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Number of items at this level: 1077.

2023

Rogers, Holly; Freitas, Joana and Porfírio, João Francisco, eds. 2023. Remediated Sounds: Repeatable Culture, YouTube and Music. London: Bloomsbury Academic. ISBN 9781501387272 [Edited Book] (Submitted)

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Rogers, Holly; Freitas, Joana and Porfírio, João, eds. 2023. YouTube and Music: Online Culture and Everyday Life. London: Bloomsbury Academic. ISBN 9781501387272 [Edited Book] (In Press)

2022

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Norton, Barley; Sendra, Estrella and Jackson, Joseph, eds. 2022. 'Musicology on Screen' Special Issue, Screenworks, 12(2). 2514-3123 [Edited Journal]

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Alexander, Tamsin. 2022. Cosmopolitan Connections: Yevgeny Onegin as realist drame lyrique in Nice. Nineteenth-Century Music Review, ISSN 1479-4098 [Article] (In Press)

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Alexander, Tamsin and Helmers, Rutger. 2022. Tsarist Russia and the Musical World: Introduction. Nineteenth-Century Music Review, ISSN 1479-4098 [Article] (In Press)

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Day, Kiku. 2022. Mindful playing: a practice research investigation into shakuhachi playing and meditation. Ethnomusicology Forum, 31(1), pp. 143-159. ISSN 1741-1912 [Article]

Drever, John L.. 2022. 'Aural Diverse: Hearing within Responsible Soundscapes of Tourism and Hospitality'. In: International Conference on Responsible Tourism and Hospitality 2022 (ICRTH2022), Sarawak Research Society (SRS). Sarawak, Malaysia 1 - 3 September 2022. [Conference or Workshop Item]

Drever, John L.. 2022. 'Clairaudience meets Auraldiversity'. In: Study Day: R. Murray Schafer’s Ecologies of Music and Sound Re-examined. Carleton University, Ottawa, Canada 30 September 2022. [Conference or Workshop Item]

Drever, John L.. 2022. 'Creating A Buzz!'. In: Creating A Buzz! Insect Sound Workshop. Museum of Zoology, Cambridge, United Kingdom 6 April 2022. [Conference or Workshop Item]

Drever, John L.. 2022. 'Towards an auraldiverse practice'. In: CSIPM - Centro Superior de Investigación Y Promoción de la Música. Ciudad Universitaria de Cantoblanco, Madrid, Spain 17 May 2022. [Conference or Workshop Item]

Drever, John L. and Hugill, Andrew, eds. 2022. Aural Diversity. Abingdon: Routledge. ISBN 9781032025001 [Edited Book]

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Gofton, Peter. 2022. The Vinyl Revival and the Music Industry. Other thesis, Goldsmiths, University of London [Thesis]

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Jones, Elfyn. 2022. Sound design for the opera composer: concepts and methods. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Matsumoto, Naomi. 2022. Critical Edition of Anonymous, Lo Spedale. Middleton, Wisconsin, United States: A-R Editions. ISBN 9781987208146 [Book]

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Matsumoto, Naomi. 2022. Notice sur l'établissement de la musique. In: Marie-Claude Canova-Green and Suzanne Jones, eds. Raymond Poisson: Théâtre complet. Paris: Classique Garnier, pp. 53-60. ISBN 9782406125198 [Book Section]

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Negus, Keith and Astor, Pete. 2022. Authenticity, empathy, and the creative imagination. Rock Music Studies, 9(2), pp. 157-173. ISSN 1940-1159 [Article]

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Negus, Keith and Sledmere, Adrian. 2022. Postcolonial paths of pop: a suburban psychogeography of George Michael and Wham! Popular Music, 41(2), pp. 131-151. ISSN 0261-1430 [Article]

Perchard, Tom; Graham, Stephen; Rutherford-Johnson, Tim and Rogers, Holly. 2022. Twentieth-Century Music in the West. Cambridge: Cambridge University Press. ISBN 9781108481984 [Book]

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Redhead, L. 2022. Creative Textual Practices as Critical Re-writings. In: "NoiseFloor 2022", Staffordshire University, United Kingdom, 12 May 2022. [Performance]

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Redhead, L. 2022. Iterative Processes: Notating, Composing, and Performing as Journey Forms. Contemporary Music Review, 41(2-3), pp. 266-280. ISSN 0749-4467 [Article]

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Redhead, L. 2022. Music Composition and Epistemic Injustice. Tempo, 76(302), pp. 32-41. ISSN 0040-2982 [Article]

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Redhead, L. 2022. ‘Nothing Really Changes’: Material Processes in and as Time in hearmleoþ—gieddunga. In: Michelle Phillips and Matthew Sergeant, eds. Music and Time: Psychology, Philosophy, Practice. Woodbridge, Suffolk: Boydell & Brewer. ISBN 9781783277087 [Book Section]

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Redhead, L. 2022. 'Using Collaborative Event Ethnography to Explore Embodied Approaches to Performing Experimental Music'. In: Performance Studies Network Conference 2022. University of Surrey, United Kingdom 30 June - 3 July 2022. [Conference or Workshop Item]

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Redhead, L. 2022. hearmleoþ-gieddunga (research portfolio). pan y rosas discos, Orpheus Instituut, Boydell & Brewer. [Other]

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Redhead, L. 2022. the octopus (research portfolio). pan y rosas discos, BBC. [Other]

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Redhead, L. 2022. the whale: Creative Textual Practices. INMM Darmstadt, Buxton Fringe Festival. [Other]

Rogers, Holly. 2022. Re/Sounding Spaces: Listening Across Audiovisual Culture. Cambridge, Massachusetts: MIT Press. [Book] (Forthcoming)

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Rogers, Holly; Alvim, Luíza and Paiva Chaves, Renan. 2022. Contemporary Audiovisualities, Intermediality and Remediation: Interview with Holly Rogers. Revista Eco-Pós, 21(1), pp. 320-341. ISSN 2175-8689 [Article]

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Rogers, Holly and Britton, Heather. 2022. The Spaces Beyond: Experimenting with the Theory of Audiovisual Concrète. [in]Transition: Journal of Videographic Film & Moving Image Studies, 9(1), ISSN 2469-4312 [Article]

2021

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Rogers, Holly; Vernallis, Carol; Kara, Selmin and Leal, Jonathan, eds. 2021. Cybermedia: Explorations in Science, Sound, and Vision. New York: Bloomsbury Academic. ISBN 9781501357053 [Edited Book]

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Bulley, James and Sahin, Ozden. 2021. Practice Research - Report 1: What is practice research? and Report 2: How can practice research be shared?. Other. Practice Research Advisory Group UK (PRAG-UK), London. [Report]

Bulley, James and Sahin, Ozden. 2021. 'What is practice research? & How can practice research be shared?'. In: London College of Communication Interdisciplinary Practice Research Forum. London, United Kingdom. [Conference or Workshop Item]

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Dembelé, Sidiki and Gardiner, Ian R.. 2021. Shaka by Sidiki Dembelé [Arranger Ian Gardiner]. [Composition]

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Gardiner, Ian R.. 2021. Another Berceuse (for SB). [Composition] (Forthcoming)

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Gardiner, Ian R.. 2021. Compendium. [Composition] (Forthcoming)

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Gardiner, Ian R.. 2021. Fugue (from British Museum). [Composition] (Forthcoming)

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Garrelfs, Iris. 2021. Acts of air: reshaping the urban sonic. Sound Studies, 7(2), pp. 269-272. ISSN 2055-1940 [Article]

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Garrelfs, Iris. 2021. "Breathing Through Wires" at THE HORSE IMPROVISED MUSIC CLUB. In: "THE HORSE IMPROVISED MUSIC CLUB", Iklectik, London OFF SITE, United Kingdom. [Performance]

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Garrelfs, Iris. 2021. "The Listening Wall" at Polymedialer Ponyhof, Berlin, Germany. In: ""The Listening Wall" at Polymedialer Ponyhof, Berlin, Germany", Polymedialer Ponyhof, Berlin, Germany. [Show/Exhibition]

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Graham, Stephen. 2021. Summer’s Gone: Late Style and Popular Music. Journal of the Royal Musical Association, 146(2), pp. 315-333. ISSN 0269-0403 [Article]

Joncus, Berta. 2021. Handel for the Common Sphere. In: Helen Coffey and Annette Landgraf, eds. Handel in Context. Cambridge: Cambridge University Press. [Book Section] (Forthcoming)

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Matsumoto, Naomi. 2021. Madam Butterfly and the Forging of Japanese Identity. History Today, 71(3), pp. 28-37. ISSN 0018-2753 [Article]

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McKeon, EJ. 2021. The Concept Album as Curatorial 'Medium': Colin Riley's "In Place". Tempo, 75(296), pp. 46-56. ISSN 0040-2982 [Article]

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Negus, Keith. 2021. Perspectives on cultural economy: personal, institutional, historical. Journal of Cultural Economy, ISSN 1753-0350 [Article] (In Press)

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Norton, Barley. 2021. Ethnomusicology and Filmmaking. In: Stephen Cottrell, ed. Music, Dance and Anthropology. Hertfordshire: Sean Kingston Publishing, pp. 121-143. ISBN 978-1-912385-31-7 [Book Section]

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Ohno, Mari. 2021. Composing with Matter: Interdisciplinary Explorations Between the Natural and the Artificial. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Redhead, L. 2021. Language as a Material Process. [Film/Video]

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Redhead, L. 2021. 'Practice Research: Accessibility and Reproducibility Enhancing searchability: archiving practice research'. In: Enhancing searchability: archiving practice research. Online workshop, United Kingdom 15 November 2021. [Conference or Workshop Item]

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Rogers, Holly. 2021. Sonic Elongation and Sonic Aporia: Two Modes of Disrupted Listening in Film. In: Carlo Cenciarelli, ed. The Oxford Handbook of Cinematic Listening. Oxford: Oxford University Press, pp. 427-449. ISBN 9780190853617 [Book Section]

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Rogers, Holly; McGrath, John; Vernallis, Carol and Chapman, Dale. 2021. Composer Ben Salisbury Discusses Scoring Science for Alex Garland. In: Holly Rogers; Carol Vernallis; Selmin Kara and Jonathan Leal, eds. Cybermedia: Explorations in Science, Sound, and Vision. New York: Bloomsbury, pp. 130-137. ISBN 9780190853617 [Book Section]

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Rogers, Holly and Vernallis, Carol. 2021. Director Terence Nance Discusses Random Acts of Flyness. In: Holly Rogers; Carol Vernallis; Selmin Kara and Jonathan Leal, eds. Cybermedia: Explorations in Science, Sound, and Vision. New York: Bloomsbury, pp. 311-328. ISBN 9780190853617 [Book Section]

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Selaocoe, Abel and Gardiner, Ian R.. 2021. Qhawe by Abel Selaocoe [Arranger Ian Gardiner]. [Composition]

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Selaocoe, Abel and Gardiner, Ian R.. 2021. Zawose by Abel Selaocoe [Arranger Ian Gardiner]. [Composition]

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de Lacey, Alex. 2021. Pirate mentality: How London radio has shaped creative practice in grime music. Radio Journal: International Studies in Broadcast & Audio Media, 19(1), pp. 197-215. ISSN 1476-4504 [Article]

2020

Redhead, L, ed. 2020. Musik und Sprache: Music/Language/Speech, Contemporary Music Review, 39(3). 0749-4467 [Edited Journal]

Rogers, Holly, ed. 2020. Sonic Scope: New Approaches to Audiovisual Culture, Sonic Scope: New Approaches to Audiovisual Culture, . [Edited Journal]

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Vernallis, Carol; Rogers, Holly and Perrott, Lisa, eds. 2020. Transmedia Directors: Artistry, Industry and New Audiovisual Aesthetics. London: Bloomsbury Academic. ISBN 9781501341007 [Edited Book]

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Abtan, Freida. 2020. My Heart is a River. OCTAVE 9 Concert Hall, United States 9 February 2020. [Performance]

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Assiter, Ben. 2020. No Screenshots on the Dance Floor. Dancecult: Journal of Electronic Dance Music Culture, 12(1), ISSN 1947-5403 [Article]

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Bolley, Richard. 2020. Travels with Alex: Music for viola obbligato and various ensembles. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Diabaté, Toumani and Gardiner, Ian R.. 2020. Haïnamady Town by Toumani Diabaté [Arranger Ian Gardiner]. [Composition]

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Diabaté, Toumani and Gardiner, Ian R.. 2020. Moon Kaira by Toumani Diabaté [Arranger Ian Gardiner]. [Composition]

Drever, John. 2020. 'Sanitary Soundscapes: The Noise Effects From Ultra-Rapid “Ecological” Hand Dryers on Vulnerable Subgroups'. In: HAVENS First Virtual Symposium – Group of researchers interested in the soundscapes of healthcare. TU Delft, Netherlands 15th July 2020. [Conference or Workshop Item]

Drever, John L.. 2020. 'Tinnitus, Auraldiversity and the Arts'. In: The BTA (British Tinnitus Association) Virtual Conference 2020. Online, United Kingdom 5 – 9 October 2020. [Conference or Workshop Item]

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Gardiner, Ian R.. 2020. zugzwang. [Composition]

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Garrelfs, Iris. 2020. "Breathing Through Wires" at BEASTdome/ CrossCurrents+ The Dome mini festival, The Bramall, Birmingham University. In: "BEASTdome/ CrossCurrents+ The Dome mini festival", The Bramall, Birmingham University, United Kingdom. [Performance]

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Garrelfs, Iris. 2020. "Virtual Listening Wall" at the 56th RMA annual conference, part of the "Listening Wall" project.. In: "Royal Musical Association 56th Annual Conference", Online, United Kingdom, 8 - 10 September 2020. [Show/Exhibition]

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Joncus, Berta. 2020. ‘When Farce and when Musick can eke out a Play’: Ballad Opera and Theatre’s Commerce. In: Delia da Sousa Correa, ed. The Edinburgh Companion to Literature and Music. Edinburgh: Edinburgh University Press, pp. 289-296. ISBN 9780748693122 [Book Section]

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Joncus, Berta; Ozmo, Žak and Rogers, Vanessa. 2020. Love in a Village: A Comic Opera. Bärenreiter, Kassel, Germany. [Other]

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Kean, Paul David. 2020. The Analysis and Performance of Minimalist Keyboard Music: Three Case Studies. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Kondrashina, Evgeniya. 2020. Music from Beyond the Curtain: Soviet Recordings and Cold War Cultural Relations, 1950s – 70s. Doctoral thesis, Goldsmiths, University of London [Thesis]

Matsumoto, Naomi. 2020. The Other Reversed? Japan’s Assimilation of Carmen, 1885 to 1945. In: Richard Langham Smith and Clair Rowden, eds. Carmen Abroad: Bizet's Opera on the Global Stage. Cambridge: Cambridge University Press, pp. 284-303. ISBN 9781108481618 [Book Section]

McVeigh, Simon. 2020. The Nineteenth-Century Concert Series: a Contested Space. In: Paul Watt; Sarah Collins and Michael Allis, eds. The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century. New York: Oxford University Press. ISBN 9780190616922 [Book Section]

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McVeigh, Simon. 2020. Rescuing a Heritage Database: Some Lessons from London Concert Life in the Eighteenth Century. Research Data Journal for the Humanities and Social Sciences, 5(2), pp. 50-61. ISSN 2452-3666 [Article]

McVeigh, Simon and Weber, William. 2020. From the Benefit Concert to the Solo Song Recital in London, 1870-1914. In: Natasha Loges and Laura Tunbridge, eds. German Song Onstage: Lieder Performance in the Nineteenth and Early Twentieth Centuries. Bloomington, Indiana: Indiana University Press, pp. 179-202. ISBN 9780253047007 [Book Section]

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Norton, Barley. 2020. Review of the CD 'Hoạ Âm Xưa' by Saigon Soul Revival, Saigon Supersound. Songlines: The World Music Magazine, 156, p. 62. [Article]

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Norton, Barley and Hoang, Van Chung. 2020. Heritage of Future Past - Story Collection. Project Report. British Council, Vietnam. [Report]

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Redhead, L. 2020. Language as a Material Process. Contemporary Music Review, 39(3), ISSN 0749-4467 [Article]

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Redhead, L. 2020. Vibrant Echoes: A Material Semiotics of the Voice in Music by Iris Garrelfs and Marlo Eggplant. Contemporary Music Review, 39(5), pp. 564-579. ISSN 0749-4467 [Article]

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Redhead, L. 2020. hearmleoþ-gieddunga: temporal and material layeredness. ECHO, 1, ISSN 1424-3644 [Article]

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Redhead, L. 2020. the octopus. [Audio]

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Redhead, L and Zaldua, Alistair. 2020. vox humana. In: "vox humana", Ideas of Noise Festival, United Kingdom, February 2020. [Performance]

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Redhead, Lauren. 2020. Introduction: Musik und Sprache: Music/Language/Speech. Contemporary Music Review, 39(3), ISSN 0749-4467 [Article]

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Rogers, Holly. 2020. Locked Down Listening / Communal Re-Imagination. Flow: A Critical Forum on Media and Culture, [Article]

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Rogers, Holly. 2020. Sonic Elongation: Creative Audition in Documentary Film. JCMS: Journal of Cinema and Media Studies, 59(2), pp. 88-113. ISSN 0009-7101 [Article]

Spillane, Jeremiah. 2020. [Book Review] Jazz Diaspora: Music and Globalisation By Bruce Johnson (2019). Journal of the International Association for the Study of Popular Music (IASPM), ISSN 2079-3871 [Article]

Spillane, Jeremiah. 2020. '‘Footprints: Considering the environmental impact of the 2019 Galway Jazz Festival’'. In: Research Cafe. Goldsmiths, University of London, United Kingdom 18 March 2020. [Conference or Workshop Item]

Spillane, Jeremiah. 2020. Jazz Manouche. In: David Horn and John Shepherd, eds. Bloomsbury Encyclopedia of Popular Music of the World (EPMOW). Vol. XIII. London: Bloomsbury. [Book Section] (Forthcoming)

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Taylor, Jasmin. 2020. Billie Holiday and the Gendered Politics of Jazz Creativity. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Zagorac, Slavko and Zbyszynski, Michael. 2020. 'Networked Comprovisation Stratagies with ZScore'. In: Proceedings of the International Conference on Technologies for Music Notation and Representation — TENOR'20. Hochschule für Musik und Theater, Hamburg, Germany. [Conference or Workshop Item]

