Mary Barnard, American Imagist

Barnsley, Sarah. 2013. Mary Barnard, American Imagist. State University of New York Press. ISBN 978-1-4384-4855-8 [Book]

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Abstract or Description

Uncovers a new chapter in the story of American modernist poetry.
Perhaps best known for her outstanding translation of Sappho, poet Mary Barnard (1909–2001) has until recently received little attention for her own work. In this book, Sarah Barnsley examines Barnard’s poetry and poetics in the light of her plentiful correspondence with Ezra Pound, William Carlos Williams, and others. Presenting Barnard as a “late Imagist,” Barnsley links Barnard’s search for a poetry grounded in native speech to efforts within American modernism for new forms in the American grain. Barnsley finds that where Pound and Williams began the campaign for a modern poetry liberated from the “heave” of the iambic pentameter, Barnard completed it through a “spare but musical” aesthetic derived from her studies of Greek metric and American speech rhythms, channeled through materials drawn direct from the American local. The first book on Barnard, and the first to draw on the Barnard archives at Yale’s Beinecke Library, Mary Barnard, American Imagist unearths a fascinating and previously untold chapter of twentieth-century American poetry.

Item Type:

Book

Departments, Centres and Research Units:

English and Comparative Literature

Date:

December 2013

Item ID:

12891

Date Deposited:

25 Aug 2015 13:02

Last Modified:

23 Jun 2017 14:53

URI:

https://research.gold.ac.uk/id/eprint/12891

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