The Merry Wives of Moscow: Komisarjevsky, Shakespeare, and Russophobia in the British Theatre
Burt, Philippa. 2016. The Merry Wives of Moscow: Komisarjevsky, Shakespeare, and Russophobia in the British Theatre. New Theatre Quarterly, 32(4), pp. 375-390. ISSN 0266-464X [Article]
|
Text
Burt Komisarjevsky, Shakespeare, Russophobia.pdf - Accepted Version Available under License Creative Commons Attribution Non-commercial No Derivatives. Download (231kB) | Preview |
Abstract or Description
Theodore Komisarjevsky was a prominent figure in the inter-war British theatre until his migration to North America in 1936. While recent studies have foregrounded the various artistic factors that influenced his work and his eventual departure, little attention has been placed on the sociopolitical issues. Most notably, there has been no serious consideration of the impact that his nationality had on the opportunities that were available to him. This article examines Komisarjevsky’s work in relation to the growing nationalistic and Russophobic attitudes in Britain during the 1920s and 1930s. It focuses particularly on his series of productions at the Shakespeare Memorial Theatre, and shows the subsequent critical outrage to be rooted in a desire to protect Shakespeare and, by extension, Britain as a whole from the ‘interference’ of a Russian director.
Item Type: |
Article |
||||||||
Identification Number (DOI): |
|||||||||
Keywords: |
inter-war theatre, anti-alienism, xenophobia, Shakespeare Memorial Theatre, Antony and Cleopatra, cultural ownership, émigrés |
||||||||
Departments, Centres and Research Units: |
|||||||||
Dates: |
|
||||||||
Item ID: |
19455 |
||||||||
Date Deposited: |
06 Jan 2017 17:40 |
||||||||
Last Modified: |
24 Mar 2021 10:04 |
||||||||
Peer Reviewed: |
Yes, this version has been peer-reviewed. |
||||||||
URI: |
View statistics for this item...
Edit Record (login required) |