Rosamond, Emily. 2011. Factory-esque: Temporalities of Critique in Michael Landy's Breakdown. In: Ahlia Moussa and Simon Bentley, eds. Revisiting Ephemera. London, Ontario, Canada: MacIntosh Gallery/Blue Medium Press, pp. 37-52. ISBN 9780986750663 0986750662 [Book Section]

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Abstract or Description

This essay explores some problems associated with interpreting Michael Landy's 2001 artwork Breakdown as a critique of capitalism. It posits a theory of critical duration as a way to understand this work's complex relationship to critique.

Item Type:	Book Section
Keywords:	contemporary art, installation art, performance art, Henri Bergson, critique, duration
Departments, Centres and Research Units:	Visual Cultures
Dates:	Date Event 2011 Accepted 2011 Published
Item ID:	21292
Date Deposited:	09 Oct 2017 09:16
Last Modified:	29 Apr 2020 16:35
URI:	https://research.gold.ac.uk/id/eprint/21292

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