valk, Kate; Fliakos, Ari and Shevtsova, Maria. 2013. A Conversation on The Wooster Group's Hamlet. New Theatre Quarterly, 29(2), pp. 121-131. ISSN 0266-464X [Article]

Shevtsova, Maria. 2013. Teatr ZAR's Journey of the Spirit. New Theatre Quarterly, 29(2), pp. 170-184. ISSN 0266-464X [Article]

Shevtsova, Maria. 2013. The Maly Drama Theatre of St Petersburg, Chekhov and Uncle Vanya. International Association of Theatre Critics (Hong Kong) (online journal), [Article]

Shevtsova, Maria. 2012. An Overview of Theatertreffen in Berlin, 2012. Critical Stages: The IATC Webjounral/Scénes Critiques: Revue web de l'AICT(7), [Article]

Shevtsova, Maria. 2012. Reasons for Joy and Reflection: Engaging with Shakespeare at the Craiova Festival. New Theatre Quarterly, 28(4), pp. 352-362. ISSN 0266-464X [Article]

Shevtsova, Maria. 2011. The Gyula Shakespeare Festival 2011. New Theatre Quarterly, 27(4), pp. 386-394. ISSN 0266-464X [Article]

Shevtsova, Maria. 2011. A Bite of BITE at the Barbican. New Theatre Quarterly, 27(3), pp. 283-285. ISSN 0266-464X [Article]

Shevtsova, Maria. 2011. On Double Edge Theatre. Stacy Klein in Conversation with Maria Shevtsova. New Theatre Quarterly, 27(1), pp. 41-59. ISSN 0266-464X [Article]

Shevtsova, Maria. 2010. BITE at the Barbican. New Theatre Quarterly, 26(3), pp. 293-296. ISSN 0266-464x [Article]

Shevtsova, Maria. 2010. Maria Shevtsova in Conversation with Anna Zubrzycki and Grzegorz Bral, 'Song of the Goat Theatre: Finding Flow and Connection'. New Theatre Quarterly, 26(3), pp. 248-260. ISSN 0266-464x [Article]

Shevtsova, Maria. 2010. 'Elementy i zasady'. Didaskalia, pp. 58-67. [Article]

Shevtsova, Maria. 2009. Maria Shevtsova in Conversation with Anatoli Vassiliev, 'Studio Theatre, Laboratory Theatre'. New Theatre Quarterly, 25(4), pp. 324-332. ISSN 0266-464x [Article]

Shevtsova, Maria. 2009. Maria Shevtsova in Conversation with Thomas Richards and Mario Biagini, 'With and After Grotowski'. New Theatre Quarterly, 25(4), pp. 336-359. ISSN 0266-464x [Article]

Shevtsova, Maria. 2009. Maria Shevtsova in Conversation with Jatinder Verma, 'The Generations of the Diaspora and Multiculturalism in Britain'. New Theatre Quarterly, 25(3), pp. 203-223. ISSN 0266-464x [Article]

Shevtsova, Maria. 2009. Lev Dodin Directs Grossman, O'Neill and Shakespeare. New Theatre Quarterly, 25(2), pp. 137-147. ISSN 0266-464x [Article]

Shevtsova, Maria. 2009. The Valery Fokin Festival at the Alexandrinsky Theatre, St Petersburg. New Theatre Quarterly, 25(1), pp. 44-51. ISSN 0266-464x [Article]

Shevtsova, Maria. 2007. Maria Shevtsova in Conversation with Eugenio Barba, Reinventing Theatre. New Theatre Quarterly, 23(2), pp. 99-114. ISSN 0266-464x [Article]

Shevtsova, Maria. 2007. Maria Shevtsova in Conversation with Ann-Christen Rommen, Experiencing the Movement. New Theatre Quarterly, 23(1), pp. 58-66. ISSN 0266-464x [Article]

Shevtsova, Maria. 2007. Robert Wilson Directs 'When We Dead Awaken', 'The Lady From The Sea' and 'Peer Gynt'. Ibsen Studies, 7(1), pp. 84-104. ISSN 1502-1866 [Article]

Shevtsova, Maria. 2002. Appropriating Pierre Bourdieu's champs and habitus for a sociology of stage productions. Contemporary Theatre Review, 12(3), pp. 35-66. ISSN 10267166 [Article]

