We’re pleased to present the films of Nina Danino, including her most recent feature film Jennifer. Ranging from early 16mm works – which combine observational narrative with personal or subjective memory to inscribe and defer the representation of the woman – to her recent studies of the unseen women who dedicate themselves to enclosed monastic lives, Danino seeks to capture the ephemeral aspects of place through the medium of film. Particularly known for their use of the female voice, Danino’s films mix psychoanalysis, art and experimental film with aspects of her cultural and religious background to create elliptical narratives informed by literary texts, memoirs and her own writing.

https://research.gold.ac.uk/id/eprint/21669