Menu

Items where Division is "Music"

Up a level
Export as [feed] Atom [feed] RSS
Group by: Date | Creators | Item Type | No Grouping
Jump to: Article | Audio | Book | Book Section | Broadcast | Composition | Conference or Workshop Item | Dataset | Design | Digital | Edited Book | Edited Journal | Exhibition Catalogue | Film/Video | Performance | Printed Ephemera | Professional Activity | Project | Report | Show/Exhibition | Software | Thesis | Other
Number of items at this level: 1365.

Article

Abtan, Freida. 2003. An Evening with Sound and Radio Artist Christian Calon. Electroacoustic Activities in Quebec, CEC – eContact!, [Article]

Abtan, Freida. 2007. Heartstrings: A String Quartet. Sample Culture, Vague Terrain Online Journal of Digital Culture(7), [Article]

[img]
Preview
Abtan, Freida. 2010. The Illusion of Pure Music. Intransitive Web Magazine, [Article]

[img] [img]
Abtan, Freida. 2016. Where is She: Find the Women in Electronic Music Culture. Contemporary Music Review, 35(1), pp. 53-60. ISSN 0749-4467 [Article]

Abtan, Freida and Turner, Shane. 2010. Steam and Fiction – artist statement. Collaborative Spaces, Vague Terrain Online Journal of Digital Culture(17), [Article]

[img]
Preview
Adderley, W. Paul and Young, Michael W.. 2009. Ground-breaking:Scientific and Sonic Perceptions of Environmental Change in the African Sahel. Leonardo, 42(5), pp. 404-411. ISSN 0024-094X [Article]

[img]
Preview
Alexander, Tamsin. 2023. Cosmopolitan Connections: Yevgeny Onegin as realist drame lyrique in Nice. Nineteenth-Century Music Review, 20(2), pp. 335-357. ISSN 1479-4098 [Article]

[img]
Preview
Alexander, Tamsin. 2015. Decentralising via Russia: Glinka’s A Life for the Tsar in Nice, 1890. Cambridge Opera Journal, 27(1), pp. 35-62. ISSN 0954-5867 [Article]

[img]
Preview
Alexander, Tamsin. 2017. Illuminating Gustavus the Third and the Art of Spectacle in 1830s London. Cambridge Opera Journal, 29(1), pp. 33-52. ISSN 0954-5867 [Article]

[img]
Preview
Alexander, Tamsin. 2015. Review: 'A Musician Divided: Andre Tchaikowsky in his own words'. Music & Letters, 96(3), pp. 491-494. [Article]

[img]
Preview
Alexander, Tamsin. 2019. Review: Rimsky-Korsakov and his World. Ed. by Marina Frolova-Walker. Music & Letters, 100(4), pp. 733-735. ISSN 0027-4224 [Article]

[img]
Preview
[img]
Alexander, Tamsin. 2014. Too Russian for British Ears: La Vita per lo Czar at Covent Garden, 1887. Tekst. Kniga. Knigoizdaniye (Text. Book. Publishing), 2(6), pp. 30-48. ISSN 2306-2061 [Article]

[img]
Preview
Alexander, Tamsin and Helmers, Rutger. 2023. Tsarist Russia and the Musical World: Introduction. Nineteenth-Century Music Review, 20(2), pp. 253-260. ISSN 1479-4098 [Article]

[img]
Preview
Armstrong, R and Redhead, L. 2015. /’(h)weTH: VOICE - BREATH - BODY - FORM/S. New Sound International Journal of Music, 46, pp. 155-167. ISSN 0354-818X [Article]

[img]
Preview
Artamonova, Elena. 2014. Alexander Grechaninov and the Viola. Alexander Grechaninov: Complete Music for Viola and Piano, pp. 2-10. [Article]

[img]
Preview
Artamonova, Elena. 2012. Unknown Sergey Vasilenko and his Viola compositions. Journal of American Viola Society, 28(1), pp. 33-47. [Article]

[img]
Preview
Artamonova, Elena. 2014. Vadim Borisovsky and His Viola Arrangements: Recent Discoveries in Russian Archives and Libraries, Part I. Journal of the American Viola Society, 30(2), pp. 27-36. ISSN 0898-5987 [Article]

[img]
Preview
Artamonova, Elena. 2015. Vadim Borisovsky and His Viola Arrangements: Recent Discoveries in Russian Archives and Libraries, Part II. Journal of the American Viola Society, 31(1), pp. 19-30. ISSN 0898-5987 [Article]

[img]
Preview
Assiter, Ben. 2015. Basic Channel and Timelessness: Negotiating Canonisation, Resemblance and Repetition in House and Techno. International Association for the Study of Popular Music, [Article]

[img]
Assiter, Ben. 2020. No Screenshots on the Dance Floor. Dancecult: Journal of Electronic Dance Music Culture, 12(1), ISSN 1947-5403 [Article]

[img]
Preview
Attah, Tom; Cavett, Esther; Dueck, Byron; Miller, Sue and Redhead, L. 2024. Teaching music theory in UK higher education today: contexts and commentaries. Music Education Research, 26(1), pp. 71-81. ISSN 1461-3808 [Article]

[img]
Ayrey, Craig L.. 2006. Jankélévitch the obscure(d). Music Analysis, 25(iii), pp. 343-357. ISSN 0262-5245 [Article]

[img]
Preview
Baily, John S.. 2010. Afghan Music in Australia. Migracoes: Journal of the Portuguese Immigration Observatory, 7, pp. 157-176. ISSN 1646-8104 [Article]

Baily, John S.. 2009. The Art of the ‘Fieldwork Movie’: 35 Years of Making Ethnomusicological Films. Ethnomusicology Forum, 18(1), pp. 55-64. ISSN 1741-1912 [Article]

