Materials: 3 synchronised monitors, 5.1 surround sound, mylar curtain, 6 geometric forms, folded paper, seating and carpet set within an architecture referencing a flying saucer.
A site specific commissioned work.

There is no singular way to sum up this work. It does not really want to be explained by an elucidating text; it wants to rest in the medium that shapes it. It does not follow a convention of story telling that governs cinema. What it does follow is a freewheeling set of associations and the vagaries of our interpretations of events. As a construct it wants to be like consciousness might really be … fragmented, discontinuous, oscillating, driven to constructing false cause and effect narratives from endless occurrences that ultimately have no clear singular causal reason.

https://research.gold.ac.uk/id/eprint/29737