Dickinson, Kay. 2012. The State of Labor and Labor for the State: Syrian and Egyptian Cinema beyond the 2011 Uprisings. Framework, 53(1), pp. 99-116. ISSN 0306-7661 [Article]

Dickinson, Kay; Harbert, Benjamin and Burkhalter, Thomas, eds. 2011. The Arab Avant-Garde: Musical Innovation in the Middle East. USA: Wesleyan University Press. ISBN tba [Edited Book]

Dickinson, Kay. 2011. Syrian Cinema: Out of Time? Screening the Past, 31, tba-tba. ISSN 1328-9756 [Article]

Dickinson, Kay. 2010. The Palestinian Road (Block) Movie: Everyday Geographies of Second Intifada Filmmaking. In: Dina Jordanova; David Martin-Jones and Belen Vidal, eds. Cinema at the Periphery. Detroit: Wayne State University Press, pp. 137-155. ISBN 978-0-814-33388-4 [Book Section]

Dickinson, Kay. 2008. Off Key: When Film and Music Won't Work Together. Oxford: Oxford University Press. ISBN 9780195326642 [Book]

Dickinson, Kay. 2007. 'I Have One Daughter and that is Egyptian Cinema': Aziza Amir amid the Histories and Geographies of National Allegory. Camera Obscura Feminism Culture and Media Studies, 22(1 64), pp. 137-177. ISSN 02705346 [Article]

Dickinson, Kay. 2007. Music Video and Synaesthetic Possibility. In: Roger Beebe and Jason Middleton, eds. Medium Cool: Music Videos from Soundies to Cellphones. Durham: Duke University Press, pp. 13-29. ISBN 082234162X [Book Section]

Dickinson, Kay. 2007. Troubling Synthesis: The Horrific Sights and Incompatible Sounds of Video Nasties. In: J. Sconce, ed. Sleaze Artists: Cinema at the Margins of Taste, Style, and Politics. Duke University Press, pp. 167-188. ISBN 9780822339649 [Book Section]

Dickinson, Kay. 2001. 'Believe'? Vocoders, digitalised female identity and camp. Popular Music, 20(3), pp. 333-374. ISSN 02611430 [Article]