Levitas, Ben. 2022. The Importance of Being Earnest (1895) by Oscar Wilde. In: Shaun Richards, ed. Fifty Key Irish Plays. Abingdon: Routledge, pp. 16-20. ISBN 9781032066493 [Book Section]

Levitas, Ben. 2018. 'The Dancer and the Heart's Desire: W. B. Yeats and the Theatre of Modernity'. The Yeats Journal of Korea, 56, pp. 111-128. ISSN 1226-4946 [Article]

Levitas, Ben. 2017. The Theatre of Modernity. In: Vincent Sherry, ed. The Cambridge History of Modernism. Cambridge: Cambridge University Press, pp. 350-370. ISBN 9781107034693 [Book Section]

Levitas, Ben. 2016. The Abbey and the Idea of a Theatre. In: Nicholas Grene and Chris Morash, eds. The Oxford Handbook of Modern Irish Theatre. Oxford: Oxford University Press, pp. 41-57. ISBN 9780198706137 [Book Section]

Levitas, Ben. 2016. A Temper of Misgiving: W. B. Yeats and the Ireland of Synge’s Time. In: Senia Pašeta, ed. Uncertain Futures: Essays About the Irish Past for Roy Foster. Oxford: Oxford University Press, pp. 110-122. ISBN 9780198748274 [Book Section]

Levitas, Ben. 2014. Modernist Experiments in Irish Theatre. In: Joe Cleary, ed. The Cambridge Companion to Irish Modernism. Cambridge: Cambridge University Press, pp. 111-127. ISBN 1-107-65581-2 [Book Section]

Levitas, Ben. 2011. Censorship and Self-Censure in the Plays of Synge. In: Patrick Lonergan, ed. Synge and His Influences: Centenary Essays from the Synge Summer School. Dublin: Carysfort Press, pp. 33-54. ISBN 978-1-904505-50-1 [Book Section]

Levitas, Ben. 2011. Reading and the Irish Revival, 1891-1922. In: Clare Hutton and Patrick Walsh, eds. The Oxford History of the Irish Book: Volume 5: The Irish Book in English 1891-2000. 5 Oxford: Oxford University Press, pp. 43-69. ISBN 978-0-19-924911-4 [Book Section]

Levitas, Ben. 2010. The Censoring of The Ginger Man, London and Dublin 1959, or, the “nipple nuttiness” of J. P. Donleavy. La recepció del teatre contemporani, XV, pp. 179-194. ISSN 1135-4178 [Article]

Holdeman, David and Levitas, Ben, eds. 2010. W. B. Yeats in Context. Cambridge: Cambridge University Press. ISBN 978-0-521-897705-1 [Edited Book]

Levitas, Ben. 2009. J. M. Synge: European encounters. In: P. J. Matthews, ed. Cambridge Companion to J. M. Synge. Cambridge: Cambridge University Press, pp. 77-91. ISBN 978-0-521-11010-5 [Book Section]

Levitas, Ben. 2009. The Playboy of the Western World. In: John P. Harrington, ed. Modern and Contemporary Irish Drama. London: Norton, pp. 468-472. ISBN 978-0-393-93243-0 [Book Section]

Levitas, Ben and Holdeman, David, eds. 2009. W. B. Yeats In Context. Cambridge: Cambridge University Press. ISBN 9780521897051 [Edited Book]

Levitas, Ben. 2008. The Abbey Opens: A First Night Revisited. In: S. E. Wilmer, ed. National Theatres in a Changing Europe. Basingstoke: Palgrave Macmillan, pp. 73-83. ISBN 978-0-230-52109-4 [Book Section]

Cave, Richard and Levitas, Ben, eds. 2007. Irish Theatre in England. Dublin: Carysford Press. ISBN ISBN-10 1-904505-26-0 [Edited Book]

Levitas, Ben. 2006. Censorship and Self-Censure in the Plays of J. M. Synge. Princeton University Library Chronicle, 68(1-2(1-2), pp. 253-276. ISSN 00328456 [Article]

Levitas, Ben. 2004. Mirror Up to Nurture: J. M. Synge and His Critics. Modern Drama, 47(4)(4), pp. 572-584. ISSN 00267694 [Article]

Levitas, Ben. 2003. Plumbing the Depths: Irish Realism and the Working Class from Shaw to O'Casey. Irish University Review, 33(1)(1), pp. 133-149. ISSN 00211427 [Article]

Levitas, Ben. 2002. The Theatre of Nation: Irish Drama and Cultural Nationalism 1890-1916. Clarendon Press. ISBN 9780199253432 [Book]