Shevtsova, Maria. 2019. Rediscovering Stanislavsky. Cambridge: Cambridge University Press. ISBN 9781139151092 [Book]

Shevtsova, Maria. 2018. Robert Wilson (Second Edition). Abingdon: Routledge. ISBN 9781138599420 [Book]

Shevtsova, Maria and Innes, Christopher. 2013. The Cambridge Introduction to Theatre Directing. Cambridge: Cambridge University Press. ISBN 9780521606226 [Book]

Shevtsova, Maria and Innes, Christopher. 2009. Directors/Directing: Conversations on Theatre. Cambridge: Cambridge University Press. ISBN 9780521888431 [Book]

Shevtsova, Maria. 2009. Sociology of Theatre and Performance. Verona: QuiEdit. ISBN 9788864640136 [Book]

Shevtsova, Maria. 2007. Robert Wilson. Routledge. ISBN 978-0-415-33881-3 [Book]

Shevtsova, Maria and Mitter, Shomit. 2005. Fifty Key Theatre Directors. Oxon: Routledge. ISBN 9780415187312 [Book]

Shevtsova, Maria. 2004. Lev Dodin and the Maly Drama Theatre: Process to Performance. Routledge. ISBN 9780415334624 [Book]

Shevtsova, Maria. 1993. Theatre and Cultural Interaction. Sydney: Sydney Association for Studies in Society and Culture. ISBN 0949405086 [Book]

Shevtsova, Maria. 2023. Teatr ZAR's Song Theatre as Spiritual Knowledge. In: Torsten Jost; Erika Fischer-Lichte; Milos Kosic and Astrid Schenka, eds. Performance Cultures and Epistemic Cultures, Volume 1: (Re)Generating Knowledges in Performance. Abingdon: Routledge, pp. 202-218. ISBN 9781032445694 [Book Section]

Shevtsova, Maria. 2022. Artistic Processes and Characteristics: Key Problems of the Sociology of the Theatre. In Dialogue with Pierre Bourdieu. In: Ilaria Riccioni, ed. Theatre(s) and Public Sphere in a Global and Digital Society: Theoretical Explorations, Volume 1. Leiden: Brill, pp. 1-15. ISBN 9789004526549 [Book Section]

Shevtsova, Maria. 2021. Robert Wilson's Sonosphere. In: Ann Shanahan, ed. Meredith Monk, Richard Foreman, Robert Wilson: Landscapes of Consciousness. London: Bloomsbury Methuen. [Book Section]

Shevtsova, Maria. 2019. Innovative Practices: Stanislavsky Directs Chekhov and Gorky. In: Amy Skinner, ed. Russian Theatre in Practice. London: Bloomsbury. ISBN 9781474284431 [Book Section]

Shevtsova, Maria. 2016. Robert Wilson. In: John Russell Brown and Stephen Di Benedetto, eds. Designers' Shakespeare. London and New York: Routledge, pp. 118-136. ISBN 9780415525077 [Book Section]

Shevtsova, Maria. 2015. Living Archives and Politics: The Case of Recent Russian Theatre. In: Khalid Amine and Jaouad Radouani, eds. Memory and Theatre: Performing the Archive. Proceedings of the 11th Annual Performing Tangier International Conference. Tangier: Faculties of Letters and Humanities, Abdelmalek Essaadi University, pp. 31-45. ISBN 978-9954-36-338-6 [Book Section]

Shevtsova, Maria. 2014. Social Practice. In: Bryan Reynolds, ed. Performance Studies: Key Words, Concepts and Theories. London: Palgrave Macmillan, pp. 297-303. ISBN 9780230247307 [Book Section]

Shevtsova, Maria. 2013. Postdramatic, Non-aesthetic, and Other Signs of the Times. In: Jerzy Limon and Agnieszka Zukowska, eds. An Atomizing Theatre. Gdansk: wydawnictwo slowo/obraz terytoria, pp. 143-148. ISBN 978-83-931104-3-8 [Book Section]

