McVeigh, Simon. 2024. Music in Edwardian London. Woodbridge: Boydell Press. ISBN 9781837651344 [Book]

McVeigh, Simon. 2024. Concert Life and Programming. In: Julian Onderdonk and Ceri Owen, eds. Vaughan Williams in Context. Cambridge: Cambridge University Press, pp. 215-223. ISBN 9781108493321 [Book Section]

McVeigh, Simon. 2024. Calendar of London Concerts 1893–1914. [Dataset]

McVeigh, Simon. 2024. Music in Edwardian London. [Digital]

McVeigh, Simon. 2022. Piano Manufacturers and Concert Promotion in Edwardian London: New Light on the Broadwood Concerts (1902-1912). In: Étienne Jardin, ed. Financing Music in Europe. Turnhout, Belgium: Brepols, pp. 319-342. ISBN 9782503602899 [Book Section]

McVeigh, Simon. 2021. Wilhelm Cramer, the Professional Concert, and the Foundation of the Modern Symphony Orchestra. In: Peter Lynan and Julian Rushton, eds. British Music, Musicians and Institutions, c. 1630-1800: Essays in Honour of Harry Diack Johnstone. Woodbridge: Boydell Press, pp. 32-53. ISBN 9781783276479 [Book Section]

McVeigh, Simon. 2020. Rescuing a Heritage Database: Some Lessons from London Concert Life in the Eighteenth Century. Research Data Journal for the Humanities and Social Sciences, 5(2), pp. 50-61. ISSN 2452-3666 [Article]

McVeigh, Simon. 2020. The Nineteenth-Century Concert Series: a Contested Space. In: Paul Watt; Sarah Collins and Michael Allis, eds. The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century. New York: Oxford University Press. ISBN 9780190616922 [Book Section]

McVeigh, Simon and Weber, William. 2020. From the Benefit Concert to the Solo Song Recital in London, 1870-1914. In: Natasha Loges and Laura Tunbridge, eds. German Song Onstage: Lieder Performance in the Nineteenth and Early Twentieth Centuries. Bloomington, Indiana: Indiana University Press, pp. 179-202. ISBN 9780253047007 [Book Section]

Dix, Alan; Cowgill, Rachel; Bashford, Christina; McVeigh, Simon and Ridgewell, Rupert. 2019. Crowdsourcing and Scholarly Culture: Understanding Expertise in an Age of Popularism. In: Vassillis-Javed Khan; Konstantinos Papangelis; Ioanna Lykourentzou and Panos Markopoulos, eds. Macrotask Crowdsourcing: Engaging the Crowds to Address Complex Problems. Cham, Switzerland: Springer, pp. 189-214. ISBN 9783030123338 [Book Section]

McVeigh, Simon. 2019. “Brightening the lives of the people on Sunday”: the National Sunday League and Liberal Attitudes towards Concert Promotion in Victorian Britain. In: Sarah Collins, ed. Music and Victorian Liberalism: Composing the Liberal Subject. Cambridge: Cambridge University Press, pp. 37-59. ISBN 9781108628778 [Book Section]

McVeigh, Simon. 2018. Building a Concert Career in Edwardian London. In: Rosemary Golding, ed. The Music Profession in Britain, 1780-1920: New Perspectives on Status and Identity. Abingdon: Routledge, pp. 189-219. ISBN 9781138291867 [Book Section]

McVeigh, Simon. 2018. Academy of Ancient Music (Eighteenth Century); Programmes (of Concerts), Tartini (Giuseppe). In: Colin Lawson and Robin Stowell, eds. The Cambridge Encyclopedia of Historical Performance in Music. Cambridge: Cambridge University Press. ISBN 9781107108080 [Book Section]

McVeigh, Simon. 2018. Britain and Europe in the Time of Clementi: Cosmopolitanism and Perceptions of National Culture. In: Luca Lévi Sala and Rohan H. Stewart-MacDonald, eds. Muzio Clementi and British Musical Culture: Sources, Performance Practice and Style. Abingdon: Routledge, pp. 10-31. ISBN 9781138633896 [Book Section]

McVeigh, Simon and Lynan, Peter, eds. 2016. Thomas Arne, Judith: an Oratorio. London: The Musica Britannica Trust and Stainer & Bell Ltd. ISBN 9780852499474 [Edited Book]

Dix, Alan; Cowgill, Rachel; Bashford, Christina; McVeigh, Simon and Ridgewell, Rupert. 2016. Spreadsheets as User Interfaces. AVI '16 Proceedings of the International Working Conference on Advanced Visual Interfaces, pp. 192-195. [Article]

