Tanaka, Atau and Parkinson, Adam. 2018. The problems with participation. In: Simon Emmerson, ed. The Routledge Research Companion to Electronic Music: Reaching out with Technology. Abingdon: Routledge, pp. 172-193. ISBN 9781317043607 [Book Section]

Metatla, Oussama; Martin, Fiore; Parkinson, Adam; Bryan-Kinns, Nick; Stockman, Tony and Tanaka, Atau. 2016. Audio-haptic interfaces for digital audio workstations: A participatory design approach. Journal on Multimodal User Interfaces, 10(3), pp. 247-258. ISSN 1783-7677 [Article]

Tanaka, Atau and Parkinson, Adam. 2016. 'Haptic Wave: A Cross-Modal Interface for Visually Impaired Audio Producers'. In: CHI2016. San Jose, CA, United States 7 - 12 May 2016. [Conference or Workshop Item]

Parkinson, Adam and Tanaka, Atau. 2016. 'The Haptic Wave: A Device for Feeling Sound'. In: UNSPECIFIED. UNDEFINED. [Conference or Workshop Item]

Parkinson, Adam. 2016. Dane Law - United in Dance (QNR005). [Audio]

Parkinson, Adam and Bell, Renick. 2015. Deadmau5, Derek Bailey, and the Laptop Instrument – Improvisation, Composition, and Liveness in Live Coding. In: , ed. Proceedings of the First International Conference on Live Coding. Leeds: ICSRiM, School of Music, University of Leeds. ISBN ISBN 9780853163404 [Book Section]

Parkinson, Adam; Cameron, David and Tanaka, Atau. 2015. HapticWave: presenting the multiple voices, artefacts and materials of a design research project. In: , ed. Proceedings of the 2nd Biennial Research Through Design Conference. [Book Section]

Parkinson, Adam; Cameron, David and Tanaka, Atau. 2015. 'HapticWave: Presenting the Multiple Voices, Artefacts and Materials of a Design Research Project'. In: Research Through Design. Cambridge, United Kingdom. [Conference or Workshop Item]

Mclean, Alex and Parkinson, Adam. 2014. 'Interfacing with the Night'. In: INTER-FACE : International Conference on Live Interfaces 2014. Lisbon, Portugal 19-23 November. [Conference or Workshop Item]

Bown, Oliver; Bell, Renick and Parkinson, Adam. 2014. Examining the Perception of Liveness and Activity in Laptop Music: Listeners’ Inference about What the Performer is Doing from the Audio Alone. In: , ed. Proceedings of New Interfaces for Musical Expression Conference. , pp. 13-18 [Book Section]

Parkinson, Adam. 2014. Encountering Musical Objects. In: Franziska Schroeder and Mícheál Ó hAodha, eds. Soundweaving: Writings on Improvisation. Newcastle upon Tyne: Cambridge Scholars Publishing. ISBN 978-1-4438-5344-6 [Book Section]

Parkinson, Adam and Tanaka, Atau. 2014. Making Data Sing: Embodied Approaches to Sonification. In: Mitsuko Aramaki; Olivier Derrien; Richard Kronland-Martinet and Solvi Ystad, eds. Sound, Music and Motion. Springer, pp. 151-160. ISBN 978-3-319-12975-4 [Book Section]

Parkinson, Adam. 2013. Embodied Listening, Affordances and Performing with Computers. In: , ed. Proceedings of the 2013 ICMC Conference. Michigan: Michigan Publishing, pp. 162-168. [Book Section]

Parkinson, Adam and Tahiroglu, Koray. 2013. Composing Social Interactions for an Interactive-Spatial Performance System. In: , ed. Proceedings of SMC Conference 2013. , pp. 347-352 [Book Section]

Parkinson, Adam and Tanaka, Atau. 2013. Composing for Cars. In: , ed. Proceedings of the Sound and Music Computing Conference 2013. Berlin, Stockholm, Sweden: Logos Verlag, pp. 136-141. ISBN 978-3-8325-3472-1 [Book Section]

Tanaka, Atau; Kazuhiro, Jo and Parkinson, Adam. 2013. Workshopping Participation in Music. Organised Sound, 18(3), pp. 282-291. ISSN 1355-7718 [Article]

Tanaka, Atau; Parkinson, Adam; Settel, Zack and Tahiroğlu, Koray. 2012. Survey and thematic analysis approach as input to the design of mobile music guis. In: , ed. NIME2012 Proceedings. [Book Section]

Mooney, James; Bell, Paul and Parkinson, Adam. 2008. Sound Spatialisation, Free Improvisation and Ambiguity. In: , ed. Proceedings Sound and Music Computing. [Book Section]