What the Instagram Age Learned from Robert Rauschenberg’s Choreographic Pieces

Harbison, Isobel. 2019. What the Instagram Age Learned from Robert Rauschenberg’s Choreographic Pieces. Frieze(206), pp. 136-137. ISSN 0962-0672 [Article]

[img]
Preview
Text
frieze206_pp136-137_harbison_when-images-move_FINAL.pdf - Published Version

Download (487kB) | Preview

Abstract or Description

This article discussing how developments in technology and changes to the economy influence modes of performance, in everyday life and the works of art that reflec it. It establishes how a new wave of choreographic strategies in galleries and museums reflects activities of taking, sharing and performing images online. And it reflects on how exhibition architectures afford visitors a different depth of perspective than the arm’s length between smart screens and users’ eyes.

Item Type:

Article

Additional Information:

“Reprinted with the permission of frieze”

This article first appeared in frieze issue 206 with the headline ‘When Images Move’.

'Distinct from Judson’s task-orientated movements plotted for non-proscenium environments and the moderately interactive arrangements of Happenings, Rauschenberg’s was a dynamic, nonnarrative image performance oiled, but not defined, by dance. His compositions of overlapping and co-existing images responded to a new density of media visuals filling up the living spaces of the 1960s.'

Keywords:

Robert Rauschenberg, Instagram, performance

Departments, Centres and Research Units:

Art

Dates:

DateEvent
October 2019Published
24 September 2019Published Online

Item ID:

30842

Date Deposited:

07 Dec 2021 12:10

Last Modified:

08 Feb 2022 16:05

URI:

https://research.gold.ac.uk/id/eprint/30842

View statistics for this item...

Edit Record Edit Record (login required)