Seymour, Benedict. 2000. Everything Must Go. Mute, 1(16), [Article]

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Abstract or Description

If the CRASH! Corporatism & Complicity exhibition at the ICA didn’t live up to its Situationist swagger, was it more than just an exercise in recycling avant-garde strategies? Benedict Seymour asks what modes of resistance are left to artists in an era of ‘creative capitalism’, ‘Prada Meinhof’ and art for business’ sake.

Item Type:	Article
Departments, Centres and Research Units:	Art
Dates:	Date Event April 2000 Published
Item ID:	17861
Date Deposited:	11 Apr 2016 11:28
Last Modified:	19 Jun 2017 10:24
URI:	https://research.gold.ac.uk/id/eprint/17861

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