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de Lacey, A. 2020. Mitchell Ohriner, "Flow: The Rhythmic Voice in Rap Music". Journal of the Society for Musicology in Ireland, 15(2020), pp. 31-35. ISSN 1649-7341 [Article]

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de Lacey, Alex. 2020. ‘Let us know you’re locked’: Pirate radio broadcasts as historical and musical artefact. Popular Music History, 12(2), pp. 194-214. ISSN 1740-7133 [Article]

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de Lacey, Alex. 2020. Level Up: Live Performance and Collective Creativity in Grime Music. Doctoral thesis, Goldsmiths, University of London [Thesis]

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de Lacey, Alex. 2020. ‘Wot do u call it? Doof doof’: Articulations of glocality in Australian grime music. Global Hip Hop Studies, 1(1), pp. 115-141. ISSN 2632-6825 [Article]

2019

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Alexander, Tamsin. 2019. Review: Rimsky-Korsakov and his World. Ed. by Marina Frolova-Walker. Music & Letters, 100(4), pp. 733-735. ISSN 0027-4224 [Article]

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Bennett, Alexis. 2019. Cultural Crossroads: British Film Music in the 1930s. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Bowie, David and Gardiner, Ian R.. 2019. Space Oddity by David Bowie [Arranger Ian Gardiner]. [Composition]

Bulley, James and Sahin, Ozden. 2019. 'Making Practice Research Visible & Open'. In: Web of Arts Seminar. Open Data Institute, London, United Kingdom 10 April 2019. [Conference or Workshop Item]

Bulley, James and Sahin, Ozden. 2019. 'Practice Research: Proposition and Form'. In: Capturing practice research: improving visibility and searchability. London, United Kingdom 15 March 2019. [Conference or Workshop Item]

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Gardiner, Ian R.. 2019. bells across the meadows. [Composition]

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Gardiner, Ian R.. 2019. brexitmeansbrexit. [Composition]

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Gardiner, Ian R.. 2019. thread. [Composition]

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Garrelfs, Iris. 11 July 2019 Electropixel 2019. [Project]

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Garrelfs, Iris. 2019. "Lauschen" at Iklectik. In: ""Lauschen" at Iklectik", Iklectik, London, United Kingdom. [Performance]

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Garrelfs, Iris. 2019. "Lauschen" by Iris Garrelfs at Fly By Night, Hundred Years Gallery, December 2019. In: "Fly By Night", Hundred Years Gallery, United Kingdom. [Performance]

Garrelfs, Iris. 2019. Lauschen: improvised voice and wearable electronics in mobile performance. In: "Electropixel 2019", Goldsmiths, GWT, United Kingdom. [Performance]

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Garrelfs, Iris. 2019. The Listening Wall, at Musikkens Hus, Aalborg, Denmark. In: "of 8th International Conference on the Histories of Media Art, Science and Technology –RE:SOUND", Musikkens Hus, Aalborg, Denmark, Denmark. [Show/Exhibition]

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Garrelfs, Iris. 2019. 'bodily interaction in vocal performance'. In: Electropixel 2019. Goldsmiths, University of London, United Kingdom 11 July 2019. [Conference or Workshop Item]

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Garrelfs, Iris. 2019. override: An experiment in interrupting the congruity of audio-visual relationships‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬. SoundEffects: An Interdisciplinary Journal of Sound and Sound Experience, 8(1), pp. 104-121. [Article]

Garrelfs, Iris and Aslan, Jess. 2019. 'Introduction to Max/MSP'. In: Daphne Oram Award. Kings Place, London, United Kingdom 15 June 2019. [Conference or Workshop Item]

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Graham, Stephen. 2019. From Microphone to the Wire: Cultural change in 1970s and 1980s music writing. Twentieth-Century Music, 16(3), pp. 531-555. ISSN 1478-5722 [Article]

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Joncus, Berta. 2019. Kitty Clive, or The Fair Songster. Martlesham, Suffolk: Boydell & Brewer. ISBN 9781783273461 [Book]

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Matsumoto, Naomi. 2019. The Mad Scene: Portrayals of Insanity in Opera. Japanese Journal of Clinical Psychiatry, 48(3), ISSN 0300-032X [Article]

McVeigh, Simon. 2019. “Brightening the lives of the people on Sunday”: the National Sunday League and Liberal Attitudes towards Concert Promotion in Victorian Britain. In: Sarah Collins, ed. Music and Victorian Liberalism: Composing the Liberal Subject. Cambridge: Cambridge University Press, pp. 37-59. ISBN 9781108628778 [Book Section]

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Norton, Barley. 2019. Feature article “Dispatch from Vietnam”. Songlines: The World Music Magazine, 144, p. 85. [Article]

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Norton, Barley. 2019. Review of the CD 'Saigon Supersound, 1964-75 Volume 2', INFRACom! Songlines: The World Music Magazine, 144, p. 68. [Article]

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Norton, Barley. 2019. Review of the CD 'Streams' by Nguyên Lê Quartet, ACT. Songlines: The World Music Magazine(147), p. 65. ISSN 2059-6782 [Article]

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Norton, Barley. 2019. Review of the CD 'The Art of the Vietnamese Zither: Đàn Tranh' by Tri Nguyen, ARC Music. Songlines: The World Music Magazine(147), p. 60. ISSN 1464-8113 [Article]

Norton, Barley and Matsumoto, Naomi. 2019. Introduction: Historical and Ethnographic Perspectives on Music as Heritage. In: Barley Norton and Naomi Matsumoto, eds. Music as Heritage: Historical and Ethnographic Perspectives. London and New York: Routledge, pp. 1-17. ISBN 9781138228047 [Book Section]

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Potter, Keith. 2019. Sketching a New Tonality: A Preliminary Assessment of Steve Reich’s Sketches for Music for 18 Musicians in Telling the Story of This Work’s Approach to Tonality. In: Sumanth Gopinath and Pwyll ap Sion, eds. Rethinking Reich. New York: Oxford University Press, pp. 191-215. ISBN 9780190605292 [Book Section]

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Redgate, Roger. 2019. When is an Orchestra not an Orchestra? Principles of Music Composing, 19, pp. 9-21. ISSN 2351-5155 [Article]

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Redhead, L. 2019. The Medium is Now the Material: The ‘Folklore’ of Chris Newman and Michael Finnissy. In: I Pace and N McBride, eds. Critical Perspectives on the Music of Michael Finnissy: Bright Futures, Dark Pasts. Routledge. ISBN 9781138491977 [Book Section]

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Redhead, L. 2019. The Whale. [Composition]

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Redhead, L. 2019. puer natus est. [Composition]

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Redhead, L and Zaldua, Alistair. 2019. hearmleoþ-gieddunga: performance at Summit Salford, 26.09.19. In: "Summit No.11", Eagle Inn, Salford, United Kingdom, 26.09.2019. [Performance]

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Rodrigues, Indioney Carneiro. 2019. The Rhythmic Idea and the Musical Representation of Time. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Rogers, Holly. 2019. Audio-visual Collisions: Moving Image Technology and the Laterna Magika Aesthetic in New Music Theatre. In: Robert Adlington, ed. New Music Theatre in Europe: Transformations Between 1955-1975. Abingdon: Routledge, pp. 79-100. ISBN 9781138323018 [Book Section]

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Rogers, Holly. 2019. The Audiovisual Eerie: Transmediating Thresholds in the Work of David Lynch. In: Carol Vernallis; Holly Rogers and Lisa Perrott, eds. Transmedia Directors: Artistry, Industry and the New Audiovisual Aesthetics. New York: Bloomsbury, pp. 241-270. ISBN 9781501341007 [Book Section]

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Roy, Anupam. 2019. Re-Contextualising Beethoven’s Violin Concerto, Op. 61. Other thesis, Goldsmiths, University of London [Thesis]

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Spillane, Jeremiah. 2019. 'Codifying Jazz Manouche: A Brief History and Definition of Jazz Manouche in Relation to the Belgian and Dutch Manouche community.'. In: Jazz and Cultural Identity: In and Out of Europe. UCLAN, Preston, United Kingdom 07/06/2019. [Conference or Workshop Item]

2018

Redhead, L and Glover, R, eds. 2018. Collaborative and Distributed Processes in Contemporary Music-Making. Newcastle: Cambridge Scholars. ISBN 978-1-5275-1398-3 [Edited Book]

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Norton, Barley and Matsumoto, Naomi, eds. 2018. Music as Heritage: Historical and Ethnographic Perspectives. Abingdon: Routledge. ISBN 9781138228047 [Edited Book]

Beck, Jay; Gardiner, Ian R. and Hanson, Helen, eds. 2018. Music, Sound, and the Moving Image, Volume 12, Issue 1, Spring 2018, Music, Sound, and the Moving Image, 12(1). 1753-0776 [Edited Journal]

Bulley, James; Sahin, Ozden; Drever, John L. and Aceti, Lanfranco, eds. 2018. Special Issue on Sound Curating, Leonardo Electronic Almanac, 22(3). 1071-4391 [Edited Journal]

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Abtan, Freida and B.A. Sound Arts and Design, London College of Communication. 2018. London College of Communication Visiting Practitioners Series: Freida Abtan. [Film/Video]

Alexander, Tamsin; Kondrashina, Evgeniya and Dixon, Gavin. 2018. The Centre for Russian Music: Inside the Collections A Barbican Music Library free exhibition. In: "The Centre for Russian Music: Inside the Collections", Barbican Music Library, London, United Kingdom, 12 January - 27 March 2018. [Show/Exhibition]

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Bulley, James. 2018. BBC Proms Profile: Daphne Oram. Pioneers of Sound, 2018(13), [Article]

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Bulley, James. 2018. BBC Proms Profile: Still Point. Pioneers of Sound, 2018(13), [Article]

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Bulley, James. 2018. OSKA (Mini-Oramics). [Composition]

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Bulley, James. 2018. 'Progress Music': Daphne Oram, Geoffrey Jones and 'Trinidad and Tobago'. In: Geoffrey Cox, ed. Soundings: Documentary Film and the Listening Experience. Huddersfield: Huddersfield University Press, pp. 125-150. ISBN 9781862181540 [Book Section]

Bulley, James. 2018. 'Sounding Materiality: Explorations with music, natural systems and touch-sound-landscapes'. In: Sensing Nature: Wellbeing with nature with sight impairment. Wellcome Collection, London, United Kingdom 30 October 2018. [Conference or Workshop Item]

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Bulley, James and Feshareki, Shiva. 2018. Still Point. In: "BBC Prom 13", Royal Albert Hall, London, United Kingdom, 23 July 2018. [Performance]

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Bulley, James and Feshareki, Shiva. 2018. Still Point. [Composition]

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Bulley, James and Price, Astra. 2018. The Talking Drum. Leonardo Electronic Almanac, 22(1), ISSN 1071-4391 [Article]

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Gardiner, Ian R.. 2018. Berceuses Automatique No.1. [Composition]

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Gardiner, Ian R.. 2018. En Blanc et Blanc. [Composition]

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Gardiner, Ian R.. 2018. berceuse automatique nº 1. [Composition]

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Gardiner, Ian R.. 2018. berceuse automatique nº 2. [Composition]

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Gardiner, Ian R.. 2018. berceuse automatique nº 3. [Composition]

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Gardiner, Ian R.. 2018. rictus 93. [Composition]

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Garrelfs, Iris. 2018. Live voice/laptop performance. In: "</CODING in GE> Festival", IKLECTIK, London, United Kingdom. [Performance]

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Garrelfs, Iris. 2018. Performance of Lauschen at Fusion Arts, Oxford, by Iris Garrelfs. In: "Acquisition of Sorts", Fusion Arts, Oxford. [Performance]

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Glover, R and Redhead, L. 2018. Collaborative and Distributed Processing in Contemporary Music-Making: Overview. In: L Redhead and R Glover, eds. Collaborative and Distributed Processes in Contemporary Music-Making. Newcastle: Cambridge Scholars, pp. 1-9. ISBN 978-1-5275-1398-3 [Book Section]

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Graham, Stephen. 2018. Modernism for and of the Masses? On Popular Modernisms. In: Björn Heile and Charles Wilson, eds. The Routledge Research Companion to Modernism in Music. Abingdon: Routledge, pp. 239-257. ISBN 9781472470409 [Book Section]

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Matsumoto, Naomi. 2018. L'opera dei pupi, Torneo, and Early Opera: Shared Traditions and Intangible Experiences. In: Barley Norton and Naomi Matsumoto, eds. Music as Heritage: Historical and Ethnographic Perspectives. Routledge-Taylor and Francis. ISBN 9781138228047 [Book Section]

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Matsumoto, Naomi. 2018. Pio Enea Obizzi: Power and Authorship. In: R Rasch, ed. Music and Power in the Baroque Era. 6 Turnhout: Brepols, pp. 275-298. ISBN 9782503580715 [Book Section]

McVeigh, Simon. 2018. Academy of Ancient Music (Eighteenth Century); Programmes (of Concerts), Tartini (Giuseppe). In: Colin Lawson and Robin Stowell, eds. The Cambridge Encyclopedia of Historical Performance in Music. Cambridge: Cambridge University Press. ISBN 9781107108080 [Book Section]

McVeigh, Simon. 2018. Britain and Europe in the Time of Clementi: Cosmopolitanism and Perceptions of National Culture. In: Luca Lévi Sala and Rohan H. Stewart-MacDonald, eds. Muzio Clementi and British Musical Culture: Sources, Performance Practice and Style. Abingdon: Routledge, pp. 10-31. ISBN 9781138633896 [Book Section]

McVeigh, Simon. 2018. Building a Concert Career in Edwardian London. In: Rosemary Golding, ed. The Music Profession in Britain, 1780-1920: New Perspectives on Status and Identity. Abingdon: Routledge, pp. 189-219. ISBN 9781138291867 [Book Section]

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Negus, Keith. 2018. Musicians on Television at the BBC, 1936-1972. Discussion Paper, [Article]

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Norton, Barley. 2018. Filming Music as Heritage. In: Hui Yu, ed. Ethnomusicology in Audiovisual Time. Zheijang: Zheijang University Press, pp. 78-90. ISBN 978-7-308-18210-2 [Book Section]

Norton, Barley. 2018. Filming Music as Heritage: The Cultural Politics of Audiovisual Representation. In: Barley Norton and Naomi Matsumoto, eds. Music as Heritage: Ethnographic and Historical Perspectives. Abingdon: Routledge, pp. 79-101. ISBN 9781138228047 [Book Section]

Norton, Barley. 2018. Music and Censorship in Vietnam since 1954. In: Patricia Hall, ed. The Oxford Handbook of Music Censorship. New York: Oxford University Press, pp. 303-331. ISBN 9780199733163 [Book Section]

Norton, Barley. 2018. Orchestrating the Nation: Court Orchestras, Nationalism and Agency in Vietnam. In: Tina K. Ramnarine, ed. Global Perspectives on Orchestras: Collective Creativity and Social Agency. New York: Oxford University Press, pp. 301-323. ISBN 9780199352227 [Book Section]

Norton, Barley. 2018. Review of the CD 'Lao Dreaming' by Wonderfeel, Skeletone. Songlines: The World Music Magazine, 136, p. 65. [Article]

Perchard, Tom. 2018. 'Hearing, Seeing, Talking, Touching: Pop Music Experiences in the Postwar British Home'. In: 8th William A. Kern Conference in Visual Communication. Rochester Institute of Technology, United States. [Conference or Workshop Item]

Perchard, Tom. 2018. 'Towards a History of Pop Music in the 20th-Century Home'. In: Research Symposium. Kunstuniversität Graz, Austria. [Conference or Workshop Item]

Redgate, Roger. 2018. Contemporary British Music: Technique and the Compositional Process. In: P. Archblod and R. Saxton, eds. Contemporary British Music: Technique and the Compositional Process. Ashgate. ISBN 978-0-7546-6367-6 [Book Section] (Forthcoming)

Redgate, Roger. 2018. Music after the Death of Art. Twentieth Century Music, 14(3), pp. 41-44. ISSN 1478-5722 [Article]

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Redhead, L. 2018. The Avant Garde as Exform. Tempo, 72(286), pp. 7-16. ISSN 0040-2982 [Article]

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Redhead, L. 2018. A Common Method? Distributed Creativity in Composition and/as Practice Research. In: L Redhead and R Glover, eds. Collaborative and Distributed Processes in Contemporary Music-Making. Newcastle: Cambridge Scholars, pp. 27-44. ISBN 978-1-5275-1398-3 [Book Section]

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Redhead, L. 2018. humata, hukhta, huvarshta. [Composition]

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Redhead, L. 2018. ore. [Composition]

Redhead, L; Zaldua, Alistair and Cannon, J. 2018. hearmleoþ—gieddunga. [Audio]

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Scovell, Adam. 2018. The Audio-Visuality Of Transcendental Style in Film. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Tsiris, Giorgos. 2018. Performing spirituality in music therapy: Towards action, context and the everyday. Doctoral thesis, Goldsmiths, University of London [Thesis]

2017

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Rogers, Holly and Barham, Jeremy, eds. 2017. The Music and Sound of Experimental Film. New York: Oxford University Press. ISBN 9780190469900 [Edited Book]

Beck, Jay; Gardiner, Ian R. and Hanson, Helen, eds. 2017. Music, Sound, and the Moving Image, Volume 11, Issue 2, Autumn 2017, Music, Sound, and the Moving Image, 11(2). 1753-0776 [Edited Journal]

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Alexander, Tamsin. 2017. Illuminating Gustavus the Third and the Art of Spectacle in 1830s London. Cambridge Opera Journal, 29(1), pp. 33-52. ISSN 0954-5867 [Article]

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Barden, Mark. 2017. Composing in and through the Body. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Bulley, James. 2017. 'Living Symphonies'. In: Sound and Environment. University of Huddersfield, United Kingdom 29 June—1 July 2017. [Conference or Workshop Item]

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Bulley, James. 2017. ''Progress Music': Daphne Oram, Geoffrey Jones and 'Trinidad and Tobago'.'. In: Sound and Music in Documentary Film. University of Huddersfield, United Kingdom 23—24 February 2017. [Conference or Workshop Item]

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Bulley, James and Gray, Andrew. 2017. RDM in the Performing Arts: Living Symphonies by Daniel Jones & James Bulley (Unit for Sound Practice Research, Goldsmiths, University of London). In: , ed. LEARN Toolkit of Best Practice for Research Data Management. London: University College London, pp. 59-65. [Book Section]

Burrows, Donald and Joncus, Berta. 2017. Music and Representation. In: Joanna Marschner, ed. Enlightened Princesses: Caroline, Augusta, Charlotte, and the Shaping of the Modern World. New Haven: Yale Center for British Art, pp. 202-207. ISBN 9780300217100 [Book Section]

