Hameed, Ayesha. 2012. 'The Image of Gaddafi'. In: Living Death Camp and Forensic Aesthetics: Where subjugated knowledge is, sociality occurs. Centre for Cultural Decontamination, Belgrade, Serbia 5-12 April 2012. [Conference or Workshop Item]

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Abstract or Description

Presentation of the project Forensic Aesthetics:

Introduction (EyalWeizman); Forensic Architecture (Susan Schuppli); Forensic Oceanography (Lorenzo Pezzani); The Image of Muammar Gaddafi (Ayesha Hameed); Radical Meteorology (Nabil Ahmed); The Political Body of Hugo Chavez (Godofredo Pereira); Forensic Audiology (Lawrence Abu Hamdan); Forensic Archaeology (Caroline Sturdy Colls)

Forensic Architecture: Existing at the intersection of architecture, history, and the laws of war, forensic architecture refers to an analytical method for reconstructing scenes of violence as they are inscribed within spatial artefacts and in built environments.

It employs new modes of technical visualisation to generate complex knowledge about the spaces and histories of violence; transforming mute architectural products into active material witnesses that can be interrogated within public and legal forums.

Item Type:	Conference or Workshop Item (Paper)
Departments, Centres and Research Units:	Visual Cultures
Dates:	Date Event 11 April 2012 Completed
Event Location:	Centre for Cultural Decontamination, Belgrade, Serbia
Date range:	5-12 April 2012
Item ID:	27916
Date Deposited:	14 Jan 2020 10:20
Last Modified:	14 Jan 2020 10:20
URI:	https://research.gold.ac.uk/id/eprint/27916

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