Browse by Goldsmiths authors: Williams, Gilda
Up a level |
Number of items: 49.
Williams, Gilda.
2016.
'Breaking Up is Hard to Do: Men Women and Punctuation in Warhol's Novel a'', afterword to a: a novel, an erased novel by poet Derek Beaulieu.
In: Derek Beaulieu, ed.
a: a novel.
Paris: Jean Boite Editions, pp. 460-478.
ISBN 978-2-36568-019-6
[Book Section]
Williams, Gilda.
2016.
"'How Embarrassing!': On Maria Lassnig", Tate etc., May 2016.
Tate etc.(37),
pp. 43-47.
ISSN 1743-8853
[Article]
Williams, Gilda, ed.
2016.
On&By Andy Warhol.
London/Cambridge, Massachusetts: Whitechapel Gallery/MIT.
ISBN 9780262528689
[Edited Book]
Williams, Gilda and Mille, Daria.
2016.
'Werner Buttner's Collages: From A to T (and Back Again)'.
In: Andrew Renton, ed.
Werner Buttner: My Looting Eye.
London: Black Dog, pp. 7-11.
ISBN 978-1-910433-83-6
[Book Section]
Williams, Gilda; Kramer, Fritz W.; Falkenberg, Harald; Wiebel, Peter and Slyce, John.
2016.
'Werner Buttner's Paintings: From 'Werner' to 'Art' and Back Again.
In: Andrew Renton, ed.
Werner Buttner: Coincidence in Splendour.
London: Black Dog, pp. 175-180.
ISBN 978-1-910433-75-1
[Book Section]
Williams, Gilda.
2015.
'Are We Post-Critical?', book review, 'Bad New Days: Art in an Emergency, by Hal Foster', frieze blog.
frieze blog,
ISSN 0962-0672
[Article]
Williams, Gilda.
2015.
"Write On: On Today's Art Writing Explosion and the Tyranny of the Artist's Statement'.
Art Monthly(384),
pp. 1-4.
ISSN 0142-6702
[Article]
Williams, Gilda.
2015.
Write On: On Today's Art Writing Explosion, and the Tyranny of the Artist's Statement.
Art Monthly, 348,
pp. 11-14.
ISSN 0142 6702
[Article]
Williams, Gilda.
2015.
'Christian Marclay: A Mouthful of Imagery'.
[Exhibition Catalogue]
Williams, Gilda.
2015.
'Gathering Force: Line, Edge, and Colour in the Drawings of Anne Truitt'.
[Exhibition Catalogue]
Williams, Gilda.
2014.
''Art writing in the Second Machine Age: from Andy Warhol to Kenneth Goldsmith' -- How to Write about Contemporary Art, talks and workshops'.
In: Art-Writing conferences and workshops. London, United Kingdom 2014–2016.
[Conference or Workshop Item]
Williams, Gilda.
2014.
How to Write about Contemporary Art.
London: Thames & Hudson.
ISBN 9780500291573
[Book]
Williams, Gilda.
2014.
Silver Sliver: Andy Warhol's Infinitesimal Fragments of Space of Time.
Art Monthly,
pp. 1-4.
ISSN 0142 6702
[Article]
Williams, Gilda.
2011.
Towards a 21st Century Definition of Gothic Art.
In: , ed.
Monstrous Media/Spectral Subjects.
Lancaster University.
[Book Section]
Williams, Gilda.
2010.
Jonathan Wateridge: Being Seen, In Between.
In: Gilda Williams, ed.
Jonathan Wateridge: Another Place.
London: All Visual Arts, pp. 22-37.
ISBN 978-1-907164-02-6
[Book Section]
Williams, Gilda.
2010.
Catherine Yass.
In: , ed.
100 Video Artists.
Madrid: Exit Publicaciones, pp. 438-441.
ISBN 978-84-937347-0-1
[Book Section]
Williams, Gilda.
2009.
'Making Monsters: Gothic Processes and Themes in Contemporary Art'.
In: Lecture. University of Westminster, London, United Kingdom.
[Conference or Workshop Item]
Williams, Gilda.
2008.
Daniel Silver: Openings.
Artforum, XLVI(10),
pp. 418-419.
ISSN 1086-7058
[Article]