Locus of emotion influences psychophysiological reactions to music
Merrill, Julia; Omigie, Diana and Wald-Fuhrmann, Melanie. 2020. Locus of emotion influences psychophysiological reactions to music. PLoS ONE, 15(8), e0237641. ISSN 1932-6203 [Article]
Text
Merrill et al (2020) Locus of emotion influences psychophysiological reactions to music_AAM.pdf - Accepted Version Permissions: Administrator Access Only Available under License Creative Commons Attribution. Download (742kB) |
||
|
Text
journal.pone.0237641.pdf - Published Version Available under License Creative Commons Attribution. Download (1MB) | Preview |
Abstract or Description
It is now widely accepted that the perception of emotional expression in music can be vastly different from the feelings evoked by it. However, less understood is how the locus of emotion affects the experience of music, that is how the act of perceiving the emotion in music compares with the act of assessing the emotion induced in the listener by the music. In the current study, we compared these two emotion loci based on the psychophysiological response of 40 participants listening to 32 musical excerpts taken from movie soundtracks. Facial electromyography, skin conductance, respiration and heart rate were continuously measured while participants were required to assess either the emotion expressed by, or the emotion they felt in response to the music. Using linear mixed effects models, we found a higher mean response in psychophysiological measures for the “perceived” than the “felt” task. This result suggested that the focus on one’s self distracts from the music, leading to weaker bodily reactions during the “felt” task. In contrast, paying attention to the expression of the music and consequently to changes in timbre, loudness and harmonic progression enhances bodily reactions. This study has methodological implications for emotion induction research using psychophysiology and the conceptualization of emotion loci. Firstly, different tasks can elicit different psychophysiological responses to the same stimulus and secondly, both tasks elicit bodily responses to music. The latter finding questions the possibility of a listener taking on a purely cognitive mode when evaluating emotion expression.
Item Type: |
Article |
||||||
Identification Number (DOI): |
|||||||
Departments, Centres and Research Units: |
|||||||
Dates: |
|
||||||
Item ID: |
29414 |
||||||
Date Deposited: |
30 Oct 2020 16:01 |
||||||
Last Modified: |
03 Aug 2021 15:05 |
||||||
Peer Reviewed: |
Yes, this version has been peer-reviewed. |
||||||
URI: |
View statistics for this item...
Edit Record (login required) |