McVeigh, Simon. 2016. The Prince of Wales, Giardini and Pleyel: Searching for the Source of the Public String Quartet in London Concert Life. In: Christian Speck, ed. The String Quartet: From the Private to the Public Sphere. 27 Turnhout: Brepols, pp. 165-197. ISBN 9782503568003 [Book Section]

Dix, Alan; Cowgill, Rachel; Bashford, Christina; McVeigh, Simon and Ridgewell, Rupert. 2014. Authority and Judgement in the Digital Archive. The 1st International Digital Libraries for Musicology workshop (DLfM 2014), pp. 1-8. [Article]

McVeigh, Simon. 2014. Calendar of London Concerts 1750-1800. [Dataset]

McVeigh, Simon. 2014. Handel in Concert: Social, National and Cultural Roles in Later Eighteenth-Century Britain. In: Laurenz Lütteken and Wolfgang Sandberger, eds. Göttinger Händel-Beiträge 15. Göttingen: Vanderkoeck & Ruprecht, pp. 161-176. ISBN 9783525278321 [Book Section]

McVeigh, Simon. 2013. The London Symphony Orchestra: the First Decade Revisited. Journal of the Royal Musical Association, 138(2), pp. 313-376. ISSN 0269-0403 [Article]

McVeigh, Simon. 2012. Performance in the 'Long Eighteenth Century': an Overview. In: Colin Lawson and Robin Stowell, eds. The Cambridge History of Musical Performance. Cambridge: Cambridge University Press, pp. 473-505. ISBN 9780521896115 [Book Section]

McVeigh, Simon. 2012. The Symphony in Britain. In: Mary Sue Morrow and Bathia Churgin, eds. The Symphonic Repertoire: The Eighteenth-Century Symphony. Bloomington: Indiana University Press, pp. 629-661. ISBN 9780253356406 [Book Section]

McVeigh, Simon. 2012. Trial by Dining Club: the Instrumental Music of Haydn, Clementi and Mozart at London's Anacreontic Society. In: Bennett Zon, ed. Music and Performance Culture in Nineteenth-Century Britain: Essays in Honour of Nicholas Temperley. Farnham: Ashgate, pp. 105-138. ISBN 9781409495536 [Book Section]

McVeigh, Simon. 2010. 'As the Sand on the Sea Shore': Women Violinists in London’s Concert Life around 1900. In: Emma Hornby and David Maw, eds. Essays on the History of English Music in Honour of John Caldwell. Woodbridge: Boydell & Brewer, pp. 232-258. ISBN 9781843835356 [Book Section]

McVeigh, Simon. 2010. Industrial and Consumer Revolutions in Instrumental Music: Markets, Efficiency, Demand. In: Roberto Illiano and Luca Sala, eds. Instrumental Music and the Industrial Revolution. Bologna: Ut Orpheus, pp. 3-35. ISBN 9788881094684 [Book Section]

McVeigh, Simon. 2009. Concerto of the Individual. In: Simon P. Keefe, ed. Cambridge History of Eighteenth-Century Music. Cambridge: Cambridge University Press, pp. 583-612. ISBN 9780521663199 [Book Section]

McVeigh, Simon. 2008. The Constrained Entrepreneur: Concert Promotion in Eighteenth-Century London. In: Hans Erich Bödeker; Patrice Veit and Michael Werner, eds. Organisateurs et formes d’organisation du concert en Europe 1700–1920: Institutionnalisation et pratiques. Berlin: Berliner Wissenschafts-Verlag, pp. 47-56. ISBN 9783830515517 [Book Section]

McVeigh, Simon. 2007. A Free Trade in Music: London during the Long 19th Century in a European Perspective. Journal of Modern European History, 5(1), pp. 67-94. ISSN 16118944 [Article]

McVeigh, Simon. 2006. Viotti and London Violinists during the 1790s: A Calendar of Performances. In: Massimiliano Sala, ed. Giovanni Battista Viotti: A Composer between the Two Revolutions. Turnhout: Brepols, pp. 87-119. ISBN 8881094576 [Book Section]

McVeigh, Simon. 2004. An Audience for High-Class Music: Concert Promoters and Entrepreneurs in Nineteenth-Century London. In: W. Weber, ed. The Musician as Entrepreneur, 1700-1914: Managers, Charlatans and Idealists. Indiana University Press, pp. 162-182. ISBN 0253344565 [Book Section]

Wollenberg, Susan and McVeigh, Simon, eds. 2004. Concert Life in Eighteenth-Century Britain. Aldershot: Ashgate. ISBN 0754638685 [Edited Book]

McVeigh, Simon and Hirshberg, J.. 2004. The Italian Solo Concerto, 1700-1760: Rhetorical Strategies and Style History. Boydell Press. ISBN 1843830922 [Book]

