Redhead, L; Kirby, Jenn and Zaldua, Alistair. 2024. what are notes anyway?. In: "Noise Floor", Escola Superior de Música de Lisboa, Portugal, 27-29 May 2024. [Performance]

Redhead, L and Zaldua, Alistair. 2020. vox humana. In: "vox humana", Ideas of Noise Festival, United Kingdom, February 2020. [Performance]

Redhead, L and Zaldua, Alistair. 2019. hearmleoþ-gieddunga: performance at Summit Salford, 26.09.19. In: "Summit No.11", Eagle Inn, Salford, United Kingdom, 26.09.2019. [Performance]

Redhead, L; Zaldua, Alistair and Cannon, J. 2018. hearmleoþ—gieddunga. [Audio]

Redhead, L; Zaldua, Alistair; Gisby, S and Stone, S. 2017. Performing Temporal Processes. New Sound International Journal of Music, 50, pp. 113-127. ISSN 0354-818X [Article]

Redhead, L and Zaldua, Alistair. 2016. 'The Organ as Live Interface'. In: International Conference on Live Interfaces. University of Sussex 29 June - 3 July 2016. [Conference or Workshop Item]

Zaldua, Alistair. 2015. The Concept of the Meta-Instrument and its Implementation in Pre-Composition. Doctoral thesis, Goldsmiths, University of London [Thesis]

Redhead, L and Zaldua, Alistair. 2015. Diapason: Music for Organ and Electronics. [Audio]