Browse by Goldsmiths authors: McPhee, Molly

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McPhee, Molly. 2023. The Letter Cloth: Sensory Modes of the Epistolary in Prison Theatre Practice. Humanities, 12, 139. ISSN 2076-0787 [Article]

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McPhee, Molly. 2022. ‘Don’t level up or down - remove barriers’. Arts Professional, [Article]

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McPhee, Molly. 2020. Miasmas in the theatre: Encountering carceral atmospherics in Pests (2014). Ambiances: Environnement sensible, architecture et espace urbain, 6, ISSN 2266-839X [Article]

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McPhee, Molly. 2020. Theatre as Collective Casework: Clean Break Theatre Company's Charged (2010). In: Caoimhe McAvinchey, ed. Applied Theatre: Women and the Criminal Justice System. London: Bloomsbury, pp. 143-161. ISBN 9781474262552 [Book Section]

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McPhee, Molly. 2019. 'I don't know why she's crying': Contagion and Criminality in Clean Break's Dream Pill and Little on the inside. In: Fintan Walsh, ed. Theatres of Contagion: Transmitting Early Modern to Contemporary Performance. London: Bloomsbury Academic, pp. 121-135. ISBN 9781350085985 [Book Section]

McPhee, Molly. 2018. Miasmatic Performance: Women and resilience in carceral climates. Performance Research, 23(3), pp. 100-111. ISSN 1352-8165 [Article]

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McPhee, Molly. 2016. Stigma: the Work of the Straightener. In: Vikki McInnes, ed. Erewhon. Melbourne: NETS Victoria, pp. 7-9. ISBN 9780980297775 [Book Section]

This list was generated on Sun Mar 3 05:09:56 2024 GMT.