Camplin gathers her expanded practice under a single idea: ‘The Invented Life’. Central to this is what Camplin describes as a ‘myth-science of energy and consciousness research’ in which subjective experience is taken as the primary form of evidence.

Her work spans the disciplines of drawing, film, performance, music and writing as well as immaterial and situational research. The Military Industrial Complex took the form of a study room exploring what ‘consensus reality’ is and how it is formed, drawing from physics to philosophy, psychology, witchcraft, quantum theory and warfare.

https://research.gold.ac.uk/id/eprint/28603