Shevtsova, Maria. 2013. The Tempest: Declan Donnellan and Oskaras Korsunovas Look Backwards into the Abyss of Time. In: Anna Cetera, ed. Szekspiromania Andrzeja Zurowskiego: ksiega dedykowana pamieci. Warsaw: University of Warsaw Press, pp. 182-191. ISBN 9788323510741 [Book Section]

Shevtsova, Maria. 2011. Deborah Warner Directs Hedda Gabler: Mercurial Pistols. In: Erika Fischer-Lichte; Barbara Gronau and Christel Weiler, eds. Global Ibsen: Performing Multiple Modernities. New York: Routledge, pp. 102-113. ISBN 9780415877138 [Book Section]

Shevtsova, Maria. 2011. Pytor Semak. In: John Russell Brown, ed. The Routledge Companion to Actors' Shakespeare. London and New York: Routledge, pp. 215-226. ISBN 978-0-415-48301-8 [Book Section]

Shevtsova, Maria. 2011. White and Black Magic: Robert Wilson's 'Einstein on the Beach' and 'The Black Rider'. In: Gerald Siegmund and Petra Bolte-Picker, eds. Subjekt: Theater. Beiträge zur analytischen Theatralität: Festschrift für Helga Finter zum 65. Geburtstag. Frankfurt am Main: Peter Lang, pp. 245-257. ISBN 978-3-631-60680-3 [Book Section]

Shevtsova, Maria. 2010. Multimedia and Performance: Decoration and Invention. In: Jerzy Limon and Agnieszka Zukowska, eds. Theatrical Blends: Art in the Theatre/Theatre in the Art. Gdansk: Theatrum Gedanense Foundation, pp. 97-109. ISBN 978-83-7453-989-0 [Book Section]

Shevtsova, Maria. 2009. Cross-cultural Fields: Korean Shakespeare Productions in Global Context. In: Lee Hyon-u, ed. Glocalizing Shakespeare in Korea and Beyond. Seoul: Dongin Publishing, pp. 157-178. ISBN 9788955064131 [Book Section]

Shevtsova, Maria. 2009. Maria Shevtsova in Conversation with Lev Dodin at Goldsmiths (conducted in Russian). In: , ed. Puteshestviye bzs kontsa: Dialogi s Mirom [Journey Without End: Dialogues with the World]. St Petersburg: Baltic Seasons, pp. 270-282. ISBN n/a [Book Section]

Shevtsova, Maria. 2008. Peter Brook. In: John Russell Brown, ed. The Routledge Companion to Directors' Shakespeare. London and New York: Routledge, pp. 16-36. ISBN 978-0-415-57767-0 [Book Section]

Shevtsova, Maria. 2008. Robert Wilson’s Theatre as Visual Art. In: Chen Yongguo, ed. Visual Culture Studies: A Reader. Beijing: Beijing University Press, pp. 288-302. [Book Section]

Shevtsova, Maria. 2007. Multiculturalism, Theatre and the Politics of Liberation: The Melbourne Workers Theatre and the Turkish Community. In: Glen D'Cruz, ed. Class Act: Melbourne Workers Theatre 1987–2007. Victoria: The Vulgar Press, pp. 88-103. ISBN 978-0-9775047-3-2 [Book Section]

Finburgh, Clare. 2006. 'Micro-treatise on a Mini-politics': Genet, Individualism and Collectivity. In: Clare Finburgh; Carl Lavery and Maria Shevtsova, eds. Jean Genet: Performance and Politics. Basingstoke: Palgrave Macmillan, pp. 79-91. ISBN 9780230595439 [Book Section]

Shevtsova, Maria. 2006. The Theatre of Genet in Sociological Perspective. In: Clare Finburgh; Carl Lavery and Maria Shevtsova, eds. Jean Genet: Performance and Politics. London: Palgrave Macmillan, pp. 44-54. ISBN 9781403994806 [Book Section]

Shevtsova, Maria. 2002. The Russian Presence in Paris 1988–2000. In: David Bradby and Maria M. Delgado, eds. The Paris Jigsaw: Internationalism and the City's Stages. Manchester: Manchester University Press, pp. 186-197. ISBN 0719061849 [Book Section]

Shevtsova, Maria. 2018. ‘Stanislavsky: Founder of Modern Acting’, broadcast on the programme ‘The Forum’ for BBC Radio 4. [Broadcast]