Busby, Lisa. 2017. Like so many things I both know and don't know. Dancecult Journal of Electronic Dance Music Culture, 9(1), ISSN 1947-5403 [Article]

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Cameron, Daniel; Potter, Keith; Wiggins, Geraint and Pearce, Marcus. 2017. Perception of Rhythmic Similarity is Asymmetrical, and is Influenced by Musical Training, Expressive Performance, and Musical Context. Timing & Time Perception, 5(3-4), pp. 211-227. ISSN 2213-445X [Article]

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Gardiner, Ian R.. 2017. Quantum. BBC broadcast, Radio 3, 4 March 2017. [Other]

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Gilgunn, Paul. 2017. Distillation and Synthesis: Aesthetics and Practice in Rhys Chatham's Music for Electric Guitar. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Gillis-Furutaka, Amanda. 2017. The Consumption of English-language Music Videos on YouTube in Japan. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Graham, Stephen. 2017. The X Factor and Reality Television: Beyond Good and Evil. Popular Music, 36(1), pp. 6-20. ISSN 0261-1430 [Article]

Joncus, Berta. 2017. ‘Ballad Opera: Commercial Song in Enlightenment Garb. In: Robert Gordon and Olaf Jubin, eds. The Oxford Handbook of the British Musical. New York: Oxford University Press, pp. 31-63. ISBN 9780199988747 [Book Section]

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Matsumoto, Naomi. 2017. Giovanni Vittorio Rosi's Musical Theatre: Opera, Operetta and the Westernisation of Modern Japan. In: Michela Niccolai and Clair Rowden, eds. Musical Theatre in Europe 1830-1945. Turnout: Brepols, pp. 351-385. ISBN 9782503577661 [Book Section]

Norton, Barley. 2017. Review of the CD 'Saigon Supersound, 1965-75 Volume 1', INFRACom! Songlines: The World Music Magazine, 131, p. 59. [Article]

Perchard, Tom. 2017. 'Experiments in Critical Music Writing'. In: Experimental Approaches to Writing Research symposium. Birmingham City University, United Kingdom. [Conference or Workshop Item]

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Perchard, Tom. 2017. Growing Old Together: Pop Studies and Music Sociology Today. Twentieth-Century Music, 14(2), pp. 335-343. ISSN 1478-5722 [Article]

Perchard, Tom. 2017. 'Historiography and Popular Music'. In: 53rd Royal Music Association annual conference. University of Liverpool, United Kingdom. [Conference or Workshop Item]

Perchard, Tom. 2017. 'Reimagining Popular Music History'. In: Research Colloquium. University of Oxford, United Kingdom. [Conference or Workshop Item]

Perchard, Tom. 2017. 'What Next for the History of Popular Music?'. In: 19th Biennial Conference of the International Association for the Study of Popular Music. Kassel, Germany. [Conference or Workshop Item]

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Potter, Keith. 2017. Harmonic Progressions as a Gradual Process: towards an understanding of the development of tonality in the music of Steve Reich. In: Felix Woerner and Philip Rupprecht, eds. Tonality Since 1950. Stuttgart: Franz Steiner Verlag, pp. 189-207. ISBN 978-3-515-11582-7 [Book Section]

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Powers, Devon and Perchard, Tom. 2017. Introduction: The Critical Imperative. Popular Music, 36(1), pp. 1-5. ISSN 0261-1430 [Article]

Redgate, Roger. 2017. Notation, Structure and Performance: Towards a Grammatology of Music. In: R. Woodley, ed. Notation and Practice: Essays in Musical Performance and Textuality. Cambridge: Cambridge University of Press. [Book Section] (Forthcoming)

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Redhead, L. 2017. a common method. [Composition]

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Redhead, L. 2017. entoptic landscape and ijereja: music as an iterative process. New Sound International Journal of Music, 49, pp. 97-113. ISSN 0354-818X [Article]

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Redhead, L; Zaldua, Alistair; Gisby, S and Stone, S. 2017. Performing Temporal Processes. New Sound International Journal of Music, 50, pp. 113-127. ISSN 0354-818X [Article]

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Rogers, Holly. 2017. ‘Audio-Visual Dissonance in Found Footage Films’. In: Holly Rogers and Jeremy Barham, eds. The Sound and Music of Experimental Film. New York: Oxford University Press. ISBN 9780190469900 [Book Section]

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Smith, Bethan Evie. 2017. The Pianoforte at the Great Exhibition of 1851: Investigating Cultural Value. Doctoral thesis, Goldsmiths, University of London [Thesis]

Spillane, Jeremiah. 2017. 'Bebop [r]evolution: understanding the new sound of jazz in Postwar France'. In: Royal Musical Association: Identity and Vinyl Culture Conference. University of Birmingham, United Kingdom Saturday 18th November 2017. [Conference or Workshop Item]

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Spillane, Jeremiah. 2017. [Book Review] Blue Rhythm Fantasy: Big Band jazz Arranging in the Swing Era, by John Wriggle. University of Illinois Press. Journal of the International Association for the Study of Popular Music (IASPM), 7(2), ISSN 2079-3871 [Article]

Spillane, Jeremiah. 2017. 'Djangology: Examining the posthumous influence of Django Reinhardt and the formation of “Gypsy Jazz” through pedagogy and performance online.'. In: The Fourth Westminster-Goldsmiths Symposium for Student Research in Popular Music. University of Westminster, London, United Kingdom Friday, 26 May 2017. [Conference or Workshop Item]

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Welbanks, Valerie. 2017. Foundations of Modern Cello Technique; Creating the Basis for a Pedagogical Method. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Winston, Emma. 2017. Nightcore and the Virtues of Virtuality. Brief Encounters, 1(1), ISSN 2514-0612 [Article]

2016

Hawes, V and Redhead, L, eds. 2016. Music and/as Process. Newcastle: Cambridge Scholars. ISBN 978-1-4438-9491-3 [Edited Book]

Beck, Jay; Gardiner, Ian R. and Hanson, Helen, eds. 2016. Music, Sound, and the Moving Image, Volume 10, Issue 1, Spring 2016, Music, Sound, and the Moving Image, 10(1). 1753-0776 [Edited Journal]

McVeigh, Simon and Lynan, Peter, eds. 2016. Thomas Arne, Judith: an Oratorio. London: The Musica Britannica Trust and Stainer & Bell Ltd. ISBN 9780852499474 [Edited Book]

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Abtan, Freida. 12 November 2016 Flight of Birds (Remix). [Project]

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Abtan, Freida. 2016. Where is She: Find the Women in Electronic Music Culture. Contemporary Music Review, 35(1), pp. 53-60. ISSN 0749-4467 [Article]

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Antoniou, Antonis. 2016. Aural Auras and Haunting Echoes: Places with complex biographies. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Bulley, James. 2016. 'Progress Music': Daphne Oram, Geoffrey Jones and 'Trinidad and Tobago'. Bricks From The Kiln(2), [Article]

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Bulley, James. 2016. 'Tactus: Sound Scores for the Blind and Visually Impaired'. In: 'Make:Shift': Crafts Council Conference 2016. Museum of Science and Industry, Manchester, United Kingdom 10 November 2016. [Conference or Workshop Item]

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Bulley, James and Feshareki, Shiva. 2016. Still Point. [Composition]

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Bulley, James; Jones, Daniel; Forestry Commission England and Sound and Music. 2016. Planning and Producing Artworks in the Natural Environment. Project Report. Forestry Commission England and Sound and Music, London. [Report]

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Crawford, Tim and Lewis, Richard. 2016. Music Encoding Initiative (Digital and Multimedia Scholarship). Journal of the American Musicological Society, 69(1), pp. 273-285. ISSN 0003-0139 [Article]

Dix, Alan; Cowgill, Rachel; Bashford, Christina; McVeigh, Simon and Ridgewell, Rupert. 2016. Spreadsheets as User Interfaces. AVI '16 Proceedings of the International Working Conference on Advanced Visual Interfaces, pp. 192-195. [Article]

Drever, John L. and Upton, Lawrence. 2016. Porth Dances & Sings. [Composition]

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Graham, Stephen. 2016. Sounds of the Underground: A Cultural, Political and Aesthetic Mapping of Underground and Fringe Music. Michigan: University of Michigan Press. ISBN 9780472119752 [Book]

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Hawes, V and Redhead, L. 2016. Introduction. In: V Hawes and L Redhead, eds. Music and/as Process. Newcastle: Cambridge Scholars, pp. 1-8. ISBN 978-1-4438-9491-3 [Book Section]

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Hornabrook, Jasmine. 2016. 'Becoming One Again': Music and Transnationalism in London's Sri Lankan Tamil Diaspora. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Kirk, Pedro; Grierson, Mick; Bodak, Rebeka; Ward, Nick; Brander, Fran; Kelly, Kate; Newman, Nicholas and Stewart, Lauren. 2016. 'Motivating Stroke Rehabilitation Through Music: A Feasibility Study Using Digital Musical Instruments in the Home'. In: Proceedings of the 2016 CHI Conference on Human Factors in Computing Systems. San Francisco, United States. [Conference or Workshop Item]

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Matsumoto, Naomi. 2016. "Ghost Writing”: an Exploration of Presence and Absence in Lucia di Lammermoor (1835)’. Word and Music Studies, 15, pp. 63-84. ISSN 1566-0958 [Article]

McVeigh, Simon. 2016. The Prince of Wales, Giardini and Pleyel: Searching for the Source of the Public String Quartet in London Concert Life. In: Christian Speck, ed. The String Quartet: From the Private to the Public Sphere. 27 Turnhout: Brepols, pp. 165-197. ISBN 9782503568003 [Book Section]

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Negus, Keith and Street, John. 2016. The Mediations of Music and Alcohol. Popular Music, 35(02), pp. 161-165. ISSN 0261-1430 [Article]

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Olowe, Ireti; Barthet, Mathieu; Grierson, Mick and Bryan-Kinns, Nick. 2016. 'FEATUR.UX: exploiting multitrack information for artistic visualization'. In: Proceedings of the International Conference on Technologies for Music Notation and Representation - TENOR2016. TENOR, United Kingdom. [Conference or Workshop Item]

Perchard, Tom. 2016. 'The Look of Listening: Audio Technology and the British Home, 1955-70'. In: Research Symposium. Canterbury Christ Church University, United Kingdom. [Conference or Workshop Item]

Perchard, Tom. 2016. 'Towards a History of Pop Music in the British Home'. In: Research symposium. University of York, United Kingdom. [Conference or Workshop Item]

Perchard, Tom. 2016. 'Utopia in the Living Room'. In: Jazz Utopia. Birmingham City University, United Kingdom. [Conference or Workshop Item]

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Perry, Phoenix and Abtan, Freida. 2016 - 2018 Bot Party. [Project]

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Potter, Keith; Wilkins, Suzie and Wiggins, Geraint. 2016. On the Nature of Subjectivity in Music Analysis: some observations on analysing an early score by Philip Glass. In: Lauren Redhead and Vanessa Hawes, eds. Music and/as Process. Newcastle: Cambridge Scholars Publishing, pp. 34-55. ISBN 978-1-4438-9491-3 [Book Section]

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Redhead, L. 2016. Notation as Process: 
Interpretation of Open Scores 
and the ‘Journey Form’. In: V Hawes and L Redhead, eds. Music and/as Process. Newcastle: Cambridge Scholars, pp. 116-134. ISBN 978-1-4438-9491-3 [Book Section]

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Redhead, L. 2016. for Luc Brewaeys. [Composition]

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Redhead, L. 2016. ijereja. [Audio]

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Redhead, L and Zaldua, Alistair. 2016. 'The Organ as Live Interface'. In: International Conference on Live Interfaces. University of Sussex 29 June - 3 July 2016. [Conference or Workshop Item]

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Rogers, Holly; Vernallis, Carol and Perott, Lisa. 2016. Beyoncé’s Lemonade: She Dreams in Both Worlds. Film International, [Article]

Rogers, Holly; Vernallis, Carol and Perrott, Lisa. 2016. New Approaches to Sound, Music and Media. Bloomsbury. [Book]

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Rosani, Silvia. 2016. Intermezzo 1, for live electronics. In: "White Masks", Great Hall, Goldsmiths, United Kingdom. [Performance]

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Rosani, Silvia. 2016. Intermezzo 2, for live electronics.. In: "White Masks", Great Hall, Goldsmiths, United Kingdom. [Performance]

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Rosani, Silvia. 2016. Intermezzo 3, for live electronics. In: "White Masks", Great Hall, Goldsmiths, United Kingdom. [Performance]

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Rosani, Silvia. 2016. Li Rin. [Composition]

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Rosani, Silvia. 2016. Li Rin, for soprano and piano. In: "Confessions", Theaterhaus (Stuttgart), Germany. [Performance]

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Rosani, Silvia. 2016. No doubt they can feel pain. [Composition]

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Rosani, Silvia. 2016. No doubt they can feel pain. In: "Concert presenting the eight new pieces of the participants of the Composition Summer School 2016", Neimëister, United Kingdom. [Performance]

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Rosani, Silvia. 2016. T-O for five voices, performed at Onassis Cultural Centre in Athens by the Neue Vocalsolisten. In: "Voices in Space", Athens, United Kingdom, 13/05/16. [Performance]

Rosani, Silvia. 2016. T-O for five voices, performed by the Neue Vocalsolisten at the Onassis Cultural Centre in Athens (Greece).. In: "Voices in Space", Onassis Cultural Centre (Athens), Greece, 13/05/2016. [Performance]

Rosani, Silvia. 2016. T-O for five voices. Performed by Neue Vocalsolisten at Centro Kursaal (San Sebastian). In: "Mediterranean voices", Centro Kursaal (San Sebastian), Spain, 26/08/2015. [Performance]

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Rosani, Silvia. 2016. White Mask, for solo cello. In: "White Masks", Goldsmiths, Great Hall, United Kingdom, 24/11/2016. [Performance]

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Rosani, Silvia. 2016. White Mask, for solo cello. [Composition]

Rosani, Silvia; Tóth, Kinga and Bolm, Andreas. 2016. Controller. In: "Chouftouhonna 2016, International Feminist Art Festival", Tunis, Tunisia. [Show/Exhibition]

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Rosani, Silvia; Tóth, Kinga and Bolm, Andreas. 2016. 'Controller, video and stereo fixed media'. In: WISWOS 2016. Lancaster Institute for the Contemporary Arts, United Kingdom. [Conference or Workshop Item]

Spillane, Jeremiah. 2016. 'Transatlantic Swing: The Influence of Louis Armstrong on Django Reinhardt and the Development of Jazz in France'. In: Third Westminster-Goldsmiths Symposium for Student Research in Popular Music. Westminster University, London, United Kingdom. [Conference or Workshop Item]

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Spillane, Jeremiah; Givan, Benjamin; Hannum, Andrew and Bulley, James. 2016. 'Open in Action: Music, Computing and Open Data'. In: Open in Action: Music, Computing and Open Data. Special Collections Reading Room, Goldsmiths, United Kingdom 24/10/2016. [Conference or Workshop Item]

2015

Beck, Jay; Gardiner, Ian R. and Hanson, Helen, eds. 2015. Music, Sound, and the Moving Image, Volume 9, Issue 1, Spring 2015, Music, Sound, and the Moving Image, 9(1). 1753-0776 [Edited Journal]

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Matsumoto, Naomi, ed. 2015. Staging Verdi and Wagner. Turnhout: Brepols. ISBN 9782503564821 [Edited Book]

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Alexander, Tamsin. 2015. Decentralising via Russia: Glinka’s A Life for the Tsar in Nice, 1890. Cambridge Opera Journal, 27(1), pp. 35-62. ISSN 0954-5867 [Article]

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Alexander, Tamsin. 2015. Review: 'A Musician Divided: Andre Tchaikowsky in his own words'. Music & Letters, 96(3), pp. 491-494. [Article]

Alexander, Tamsin. 2015. Tales of Cultural Transfer: Russian Opera Abroad, 1866-1906. Doctoral thesis, University of Cambridge [Thesis]

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Armstrong, R and Redhead, L. 2015. /’(h)weTH: VOICE - BREATH - BODY - FORM/S. New Sound International Journal of Music, 46, pp. 155-167. ISSN 0354-818X [Article]

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Artamonova, Elena. 2015. Vadim Borisovsky and His Viola Arrangements: Recent Discoveries in Russian Archives and Libraries, Part II. Journal of the American Viola Society, 31(1), pp. 19-30. ISSN 0898-5987 [Article]

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Assiter, Ben. 2015. Basic Channel and Timelessness: Negotiating Canonisation, Resemblance and Repetition in House and Techno. International Association for the Study of Popular Music, [Article]

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Bosnic, Maja. 2015. Re-question, Reset : Portfolio of compositions accompanied by a written commentary.. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Bulley, James. 2015. Tactus No.1. In: "Sonic Pattern, Mykolas Žilinskas Art Gallery, Kaunas Biennial", Kaunas, Lithuania, 18 September – 1 January 2016. [Show/Exhibition]

Drever, John L.. 2015. 'Sanitary Soundscapes: The Noise Effects From Ultra-Rapid “Ecological” Hand Dryers On Vulnerable Subgroups In Publicly Accessible Toilets'. In: 2nd International Conference on Hyperacusis (ICH2). Birkbeck College, University of London. [Conference or Workshop Item]

Drever, John L.. 2015. 'Sensitive Hearing in an Auraltypical World'. In: Sound Studies: Art, Experience, Politics, CRASSH. University of Cambridge. [Conference or Workshop Item]

Drever, John L.. 2015. Sublime-sound-of-the-one-hand [Ryōan-ji]. FocaalBlog, associated with Focaal: Journal of Global and Historical Anthropology, [Article]

Drever, John L. and Cook, Christopher. 2015. Acoustic ecology of great places. [Composition]

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Exarchos, Dimitris. 2015. Listening Outside of Time. In: M. Solomos, ed. Xenakis. La musique électroacoustique. L'harmattan. [Book Section]

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Garrelfs, Iris. 2015. Breathing Through Wires. [Project]

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Graham, Stephen. 2015. Frank Zappa and the And. Edited by Paul Carr (Book Review). Popular Music, 34(1), pp. 147-150. ISSN 0261-1430 [Article]

Graham, Stephen. 2015. Historical Documents of the Irish Avant-Garde. In: Jennifer Walshe, ed. Historical Documents of the Irish Avant-Garde. Aisteach Foundation. [Book Section]

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Leadley, Marcus. 2015. In Situ Listening:Soundscape, Site and Transphonia. Doctoral thesis, Goldsmiths, University of London [Thesis]

Lewis, Lis. 2015. English Flute School Performance Aesthetics (1706–1972): A National Style?. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Lewis, Matt. 2015. Ventriloquial Acts: Critical reflections on the art of Foley and the role of sound in social space. Doctoral thesis, Goldsmiths, University of London [Thesis]

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March, Neil. 2015. Developing an Urban Art Music. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Matsumoto, Naomi. 2015. Charles Marshall’s “Dioramic” Scenery: Staging Verdi in Victorian London. In: , ed. Staging Verdi and Wagner. Turnhout: Brepols, pp. 53-80. ISBN 9782503564821 [Book Section]

Norton, Barley. 2015. Review of the CD 'Radio Vietnam', compiled by Mark Gergis. Sublime Frequencies. Songlines: The World Music Magazine, 109, p. 71. [Article]

Perchard, Thomas. 2015. 'Roundtable contributor'. In: ‘New Directions in Jazz Studies’ symposium.. Senate House, University of London, United Kingdom. [Conference or Workshop Item]

Perchard, Tom. 2015. 'Popular Music teaching at Goldsmiths'. In: Reconcile Your Body and Soul (But How?)’. Symposium on academic and creative practice in popular music education. Seika University, Kyoto, Japan. [Conference or Workshop Item]

Peyton Jones, Jeremy. 2015. The Train. [Composition]

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Redhead, L. 2015. The Beautiful and the Political. Contemporary Music Review, 34(2-3), pp. 247-255. ISSN 0749-4467 [Article]

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Redhead, L. 2015. 'New Music' as Patriarchal Category. In: C Haworth and L Colton, eds. Gender, Age and Musical Creativity. London: Routledge, pp. 171-184. [Book Section]

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Redhead, L. 2015. boxmusic. [Composition]

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Redhead, L. 2015. parergons. [Composition]

Redhead, L and Zaldua, Alistair. 2015. Diapason: Music for Organ and Electronics. [Audio]

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Rogers, Holly. 2015. ‘Beethoven’s Myth Sympathy: Hollywood’s Reconstruction’. In: Michael Spitzer, ed. Beethoven. Farnham: Ashgate, pp. 509-521. ISBN 978-1-4724-4030-3 [Book Section]

Spillane, Jeremiah. 2015. Hybridizing the intangible: unraveling Django Reinhardt's socio-cultural milieu. HANDAI ONGAKUGAKUHO, Journal of HANDAI Music Studies, [Article]

Spillane, Jeremiah. 2015. '"Les Yeux Noirs": Django Reinhardt’s encounters with visual art'. In: The Second Westminster - Goldsmiths Symposium for Student Research in Popular Music. Westminster University, United Kingdom. [Conference or Workshop Item]

Spillane, Jeremiah. 2015. '"Les Yeux Noirs": Django Reinhardt’s encounters with visual art'. In: New Directions in Jazz Studies. Senate House, London, United Kingdom. [Conference or Workshop Item]

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Zaldua, Alistair. 2015. The Concept of the Meta-Instrument and its Implementation in Pre-Composition. Doctoral thesis, Goldsmiths, University of London [Thesis]

2014

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Perchard, Tom, ed. 2014. From Soul to Hip Hop (The Library of Essays on Popular Music). Ashgate. ISBN 978-1-4094-2719-3 [Book]

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Rogers, Holly, ed. 2014. Music and Sound in Documentary Film. New York: Routledge. ISBN 9780415728669 [Edited Book]

Beck, Jay; Gardiner, Ian R. and Hanson, Helen, eds. 2014. Music, Sound, and the Moving Image, Volume 8, Issue 1, Spring 2014, Music, Sound, and the Moving Image, 8(1). 1753-0776 [Edited Journal]

ap Sion, Pwyll and Redhead, L, eds. 2014. Musical Borrowing and Quotation in the Twentieth and Twenty-First Centuries, Contemporary Music Review, 33(2). 0749-4467 [Edited Journal]

Matsumoto, Naomi and Yamamoto, Kazuto, eds. 2014. SHIZENGAKU: the Search for a Coming Aesthetic. Kyoto: Nakanishiya. ISBN 978-4-9907368-0-4 [Edited Book]

Aceti, Lanfranco; Jefferies, Janis K.; Sondergaard, Morten; Stallabrass, Julian; Bulley, James; Drever, John L.; Munro, Jonathan; Noy, Irene and Sahin, Ozden. 15 - 17 May 2014 Histories, Theories and Practices of Sound Art. [Project]

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Alexander, Tamsin. 2014. Too Russian for British Ears: La Vita per lo Czar at Covent Garden, 1887. Tekst. Kniga. Knigoizdaniye (Text. Book. Publishing), 2(6), pp. 30-48. ISSN 2306-2061 [Article]

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Artamonova, Elena. 2014. Alexander Grechaninov and the Viola. Alexander Grechaninov: Complete Music for Viola and Piano, pp. 2-10. [Article]

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Artamonova, Elena. 2014. Vadim Borisovsky and His Viola Arrangements: Recent Discoveries in Russian Archives and Libraries, Part I. Journal of the American Viola Society, 30(2), pp. 27-36. ISSN 0898-5987 [Article]

Bora, Menaka. 2014. Globalization, Indianness and Neo-traditionality in Indian Contemporary Experimental Music. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Chung, Hsiang Ying. 2014. A Sound Encounter of En Creux: in-between Roni Horn, Alvin Lucier, and Robert Smithson. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Dix, Alan; Cowgill, Rachel; Bashford, Christina; McVeigh, Simon and Ridgewell, Rupert. 2014. Authority and Judgement in the Digital Archive. The 1st International Digital Libraries for Musicology workshop (DLfM 2014), pp. 1-8. [Article]

Drever, John L.. 2014. 'Ochlophonia Hong Kong SAR: audition, speech and feedback from within the crowded soundscape.'. In: Sound, Noise and the Everyday: Soundscapes in China. Aarhus University, Denmark. [Conference or Workshop Item]

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Foster, Stephen Charles. 2014. 'To Entertain the Fancy': The Orchestral Concert song in England, 1740-1800. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Gardiner, Ian R.. 2014. 45RPM. [Composition]

Greenan, Althea; George, Rosalyn P.; Joncus, Berta; Richmond, Vivienne and Wolf, Nicole. 2014. 'Feminism@Goldsmiths'. In: Feminism@Goldsmiths. Goldsmiths, Universirty of London, United Kingdom. [Conference or Workshop Item]

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Hong, Ju-Lee. 2014. An Empirical Analysis of Musical Expression in Recordings by Selected Cellists. Masters thesis, Goldsmiths, University of London [Thesis]

Ikeshiro, Ryo. 2014. Audification and Non-Standard Synthesis in Construction in Self. Organised Sound, 19(1), pp. 78-89. ISSN 1355-7718 [Article]

Joncus, Berta. 2014. Opera librettos and British politics. Early Music, 42(2), pp. 297-299. ISSN 0306-1078 [Article]

Joncus, Berta and Rogers, Vanessa L.. 2014. Ballad Opera and British double entendre: Henry Fielding’s The Mock Doctor. In: Judith Le Blanc and Herbert Schneider, eds. Pratiques du timbre et de la parodie d'opéra en Europe (XVIe - XIXe siècles)/Timbre-Praxis und Opernparodie im Europa des 16. bis 19. Jahrhunderts. (40) Hildesheim: Georg Olms Verlag, pp. 101-140. ISBN 9783487150727 [Book Section]

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Kalodiki, Georgia. 2014. Interactive Performance Systems Conceptual interacting strategies in forming electroacoustic sound identities. In: G. Kouroupetroglou and A. Georgaki, eds. Proceedings - 40th International Computer Music Conference, ICMC 2014 and 11th Sound and Music Computing Conference, SMC 2014 - Music Technology Meets Philosophy: From Digital Echos to Virtual Ethos. , pp. 314-317 ISBN 978-960466137-4 [Book Section]

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Koren, Réka and Gingras, Bruno. 2014. Perceiving individuality in harpsichord performance. Frontiers in Psychology, 5, 141. ISSN 16641078 [Article]

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Matsumoto, Naomi. 2014. Michael Costa at the Haymarket: the Establishment of the Modern Role of 'The Director of Music'. In: Roberto Illiano and Michela Niccolai, eds. Orchestral Conducting in the Nineteenth Century. Turnhout: Brepols, pp. 25-60. ISBN 9782503552477 [Book Section]

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Matsumoto, Naomi. 2014. Nature in Music, Music in Nature: Imitation, Quotation and Representation. In: Naomi Matsumoto and Kazuto Yamamoto, eds. SHIZENGAKU: the Search for a Coming Aesthetic. Kyoto, Japan: Nakanishiya, pp. 124-133. ISBN 9784779507915 [Book Section]

McVeigh, Simon. 2014. Handel in Concert: Social, National and Cultural Roles in Later Eighteenth-Century Britain. In: Laurenz Lütteken and Wolfgang Sandberger, eds. Göttinger Händel-Beiträge 15. Göttingen: Vanderkoeck & Ruprecht, pp. 161-176. ISBN 9783525278321 [Book Section]

Norton, Barley. 2014. Engendering Emotion and the Environment in Vietnamese Mediumship. Vietnam Social Sciences Review, 164(6), pp. 1-16. [Article]

Norton, Barley. 2014. Music Revival, Ca Trù Ontologies, and Intangible Cultural Heritage in Vietnam. In: Caroline Bithell and Juniper Hill, eds. The Oxford Handbook of Music Revival. New York: Oxford University Press, pp. 160-181. ISBN 9780199765034 [Book Section]

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Peyton Jones, Jeremy. 2014. Sound Production as Theatrical Action. In: Marilyn Wyers and Osvaldo Gileca, eds. Sound, Music and the Moving Thinking Body. Cambridge Scholars Publishing. [Book Section]

Pryer, Anthony J.. 2014. The Ontology of Music and the Challenge of Performance: Identity versus Variety, and the Persistence of the ‘Text’. In: Taina Riikonen and Arjaana Virtanen, eds. The Embodiment of Authority: Perspectives on Performances, Interdisziplinäre Studien zur Musik. Frankfurt: Peter Lang, pp. 87-102. ISBN 978-3-631-65085 [Book Section]

Pryer, Anthony J.. 2014. ‘Real’ Nature, ‘Aesthetic’ Nature and the Making of Artworks: Some Challenges of Cross-Cultural Collaboration (in Japanese Translation). In: Kazuto Yamamoto and Naomi Matsumoto, eds. Shizengaku: a Search for the Coming Aesthetic. Kyoto: Nakanishiya, pp. 6-26. ISBN ISBN 978-4-7795-0791-5 [Book Section]

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Redgate, Roger. 2014. Sgraffito. [Composition]

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Redhead, L. 2014. Quotation and Psychogeographic Experience as Repetition in the Music of Bernhard Lang and Chico Mello. Contemporary Music Review, 33(2), pp. 148-166. ISSN 0749-4467 [Article]

Redhead, L. 2014. concerto. [Audio]

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Rogers, Holly. 2014. ‘Music, Sound and the Nonfiction Aesthetic’. In: Holly Rogers, ed. Music and Sound in Documentary Film. New York: Routledge, pp. 1-19. [Book Section]

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Rogers, Holly. 2014. ‘Twisted Synaesthesia: Visual Artists and the Music Video’. In: Germano Celant, ed. Music or Art. Milan: Fondazione Prada, pp. 281-288. [Book Section]

Rosani, Silvia. 2014. T-O for five voices. Performed by the Neue Vocalsolisten at Biennale Venice 2014. In: "MEDITERRANEAN VOICES Video-concerto-architettura per 12 identità mediterranee", Teatro Fondamenta Nuove (Venice Biennale), Italy, 26/07/2014. [Performance]

Rosani, Silvia. 2014. T-O for five voices. Performed by the Neue Vocalsolisten at MATA Festival 2014. In: "MATA Festival 2014", The Kitchen (NY), United States, 20th April 2014. [Performance]

Rosani, Silvia. 2014. T-O for five voices. Performed by the Neue Vocalsolisten at Teatro de la Zarzuela (Madrid). In: "Eine Video-Konzert-Architektur über 12 mediterrane Identitäten in zwei Teilen", Teatro de la Zarzuela (Madrid), Spain. [Performance]

Spillane, Jeremiah. 2014. 'Hybridized cultural musical expressions and their impact on creative musical expressions. An examination of Musette and its impact on Django Reinhardt’s creative vision and stylistic development'. In: ‘Vision and Articulation’, Graduate School Festival. Goldsmiths, University of London, United Kingdom. [Conference or Workshop Item]

Spillane, Jeremiah. 2014. 'Hybridizing the intangible: unraveling Django Reinhardt's socio-cultural milieu'. In: Safeguarding the Intangible: Cross-Cultural Perspectives on Music and Heritage’. Goldsmiths, University of London, United Kingdom. [Conference or Workshop Item]

Spillane, Jeremiah. 2014. 'Mapping hybridities: exploring indigenous popular precursors to gypsy jazz'. In: London Popular Music PhD Symposium. University of Westminster, United Kingdom. [Conference or Workshop Item]

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Statherou, Stamatia. 2014. Forming a Musical Discourse: ‘Voice Interchangeability’ and Prolongation as Structural Devices and Means of Development. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Wigens, Jeremy. 2014. Portfolio of Compositions for Creative Musicians and Accompanying Commentary. Doctoral thesis, Goldsmiths, University of London [Thesis]

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ap Sion, Pwyll and Redhead, L. 2014. Introduction: Musical Borrowing and Quotation in the Twentieth and Twenty-first Centuries. Contemporary Music Review, 34(2), pp. 125-127. ISSN 0749-4467 [Article]

2013

Ivashkin, Alexander V., ed. 2013. Alfred Schnittke: collected works. St Petersburg: Compozitor. ISBN 979-0-66000-053-3 [Edited Book]

Potter, Keith S.; ap Sion, Pwyll and Gann, Kyle, eds. 2013. The Ashgate Research Companion on Minimalist and Postminimalist Music. Aldershot: Ashgate. ISBN 9781472402783 [Edited Book]

Kutschke, Beate and Norton, Barley, eds. 2013. Music and Protest in 1968. Cambridge: Cambridge University Press. ISBN 9781107007321 [Edited Book]

Gardiner, Ian R., ed. 2013. Music, Sound and the Moving Image, Music, Sound and the Moving Image, 7(1). [Edited Journal]

Beck, Jay; Gardiner, Ian R. and Hanson, Helen, eds. 2013. Music, Sound, and the Moving Image, Volume 7, Issue 1, Spring 2013, Music, Sound, and the Moving Image, 7(1). 1753-0776 [Edited Journal]

Beck, Jay; Gardiner, Ian R. and Hanson, Helen, eds. 2013. Music, Sound, and the Moving Image, Volume 7, Issue 2, Autumn 2013, Music, Sound, and the Moving Image, 7(2). 1753-0776 [Edited Journal]

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Garrelfs, Iris, ed. 2013. Reflections on Process in Sound Issue 2, Reflection on Process in Sound, 2. [Edited Journal]

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Brand, Jennifer May. 2013. From Design to Decline: Boosey & Hawkes and Clarinet Manufacturing in Britain, 1879-1986. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Bulley, James and Jones, Daniel. 2013. Radio Reconstructions. In: "Sound Arts", Queen Elizabeth Hall, United Kingdom, 9 May 2013. [Performance]

Busby, Lisa. 2013. Guest Curator: Lisa Busby. hernoise.org, [Article]

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Gardiner, Ian R.. 2013. Charing X. [Composition]

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Gardiner, Ian R.. 2013. Kaira - Ensemble version. [Composition]

Gardiner, Ian R. and Diabaté, Toumani. 2008 - 2013 Toumani Diabaté Adaptations. [Project]

Graham, Stephen. 2013. The Encyclopaedia of Music in Ireland. In: Harry White and Barra Boydell, eds. The Encyclopaedia of Music in Ireland. University College Dublin Press. ISBN 9781906359782 [Book Section]

Graham, Stephen. 2013. 'Popular Music and Television in Britain' Ian Inglis (ed.). (Book Review). Music, Sound, and the Moving Image, 7(1), pp. 83-88. ISSN 1753-0768 [Article]

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Ikeshiro, Ryo. 2013. Studio Composition: Live Audiovisualisation Using Emergent Generative Systems. Doctoral thesis, Goldsmiths, University of London [Thesis]

Ivashkin, Alexander V.. 2013. Benjamin Britten: The Complete Music for Cello Solo and Cello with Piano. In: "Recording", Brilliant Classics, Netherlands, 2012-2013. [Performance]

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Ivashkin, Alexander V.. 2013. John Cage in Soviet Russia 'Tempo', 66 ( 266), 2013: 1- 10. Tempo, 66(3), pp. 1-10. ISSN 0040-2982 [Article]

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Ivashkin, Alexander V.. 2013. Stravinsky and Khrennikov: An Unlikely Alliance. Mittelungen der Paul Sacher Stiftung, 26, April 2013, 12- 16(26), pp. 12-16. ISSN 1015-0536 [Article]

Joncus, Berta. 2013. ‘Ballad Opera’, ‘Beard, John’, ‘Beggar’s Opera’, ‘Clive, Catherine’, ‘Gay, John'. In: David Vickers and Annette Landgraf, eds. The Cambridge Handel Encyclopedia. Cambridge: Cambridge University Press. ISBN 978-1107666405 [Book Section]

Joncus, Berta. 2013. Review: Stefanie Tcharos, Opera's Orbit: Musical Drama and the Influence of Opera in Arcadian Rome. Eighteenth-Century Music, 10(1), pp. 136-139. ISSN 1478-5706 [Article]

Joncus, Berta. 2013. ‘To Propagate Sound for Sense’: Music for Diversion and Seduction at Ranelagh Gardens. The London Journal, 38(1), pp. 34-66. ISSN 0305-8034 [Article]

Joncus, Berta. 2013. “United voices formed the very perfection of harmony”: Music and the Invention of Harriett Abrams (c1758–1821)’,. In: Bärbel Czennia, ed. Celebrity: The Idiom of a Modern Era. New York: AMS Press, pp. 67-106. ISBN 9780404648701 [Book Section]

Joncus, Berta and Rogers, Vanessa. 2013. 'United voices formed the very perfection of harmony': Music and the invention of Harriett Abrams (c.1758-1821). In: Baerbel Czennia, ed. Celebrity: the idiom of a modern era. 70 New York: AMS Press. ISBN 978-0-404-64870-1 [Book Section]

