Browse by Goldsmiths authors: Wakeford, Nina
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Number of items: 26.
Andrews, Jorella G.; Wakeford, Nina; Kerridge, Tobie and Cameron, Jane.
2023.
'Cross-Departmental Textiles Workshop'.
In: Cross Departmental Textiles Workshop. Constance Howard Gallery, Goldsmiths, University of London, United Kingdom 8 March 2023.
[Conference or Workshop Item]
Andreetta, Gianmaria; Beeler, Luca; Universal Frxnd, Public and Wakeford, Nina.
2022.
Being a faggot-spaceman, I am awesome..
In: "Stadtgalerie Bern", Stadtgalerie, Bern, Switzerland, 23 September - 29 October 2022.
[Show/Exhibition]
Wakeford, Nina.
2022.
Out in Stevenage.
In: "Out in Stevenage", Stevenage Museum, United Kingdom, 24 February -12 March 2022.
[Show/Exhibition]
Wakeford, Nina.
2020.
We Will Replace All Men With Machines (manifesto statement).
[Art Object]
Wakeford, Nina.
2020.
'on being allergic to onions'... we read Susan Leigh Star.
In: "Genders: Shaping and Breaking the Binary", Science Gallery, London, United Kingdom, 13 February - 28 June 2020.
[Show/Exhibition]
Wakeford, Nina.
2019.
Live Performance.
In: "Our Pink Depot", Matt's Gallery, London, United Kingdom, 28 November 2019.
[Performance]
Wakeford, Nina.
2019.
Our Pink Depot: The Gay Underground FLO-N202- 236000000-TRK-MST-00002-SAY-HELLO- WAVE-GOODBYE-KEN-NIE-BPS.
[Artist's Book]
Wakeford, Nina.
2019.
The Worker Poets, Political Repression: Weakness of memory, in search of a revolutionary future.
In: "In the Open or in Stealth. The Unruly Presence of an Intimate Future", MACBA, Barcelona, Spain.
[Performance]
Wakeford, Nina.
2019.
We Will Replace All Men With Machines.
In: "Life Rewired Season", Barbican, London, United Kingdom, 9 – 17 March 2019.
[Show/Exhibition]
Wakeford, Nina.
2019.
Here We Played 'Children of the Revolution’.
In: "'Here We Played Children of the Revolution’", RCA Riverlight, London, United Kingdom, 26 January – 3 February 2019.
[Show/Exhibition]
Wakeford, Nina.
2018.
Tunnel performance.
In: "Our Pink Depot", London, United Kingdom.
[Performance]
Wakeford, Nina.
2018.
‘What is important about this reality is that it hurts, makes noises, smells. That it bleeps or falls on the floor’.
In: "‘What is important about this reality is that it hurts, makes noises, smells. That it bleeps or falls on the floor’", PAKT, Netherlands, July 2018.
[Performance]
Wakeford, Nina.
2018.
Invitation to Forms: Performance and installation.
In: "Glasgow International 2018", The Mitchell Library, Glasgow, United Kingdom, 20 April - 7 May 2018.
[Show/Exhibition]
Wakeford, Nina.
2017.
This Was Our Calling Card.
In: "Maximum Overdrive", Southend, United Kingdom.
[Show/Exhibition]
Wakeford, Nina.
2017.
'an apprenticeship in queer I believe it was'.
In: "BFI Flare: London LGBT Film Festival", BFI Southbank, London, United Kingdom, 18 March 2017.
[Show/Exhibition]
Reckitt, Helena; Blackman, Lisa; Wakeford, Nina and Fisher, Jennifer.
2016.
'Affect and Curating: Feeling the Curatorial'.
In: Affect and Curating: Feeling the Curatorial. Whitechapel Gallery, London, United Kingdom 19 January 2017.
[Conference or Workshop Item]
Wakeford, Nina.
2014.
484 14th Street.
In: "484 14th Street", Almanac Projects, London, United Kingdom, 10 July – 10 August 2014.
[Show/Exhibition]
Day, Sophie E.; Lury, Celia and Wakeford, Nina.
2014.
Number ecologies: numbers and numbering practices.
Distinktion: Journal of Social Theory, 15(2),
pp. 123-154.
ISSN 1600-910X
[Article]
Wilkie, Alex; Kerridge, Tobie; Michael, Mike; Gaver, William; Wakeford, Nina and Jungnickel, Kat.
2010.
Making and Opening: Entangling Design and Social Science - conference delegate hand-out.
[Printed Ephemera]