Shevtsova, Maria. 2017. ‘Stanislavsky: Founder of Modern Acting’, broadcast on the programme ‘The Forum’ for BBC World Service. [Broadcast]

Shevtsova, Maria. 2019. 'Interdisciplinary Performance Practices and Interdisciplinary Analysis'. In: Santiago a Mil International Theatre Festival. Santiago, Chile 16-17 January 2019. [Conference or Workshop Item]

Shevtsova, Maria. 2018. 'Valery Fokin's European Theatre'. In: 7th International Cultural Forum of St Petersburg. St Petersburg, Russian Federation. [Conference or Workshop Item]

Shevtsova, Maria. 2018. 'Problematics and Methodology of the Sociology of the Theatre – delivered in Russian'. In: Social-Economic Problems of Culture and Ar. Union of Theatre Professionals, Moscow, Russian Federation. [Conference or Workshop Item]

Shevtsova, Maria. 2017. 'Theatres of Long Duration – delivered in Russian'. In: 6th International Cultural Forum of St Petersburg ‘Revolutionary Tendencies in Theatre Aesthetics’. St Petersburg, Russian Federation. [Conference or Workshop Item]

Shevtsova, Maria. 2017. 'Stanislavski et Lev Dodin: à la recherche d’un acteur (co-) créateur (Stanislavsky and Lev Dodin: Searching for an Actor (Co-) Creator) – delivered in French'. In: Journees sur la pedagogie de l’acteur. Conservatoire National Supérieur d’Art Dramatique, Paris, France. [Conference or Workshop Item]

Shevtsova, Maria. 2017. 'Contemporary Intercultural Theatre'. In: 4th International Festival of Turko-speaking Theatres. Ufa National Theatre, Russian Federation. [Conference or Workshop Item]

Shevtsova, Maria. 2017. 'Performances With No End in Sight'. In: Belgrade International Festival of Theatre. University of the Arts, Belgrade, Serbia. [Conference or Workshop Item]

Shevtsova, Maria. 2017. 'Peter Brook: Method and Style'. In: Public Lecture: Peter Brook: Method and Style. Electrotheatre, Moscow, Russian Federation. [Conference or Workshop Item]

Shevtsova, Maria. 2016. 'Trends in Contemporary European Theatre'. In: Theatre and Theatre Research at the Beginning of the Twenty-first Century: Searches, Problems, Trends. Theatre School of Konstantin Raikin, Moscow, Russian Federation. [Conference or Workshop Item]

Shevtsova, Maria. 2016. 'Theatres of War: Contemporary Scenes'. In: Festival Wroclaw Cultural Capital of Europe. Wroclaw, Poland. [Conference or Workshop Item]

Shevtsova, Maria. 2015. 'Interdisciplinary Approaches and the Sociology of Theatre Practices'. In: Thinking the Theatre – New Theatrology and Performance Studies. Turin, Italy. [Conference or Workshop Item]

Shevtsova, Maria. 2015. 'Living Archives and Politics: The Case of Recent Russian Theatre'. In: Memory and Theatre: Performance the Archive. International Centre for Performance Studies, Tangier, Morocco. [Conference or Workshop Item]

Shevtsova, Maria. 2014. 'Getting a Grip in the Theatre Houses of Europe'. In: Whither Political Theatre?. St John's College, University of Cambridge. [Conference or Workshop Item]

Shevtsova, Maria. 2014. 'Whose Shakespeare is Contemporary?'. In: Academic Conference of the Gyula International Shakespeare Festival. Gyula, Hungary. [Conference or Workshop Item]

Shevtsova, Maria. 2014. 'Alternative Dramaturgies?'. In: Alternative Dramaturgies of the New Millennium. Tangier, Morocco. [Conference or Workshop Item]

Shevtsova, Maria. 2014. 'When is an Agent not an Agent?'. In: Politics of the Applied: Theatre and Art as Intervention/Theater und Kunst als Intervention'. Berlin, Germany. [Conference or Workshop Item]

Shevtsova, Maria. 2013. 'Politics and Dance'. In: Tanz Über Gräben: The Rite of Spring, 1913-2013. Berlin, Germany. [Conference or Workshop Item]

