The Vinyl Revival and the Music Industry

Gofton, Peter. 2022. The Vinyl Revival and the Music Industry. Other thesis, Goldsmiths, University of London [Thesis]

No full text available
[img] Text (The Vinyl Revival and the Music Industry)
MUS_thesis_GoftonP_2022.pdf - Accepted Version
Permissions: Administrator Access Only until 31 May 2025.
Available under License Creative Commons Attribution Non-commercial No Derivatives.

Download (965kB)

Abstract or Description

As a counterpoint to the more common explorations of vinyl from the consumer perspective, this thesis will examine how the vinyl revival and the post-digital music industry have shaped each other.

The initial chapter will critically examine literature on vinyl and the music industry to both clarify the academic perspective and situate my own thesis in relation to it. In the second chapter I will systematically analyse the practices of record labels involved in the vinyl revival, historical canonisation of the format, and their post revival fortunes. In the third chapter I will examine the relationship between the vinyl revival and the music retail sector, and the fourth examines two annual retail events centred around vinyl, Record Store Day and Indie Label Market. Through use of contextualising elements and media narratives, I will demonstrate how retail creates a culture that privileges vinyl, but also potentially problematises it. In the final chapter I will tie together these various elements, and discuss possible future avenues for research.

Item Type:

Thesis (Other)

Identification Number (DOI):

https://doi.org/10.25602/GOLD.00031922

Additional Information:

MPhil

Keywords:

vinyl, vinyl culture, record shops, music industry

Departments, Centres and Research Units:

Music

Date:

31 May 2022

Item ID:

31922

Date Deposited:

17 Jun 2022 10:48

Last Modified:

07 Sep 2022 17:19

URI:

https://research.gold.ac.uk/id/eprint/31922

View statistics for this item...

Edit Record Edit Record (login required)