Number of items at this level: 1365.
Article
Dix, Alan;
Cowgill, Rachel;
Bashford, Christina;
McVeigh, Simon and
Ridgewell, Rupert.
2016.
Spreadsheets as User Interfaces.
AVI '16 Proceedings of the International Working Conference on Advanced Visual Interfaces,
pp. 192-195.
[Article]
Preview |
Ivashkin, Alexander V..
2012.
‘Shostakovich. Second Cello Concerto.’ In D.D. Shostakovich, New Collected Works Critical Edition, vol. 49. Moscow: DSCH, 2012, 83–124.
D.D. Shostakovich, New Collected Works Critical Edition, vol. 49. Moscow: DSCH, 2012, 83–124., 49,
pp. 83-124.
[Article]
Smirnov, Dmitri.
2001.
Schnittke’s choral music of 70-80s – Sleeve note for the CD Schnittke, Choir Concerto, Minnesang, Voices of Nature, Holst Singers, Stephen Layton, Hyperion, 2001.
Schnittke, Choir Concerto,
[Article]
Audio
Book
Book Section
Preview |
Bulley, James.
2023.
Testimony.
In:
Elizabeth Price and
Nina Wakeford, eds.
Document of the testimony, deliberation and reflection of the Artist Citizens Jury 2022.
London: Goldsmiths CCA, pp. 49-62.
ISBN 9781739492410
[Book Section]
Burrows, Donald and
Joncus, Berta.
2017.
Music and Representation.
In:
Joanna Marschner, ed.
Enlightened Princesses: Caroline, Augusta, Charlotte, and the Shaping of the Modern World.
New Haven: Yale Center for British Art, pp. 202-207.
ISBN 9780300217100
[Book Section]
Exarchos, Dimitris.
2009.
The Sieves of Iannis Xenakis.
In:
Timour Klouche and
Thomas Noll, eds.
Mathematics and Computation in Music First International Conference, MCM - Revised Selected Papers.
Berlin, Germany: Springer Berlin Heidelberg, pp. 419-429.
ISBN 978-3-642-04578-3
[Book Section]
Preview |
Hawes, V and
Redhead, L.
2016.
Introduction.
In:
V Hawes and
L Redhead, eds.
Music and/as Process.
Newcastle: Cambridge Scholars, pp. 1-8.
ISBN 978-1-4438-9491-3
[Book Section]
Heyde, Neil;
Redgate, Christopher;
Redgate, Roger and
Wright, Matthew.
2018.
What is it like to be an improviser?
In:
Eric F. Clarke and
Mark Doffman, eds.
Distributed Creativity: Collaboration and Improvisation in Contemporary Music.
Oxford: Oxford University Press, pp. 314-316.
ISBN 9780199355914
[Book Section]
Joncus, Berta.
2011.
Clive, Catherine.
In:
Marx Hans-Joachim;
Manuel Gervink and
Steffen Voss, eds.
Handel-Lexikon.
Laaber: Laaber-Verlag.
ISBN 978-3890075525
[Book Section]
Joncus, Berta.
2007.
Producing Stars in dramma per musica.
In:
Melania Bucciarelli and
Berta Joncus, eds.
Music as Social and Cultural Practice: Essays in Honour of Reinhard Strohm.
Woodbridge, Suffolk: Boydell & Brewer, pp. 275-93.
ISBN 9781843833178
[Book Section]
Kivy, Peter.
2004.
Music, Language and Cognition: which doesn't belong?
In:
K. Korta and
J. Larrazabal J, eds.
Truth, Rationality, Cognition and Music, Proceedings of the Seventh International Colloquium on Cognitive Science.
Kluwer, pp. 157-174.
ISBN 1402019122
[Book Section]
McVeigh, Simon.
2009.
Concerto of the Individual.
In:
Simon P. Keefe, ed.
Cambridge History of Eighteenth-Century Music.
Cambridge: Cambridge University Press, pp. 583-612.
ISBN 9780521663199
[Book Section]
McVeigh, Simon.
2012.
The Symphony in Britain.
In:
Mary Sue Morrow and
Bathia Churgin, eds.
The Symphonic Repertoire: The Eighteenth-Century Symphony.
Bloomington: Indiana University Press, pp. 629-661.
ISBN 9780253356406
[Book Section]
Nielinger-Vakil, Carola.