McVeigh, Simon. 2013. The London Symphony Orchestra: the First Decade Revisited. Journal of the Royal Musical Association, 138(2), pp. 313-376. ISSN 0269-0403 [Article]

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Nex, Jennifer Susan. 2013. The Business of Musical-Instrument Making in Early Industrial London. Doctoral thesis, Goldsmiths, University of London [Thesis]

Norton, Barley. 2013. Engendering Emotion and the Environment in Vietnamese Music and Ritual. In: Fiona Magowan and Louise Wrazen, eds. Performing Gender, Place and Emotion in Music: Global Perspectives. Rochester, New York: Rochester University Press, pp. 29-59. ISBN 9781580464642 [Book Section]

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Norton, Barley. 2013. Music, Protest & the Vietnam War. Goldlink Magazine(40), pp. 18-20. [Article]

Norton, Barley. 2013. Vietnamese Popular Song in ‘1968’: War, Protest and Sentimentalism. In: Beate Kutschke and Barley Norton, eds. Music and Protest in 1968. Cambridge: Cambridge University Press, pp. 97-118. ISBN 9781107007321 [Book Section]

Peyton Jones, Jeremy. 2013. Composing music for The Zero Hour. In: Andrew Quick, ed. Theatricalising Cinema: imitating the dog's The Zero Hour and 6 Degrees Below the Horizon. Lancaster: Live at LICA, n/a-n/a. ISBN 978-1-86220-308-2 [Book Section]

Potter, Keith. 2013. Le Minimalisme. In: Nicolas Donin and Laurent Feneyrou, eds. Théories de la composition musicale au xxe siècle. 2 Lyon, France: Symétrie, pp. 775-800. ISBN 978-2-914373-60-9 [Book Section]

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Potter, Keith. 2013. Mapping Early Minimalism. In: Keith S. Potter; Kyle Gann and Pwyll ap Siôn, eds. The Ashgate Research Companion to Minimalist and Postminimalist Music. Farnham, UK: Ashgate, pp. 19-37. ISBN 9781409435495 [Book Section]

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Potter, Keith; Gann, Kyle and ap Sion, Pwyll. 2013. Introduction: experimental, minimalist, postminimalist? Origins, definitions, communities. In: Keith S. Potter; Kyle Gann and Pwyll ap Sion, eds. The Ashgate Research Companion to Minimalist and Postminimalist Music. Farnham: Ashgate, pp. 1-16. ISBN 9781 409435495 [Book Section]

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Pryer, Anthony J.. 2013. Hanslick, Legal Processes and Scientific Methodologies: How Not to Construct an Ontology of Music. In: Nicole Grimes; Siobhán Donovan and Wolfgang Marx, eds. Rethinking Hanslick: Music, Formalism and Expression. Rochester New York: University of Rochester Press, pp. 52-69. ISBN 9781580464321 [Book Section]

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Pryer, Anthony J.. 2013. 'Real' Nature, 'Aesthetic' Nature and the Making of Artworks: Some Challenges of Cross-Cultural Collaboration. In: Kazuto Yamamoto and Naomi Matsumoto, eds. Shizengaku: A Search for the Coming Aesthetic. Kyoto: Nakanishiya, pp. 6-26. ISBN 978-4-7795-0791-5 [Book Section]

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Rogers, Holly. 2013. ‘“Betwixt and Between” Worlds: Spatial and Temporal Liminality in Video Art-Music’. In: Claudia Gorbman; John Richardson and Carol Vernallis, eds. The Oxford Handbook of New Audiovisual Aesthetics. New York: Oxford University Press, pp. 525-542. ISBN 9780199733866 [Book Section]

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Rogers, Holly. 2013. Composing with Reality: Digital Sound and Music in Documentary Film. ZDOK: Zürcher Hochschule der Künste, 13, pp. 1-13. [Article]

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Rogers, Holly. 2013. Multimedia Art: Video Art-Music. In: Tim Shepherd and Anne Leonard, eds. Routledge Companion to Music and Visual Art. New York: Routledge, pp. 367-375. ISBN 9780415629256 [Book Section]

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Rogers, Holly. 2013. Sound and Vision. Wire Magazine, London. [Other]

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Rogers, Holly. 2013. Sounding the Gallery: Video and the Rise of Art Music. Oxford: Oxford University Press. ISBN 978-0-19-986142-2 [Book]

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Rogers, Holly. 2013. ‘Spatial Reconfiguration in Interactive Video Art-Music’. In: Karen Collins; Bill Kapralos and Holly Tessler, eds. The Oxford Handbook of Interactive Audio. Oxford: Oxford University Press, pp. 15-30. ISBN 9780199797226 [Book Section]

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Rogers, Holly. 2013. Video Art Primer. [Digital]

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Rosani, Silvia. 2013. Resistance music finds new shapes. Political Perspectives, 7(2), pp. 61-84. [Article]

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Sophocleous, Charalambos. 2013. Portfolio and Exegesis: Composing Through a Spectral Scope. Doctoral thesis, Goldsmiths, University of London [Thesis]

Spillane, Jeremiah. 2013. 'A phonomusicological approach to investigating the stylistic development Django Reinhardt'. In: 'Music as Communication', Graduate School Festival. Goldsmiths, University of London, United Kingdom. [Conference or Workshop Item]

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Toledo, Alejandro. 2013. World Music, Creative Reinterpretation, and the East Moldavian Roma Tradition. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Yamamoto, Mizuka. 2013. Forming an interpretation of the violin works of Boulez, Cage, Nono : a comparative study. Doctoral thesis, Goldsmiths, University of London [Thesis]

2012

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Ivashkin, Alexander V. and Kirkman, Andrew, eds. 2012. Contemplating Shostakovich: Life, Music and Film. Farnham: Ashgate. ISBN 978-1-4094-3937-0 [Edited Book]

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Ivashkin, Alexander V. and Kirkman, Andrew, eds. 2012. Contemplating Shostakovich: Life, Music and Film. Farnham: Ashgate. ISBN 978-1-4094-3937-0 [Edited Book]

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Garrelfs, Iris, ed. 2012. Reflections on Process in Sound Issue 1, Reflections on Process in Sound, . [Edited Journal]

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Abtan, Freida. 2012. Fear of Flight. [Composition]

Alessandrini, Patricia and Carreño, Juan Pablo. 2012. ICElab. [Composition]

Alexander, Tamsin. 2012. 'An “Extraordinary Engagement”: A Russian Opera Company in Britain, 1888’. In: Anthony Cross, ed. A People Passing Rude: British Responses to Russian Culture. Open Book Publishers. [Book Section]

Alvarez Munoz, Pedro. 2012. Portfolio of compositions. Other thesis, Goldsmiths, University of London [Thesis]

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Artamonova, Elena. 2012. Unknown Sergey Vasilenko and his Viola compositions. Journal of American Viola Society, 28(1), pp. 33-47. [Article]

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Cameron, Daniel; Lindsen, Job P.; Pearce, Marcus; Wiggins, Geraint; Potter, Keith and Bhattacharya, Joydeep. 2012. 'Entrainment of Premotor Cortex Activity by Ambiguity in Musical Metre'. In: Proceedings of the 12th International Conference on Music Perception and Cognition and the 8th Triennial Conference of the European Society for the Cognitive Sciences of Music. Thessaloniki, Greece July 23-28. [Conference or Workshop Item]

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Cameron, Daniel; Potter, Keith; Wiggins, Geraint and Pearce, Marcus T.. 2012. 'Perception of Rhythmic Similarity in Reich’s Clapping Music: Factors and Models'. In: Proceedings of the 12th International Conference on Music Perception and Cognition and the 8th Triennial Conference of the European Society for the Cognitive Sciences of Music. Thessaloniki, Greece July 23-28. [Conference or Workshop Item]

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Chung, Yu-Chiao. 2012. Schools at Home: Parental Support for Learning Mandarin as a Second or Foreign Language. Doctoral thesis, Goldsmiths, University of London [Thesis]

Drever, John L.; Ishikawa, Ryo and Okada, Shuji. 2012. Shizengaku. [Composition]

Gardiner, Ian R.. 2012. Arranger: Conlon Nancarrow, Study No. 6. Schott Music GmbH & Co. [Other]

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Gardiner, Ian R.. 2012. spinning and weaving (1st version). [Composition]

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Graham, Stephen. 2012. Notes from the underground: a cultural, political, and aesthetic mapping of underground music. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Ivashkin, Alexander V.. 2012. Live Performance. In: "Concerto Performance", The Mariinsky Concert Hall, St Petersburg, Russian Federation. [Performance]

Ivashkin, Alexander V.. 2012. Shostakovich, old believers and new minimalists. In: Alexander V. Ivashkin and Andrew Kirkman, eds. Contemplating Shostakovich. Farnham: Ashgate, pp. 19-45. ISBN 978-1-4094-3937-0 [Book Section]

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Ivashkin, Alexander V.. 2012. ‘Shostakovich. Second Cello Concerto.’ In D.D. Shostakovich, New Collected Works Critical Edition, vol. 49. Moscow: DSCH, 2012, 83–124. D.D. Shostakovich, New Collected Works Critical Edition, vol. 49. Moscow: DSCH, 2012, 83–124., 49, pp. 83-124. [Article]

Joncus, Berta. 2012. 'The Assemblage of every female Folly': Lavinia Fenton, Kitty Clive and the Genesis of Ballad Opera. In: Tiffany Potter, ed. Women of Fashion: Popular Culture in the Eighteenth Century and the eighteenth century in popular culture. Toronto: University of Toronto Press, pp. 25-51. ISBN 9781442641815 [Book Section]

Joncus, Berta. 2012. Editorial. Eighteenth-Century Music, 9(1), pp. 5-8. ISSN 1478-5706 [Article]

Joncus, Berta. 2012. 'Nectar if you taste and go, poison if you stay': struggling with the Orient in eighteenth-century British musical theatre. (Forthcoming). In: Marina Warner and Philip F. Kennedy, eds. The Arabian Nights: Encounters and Translations in Literature and the Arts. New York: New York University Press. [Book Section]

Matsumoto, Naomi. 2012. Instrumental Music and the Industrial Revolution. Ad Parnassum: Journal of 18th and 19th century Instrumental Music, 10(20), [Article]

Matsumoto, Naomi. 2012. Liner notes to Quintetto Vocale Italiano, Gesualdo. Gesualdo Six Books of Madrigals for 5 Voices, [Article]

McVeigh, Simon. 2012. Performance in the 'Long Eighteenth Century': an Overview. In: Colin Lawson and Robin Stowell, eds. The Cambridge History of Musical Performance. Cambridge: Cambridge University Press, pp. 473-505. ISBN 9780521896115 [Book Section]

McVeigh, Simon. 2012. The Symphony in Britain. In: Mary Sue Morrow and Bathia Churgin, eds. The Symphonic Repertoire: The Eighteenth-Century Symphony. Bloomington: Indiana University Press, pp. 629-661. ISBN 9780253356406 [Book Section]

McVeigh, Simon. 2012. Trial by Dining Club: the Instrumental Music of Haydn, Clementi and Mozart at London's Anacreontic Society. In: Bennett Zon, ed. Music and Performance Culture in Nineteenth-Century Britain: Essays in Honour of Nicholas Temperley. Farnham: Ashgate, pp. 105-138. ISBN 9781409495536 [Book Section]

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Nalimova, Elena. 2012. Demystifying Galina Ustvolskaya: Critical Examination and Performance Interpretation.. Doctoral thesis, Goldsmiths, University of London [Thesis]

Negus, Keith. 2012. Narrative Time and the Popular Song. Popular Music and Society, 35(4), pp. 483-500. ISSN 0300-7766 [Article]

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Negus, Keith. 2012. Narrative, Interpretation and the Popular Song. Musical Quarterly, 95(2-3), pp. 368-395. ISSN 1741-8399 [Article]

Norton, Barley. 2012. Review of the CD 'Song Hanh' by Onno Krijn and Ngo Hong Quang. Noon Records. Songlines: The World Music Magazine., 84, p. 94. [Article]

Norton, Barley. 2012. Review of the CD 'Tree of Dreams' by Huong Thanh. Buda Musique. Songlines: The World Music Magazine., 83, p. 88. [Article]

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Pavlopoulou, Argyro. 2012. Musical tradition and change on the island of Crete. Doctoral thesis, Goldsmiths, University of London [Thesis]

Perchard, Tom. 2012. 'Going Cold on Cool: Miles Davis and Ascenseur pour l’échafaud’'. In: Invited research seminar. King’s College London. [Conference or Workshop Item]

Perchard, Tom. 2012. 'Hip Hop Samples Jazz: Dynamics of Cultural Memory and Musical Tradition in the African American 1990s'. In: Unofficial Histories. Bishopsgate Institute, London. [Conference or Workshop Item]

Perchard, Tom. 2012. 'Jazz Trumpet and the Semiotics of Vulnerability'. In: 19th International Congress of the International Musicological Society. Rome, Italy. [Conference or Workshop Item]

Perchard, Tom. 2012. 'Miles Davis’s Music for Louis Malle’s Ascenseur pour l’échafaud (1958): Improvisation, Realism and Ideology'. In: Perspectives on Musical Improvisation. University of Oxford. [Conference or Workshop Item]

Perchard, Tom. 2012. 'Monk Meets the French Critics'. In: Piacenza Jazz Fest study day. Piacenza, Italy. [Conference or Workshop Item]

Pryer, Anthony J.. 2012. Claudio Monteverdi: Sacrae Cantiunculae; Madrigali Spirituali; Canzonette a 3 Voci. Cremona (Italy): Fondazione Claudio Monteverdi. ISBN 9788886288361 [Book]

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Rogers, Holly. 2012. ‘Death for Five Voices: Gesualdo’s “poetic truth”’. In: Brad Prager, ed. A Companion to Werner Herzog. Hoboken, N.J: Wiley-Blackwell, pp. 187-207. ISBN 978-1-4051-9440-2 [Book Section]

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Sandys, Kathrine. 2012. I Thought I Grew An Ear in My Stomach: The Phenomenological Experience of the Art Event as Sublime Encounter. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Stavlas, Nikolaos. 2012. Reconstructing Beethoven: Mauricio Kagel’s Ludwig van. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Young, Michael W. and Adderley, Paul. 2012. Exposure: Living in Extreme Environments: Video. [Film/Video]

2011

Gardiner, Ian R., ed. 2011. Music, Sound and the Moving Image, Music, Sound and the Moving Image, 5(2). [Edited Journal]

Gardiner, Ian R., ed. 2011. Music, Sound and the Moving Image, Music, Sound and the Moving Image, 5(1). [Edited Journal]

Baily, John S.. 2011. "Music is in Our Blood": Gujarati Muslim Musicians in the UK. In: Lucy Green, ed. Learning, Teaching, and Musical Identity: Voices across Cultures. Bloomington, IN: Indiana University Press, pp. 109-127. ISBN 978-0-253-22293-0 [Book Section]

Baily, John S.. 2011. Music, migration and war: the BBC’s interactive music broadcasting to Afghanistan and the Afghan diaspora. In: Jason Toynbee and Byron Dueck, eds. Migrating Music. London: Routledge, pp. 180-194. ISBN 978-0-415-59448-6 [Book Section]

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Baily, John S.. 2011. Songs from Kabul: The Spiritual Music of Ustad Amir Mohammad. Aldershot: Ashgate. ISBN 978-0-7546-5776-7 [Book]

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Brafman, Ricardo. 2011. Portfolio of Compositions and Accompanying Commentary. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Bulley, James and Jones, Daniel. 2011. Variable 4: A Dynamical Composition for Weather Systems. Proceedings of International Computer Music Conference, (ICMC 2011), [Article]

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Busby, Lisa and Harries, John. 2011. Sleeps in Oysters: Lo!. [Composition]

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Cline, David. 2011. Morton Feldman: Dimensions of Graph Music. Doctoral thesis, Goldsmiths, University of London [Thesis]

Graham, Stephen. 2011. David Toop, Sinister Resonance: The Mediumship of the Listener (2010) (Book Review). Journal of the Society for Musicology in Ireland(6), pp. 93-100. [Article]

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Ivashkin, Alexander V.. 2011. Alexander Raskatov's 'A Dog's Heart'. Tempo, 65(256), pp. 54-56. ISSN 0040-2982 [Article]

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Ivashkin, Alexander V.. 2011. Amerikanskii vzgliad na Sovetskuiu muzyku [American View on Soviet Music]. Muzykal'naia Zhizn' [Musical Life], 2011(1), pp. 56-57. [Article]

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Ivashkin, Alexander V.. 2011. Dmitrii Shostakovich. Cello Concerto N0. 1 . The New Collected Works Edition of Dmitrii Shostakovich Works. Critical Edition., 46, pp. 63-113. ISSN 979-0-706364-29-2 [Article]

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Ivashkin, Alexander V.. 2011. 'Kod Schnittke' ['The Schnittke Code']. Al'fredu Schnittke posviashchaetsia [Dedicated to Alfred Schnittke: Schnittke Yearbook, 8], ed. Alla Bogdanova and Elena Dolinskaia. Moscow: Kompozitor, 2011: 13-24. Al'fredu Schnittke posviashchaetsia [Dedicated to Alfred Schnittke: Schnittke Yearbook, 8], ed. Alla Bogdanova and Elena Dolinskaia. Moscow: Kompozitor, 2011, 8, pp. 13-24. ISSN 978-5-4254-0037-6 [Article]

Joncus, Berta. 2011. Clive, Catherine. In: Marx Hans-Joachim; Manuel Gervink and Steffen Voss, eds. Handel-Lexikon. Laaber: Laaber-Verlag. ISBN 978-3890075525 [Book Section]

Joncus, Berta. 2011. “In Wit Superior as in Fighting”: Kitty Clive and the Conquest of a Rival Queen. Huntington Library Quarterly, 74(1), pp. 23-42. ISSN 0018-7895 [Article]

Joncus, Berta. 2011. 'Listening to portraits: music and the eighteenth-century opera celebrity'. In: The first actresses: celebrity, performance and representation in 'the long eighteenth century'. National Portrait Gallery, London, United Kingdom. [Conference or Workshop Item]

Joncus, Berta and Barlow, Jeremy, eds. 2011. "The Stage's Glory": John Rich (1692-1761). Newark, Delaware: University of Delaware Press. ISBN 9781611490329 [Edited Book]

Joncus, Berta and Rogers, Vanessa L.. 2011. Beyond 'The Beggar’s Opera': John Rich and English Ballad Opera. In: Berta Joncus and Jeremy Barlow, eds. 'The Stage’s Glory’: John Rich (1692-1761). Newark, Delaware: University of Delaware Press, pp. 184-204. ISBN 9781611490329 [Book Section]