Shevtsova, Maria. 2013. 'Meyerholdian Dimensions in the Work of Contemporary Directors'. In: Vsevolod Meyerhold's Theatre Practices. Wroclaw, Poland. [Conference or Workshop Item]

Shevtsova, Maria. 2013. 'Russian Plays and Novels in Contemporary German Theatre (in Russian)'. In: Conference for Directors and Theatre Critics at the Baltic House International Theatre Fesitval. St Petersburg, Russian Federation. [Conference or Workshop Item]

Shevtsova, Maria. 2013. 'Postdramatic, Non-theatre, and Other Signs of the Times'. In: Interdisciplinary Conference of the Shakespeare Festival, Gdansk. Gdansk. [Conference or Workshop Item]

Shevtsova, Maria. 2013. 'Theatrical Newspeak'. In: The Interdisciplinary Conference of the Shakespeare Festival, Gdansk. Gdansk. [Conference or Workshop Item]

Shevtsova, Maria. 2013. 'To Be or Not To Be: That May Well Be the Question'. In: Academic Conference of the Gyula International Shakespeare Festival. Gyula, Hungary. [Conference or Workshop Item]

Shevtsova, Maria. 2013. 'The Dance Hybrids of Sidi Larbi Cherkaoui'. In: Tanz Kongress. Düsseldorf, Germany. [Conference or Workshop Item]

Shevtsova, Maria. 2013. 'Russian Theatre Seen Through the Eyes of Foreign Critics (in Russian)'. In: Conference for Theatre Critics and Directors of the Golden Mask Theatre Festival. Moscow, Russian Federation. [Conference or Workshop Item]

Shevtsova, Maria. 2013. 'Teatr ZAR's Research Expeditions'. In: Research Seminar at the International Resarch Center 'Interweaving Performance Cultures' at the Freie Universität. Berlin, Germany. [Conference or Workshop Item]

Shevtsova, Maria. 2013. 'Stanislavsky's Ghost in Britain (in Russian)'. In: Stanislavsky and World Theatre in Celebration of Stanislavsky's Jubilee (150 Years Since His Birth). Moscow, Russian Federation. [Conference or Workshop Item]

Shevtsova, Maria. 2012. 'Researching Directors'. In: Public Lecture at Rose Bruford College of Theatre and Performance. Sidcup. [Conference or Workshop Item]

Shevtsova, Maria. 2012. 'Stanislavsky to Grotowski and Teatr ZAR'. In: The Actor is Dead. Long Live the Actor. Novi Sad, Serbia. [Conference or Workshop Item]

Shevtsova, Maria. 2012. 'This Step Before the Next One: Teatr ZAR'. In: Research Seminar at the International Research Center 'Interweaving Performance Cultures', Freie Universität. Berlin, Germany. [Conference or Workshop Item]

Shevtsova, Maria. 2011. 'Directors Invent 'Theatricality': Focus on Vsevolod Meyerhold and Ariane Mnouchkine'. In: The Grotowski Institute Summer Seminars. Wroclaw, Poland. [Conference or Workshop Item]

Shevtsova, Maria. 2018. Dialogue between Maria Shevtsova and Aleksander Chepurov on the Fiftieth Anniversary of the Artistic Work of Valery Fokin at the Aleksandrinsky Theatre, St Petersburg – in Russian. [Digital]

Shevtsova, Maria; Finburgh, Clare and Lavery, Carl, eds. 2006. Jean Genet: Performance and Politics. London: Palgrave Macmillan. ISBN 9781403994806 [Edited Book]

Finburgh, Clare; Lavery, Carl and Shevtsova, Maria, eds. 2006. Jean Genet: Performance and Politics. Palgrave. ISBN 9780230595439 [Edited Book]

Rubino, Nina and Shevtsova, Maria, eds. 1989. Gramsci: His Thoughts and Influence. Sydney: FILEF Italo-Australian Publications. ISBN 0958993742 [Edited Book]

Shevtsova, Maria. 2018. Interview on Stanislavsky's Context for Essential Drama. [Professional Activity]

Shevtsova, Maria. 2017. President of the Jury of the 2017 Belgrade International Festival of Theatre (BITEF). [Professional Activity]