EYE MUSIC FOR DANCING takes experimentation with phonetics as a starting point, addressing the abstraction of language through the physicality of sound itself. Alliteration, tonal patterning, feedback, distortion, stretched and reshaped vocalizations are explored through work by London based artists, Anna Barham, Julika Gittner and Heather Phillipson alongside a selection of the poet, Bob Cobbing’s work.

https://research.gold.ac.uk/id/eprint/24603