McFarlane, Meredith and McVeigh, Simon. 2004. The String Quartet in London Concert Life, 1769–1799. In: Susan Wollenberg and Simon McVeigh, eds. Concert Life in Eighteenth-Century Britain. Aldershot: Ashgate, pp. 161-190. ISBN 0754638685 [Book Section]

Hirshberg, Jehoash and McVeigh, Simon. 2004. The 'Virtuosi Instromenti' and the Milanese Concerto in the Early Eighteenth Century. In: Anna Cattoretti, ed. Giovanni Battista Sammartini and his Musical Environment. Turnhout: Brepols, pp. 203-244. ISBN 250351233X [Book Section]

McVeigh, Simon. 2002. Clementi, Viotti and the London Philharmonic Society. In: Roberto Illiano; Luca Sala and Massimiliano Sala, eds. Muzio Clementi: Studies and Projects. Bologna: Ut Orpheus, pp. 67-80. ISBN 8881094487 [Book Section]

McVeigh, Simon and Ehrlich, C.. 2002. The Modernisation of London Concert Life Around 1900. In: M. Talbot, ed. The Business of Music. Liverpool University Press, pp. 96-120. ISBN 0853235287 [Book Section]

McVeigh, Simon. 2002. The Musician as Concert-Promoter in London, 1780-1850. In: Hans-Erich Bödeker; Patrice Veit and Michael Werner, eds. Le concert et son public. Paris: Editions Maison des Sciences de l’Homme, pp. 71-92. ISBN 2735109143 [Book Section]

McVeigh, Simon. 2001. Italian Violinists in Eighteenth-Century London. In: Reinhard Strohm, ed. The Eighteenth-Century Diaspora of Italian Music and Musicians. Turnhout: Brepols, pp. 139-176. ISBN 2503510205 [Book Section]

McVeigh, Simon. 2000. Freemasonry and Musical Life in London in the late Eighteenth Century. In: David Wyn Jones, ed. Music in Eighteenth-Century Britain. Aldershot: Ashgate, pp. 72-100. ISBN 1840146885 [Book Section]

Hirshberg, Jehoash and McVeigh, Simon. 2000. The Making of a Ritornello Movement: Compositional Strategy and Selection in Tessarini’s 'Opera prima'. Informazioni e Studi Vivaldiani, 21, pp. 35-73. ISSN 0393-2915 [Article]

McVeigh, Simon. 2000. The Society of British Musicians (1834-1865) and the Campaign for Native Talent. In: Christina Bashford and Leanne Langley, eds. Music and British Culture, 1785-1914: Essays in Honour of Cyril Ehrlich. Oxford: Oxford University Press, pp. 145-168. ISBN 019816730 [Book Section]

McVeigh, Simon. 1999. The Benefit Concert in Nineteenth-Century London: From 'tax on the nobility' to 'monstrous nuisance'. In: Bennett Zon, ed. Nineteenth-Century British Music Studies 1. Aldershot: Ashgate, pp. 242-266. ISBN 1840142596 [Book Section]

McVeigh, Simon. 1996. London Newspapers 1750 to 1800: a Checklist and Guide for Musicologists. In: Michael Burden and Irena Cholij, eds. A Handbook for Studies in 18th-Century English Music VI. Oxford: Burden & Cholij, pp. 1-60. ISBN 0951278584 [Book Section]

McVeigh, Simon. 1993. Concert Life in London from Mozart to Haydn. Cambridge: Cambridge University Press. ISBN 0521413532 [Book]

McVeigh, Simon. 1992. The Violinists of the Baroque and Classical Periods. In: Robin Stowell, ed. The Cambridge Companion to the Violin. Cambridge: Cambridge University Press, pp. 46-60. ISBN 0521399238 [Book Section]

McVeigh, Simon. 1989. The Professional Concert and Rival Subscription Series in London, 1783-93. Royal Musical Association Research Chronicle, 22, pp. 1-135. ISSN 00804460 [Article]

McVeigh, Simon. 1989. The Violinist in London’s Concert Life, 1750-1784: Felice Giardini and his Contemporaries. New York: Garland. ISBN 0824020189 [Book]

McVeigh, Simon. 1988. Music and Lock Hospital in the 18th Century. Musical Times, 129, pp. 235-240. ISSN 0027-4666 [Article]

McVeigh, Simon. 1983. Felice Giardini: a Violinist in Late Eighteenth-Century London. Music and Letters, 64, pp. 162-172. ISSN 0027-4224 [Article]

McVeigh, Simon. 1979. The Violinist in London’s Concert Life, 1750-1784: Felice Giardini and his Contemporaries. Doctoral thesis, University of Oxford [Thesis]