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Keenan, Jeremy. 2011. The Aural and the Quotidian: Everyday Experience in Listening and Practice. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Matsumoto, Naomi. 2011. Manacled Freedom: 19th-Century Vocal Improvisation and the Flute-Accompanied Cadenza in Donizetti’s Lucia di Lammermoor. In: Rudolf Rasch, ed. Beyond Notes: Improvisation in Western Music of the Eighteenth and Nineteenth Centuries. Turnhout: Brepols, pp. 295-316. ISBN 978-2503542447 [Book Section]

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Matsumoto, Naomi. 2011. Pio Enea degli Obizzi and the Opera Torneo Genre – Towards an Understanding of the Commercialisation of Early Italian Opera’. The Journal of the Musicological Society of Japan, lvii(1), pp. 56-68. ISSN 00302597 [Article]

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Negus, Keith. 2011. Authorship and the Popular Song. Music and Letters, 92(4), pp. 607-629. ISSN 0027-4224 [Article]

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Negus, Keith. 2011. Producing Pop: Culture and Conflict in the Popular Music Industry. London: Edward Arnold. ISBN 0340575123 [Book]

Norton, Barley. 2011. Huong Thanh - Vietnam's Song Bird. Songlines, 80, p. 27. [Article]

Norton, Barley. 2011. Review of the CD "Burma: Classical Theatre Music". VDE-Gallo. Songlines: The World Music Magazine, 74, p. 78. [Article]

Perchard, Tom. 2011. 'Four Histories of 20th-Century Music.'. In: Cabaret Voltaire art foundation course. GBS University, St. Gallen, Switzerland. [Conference or Workshop Item]

Perchard, Tom. 2011. 'Hip Hop Samples Jazz: Dynamics of Cultural Memory and Musical Tradition in the African American 1990s'. In: Invited research seminar, ‘Directions in Musical Research’ series.. Institute of Musical Research, School of Advanced Study. [Conference or Workshop Item]

Perchard, Tom. 2011. 'Ideologies of Improvisation: Miles Davis’ music for Ascenseur pour l’échafaud'. In: Invited research seminar. University of York. [Conference or Workshop Item]

Perchard, Tom. 2011. 'Re-reading Primitivism in Hugues Panassié’s Writing on Jazz'. In: Jazz and Race, Past and Present. Open University. [Conference or Workshop Item]

Perchard, Tom. 2011. 'Thelonious Monk Meets the French Critics: Art and Entertainment, Improvisation, and its Simulacrum'. In: Salford Jazz Research Seminar. University of Salford. [Conference or Workshop Item]

Pryer, Anthony J.. 2011. Monteverdi, Two Sonnets and a Letter. In: Richard Wistreich, ed. Monteverdi. 5 Farnham: Ashgate, pp. 337-352. ISBN 9780754629023 [Book Section]

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Pyke, Cameron. 2011. Benjamin Britten's Creative Relationship with Russia. Doctoral thesis, Goldsmiths, University of London [Thesis]

Rogers, Holly. 2011. ‘Review: A History of Film Music (Mervyn Cooke)’. Twentieth Century Music, 7(2), pp. 245-248. ISSN 1478-5722 [Article]

Rogers, Holly. 2011. ‘The Unification of the Senses: Intermediality in Video Art-Music’. The Journal of the Royal Music Association, 136(2), pp. 399-428. ISSN 0269-0403 [Article]

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Scarfe, Dawn. 2011. Resonating bodies: an artist's enquiry into sympathies between the audible and the material. Doctoral thesis, Goldsmiths, University of London [Thesis]

2010

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Abtan, Freida. 2010. The Illusion of Pure Music. Intransitive Web Magazine, [Article]

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Abtan, Freida and Turner, Shane. 2010. F.A.S.T.: Dreams of Waking. [Composition]

Abtan, Freida and Turner, Shane. 2010. Steam and Fiction – artist statement. Collaborative Spaces, Vague Terrain Online Journal of Digital Culture(17), [Article]

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Baily, John S.. 2010. Afghan Music in Australia. Migracoes: Journal of the Portuguese Immigration Observatory, 7, pp. 157-176. ISSN 1646-8104 [Article]

Baily, John S.. 2010. The Circulation of Music Between Afghanistan and the Afghan Diaspora. In: Angela Schlenkhoff and Ceri Oeppen, eds. Beyond the 'Wild Tribes': Understanding Modern Afghanistan and Its Diaspora. London: Hurst & Co., pp. 157-171. ISBN 9781849040556 [Book Section]

Baily, John S.. 2010. Modi operandi in the making of 'world music' recordings. In: Amanda Bayley, ed. Recorded Music: Society, Technology and Performance. Cambridge: Cambridge University Press, pp. 107-124. ISBN 9780521863094 [Book Section]

Baily, John S.. 2010. Mosiqi Afghanistan wa Honarmandan Herfawai shaehre Herat. Kabul: Ministry of Information and Culture. [Book]

Baily, John S.. 2010. Tools of the Trade: The Afghan Rubab. Songlines, 71, pp. 43-46. [Article]

Baily, John S.. 2010. Two Different Worlds: Afghan Music for Afghanistanis and Kharejis. Ethnomusicology Forum, 19(1), pp. 69-88. ISSN 1741-1912 [Article]

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Busby, Lisa. 2010—2013 Shit! I can DJ. [Project]

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Chrysakis, Thanos. 2010. The Structural and Aesthetic Capacity of Sonic Matter: Remarks on Sonic Dramaturgy. Doctoral thesis, Goldsmiths, University of London [Thesis]

Foulds, Rachel. 2010. Forging the 'Lady's Hammer': A Profile of Influence in the Life and Music of Galina Ustvolskaya. Doctoral thesis, Goldsmiths, University of London [Thesis]

Graham, Stephen. 2010. (Un)Popular Avant-Gardes: Underground Popular Music and the Avant-Garde. Perspectives of New Music, 48(2), pp. 5-20. ISSN 0031-6016 [Article]

Ivashkin, Alexander V.. 2010. Concert in memory of Noelle Mann at Queen Elizabeth Hall, London. In: "Concert in Memory Noelle Mann", Queen Elizabeth Hall, London, United Kingdom. [Performance]

Joncus, Berta. 2010. Ballad Operas Online (BOPO): Tuning in to Eighteenth-Century Popular Song. In: Michael Burden, ed. A Handbook for Studies in 18th-century English Music, Part 18: Ballad Opera. Oxford: Burden & Cholij. [Book Section]

Joncus, Berta. 2010. 'Fourteenth Biennial International Conference, on Baroque Music'. In: The 14th Biennial International Conference on Baroque Music. Queen's University Belfast, United Kingdom 30 June – 4 July 2010. [Conference or Workshop Item]

Joncus, Berta. 2010. '"Poison if you taste and go, Nectar if you stay": Struggling with the Orient in Eighteenth-Century British Musical Theatre'. In: Staging the East: Oriental Masking in the British Theatre, 1660-1830. Theatre Royal, Bury St. Edmunds, United Kingdom 11-12 June 2010. [Conference or Workshop Item]

Matsumoto, Naomi. 2010. Englishness and Burlesque on the London Stage: the Case of The Dragon of Wantley. The Journal of the Musicological Society of Japan, 55(2), pp. 97-110. [Article]

McVeigh, Simon. 2010. 'As the Sand on the Sea Shore': Women Violinists in London’s Concert Life around 1900. In: Emma Hornby and David Maw, eds. Essays on the History of English Music in Honour of John Caldwell. Woodbridge: Boydell & Brewer, pp. 232-258. ISBN 9781843835356 [Book Section]

McVeigh, Simon. 2010. Industrial and Consumer Revolutions in Instrumental Music: Markets, Efficiency, Demand. In: Roberto Illiano and Luca Sala, eds. Instrumental Music and the Industrial Revolution. Bologna: Ut Orpheus, pp. 3-35. ISBN 9788881094684 [Book Section]

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Minou, Andriana. 2010. Sibyl's Leaves: Understanding Musical Performance Issues in Jani Christou's Anaparastasis III: The Pianist. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Negus, Keith. 2010. Bob Dylan's Phonographic Imagination. Popular Music, 29(2), pp. 213-228. ISSN 0261-1430 [Article]

Norton, Barley. 2010. “Nhân Học Âm Nhạc Việt?” (“The Anthropology of Vietnamese Music?”). In: Hy Van Luong, ed. Hiện Đậi và Động Thái của Truyền Thống Ở Việt Nam: Những Cách Tiếp Cận Nhân Học (Modernities and the Dynamics of Tradition in Vietnam: Anthropological Approaches). 2 Ho Chi Minh City: National University of Ho Chi Minh Press, pp. 623-636. [Book Section]

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Potter, Keith. 2010. Philip Glass: First Classics, 1968-1969. London and New York: Chester Music. ISBN 0-521-48250 [Book]

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Pryer, Anthony J.. 2010. 'The Ontology of Music and the Challenge of Performance: Identity versus Variety, and the Persistence of the "Text"'. In: The Embodiment of Authority: Perspectives on Performance. Sibelius Academy, Helsinki, Finland. [Conference or Workshop Item]

Sarcich, Paul. 2010. Commentary on the Submitted Portfolio of Compositions. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Sarlo, Dario. 2010. Investigating Performer Uniqueness: The Case of Jascha Heifetz. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Sledmere, Adrian. 2010. Interrogating Talent: Struggles and Strategies in the Popular Music Industry. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Young, Michael W.. 2010. Identity and Intimacy in Human-Computer Improvisation. Leonardo Music Journal, 20(n/a), p. 97. ISSN 0961-1215 [Article]

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Young, Michael W.. 2010. piano_prosthesis2 (live performance). In: "Australasian Computer Music Conference 2010", Canberra, Australia. [Performance]

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Young, Michael W. and Bown, Oliver. 2010. Clap-along: A negotiation strategy for creative musical interaction with computational systems. Proceedings of the International Conference on Computational Creativity 2010, pp. 215-222. [Article]

2009

Joncus, Berta, ed. 2009. Eighteenth-Century Music, Eighteenth-Century Music, . 1478-5706 [Edited Journal]

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Abtan, Freida. 2009. 'A Phenomenological Time-Based Approach to Videomusic Composition'. In: Proceedings of the Toronto Electroacoustic Symposium. Toronto, Canada. [Conference or Workshop Item]

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Adderley, W. Paul and Young, Michael W.. 2009. Ground-breaking:Scientific and Sonic Perceptions of Environmental Change in the African Sahel. Leonardo, 42(5), pp. 404-411. ISSN 0024-094X [Article]

Baily, John S.. 2009. The Art of the ‘Fieldwork Movie’: 35 Years of Making Ethnomusicological Films. Ethnomusicology Forum, 18(1), pp. 55-64. ISSN 1741-1912 [Article]

Baily, John S.. 2009. Crossing the Boundary: From Experimental Psychology to Ethnomusicology. Empirical Musicology Review, 4(2), pp. 82-88. ISSN 1559-5749 [Article]

Baily, John S.. 2009. Music and censorship in Afghanistan, 1973-2003. In: Laudan Nooshin, ed. Music and the Play of Power: Music, Politics and Ideology in the Middle East, North Africa and Central Asia. Aldershot: Ashgate, pp. 143-163. ISBN 9780754634577 [Book Section]

Baily, John S.. 2009. Rebuilding Kabul’s art music culture in the post-Taliban era. In: Michael Schramm, ed. Musik in Fremdwahrnehmung. Bonn: Militärmusikdienst der Bundeswehr, pp. 125-136. ISBN 9783000282089 [Book Section]

Drever, John L.. 2009. Sound effect – object – event. Endemic and exogenous electro-acoustic sound practices in theatre. In: Ross Brown, ed. Sound: a reader in theatre practice. Hampshire: Palgrave Macmillan Ltd., pp. 188-205. ISBN 9780230551886 [Book Section]

Driver, Danny. 2009. The Piano Music of York Bowen. In: "Various", Various, 2009-11. [Performance]

Exarchos, Dimitris. 2009. The Sieves of Iannis Xenakis. In: Timour Klouche and Thomas Noll, eds. Mathematics and Computation in Music First International Conference, MCM - Revised Selected Papers. Berlin, Germany: Springer Berlin Heidelberg, pp. 419-429. ISBN 978-3-642-04578-3 [Book Section]

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Firmin, Andrew; Sobol, Jennifer and Spillane, Jeremiah. 2009. Culture and Development: Practical illustrations from the Commonwealth. Project Report. Commonwealth Foundation, London, U.K.. [Report]

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Gardiner, Ian R. and Diabaté, Toumani. 2009. Kaira - recording of orchestral version. In: "Concert at Royal Northern College of Music", Royal Northern College of Music, United Kingdom. [Performance]

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Gardiner, Ian R. and Diabaté, Toumani. 2009. Kaira - score of orchestral version. [Composition]

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Ivashkin, Alexander V.. 2009. Alfred Schnittke: Concerto for Electric Instruments. In: "London Philharmonic Orchestra Schnittke Festival", Southbank Centre, United Kingdom. [Performance]

Ivashkin, Alexander V.. 2009. Alfred Schnittke: cello concerto no 2 performed with London Philharmonic Orchestra. In: "Between two worlds: festival of music by Alfred ASchnittke", Royal Festival Hall, London, United Kingdom. [Performance]

Ivashkin, Alexander V.. 2009. Cooling the volcano: Prokofiev's Cello Concerto Op. 58 and Symphony-Concerto Op. 125. Three Oranges: Journal of the Serge Prokofiev Foundation, 18, pp. 7-14. ISSN 1472-9946 [Article]

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Ivashkin, Alexander V.. 2009. Symbols, Metaphors and Irrationalities in Twentieth-Century Music. In: Rafael Jimenez Catano and Ignacio Yarza, eds. Mimesi, Verità e Fiction. 3 Rome: Edusc, pp. 69-88. ISBN 88-8333-220-3 [Book Section]

Ivashkin, Alexander V.; Barlow, Ora and Halliday, Kim. 2009. Pacific voyage. [Audio]

Joncus, Berta. 2009. Communications: on Ballad Operas Online (BOPO). Eighteenth-Century Music, 6(2), pp. 302-303. ISSN 1478-5706 [Article]

Joncus, Berta. 2009. 'Handel's 'Arianna in Creta''. In: Handel's 'Arianna in Creta'. Barbican Centre, London, United Kingdom. [Conference or Workshop Item]

Joncus, Berta. 2009. “A Likeness Where None Was To Be Found”: Imagining Kitty Clive (1711–1785). Music in Art: International Journal for Music Iconography, 34(1-2), pp. 89-106. ISSN 1522-7464 [Article]

Joncus, Berta. 2009. Liner notes, 'Handel in the playhouse'. Oppella Nova Records, London. [Other]

Joncus, Berta. 2009. Private Music in Public Spheres: Chamber Cantata and Song. In: Simon Keefe, ed. The Cambridge History of Eighteenth-Century Music. Cambridge: Cambridge University Press, pp. 513-540. ISBN 9780521663199 [Book Section]

Joncus, Berta. 2009. ''This glorious Approbation of Sounds': Handel, Purcell and London’s Eighteenth-Century Entertainments'. In: Purcell, Handel & Literature. Institute of Musical Research, London, United Kingdom 20-21 November 2009. [Conference or Workshop Item]

Joncus, Berta. 2009. 'Women's Song in Georgian England' [Book Review]. Early Music, 37(3), pp. 479-481. ISSN 0306-1078 [Article]

Joncus, Berta; Rogers, Vanessa and Ozmo, Žak. 2009. 'Music for the Common Man: Handel, Purcell and London’s Eighteenth-Century Entertainments'. In: Seventy-fifth Annual Meeting of the American Musicological Society. Philadelphia, United States. [Conference or Workshop Item]

Matsumoto, Naomi. 2009. The dating of MS, GB-Lcm: n. 927, The Dragon of Wantley. The Journal of the Musicological Society of Japan, 54(1), pp. 75-77. [Article]

McVeigh, Simon. 2009. Concerto of the Individual. In: Simon P. Keefe, ed. Cambridge History of Eighteenth-Century Music. Cambridge: Cambridge University Press, pp. 583-612. ISBN 9780521663199 [Book Section]

Norton, Barley. 2009. Review of the CD 'Saiyuki' by Nguyen Le, ACT 9483-2. Songlines: The World Music Magazine, 64, p. 97. [Article]

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Norton, Barley. 2009. Songs for the Spirits: Music and Mediums in Modern Vietnam. Urbana and Chicago: University of Illinois Press. ISBN 9780252033995 [Book]

Norton, Barley and Blackburn, Philip. 2009. Vietnam: Music on the Move. In: Simon Broughton, ed. The Rough Guide to World Music: Europe and Asia. 2 London: Rough Guides, pp. 778-797. ISBN 1843538660 [Book Section]

Perchard, Tom. 2009. 'Hugues Panassié and Readings of Primitivism in Early French Jazz Criticism'. In: Invited research seminar. University of Sheffield. [Conference or Workshop Item]

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Perchard, Tom. 2009. Lee Morgan: La vita, la musica e il suo tempo. Bologna: Odoya. ISBN 978-88-6288-014-5 [Book]

Perchard, Tom. 2009. 'Thelonious Monk Meets the French Critics: Improvisation and its Simulacra'. In: Mediating Jazz. University of Salford. [Conference or Workshop Item]

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Young, Michael W.. 2009. Creative Computers, Improvisation and Intimacy. Dagstuhl Seminar Proceedings(09291), pp. 1-7. [Article]

2008

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Abtan, Freida. 2008. The hands of the dancer. [Film/Video]

Baily, John S.. 2008. Ethnomusicology, Intermusability, and Performance Practice. In: Henry Stobart, ed. The New (Ethno)musicologies. Chicago: Scarecrow Press, pp. 117-134. [Book Section]

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Diabaté, Toumani and Gardiner, Ian R.. 2008. Manchester. In: "Concert, Toumani Diabaté and the London Symphony Orchestra, 29th October 2008", Barbican, London, 28 October 2008. [Performance]

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Exarchos, Dimitrios. 2008. Iannis Xenakis and Sieve Theory: An Analysis of the Late Music (1984-1993). Doctoral thesis, Goldsmiths, University of London [Thesis]

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Gardiner, Ian R. and Al Kawas, Hiba. 2008. Araftu Beirut. [Composition]

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Gardiner, Ian R. and Al Kawas, Hiba. 2008. Li Anni Ahiya. [Composition]