Baily, John S.. 2009. Crossing the Boundary: From Experimental Psychology to Ethnomusicology. Empirical Musicology Review, 4(2), pp. 82-88. ISSN 1559-5749 [Article]

Baily, John S.. 2005. So Near, So Far: Kabul's Music in Exile. Ethnomusicology Forum, 14(2), pp. 213-233. ISSN 17411912 [Article]

Baily, John S.. 2010. Tools of the Trade: The Afghan Rubab. Songlines, 71, pp. 43-46. [Article]

Baily, John S.. 2010. Two Different Worlds: Afghan Music for Afghanistanis and Kharejis. Ethnomusicology Forum, 19(1), pp. 69-88. ISSN 1741-1912 [Article]

[img]
Preview
Bennett, Alexis. 2016. The British Library’s Francis Chagrin Collection: Joining the Dots. The Journal of Film Music, 6(2), pp. 135-146. ISSN 1087-7142 [Article]

[img]
Bennett, Alexis. 2011. The Ghost of Early Music in Walton's "Hamlet". Historični Seminar, 9(1), pp. 131-146. [Article]

[img]
Preview
Bennett, Alexis. 2015. Music Directors And Composers In British Cinema Of The 1930s: The Creative Process And Working Musical Relationships. FACTA UNIVERSITATIS, Series Visual Arts and Music, 1(1), pp. 13-19. ISSN 2466-2887 [Article]

[img]
Preview
Bennett, Alexis. 2016. Review: "Culture and Propaganda in World War II: Music, Film and the Battle for National Identity", John Morris. Music, Sound, and the Moving Image, 10(1), pp. 92-96. ISSN 1753-0768 [Article]

[img]
Preview
Bennett, Alexis. 2013. Review: "Teaching Film, Lucy Fischer" and Patrice Petro (eds). Music, Sound, and the Moving Image, 7(2), pp. 213-217. ISSN 1753-0768 [Article]

[img]
Preview
Bennett, Alexis. 2016. Review: John Richardson, An Eye for Music: Popular Music and the Audio-Visual Surreal. Popular Music, 35(1), pp. 126-128. ISSN 0261-1430 [Article]

[img]
Preview
Blackwell, Tim and Young, Michael W.. 2004. Self-Organised Music. Organised sound, 9(2), pp. 123-136. ISSN 1355-7718 [Article]

[img]
Preview
Bulley, James. 2018. BBC Proms Profile: Daphne Oram. Pioneers of Sound, 2018(13), [Article]

[img]
Preview
Bulley, James. 2018. BBC Proms Profile: Still Point. Pioneers of Sound, 2018(13), [Article]

[img]
Preview
[img]
Preview
Bulley, James. 2016. 'Progress Music': Daphne Oram, Geoffrey Jones and 'Trinidad and Tobago'. Bricks From The Kiln(2), [Article]

[img]
Preview
Bulley, James and Jones, Daniel. 2011. Variable 4: A Dynamical Composition for Weather Systems. Proceedings of International Computer Music Conference, (ICMC 2011), [Article]

[img]
Preview
[img]
Preview
Bulley, James and Price, Astra. 2018. The Talking Drum. Leonardo Electronic Almanac, 22(1), ISSN 1071-4391 [Article]

Busby, Lisa. 2013. Guest Curator: Lisa Busby. hernoise.org, [Article]

Busby, Lisa. 2017. Like so many things I both know and don't know. Dancecult Journal of Electronic Dance Music Culture, 9(1), ISSN 1947-5403 [Article]

[img]
Preview
Cameron, Daniel; Potter, Keith; Wiggins, Geraint and Pearce, Marcus. 2017. Perception of Rhythmic Similarity is Asymmetrical, and is Influenced by Musical Training, Expressive Performance, and Musical Context. Timing & Time Perception, 5(3-4), pp. 211-227. ISSN 2213-445X [Article]

[img]
Preview
Cottrell, Stephen J.. 2007. Local bimusicality among London's freelance musicians. Ethnomusicology, 51(1), pp. 85-105. ISSN 0014-1836 [Article]

Cottrell, Stephen J.. 2006. Music, Time, and Dance in Orchestral Performance: The Conductor as Shaman. twentieth-century music, 3(1), pp. 73-96. ISSN 14785722 [Article]

[img]
Preview
Crawford, Tim and Lewis, Richard. 2016. Music Encoding Initiative (Digital and Multimedia Scholarship). Journal of the American Musicological Society, 69(1), pp. 273-285. ISSN 0003-0139 [Article]

[img]
Preview
Day, Kiku. 2022. Mindful playing: a practice research investigation into shakuhachi playing and meditation. Ethnomusicology Forum, 31(1), pp. 143-159. ISSN 1741-1912 [Article]

[img]
Preview
Dix, Alan; Cowgill, Rachel; Bashford, Christina; McVeigh, Simon and Ridgewell, Rupert. 2014. Authority and Judgement in the Digital Archive. The 1st International Digital Libraries for Musicology workshop (DLfM 2014), pp. 1-8. [Article]

Dix, Alan; Cowgill, Rachel; Bashford, Christina; McVeigh, Simon and Ridgewell, Rupert. 2016. Spreadsheets as User Interfaces. AVI '16 Proceedings of the International Working Conference on Advanced Visual Interfaces, pp. 192-195. [Article]

Dobbins, Frank. 2006. Strophic and Epigrammatic Forms in the French Chanson and Air of the Sixteenth Century. Acta Musicologica, 78(2), pp. 197-234. ISSN 00016241 [Article]

Drever, John L.. 2015. