Browse by Goldsmiths authors: Rogers, Holly
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Number of items: 52.
Article
Rogers, Holly and Britton, Heather.
2022.
The Spaces Beyond: Experimenting with the Theory of Audiovisual Concrète.
[in]Transition: Journal of Videographic Film & Moving Image Studies, 9(1),
ISSN 2469-4312
[Article]
Rogers, Holly.
2020.
Locked Down Listening / Communal Re-Imagination.
Flow: A Critical Forum on Media and Culture,
[Article]
Rogers, Holly.
2020.
Sonic Elongation: Creative Audition in Documentary Film.
JCMS: Journal of Cinema and Media Studies, 59(2),
pp. 88-113.
ISSN 0009-7101
[Article]
Rogers, Holly.
2016.
‘The Public Will Only Believe the Truth If It Is Shot in 3D’ Michel van der Aa, ‘Nine Years in an Ophanage’ (Zenna), Sunken Garden, Scene 6.
Cambridge Opera Journal, 28(2),
pp. 277-282.
ISSN 0954-5867
[Article]
Rogers, Holly; Vernallis, Carol and Perott, Lisa.
2016.
Beyoncé’s Lemonade: She Dreams in Both Worlds.
Film International,
[Article]
Rogers, Holly.
2014.
‘The Musical Script: Norman McLaren, Animated Sound and Audiovisuality’.
Animation Journal, 22,
pp. 68-84.
[Article]
Rogers, Holly.
2013.
Composing with Reality: Digital Sound and Music in Documentary Film.
ZDOK: Zürcher Hochschule der Künste, 13,
pp. 1-13.
[Article]
Rogers, Holly.
2006.
Acoustic Architecture: Music and Space in the Video Installations of Bill Viola.
twentieth-century music, 2(02),
pp. 197-219.
ISSN 1478-5722
[Article]
Audio
Book
Rogers, Holly.
2013.
Sounding the Gallery: Video and the Rise of Art Music.
Oxford: Oxford University Press.
ISBN 978-0-19-986142-2
[Book]
Book Section
Rogers, Holly; McGrath, John; Vernallis, Carol and Chapman, Dale.
2021.
Composer Ben Salisbury Discusses Scoring Science for Alex Garland.
In: Holly Rogers; Carol Vernallis; Selmin Kara and Jonathan Leal, eds.
Cybermedia: Explorations in Science, Sound, and Vision.
New York: Bloomsbury, pp. 130-137.
ISBN 9780190853617
[Book Section]
Rogers, Holly and Vernallis, Carol.
2021.
Director Terence Nance Discusses Random Acts of Flyness.
In: Holly Rogers; Carol Vernallis; Selmin Kara and Jonathan Leal, eds.
Cybermedia: Explorations in Science, Sound, and Vision.
New York: Bloomsbury, pp. 311-328.
ISBN 9780190853617
[Book Section]
Rogers, Holly.
2021.
Sonic Elongation and Sonic Aporia: Two Modes of Disrupted Listening in Film.
In: Carlo Cenciarelli, ed.
The Oxford Handbook of Cinematic Listening.
Oxford: Oxford University Press, pp. 427-449.
ISBN 9780190853617
[Book Section]
Rogers, Holly.
2019.
The Audiovisual Eerie: Transmediating Thresholds in the Work of David Lynch.
In: Carol Vernallis; Holly Rogers and Lisa Perrott, eds.
Transmedia Directors: Artistry, Industry and the New Audiovisual Aesthetics.
New York: Bloomsbury, pp. 241-270.
ISBN 9781501341007
[Book Section]
Rogers, Holly.
2019.
Audio-visual Collisions: Moving Image Technology and the Laterna Magika Aesthetic in New Music Theatre.
In: Robert Adlington, ed.
New Music Theatre in Europe: Transformations Between 1955-1975.
Abingdon: Routledge, pp. 79-100.
ISBN 9781138323018
[Book Section]
Rogers, Holly.
2017.
‘Audio-Visual Dissonance in Found Footage Films’.
In: Holly Rogers and Jeremy Barham, eds.
The Sound and Music of Experimental Film.
New York: Oxford University Press.
ISBN 9780190469900
[Book Section]
Rogers, Holly.
2015.
‘Beethoven’s Myth Sympathy: Hollywood’s Reconstruction’.
In: Michael Spitzer, ed.
Beethoven.
Farnham: Ashgate, pp. 509-521.
ISBN 978-1-4724-4030-3
[Book Section]
Rogers, Holly.
2014.
‘Music, Sound and the Nonfiction Aesthetic’.
In: Holly Rogers, ed.
Music and Sound in Documentary Film.
New York: Routledge, pp. 1-19.
[Book Section]
Rogers, Holly.
2014.
‘Twisted Synaesthesia: Visual Artists and the Music Video’.
In: Germano Celant, ed.
Music or Art.
Milan: Fondazione Prada, pp. 281-288.
[Book Section]
Rogers, Holly.
2013.
‘“Betwixt and Between” Worlds: Spatial and Temporal Liminality in Video Art-Music’.
In: Claudia Gorbman; John Richardson and Carol Vernallis, eds.
The Oxford Handbook of New Audiovisual Aesthetics.
New York: Oxford University Press, pp. 525-542.
ISBN 9780199733866
[Book Section]
Rogers, Holly.
2013.
Multimedia Art: Video Art-Music.
In: Tim Shepherd and Anne Leonard, eds.
Routledge Companion to Music and Visual Art.
New York: Routledge, pp. 367-375.
ISBN 9780415629256
[Book Section]
Rogers, Holly.
2013.
‘Spatial Reconfiguration in Interactive Video Art-Music’.
In: Karen Collins; Bill Kapralos and Holly Tessler, eds.
The Oxford Handbook of Interactive Audio.
Oxford: Oxford University Press, pp. 15-30.
ISBN 9780199797226
[Book Section]
Rogers, Holly.
2012.
‘Death for Five Voices: Gesualdo’s “poetic truth”’.
In: Brad Prager, ed.
A Companion to Werner Herzog.
Hoboken, N.J: Wiley-Blackwell, pp. 187-207.
ISBN 978-1-4051-9440-2
[Book Section]
Digital
Edited Book
Rogers, Holly; Vernallis, Carol; Kara, Selmin and Leal, Jonathan, eds.
2021.
Cybermedia: Explorations in Science, Sound, and Vision.
New York: Bloomsbury Academic.
ISBN 9781501357053
[Edited Book]
Vernallis, Carol; Rogers, Holly and Perrott, Lisa, eds.
2020.
Transmedia Directors: Artistry, Industry and New Audiovisual Aesthetics.
London: Bloomsbury Academic.
ISBN 9781501341007
[Edited Book]
Rogers, Holly and Barham, Jeremy, eds.
2017.
The Music and Sound of Experimental Film.
New York: Oxford University Press.
ISBN 9780190469900
[Edited Book]
Rogers, Holly, ed.
2014.
Music and Sound in Documentary Film.
New York: Routledge.
ISBN 9780415728669
[Edited Book]
Edited Journal
Exhibition Catalogue
Rogers, Holly.
2015.
‘Colour, Tone and Improvisation: Peter Donebauer’s Musicalisation of Video’.
[Exhibition Catalogue]
Film/Video
Thesis
Other