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Gardiner, Ian R. and Diabaté, Toumani. 2008. Kaira. In: "Concert, Toumani Diabaté and the London Symphony Orchestra, 29th October 2008", Barbican, London, United Kingdom, 28 October 2008. [Performance]

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Gardiner, Ian R. and Diabaté, Toumani. 2008. Mamadou Boutiquier. In: "Mamadou Boutiquier Live", Barbican, United Kingdom. [Performance]

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Gardiner, Ian R. and Diabaté, Toumani. 2008. Mamadou Kanda Keita (previously Mamadou Boutiquier). [Composition]

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Gerber, Anzél. 2008. Critical success factors in cello training – a comparative study. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Glover, Martin Stewart. 2008. Thesis with Commentary on the Portfolio of Original Compositions. Doctoral thesis, Goldsmiths, University of London [Thesis]

Joncus, Berta. 2008. 'Diva Thursday Live: Kitty Clive (15 May 2008)'. In: Diva Thursday live: Kitty Clive. Handel House, London, United Kingdom. [Conference or Workshop Item]

Joncus, Berta. 2008. 'Divas Off-stage, 6 July 2008'. In: Divas Off-stage. Handel House, London, United Kingdom. [Conference or Workshop Item]

Joncus, Berta. 2008. Handel and the Divas. [Professional Activity]

Joncus, Berta. 2008. '"Of all the arts that sooth": Imagining Kitty Clive (1711-1785)'. In: Twelfth Conference of the Répertoire International d'Iconographie Musicale. New York, United States. [Conference or Workshop Item]

Joncus, Berta. 2008. 'The Polly Row, 25 May 2008'. In: The Polly Row. Handel House, London, United Kingdom. [Conference or Workshop Item]

Joncus, Berta. 2008. '"To propagate Sound for Sense": Music for Diversion and Seduction at Ranelagh Gardens'. In: Vauxhall Revisited: Pleasure Gardens and their Publics, 1660-1880. Tate Britain, London, United Kingdom 14-16 July 2008. [Conference or Workshop Item]

Joncus, Berta; Burden, Michael; Rogers, Vanessa L. and Lipinski, Thaddeus. 2008 to present Ballad Opera Online. [Project]

Matsumoto, Naomi. 2008. The Identity of the librettist of Monteverdi’s Il ritorno d’Ulisse in patria. The Journal of the Musicological Society of Japan, 53(2), pp. 134-137. [Article]

Matsumoto, Naomi. 2008. Motoo Ohtaguro interviews Prokofiev. Three Oranges: the Journal of the Sergey Prokofiev Foundation, 15, pp. 9-13. [Article]

McVeigh, Simon. 2008. The Constrained Entrepreneur: Concert Promotion in Eighteenth-Century London. In: Hans Erich Bödeker; Patrice Veit and Michael Werner, eds. Organisateurs et formes d’organisation du concert en Europe 1700–1920: Institutionnalisation et pratiques. Berlin: Berliner Wissenschafts-Verlag, pp. 47-56. ISBN 9783830515517 [Book Section]

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Negus, Keith. 2008. Bob Dylan. London: Equinox London. ISBN 13 978 1 904768 25 8 [Book]

Norton, Barley. 2008. CD Review: Huong Thanh, Cai Luong Music. Songlines: The World Music Magazine., 53, p. 77. [Article]

Norton, Barley. 2008. Ca Tru Restoration: Issues and Challenges. In: . Vietnamese Institute for Musicology, ed. Ca Tru Singing of the Viet People. Hanoi: Vietnamese Institute for Musicology, pp. 187-192. ISBN No ISBN [Book Section]

Norton, Barley. 2008. Review of the CD "Fragile Beauty" by Huong Thanh and Nguyen Le. ACT 94512. Songlines: The World Music Magazine., 50, p. 101. [Article]

Potter, Keith. 2008. Philip Glass: the compositions and some contexts. Glass: a Nonesuch Retrospective Box, pp. 49-72. ISSN Nonesuch 424508-2 [Article]

Potter, Keith. 2008. Programme Notes. BBC Symphony Orchestra/Mikhail Agrest, [Article]

Rogers, Holly. 2008. ‘Audio-Visual Biography: Music and Image in Derek Jarman’s Caravaggio’. The Journal of Musicological Research, 27(2), pp. 134-168. ISSN 0141-1896 [Article]

Rogers, Holly. 2008. ‘“Noises, Sounds and Sweet Airs”: Singing the Film Space in Prospero’s Books’. In: David Cooper, ed. Cinemusic: Constructing the Film Score. Cambridge: Cambridge Scholar's Publishing, pp. 141-164. [Book Section]

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Young, Michael W.. 2008. oboe_prosthesis (live performance). In: "Cutting Edge Series (BMIC)", The Warehouse, London, United Kingdom. [Performance]

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Young, Michael W.. 2008. piano_prosthesis (live performance). In: "Cutting Edge Series (BMIC)", The Warehouse, London, United Kingdom. [Performance]

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Young, Michael W.; Drever, John L.; Grierson, Mick and Stonehouse, Ian. 2008. Goldsmiths Electronic Music Studios: 40 Years. International Computer Music Conference Proceedings 2008, pp. 315-318. [Article]

2007

Joncus, Berta and Bucciarelli, Melania, eds. 2007. Music as Social and Cultural Practice: Essays in Honour of Reinhard Strohm. Woodbridge, Suffolk: Boydell & Brewer. ISBN 9781843833178 [Edited Book]

Abtan, Freida. 2007. Heartstrings: A String Quartet. Sample Culture, Vague Terrain Online Journal of Digital Culture(7), [Article]

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Baily, John S.. 2007. 'The circulation of ‘New Music’ between Afghanistan and its transnational community'. In: Conference on Music in the world of Islam. Assilah, Morocco 8-13 August 2007. [Conference or Workshop Item]

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Birnbaum, David; Xin Wei, Sha; Abtan, Freida and Wanderley, Marcelo M.. 2007. 'Mapping and Dimensionality of a Cloth-based Sound Instrument.'. In: Proceedings of the 4th Sound and Music Computing Conference. Lefkada, Greece. [Conference or Workshop Item]

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Cottrell, Stephen J.. 2007. Local bimusicality among London's freelance musicians. Ethnomusicology, 51(1), pp. 85-105. ISSN 0014-1836 [Article]

Drever, John L.. 2007. Nostophonics: approaches to grasping everyday sounds from a British perspective. In: Ros Bandt; Michelle Duffy and Dolly MacKinnon, eds. Hearing Places. Newcastle upon Tyne: Cambridge Scholars Press, pp. 161-173. ISBN 9781847182555 [Book Section]

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Exarchos, Dimitris. 2007. Injecting Periodicities: Sieves as Timbres. 4th Sound and Music Computing Conference, [Article]

Gardiner, Ian R.. 2007. VORMITTAGSSPUK. [Composition]

Grierson, Mick. 2007. 'NOISESCAPE: AN INTERACTIVE 3D AUDIOVISUAL MULTI-USER COMPOSITION ENVIRONMENT'. In: International Computer Music Conference 2007. UNDEFINED 8/1/2007. [Conference or Workshop Item]

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Ivashkin, Alexander V.. 2007. Rostropovich. Tokyo: Shunjusha Publishing Company. ISBN 978-4-393-93518-7 [Book]

Joncus, Berta. 2007. '"And Fashion makes me Sing": Eighteenth-century English Ballad Opera and the Birth of a Popular Music Industry'. In: British Academy Postdoctoral Fellowship Symposium 2007. London, United Kingdom. [Conference or Workshop Item]

Joncus, Berta. 2007. 'Musicological choices: Gender, Prestige, and the Power of Subject Specialization'. In: Seventy-third Annual Meeting of the American Musicological Society. Quebec City, Canada. [Conference or Workshop Item]

Joncus, Berta. 2007. Producing Stars in dramma per musica. In: Berta Joncus and Melania Bucciarelli, eds. Music as Social and Cultural Practice: Essays in Honour of Reinhard Strohm. Woodbridge, Suffolk: Boydell & Brewer, pp. 275-293. ISBN 9781874833178 [Book Section]

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Kalodikis, Georgia. 2007. PhD in Composition. Doctoral thesis, Goldsmiths, University of London [Thesis]

Langley, Leanne. 2007. Agency and Change: Berlioz in Britain, 1870-1920. Journal of the Royal Musical Association, 132(2), pp. 306-348. ISSN 02690403 [Article]

Langley, Leanne. 2007. Building an Orchestra, Creating an Audience: Robert Newman and The Queen's Hall Promenade Concerts, 1895-1926. In: N. Kenyon; J. Doctor and D. Wright, eds. The Proms: A New History. Thames and Hudson, pp. 32-73. ISBN 9780500513521 [Book Section]

Matsumoto, Naomi. 2007. 1001 Classical Recordings. In: Matthew Rye, ed. 1001 Classical Recordings. London: Quintessence, 24-34, 38, 42-48, 50-54, 56-59, 62-64. [Book Section]

McVeigh, Simon. 2007. A Free Trade in Music: London during the Long 19th Century in a European Perspective. Journal of Modern European History, 5(1), pp. 67-94. ISSN 16118944 [Article]

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Negus, Keith. 2007. Living, Breathing Songs: Singing Along With Bob Dylan. Oral Tradition, 22(1), pp. 71-83. ISSN 0883-5365 [Article]

Nielinger-Vakil, Carola. 2007. Own version of 'Improvvisazione finale' of Luigi Nono's Das Atmende Klarsein. In: "Own version of 'Improvvisazione finale' of Luigi Nono's Das Atmende Klarsein", Corso d'interpretazione sulle opere di Luigi Nono con live electronics e con nastro magnetico, 11/3/2007 - 11/7/2007. [Performance]

Norton, Barley. 2007. CD Review: Que Huong (Homeland). Songlines: The World Music Magazine., 44, p. 75. [Article]

Norton, Barley. 2007. CD Review: The Rough Guide to the Music of Vietnam. Songlines: The World Music Magazine, 46, p. 67. [Article]

Norton, Barley. 2007. CD Review: Vietnam: Vocal music from the Northern Plains. Songlines: The World Music Magazine, 41, p. 75. [Article]

Norton, Barley. 2007. Feature article "Postcard from Hanoi, Vietnam". Songlines: The World Music Magazine., 45, p. 51. [Article]

Norton, Barley. 2007. A Review Essay on Recordings of Music from Vietnam. World of Music, 49(1), pp. 215-222. [Article]

Perchard, Tom. 2007. Writing Jazz Biography: Race, Research and Narrative Representation. Popular Music History, 2(2), pp. 119-145. ISSN ISSN: 1740-7133 [Article]

Potter, Keith. 2007. '1976 and All That: Minimalism and Postminimalism, Analysis and Listening Strategies.'. In: Proceedings of the First International Conference on Music and Minimalism. Bangor, United Kingdom 11/1/2007. [Conference or Workshop Item]

Pryer, Anthony J.. 2007. Approaching Monteverdi: His Cultures and Ours, Chapter 1. In: J. Whenham and R. Wistreich R, eds. The Cambridge Companion to Monteverdi. Cambridge University Press, pp. 1-19. ISBN 9780521875257 [Book Section]

Redgate, Roger. 2007. Koan. [Composition]

Rogers, Holly. 2007. ‘Review: EcoMedia (Sean Cubitt)’. Scope: Journal of Film Studies, 7, [Article]

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Tsahourides, Matthaios. 2007. The Pontic lyra in contemporary Greece. Doctoral thesis, Goldsmiths, University of London [Thesis]

Wilshere, Brian. 2007. Brian Wilshere: The Drummer as Composer. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Young, Michael W.. 2007. 'NN Music: Improvising with a 'Living' Computer'. In: International Computer Music Conference. San Francisco 2007. [Conference or Workshop Item]

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Young, Michael W. and Adderley, Paul. 2007. Here is Now and There the Sound of the Land: 'Ground-breaking'. MutaMorphosis: Challenging Arts and Sciences Conference Proceedings, p. 1. [Article]

2006

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Ayrey, Craig L.. 2006. Jankélévitch the obscure(d). Music Analysis, 25(iii), pp. 343-357. ISSN 0262-5245 [Article]

Cottrell, Stephen J.. 2006. Music, Time, and Dance in Orchestral Performance: The Conductor as Shaman. twentieth-century music, 3(1), pp. 73-96. ISSN 14785722 [Article]

Crawford, Tim; Pickens, J. and Wiggins, Geraint. 2006. Dimensionality Reduction in Harmonic Modeling for Music Information Retrieval. In: Richard Kronland-Martinet; Thierry Voinier and Sylvi Ystad, eds. Computer Music Modeling and Retrieval. Lecture Notes in Computer Science, pp. 233-248. ISBN 03029743 [Book Section]

Dobbins, Frank. 2006. Strophic and Epigrammatic Forms in the French Chanson and Air of the Sixteenth Century. Acta Musicologica, 78(2), pp. 197-234. ISSN 00016241 [Article]

Halstead, Jill. 2006. Ruth Gipps: Anti-Modernism, Nationalism and Difference in English Music. Ashgate. ISBN 0754601781 [Book]

Joncus, Berta. 2006. ''Charm’d with the sprightly Innocence of Nell’: Re-Reading The Devil to Pay'. In: Twelfth Biennial International Conference on Baroque Music. Warsaw, Poland. [Conference or Workshop Item]

Joncus, Berta. 2006. 'Curse them all for a parcel of Italian bitches’: the seduction of mimicry on the mid-eighteenth-century London stage'. In: Thirty-fifth annual conference of the British Society for Eighteenth-Century Studies. Oxford, United Kingdom. [Conference or Workshop Item]

Joncus, Berta. 2006. Handel at Drury Lane: Ballad Opera and the Production of Kitty Clive. Journal of the Royal Musical Association, 131(2), pp. 179-226. ISSN 0269-0403 [Article]

Kivy, Peter. 2006. Ars Perfecta: toward perfection in musical performance? The British Journal of Aesthetics, 46(2), pp. 111-132. ISSN 14682842 [Article]

Kivy, Peter. 2006. The Performance of Reading: an essay in the philosophy of literature. Blackwell. ISBN 1405146923 [Book]

Matsumoto, Naomi. 2006. An anonymous setting of L’Ospedale and the question of an “asylum opera” genre. The Journal of the Musicological Society of Japan, pp. 45-61. [Article]

McVeigh, Simon. 2006. Viotti and London Violinists during the 1790s: A Calendar of Performances. In: Massimiliano Sala, ed. Giovanni Battista Viotti: A Composer between the Two Revolutions. Turnhout: Brepols, pp. 87-119. ISBN 8881094576 [Book Section]

Negus, Keith. 2006. Musicians on Television: Visible, Audible and Ignored. Journal of the Royal Musical Association, 131(2), pp. 310-330. ISSN 02690403 [Article]

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Nielinger-Vakil, Carola. 2006. 'Between Memorial and Political Manifesto: Nono's Anti-fascist Pieces, 1951-1966'. In: International Nono Conference. Padova 2006. [Conference or Workshop Item]

Nielinger-Vakil, Carola. 2006. 'Between Memorial and Political Manifesto: Nono's Anti-fascist Works, 1951-1966'. In: International Conference 'Presenza storica di Luigi Nono'. UNDEFINED 12/1/2006. [Conference or Workshop Item]

Nielinger-Vakil, Carola. 2006. Intolleranza 1960. In: , ed. Intolleranza 1960. , pp. 8-17 ISBN 00000000 [Book Section]

Nielinger-Vakil, Carola. 2006. 'The Song Unsung': Luigi Nono's Il canto sospeso. Journal of the Royal Musical Association, 131(1), pp. 83-150. ISSN 14716933 [Article]

Norton, Barley. 2006. Effeminate’ Men and ‘Hot-Tempered’ Women: The Performance of Music and Gender in Vietnamese Mediumship. In: Karen Fjelstad and Hien Thi Nguyen, eds. Possessed by the Spirits: Mediumship in Contemporary Vietnamese Communities. Ithaca, NY: Cornell University Press, pp. 55-75. ISBN 0877271410 [Book Section]

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Perchard, Tom. 2006. Lee Morgan: His Life, Music and Culture. London: Equinox. ISBN 1845532058 [Book]

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Rogers, Holly. 2006. Acoustic Architecture: Music and Space in the Video Installations of Bill Viola. twentieth-century music, 2(02), pp. 197-219. ISSN 1478-5722 [Article]

Rogers, Holly. 2006. 'Beethoven’s Myth Sympathy: Hollywood’s Biographical Reconstruction'. British Postgraduate Musicology, 8, ISSN 1460-9231 [Article]

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Siclari, Alessio. 2006. The 'objets sonores': Rethinking Structural Conventions in Schaeffer, Boulez, Grisey. Doctoral thesis, Goldsmiths, University of London [Thesis]

Smirnov, Dmitri. 2006. My Shostakovich (English). DSCH(24), pp. 13-17. [Article]

Smirnov, Dmitri. 2006. My Shostakovich (Russian). Muzykal’naya Akademia(3), pp. 30-34. [Article]

Young, Michael W.. 2006. Ebbs. [Composition]

Zolinsky, Andrew. 2006. Unsuk Chin: Piano Concerto. In: "Unsuk Chin: Piano Concerto", Piano Concerto: BBC Maida Vale Studios, London, 4/13/2006 - 10/7/2007. [Performance]

2005

Ayrey, Craig L.. 2005. 'Pousseur’s Scambi (1957), and the new problematics of the open work'. In: The 'Scambi Project'. Goldsmiths 18 Feb 2005. [Conference or Workshop Item]

Baily, John S.. 2005. So Near, So Far: Kabul's Music in Exile. Ethnomusicology Forum, 14(2), pp. 213-233. ISSN 17411912 [Article]

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Bigio, Robert. 2005. Rudall, Rose and Carte: The development of the flute in London, 1821-1939. Doctoral thesis, Goldsmiths, University of London [Thesis]

Dobbins, Frank. 2005. The Chansons of Thomas Crecquillon - Literary and Musical Sources and "Thomas Crecquillon: Chansons Principal Sources and Concordances". In: E. Jas, ed. Beyond Contemporary Fame: Reassessing the Art of Clemens non Papa and Thomas Crecquillon. Turnhout: Brepols, p. 83. ISBN 2503518842 [Book Section]

Dobbins, Frank. 2005. Jacotin, Chansons. Turnhout: Brepols. ISBN 9782503515939 [Book]

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Exarchos, Dimitris. 2005. Inside/Outside Time: Metabolae in Xenakis’s Tetora. Definitive Proceedings of the “International Symposium Iannis Xenakis” (Athens, May 2005), [Article]