2006.
Intolleranza 1960.
In: , ed.
Intolleranza 1960.
, pp. 8-17
ISBN 00000000
[Book Section]
Norton, Barley and
Blackburn, Philip.
2009.
Vietnam: Music on the Move.
In:
Simon Broughton, ed.
The Rough Guide to World Music: Europe and Asia.
2
London: Rough Guides, pp. 778-797.
ISBN 1843538660
[Book Section]
Potter, Keith.
1993.
The Current Musical Scene.
In:
Robert P. Morgan, ed.
Modern Times: from World War I to the present.
Englewood Cliffs, NJ/Basingstoke: Prentice Hall/Macmillan, pp. 349-387.
ISBN 0 13 590159 6
[Book Section]
Potter, Keith.
2001.
Entries on 20th-century British composers and other subjects: 'Minimalism'; 'Bedford, David', 'Bryars, Gavin', 'Fitkin, Graham', 'Martland, Steve', 'Montague Stephen', 'Skempton, Howard'.
In:
Stanley Sadie and
John Tyrell, eds.
The New Grove Dictionary of Music and Musicians.
London: Macmillan.
[Book Section]
Potter, Keith.
2001.
Four revised articles on contemporary American composers: 'Adams, John', 'Glass, Philip', 'Monk, Meredith' and 'Reich, Steve'; also versions of previously published entries on 'Kagel, Mauricio' and 'Schnittke, Alfred'.
In:
Amanda Holden, ed.
The New Penguin Opera Guide.
London: Penguin Books.
[Book Section]
Potter, Keith.
2013.
Le Minimalisme.
In:
Nicolas Donin and
Laurent Feneyrou, eds.
Théories de la composition musicale au xxe siècle.
2
Lyon, France: Symétrie, pp. 775-800.
ISBN 978-2-914373-60-9
[Book Section]
Preview |
Potter, Keith.
2013.
Mapping Early Minimalism.
In:
Keith S. Potter;
Kyle Gann and
Pwyll ap Siôn, eds.
The Ashgate Research Companion to Minimalist and Postminimalist Music.
Farnham, UK: Ashgate, pp. 19-37.
ISBN 9781409435495
[Book Section]
Pryer, Anthony J..
2002.
Thirty items for the revised edition of the Oxford Companion to Music: Braille Notation, Chironomy, Coloration, Corona, Degree, Durum, Diastematic Neumes, Franconian Notation, Graphic Notation, Half-Coloration, Ligatures, Mensural Music, Mensural Notation, Middle C Modus, Mollis, Prolatio, Shape Note, Tempus, Accidental, Clef, Dot, Intabulation, Intavolatura, Liquescent Nuemes, Mensurstrich, Musica Ficta, Notation, Tablature, Time Signature.
In:
Alison Latham, ed.
The Oxford Companion to Music.
Oxford: Oxford University Press, p. 159.
ISBN 0198662122
[Book Section]
Rogers, Holly.
2022.
Canons.
In:
Tom Perchard;
Stephen Graham;
Tim Rutherford-Johnson and
Holly Rogers, eds.
Twentieth Century Music in the West.
Cambridge: Cambridge University Press, pp. 104-128.
ISBN 9781108481984
[Book Section]
Rogers, Holly.
2022.
Instruments.
In:
Tom Perchard;
Stephen Graham;
Tim Rutherford-Johnson and
Holly Rogers, eds.
Twentieth Century Music in the West.
Cambridge: Cambridge University Press, pp. 202-226.
ISBN 9781108481984
[Book Section]
Rogers, Holly.
2022.
Music and the Moving Image.
In:
Tom Perchard;
Stephen Graham;
Tim Rutherford-Johnson and
Holly Rogers, eds.
Twentieth Century Music in the West.
Cambridge: Cambridge University Press, pp. 295-318.
ISBN 9781108481984
[Book Section]
Rogers, Holly.
2022.
Recording and Production.
In:
Tom Perchard;
Stephen Graham;
Tim Rutherford-Johnson and
Holly Rogers, eds.
Twentieth Century Music in the West.
Cambridge: Cambridge University Press, pp. 229-252.
ISBN 9781108481984
[Book Section]
Preview |
Rogers, Holly;
McGrath, John;
Vernallis, Carol and
Chapman, Dale.
