Exarchos, Dimitris. 2019. The Berlin sketches and Xenakis’s middle period style. In: Alfia Nakipbekova, ed. Exploring Xenakis: Performance, Practice, Philosophy. Wilmington, Delaware: Vernon Press, pp. 21-36. ISBN 9781622733231 [Book Section]

Exarchos, Dimitris. 2019. Music's Immanent Future: The Deleuzian Turn in Music Studies. Edited by Sally Macarthur, Judy Lochhead, Jennifer Shaw. Abingdon, Oxon, Eng.: Routledge, 2016. (Review). Notes, 75(3), pp. 529-532. ISSN 0027-4380 [Article]

Exarchos, Dimitris. 2019. 'Scelsi, Sense, and the Musical Matter'. In: Music and Materialisms: A Free One-day Conference. Visconti Studio, Kingston University, United Kingdom 23rd February 2019. [Conference or Workshop Item]

Exarchos, Dimitris. 2018. 'On the Work of Modern Composition'. In: Composing Music Today. Lisbon, Portugal 21-23 November 2018. [Conference or Workshop Item]

Exarchos, Dimitris. 2018. 'On the Work of Analysis and Composition'. In: ENIM 2018: 8th Conference On Musical Research. Porto, Portugal 8-10 November 2018. [Conference or Workshop Item]

Exarchos, Dimitris. 2018. The Skin of Spectral Time in Grisey's Le Noir de l’Étoile. Twentieth-Century Music, 15(1), ISSN 1478-5722 [Article]

Exarchos, Dimitris. 2018. 'Analysis and Composition as Research'. In: Can Musical Conservatism be Progressive? 2nd Annual Conference of the Critical Theory for Musicology Study Group. University of London, Senate House, United Kingdom 12th–13th January 2018. [Conference or Workshop Item]

Exarchos, Dimitris. 2017. 'Roger Redgate’s Compositional Thinking and the Limits of Writing'. In: Writing About Contemporary Artists: Challenges, Practices and Complexities. University of Surrey,, United Kingdom 20 October 2017 - 22 October 2017. [Conference or Workshop Item]

Exarchos, Dimitris. 2017. 'The Berlin sketches and Xenakis's middle period style'. In: Exploring Xenakis: Performance, Practice, Philosophy. School of Music, University of Leeds, United Kingdom 12 September 2017. [Conference or Workshop Item]

Hollis, Simon and Exarchos, Dimitris. 2017. Grid. [Broadcast]

Exarchos, Dimitris. 2017. Reconceiving Structure in Contemporary Music: New Tools in Music Theory and Analysis. By Judy Lochhead (Review). Notes, 73(3), pp. 533-536. ISSN 0027-4380 [Article]

Exarchos, Dimitris. 2016. Temporality in Xenakis and Ferneyhough. The Journal of Music and Meaning, ISSN 1603-7170 [Article]

Exarchos, Dimitris. 2016. 'Indeterminism in Cage & Xenakis'. In: Anglo-Hellenic Modernism Workshop. School of Advanced Study, Institute of English Studies, University of London, United Kingdom. [Conference or Workshop Item]

Exarchos, Dimitris. 2015. Listening Outside of Time. In: M. Solomos, ed. Xenakis. La musique électroacoustique. L'harmattan. [Book Section]

Exarchos, Dimitris. 2014. A Theory of Music Analysis: On Segmentation and Associative Organization by Dora A. Hanninen (review). Notes, 71(2), pp. 320-322. [Article]

Exarchos, Dimitris. 2014. Xenakis, Sound, and the City. SNÆ #3. Papay Gyro Nights Art Festival Boogazine, [Article]

Exarchos, Dimitris and Antoniadis, Pavlos. 2013. 'Notation and Temporality in Ferneyhough and Xenakis'. In: Notation in Contemporary Music: Composition, Performance, Improvisation. Contemporary Music Research Unit, Goldsmiths, University of London, United Kingdom 18-20. [Conference or Workshop Item]

Exarchos, Dimitris. 2013. 'Sonority and Proportionality in Xenakis’s Dikhthas'. In: Empirics, Computation, Mathematics, Science & Technology in Music and Acoustical Signal Analysis III. Berlin, Germany 04 July - 1 September 2013. [Conference or Workshop Item]

Exarchos, Dimitris. 2012. “Xenakis, Sound, and the City" [in Greek]. Ough.gr., [Article]

Exarchos, Dimitris. 2012. 'Listening Outside of Time'. In: Xenakis: The electroacoustic music. Paris, France 23-25 May 2012. [Conference or Workshop Item]

Exarchos, Dimitris, ed. 2011. Proceedings of the Xenakis International Symposium, Proceedings of the Xenakis International Symposium, . [Edited Journal]

Exarchos, Dimitris and Jones, Daniel. 2011. Sieve Analysis and Construction: Theory and Implementation. Xenakis International Symposium, [Article]

Exarchos, Dimitris. 2010. 'Symmetry and Periodicity in the Sieves of Xenakis’s Shaar'. In: Empirics, Computation, Mathematics, Science & Technology in Music and Acoustical Signal Analysis II. Berlin, Germany 9-28 August 2010. [Conference or Workshop Item]

Exarchos, Dimitris. 2010. Notation, improvisation, writing: The early music of Roger Redgate. Beyond the Centres: Musical Avant-gardes since 1950, [Article]

Exarchos, Dimitris. 2009. The Sieves of Iannis Xenakis. In: Timour Klouche and Thomas Noll, eds. Mathematics and Computation in Music First International Conference, MCM - Revised Selected Papers. Berlin, Germany: Springer Berlin Heidelberg, pp. 419-429. ISBN 978-3-642-04578-3 [Book Section]

Exarchos, Dimitris and Stamos, Yannis. 2008. Iannis Xenakis’s Writing and Outside-Time Musical Structures. 4th Conference on Interdisciplinary Musicology, [Article]

Exarchos, Dimitris. 2008. Iannis Xenakis and Sieve Theory: An Analysis of the Late Music (1984-1993). Doctoral thesis, Goldsmiths, University of London [Thesis]

Exarchos, Dimitris. 2007. Injecting Periodicities: Sieves as Timbres. 4th Sound and Music Computing Conference, [Article]

Exarchos, Dimitris. 2006. 'Concerning Sieve-based Composition'. In: The Creative and Scientific Legacies of Iannis Xenakis Conference. University of Guelph/Fields Institute/Perimeter Institute, Canada 8-10 June 2006. [Conference or Workshop Item]

Exarchos, Dimitris. 2006. 'Iannis Xenakis as Composer and Theorist'. In: Society for Music Analysis TAGS Day. Southampton, United Kingdom. [Conference or Workshop Item]

Exarchos, Dimitris. 2005. Inside/Outside Time: Metabolae in Xenakis’s Tetora. Definitive Proceedings of the “International Symposium Iannis Xenakis” (Athens, May 2005), [Article]