Halstead, Jill. 2005. The Night Mrs Baker Made History: Conducting, Display and the Interruption of Masculinity. Women a Cultural Review, 16(2), pp. 222-235. ISSN 14701367 [Article]

Halstead, Jill. 2005. She Composes in the Kitchen: Ruth Gipps 1921-1999: An English Reactionary and Radical. In: Christa Brustle, ed. Music as a Bridge: Musikalische Beziehungen zwischen England und Deutschland, 1920-1950. Olms Verlag, pp. 1-9. ISBN 3487129620 [Book Section]

Joncus, Berta. 2005. ''Charm’d with the sprightly innocence of Nell’: Re-reading The Devil to Pay'. In: Seventy-first annual meeting of the American Musicological Society. Washington D.C, United States. [Conference or Workshop Item]

Joncus, Berta. 2005. "His Spirit is in Action Seen": Milton, Mrs. Clive and the Simulacra of the Pastoral in Comus. Eighteenth-Century Music, 2(1), pp. 7-40. ISSN 1478-5706 [Article]

Joncus, Berta. 2005. One God, so many Farinellis: Mythologising the Star Castrato. Journal for Eighteenth-Century Studies (formerly British Journal for Eighteenth-Century Studies), 28(3), pp. 437-496. [Article]

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Norton, Barley. 2005. Singing the Past: Vietnamese Ca Tru, Memory and Mode. Asian Music, 36(2), pp. 27-56. [Article]

Redgate, Roger. 2005. +R. [Audio]

Rogers, Holly. 2005. 'Acoustic Architecture: Music and Space in the Video Installations of Bill Viola'. Twentieth Century Music, 2(2), pp. 197-219. ISSN 1478-5722 [Article]

Rogers, Holly. 2005. Alternative Models of Music-Image Interaction in Film. Doctoral thesis, Magdalene College, Cambridge University [Thesis]

Smirnov, Dmitri. 2005. Melos of Prokofiev’s Visions: On the thematic patterns of his “Visions fugitives”. In: Ernst Kuhn, ed. “Schraeg zur Linie des Sozialistichen Realismus?” Prokofjew-Studien, Band 3. SSM 37 Studia Slavica Musicologica. Berlin: Verlag. ISBN 3-9366637-03-2 [Book Section]

Smirnov, Dmitri. 2005. “Prokofjew and Schostakowich (in German). In: Ernst Kuhn, ed. “Schraeg zur Linie des Sozialistichen Realismus?” Prokofjew-Studien, Band 3. SSM 37 Studia Slavica Musicologica. Berlin: Verlag. ISBN 3-9366637-03-2 [Book Section]

2004

Wollenberg, Susan and McVeigh, Simon, eds. 2004. Concert Life in Eighteenth-Century Britain. Aldershot: Ashgate. ISBN 0754638685 [Edited Book]

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Blackwell, Tim M. and Young, Michael W.. 2004. Self-Organised Music. Organised sound, 9(2), pp. 123-136. ISSN 1355-7718 [Article]

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Cottrell, Stephen J.. 2004. Professional Music-Making in London. Ashgate. ISBN 0754608891 [Book]

Gisler, Priska; Guggenheim, Michael; Maranta, Alessandro; Nowotny, Helga and Pohl, Christian. 2004. Imaginierte Laien. Die Macht der Vorstellung in wissenschaftlichen Expertisen. Weilerswist: Velbrück Wissenschaft. ISBN 978-3934730793 [Book]

Grierson, Mick. 2004. Third World Warhol. Noisefilm. [Other]

Guggenheim, Michael. 2004. Von Nah und Fern. Wie sich Umweltdienstleistungsfirmen Laien vorstellen. In: Priska Gisler; Michael Guggenheim; Alessandro Maranta; Helga Nowotny and Christian Pohl, eds. Imaginierte Laien. Die Macht der Vorstellung in wissenschaftlichen Expertisen. Weilerswist: Velbrück Wissenschaft. [Book Section]

Hirshberg, Jehoash and McVeigh, Simon. 2004. The 'Virtuosi Instromenti' and the Milanese Concerto in the Early Eighteenth Century. In: Anna Cattoretti, ed. Giovanni Battista Sammartini and his Musical Environment. Turnhout: Brepols, pp. 203-244. ISBN 250351233X [Book Section]

Joncus, Berta. 2004. 'Eating Pigeon-Pye: Handel and the 'Sweet Bird' of Drury Lane'. In: Fortieth Annual Conference of the Royal Musical Association. Birmingham, United Kingdom 12-14 November 2004. [Conference or Workshop Item]

Kivy, Peter. 2004. Music, Language and Cognition: which doesn't belong? In: K. Korta and J. Larrazabal J, eds. Truth, Rationality, Cognition and Music, Proceedings of the Seventh International Colloquium on Cognitive Science. Kluwer, pp. 157-174. ISBN 1402019122 [Book Section]

McFarlane, Meredith and McVeigh, Simon. 2004. The String Quartet in London Concert Life, 1769–1799. In: Susan Wollenberg and Simon McVeigh, eds. Concert Life in Eighteenth-Century Britain. Aldershot: Ashgate, pp. 161-190. ISBN 0754638685 [Book Section]

McVeigh, Simon. 2004. An Audience for High-Class Music: Concert Promoters and Entrepreneurs in Nineteenth-Century London. In: W. Weber, ed. The Musician as Entrepreneur, 1700-1914: Managers, Charlatans and Idealists. Indiana University Press, pp. 162-182. ISBN 0253344565 [Book Section]

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McVeigh, Simon and Hirshberg, J.. 2004. The Italian Solo Concerto, 1700-1760: Rhetorical Strategies and Style History. Boydell Press. ISBN 1843830922 [Book]

Norton, Barley. 2004. Lên đồng Việt Nam: Cấu tạo âm nhạc của thần thánh (Vietnamese mediumship rituals: the musical construction of the spirits). In: Đức Thịnh Ngô, ed. Đạo Mẫu và các hình thức Shaman trong các tộc người ở Việt Nam và châu Á (The Mother Religion and Forms of Shamanism among Ethnic Groups in Vietnam and Asia). Hanoi: Social Science Publishing House, pp. 310-341. [Book Section]

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Pickering, M. and Negus, Keith. 2004. Creativity, Communication & Cultural Value. Sage. ISBN 0761970754 [Book]

Potter, Keith. 2004. What's The Score? The Independent, [Article]

Pryer, Anthony J.. 2004. Mozart's Operatic Audition. The Milan Concert, 12 March 1770: A reappraisal and revision. Eighteenth Century Music, 1(2), pp. 265-288. ISSN 14785706 [Article]

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Pryer, Anthony J.. 2004. 'Vivaldi's Four Seasons and the Globalization of Musical Taste'. In: Musicology and Globalization: International Congress in Shizuoka. Shizuoka, Japan 2-4 November, 2002. [Conference or Workshop Item]

Redgate, Roger. 2004. Mirlitonnades. [Composition]

Redgate, Roger. 2004. écart. [Composition]

Redgate, Roger. 2004. …still…. [Composition]

Rogers, Holly. 2004. 'Fitzcarraldo’s Search for Aguirre: Music and Text in the Amazonian Films of Herzog'. Journal of the Royal Musical Association, 129(1), pp. 77-99. ISSN 0269-0403 [Article]

Young, Michael W.. 2004. Argrophylax. [Composition]

2003

Abtan, Freida. 2003. An Evening with Sound and Radio Artist Christian Calon. Electroacoustic Activities in Quebec, CEC – eContact!, [Article]

Cottrell, Stephen J.. 2003. The Future of the Symphony Orchestra. In: C. Lawson, ed. The Cambridge Companion to the Orchestra. Cambridge University Press, pp. 251-264. ISBN 0521001323 [Book Section]

Eichner, Barbara. 2003. Singing the Songs of Scotland: the German Musician Johann Rupprecht Durrner and Musical Life in Nineteenth-Century Edinburgh. In: Horton and B. Zon, eds. Nineteenth-Century British Music Studies. Ashgate, pp. 171-191. ISBN 0754636143 [Book Section]

Grierson, Mick. 2003. Structure Interne. Noisefilm. [Other]

Joncus, Berta. 2003. 'A Star is Born: Kitty Clive and Female Representation in Eighteenth-Century English Musical Theatre'. In: Sixty-ninth Annual Meeting of the American Musicological Society. Houston, Texas, United States. [Conference or Workshop Item]

Langley, Leanne. 2003. Roots of a Tradition: The First Dictionary of Music and Musicians. In: M. Musgrave, ed. George Grove, Music and Victorian Culture. Palgrove, pp. 168-215. ISBN 0004707729 [Book Section]

Pickens, Jeremy; Bello, Juan Pablo; Monti, Giuliano; Sandler, Mark; Crawford, Tim and Dovey, Matthew. 2003. Polyphonic Score Retrieval Using Polyphonic Audio Queries: A Harmonic Modeling Approach. Journal of New Music Research, 32(2), pp. 223-236. ISSN 09298215 [Article]

Potter, Keith. 2003. A Conversation with James Dillon. In: P. O'Hagan, ed. Aspects of British Music of the 1990's. Ashgate, pp. 131-140. ISBN 0004707729 [Book Section]

Smirnov, Dmitri. 2003. “Dodecamania” of Pierre Boulez or The notes on his “Notations”. In: Various, ed. SATOR TENET OPERA ROTAS: Yuri Kholopov and His School. Moscow, pp. 238-253. [Book Section]

Smirnov, Dmitri. 2003. “Dodecamania” of Pierre Boulez or The notes on his “Notations”. Muzykalnaya Academia(4), pp. 112-119. ISSN 0869–4516 [Article]

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Smirnov, Dmitri. 2003. A Geometer of Sound Crystals: a book on Philip Herschkowitz. Verlag Ernst Kuhn. ISBN 3928864998 [Book]

Smirnov, Dmitri. 2003. Marginalia quasi una Fantasia: on the Second Violin Sonata by Alfred Schnittke in “Shostakovich and the Consequences”. In: Ernst Kuhn, ed. Schostakowitsch-Studien. (220) Berlin: Band 6, SSM 32 Studia Slavica Musicologica, Verlag, p. 1. ISBN 3-928864-93-9 [Book Section]

2002

Harris, Rachel and Norton, Barley, eds. 2002. Red Ritual: Ritual Music and Communism, British Journal of Ethnomusicology, . 0968-1221 [Edited Journal]

Ivashkin, Alexander V., ed. 2002. A Schnittke Reader. Bloomington and Indianapolis: Indiana University Press. ISBN 0-253-33818-2 [Edited Book]

Ayrey, Craig L.. 2002. Stravinsky in analysis: the anglophone traditions. In: J. Cross, ed. The Cambridge Companion to Stravinsky. Cambridge University Press, pp. 203-229. ISBN 9780521663779 [Book Section]

Dobbins, Frank. 2002. Claudio Montiverdi, Scherzi musicali a tre voci (1607). Cremona: Fondazione Claudio Monteverdi. ISBN 8886288275 [Book]

Dobbins, Frank and Vacchelli, A.. 2002. Claudio Monteverdi, Scherzi musicali a una e due voci (1632). Cremona: Fondazione Claudio Monteverdi. ISBN 978-88-86288-28-6 [Book]

Guggenheim, Michael and Heller, Florian. 2002. Über Parallelen zwischen Kochen und Denken oder weshalb schlechte Symposien gute Esser zeitigen. In: Anja Eichelberg and Helga Nowotny, eds. Jahrbuch 2002 des Collgeium Helveticum der ETH Zürich. Zurich: vdf Hochschulverlag AG, 2003, pp. 337-347. ISBN 9783728128669 [Book Section]

Harris, Rachel and Norton, Barley. 2002. Introduction: Ritual Music and Communism. British Journal of Ethnomusicology, 11(1), pp. 1-8. ISSN 1741-1912 [Article]

Matsumoto, Naomi. 2002. 'Global Presentations of Madness in Musical Theatres: a Comparative Study of Britten’s Curlew River and Juro Motomasa’s Sumidagawa'. In: Musicology and Globalization: Proceedings of the International Congress. Shizuoka, Japan. [Conference or Workshop Item]

McVeigh, Simon. 2002. Clementi, Viotti and the London Philharmonic Society. In: Roberto Illiano; Luca Sala and Massimiliano Sala, eds. Muzio Clementi: Studies and Projects. Bologna: Ut Orpheus, pp. 67-80. ISBN 8881094487 [Book Section]

McVeigh, Simon. 2002. The Musician as Concert-Promoter in London, 1780-1850. In: Hans-Erich Bödeker; Patrice Veit and Michael Werner, eds. Le concert et son public. Paris: Editions Maison des Sciences de l’Homme, pp. 71-92. ISBN 2735109143 [Book Section]

McVeigh, Simon and Ehrlich, C.. 2002. The Modernisation of London Concert Life Around 1900. In: M. Talbot, ed. The Business of Music. Liverpool University Press, pp. 96-120. ISBN 0853235287 [Book Section]

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Negus, Keith. 2002. Belonging and detachment - musical experience and the limits of identity. Poetics, Journal of Empirical Research on Culture, the Media and the Arts, 30(1-2), pp. 133-145. ISSN 00484571 [Article]

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Negus, Keith. 2002. The Work of Cultural Intermediaries and the Enduring Distance between Production and Consumption. Cultural Studies, 16(4), pp. 501-515. ISSN 09502386 [Article]

Norton, Barley. 2002. The Moon Remembers Uncle Ho: The Politics of Music and Mediumship in Northern Vietnam. British Journal of Ethnomusicology, 11(1), pp. 71-100. ISSN 1741-1912 [Article]

Smirnov, Dmitri. 2002. Marginalia quasi una Fantasia: on the Second Violin Sonata by Alfred Schnittke. Tempo (New Series)(220), pp. 2-10. ISSN 0040-2982 [Article]

Smirnov, Dmitri. 2002. Musical Idea: About the Mystery of creation processes in music. Muzykalnaya Academia, 2, ISSN 0869–4516 [Article]

Young, Michael W. and Goto, J.. 2002. 1. Loss of Face and 2. New World Circus. In: "1. Loss of Face and 2. New World Circus", 1. Loss of Face. Norwich Gallery, Wolsey Art Gallery, Hartlepool Art Gallery 2002. 2. New World Circus Mercer Art Gallery, Harrogate. Focal Point Gallery, Southend on Sea. Stephen Lawrence Gallery, London. 4U of Brighton Gallery. Ovada Gallery, Oxford., 6/30/2006 - 11/3/2007. [Show/Exhibition]

2001

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Baily, John S.. 2001. Can You Stop the Birds Singing? The Censorship of Music in Afghanistan. Copenhagen: Freemuse. ISBN 0004707729 [Book]

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Kivy, Peter. 2001. The Possessor and the Possessed: Handel, Mozart, Beethoven, and the Idea of Musical Genius. New Haven: Yale University Press. ISBN 0300087586 [Book]

Langley, Leanne. 2001. Dictionary entries on English music critics and criticism. In: Sadie Stanley, ed. The New Grove Dictionary of Music and Musicians. Macmillan, p. 57. ISBN 0333608003 [Book Section]

McVeigh, Simon. 2001. Italian Violinists in Eighteenth-Century London. In: Reinhard Strohm, ed. The Eighteenth-Century Diaspora of Italian Music and Musicians. Turnhout: Brepols, pp. 139-176. ISBN 2503510205 [Book Section]

Norton, Barley. 2001. Ca tru: the music of north Vietnam. Nimbus Records NI5626, Wyastone. [Other]

Potter, Keith. 2001. Entry on David Bedford. In: L. Finscher, ed. Die Musik in Geschichte und Gegenwart. Kassel: Barenreiter. [Book Section]

Redgate, Roger. 2001. Brian Ferneyhough's etudes transcendantales. Contemporary Music Review, 20(1), pp. 79-100. ISSN 0749-4467 [Article]

Smirnov, Dmitri. 2001. Postlude in memory of Schnittke Op112 – Composer's note (Russian). Muzykalnaya Academia(2), pp. 21-24. ISSN 0869–4516 [Article]

Zolinsky, Andrew. 2001. Old, new, borrowed, blue: a series of three solo piano recitals. In: "Old, new, borrowed, blue: a series of three solo piano recitals", Purcell Room, London (first recital); The Warehouse, London (second and third recitals), 2/3/2001 - 6/6/2001. [Performance]

2000

Hirshberg, Jehoash and McVeigh, Simon. 2000. The Making of a Ritornello Movement: Compositional Strategy and Selection in Tessarini’s 'Opera prima'. Informazioni e Studi Vivaldiani, 21, pp. 35-73. ISSN 0393-2915 [Article]

McVeigh, Simon. 2000. Freemasonry and Musical Life in London in the late Eighteenth Century. In: David Wyn Jones, ed. Music in Eighteenth-Century Britain. Aldershot: Ashgate, pp. 72-100. ISBN 1840146885 [Book Section]

McVeigh, Simon. 2000. The Society of British Musicians (1834-1865) and the Campaign for Native Talent. In: Christina Bashford and Leanne Langley, eds. Music and British Culture, 1785-1914: Essays in Honour of Cyril Ehrlich. Oxford: Oxford University Press, pp. 145-168. ISBN 019816730 [Book Section]

Potter, Keith. 2000. Booklet essay for Philip Glass: Violin Concerto, Prelude and Dance from Akhnaten and Company (Naxos 8 554568). Philip Glass: Violin Concerto, Prelude and Dance from Akhnaten and Company, [Article]

Potter, Keith. 2000. 'Notes on Cage'. 'John Cage: The Seasons' (ECM New Series 1696), [Article]

Potter, Keith. 2000. A ripe harvest of Eastern promise. The Independent, p. 16. [Article]

Pryer, Anthony J.. 2000. Machaut and the Moderns: A Distant Mirror. BBC Music Magazine, pp. 26-28. [Article]

Redgate, Roger. 2000. Marginalisierung und Subversion. Musik & Asthetik, 13, pp. 94-98. [Article]

Rogers, Holly. 2000. Beethoven on Film. Masters thesis, King's College, London [Thesis]

1999

McVeigh, Simon. 1999. The Benefit Concert in Nineteenth-Century London: From 'tax on the nobility' to 'monstrous nuisance'. In: Bennett Zon, ed. Nineteenth-Century British Music Studies 1. Aldershot: Ashgate, pp. 242-266. ISBN 1840142596 [Book Section]

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Negus, Keith. 1999. Music Genres and Corporate Cultures. London: Routledge. ISBN 0-415-17399-X [Book]