2021.
Ben Salisbury: Scoring Science for Alex Garland.
In:
Holly Rogers;
Carol Vernallis;
Selmin Kara and
Jonathan Leal, eds.
Cybermedia: Explorations in Science, Sound, and Vision.
New York: Bloomsbury, pp. 130-137.
ISBN 9780190853617
[Book Section]
Rogers, Holly and
Vernallis, Carol.
2021.
Terence Nance: Random Acts of Flyness.
In:
Holly Rogers;
Carol Vernallis;
Selmin Kara and
Jonathan Leal, eds.
Cybermedia: Explorations in Science, Sound, and Vision.
New York: Bloomsbury, pp. 311-328.
ISBN 9780190853617
[Book Section]
Spillane, Jeremiah.
2020.
Jazz Manouche.
In:
David Horn and
John Shepherd, eds.
Bloomsbury Encyclopedia of Popular Music of the World (EPMOW). Vol. XIII.
London: Bloomsbury.
[Book Section]
(Forthcoming)
Broadcast
Composition
Conference or Workshop Item
Preview |
Bulley, James.
2017.
'Living Symphonies'.
In:
Sound and Environment. University of Huddersfield, United Kingdom 29 June—1 July 2017.
[Conference or Workshop Item]
Drever, John L..
2022.
'Creating A Buzz!'.
In:
Creating A Buzz! Insect Sound Workshop. Museum of Zoology, Cambridge, United Kingdom 6 April 2022.
[Conference or Workshop Item]
Drever, John L..
2022.
'London Street Noises'.
In:
Sonic Cartography: Soundscape, Simulation and Re-enactment 2022. University of Kent, United Kingdom 28-30 October 2022.
[Conference or Workshop Item]
Redhead, L.
2023.
'The Practice of Practice Research'.
In:
Public Research Seminar: Dr Lauren Redhead - The Practice of Practice Research. Royal Birmingham Conservatoire, United Kingdom 21 February 2023.
[Conference or Workshop Item]
Preview |
Redhead, L and
Zaldua, Alistair.
2016.
'The Organ as Live Interface'.
In:
International Conference on Live Interfaces. University of Sussex 29 June - 3 July 2016.
[Conference or Workshop Item]
Dataset
Design
Digital
Edited Book
Edited Journal
Beck, Jay;
Gardiner, Ian R. and
Hanson, Helen, eds.
2016.
Music, Sound, and the Moving Image, Volume 10, Issue 1, Spring 2016,
Music, Sound, and the Moving Image, 10(1). 1753-0776
[Edited Journal]
Beck, Jay;
Gardiner, Ian R. and
Hanson, Helen, eds.
2017.
Music, Sound, and the Moving Image, Volume 11, Issue 2, Autumn 2017,
Music, Sound, and the Moving Image, 11(2). 1753-0776
[Edited Journal]
Beck, Jay;
Gardiner, Ian R. and
Hanson, Helen, eds.
2018.
Music, Sound, and the Moving Image, Volume 12, Issue 1, Spring 2018,
Music, Sound, and the Moving Image, 12(1). 1753-0776
[Edited Journal]
Beck, Jay;
Gardiner, Ian R. and
Hanson, Helen, eds.
2013.
Music, Sound, and the Moving Image, Volume 7, Issue 1, Spring 2013,
Music, Sound, and the Moving Image, 7(1). 1753-0776
[Edited Journal]
Beck, Jay;
Gardiner, Ian R. and
Hanson, Helen, eds.
2013.
Music, Sound, and the Moving Image, Volume 7, Issue 2, Autumn 2013,
Music, Sound, and the Moving Image, 7(2). 1753-0776
[Edited Journal]
Beck, Jay;
Gardiner, Ian R. and
Hanson, Helen, eds.
2014.
Music, Sound, and the Moving Image, Volume 8, Issue 1, Spring 2014,
Music, Sound, and the Moving Image, 8(1). 1753-0776
[Edited Journal]
Beck, Jay;
Gardiner, Ian R. and
Hanson, Helen, eds.
2015.
Music, Sound, and the Moving Image, Volume 9, Issue 1, Spring 2015,
Music, Sound, and the Moving Image, 9(1). 1753-0776
[Edited Journal]
Exhibition Catalogue
Film/Video
Preview |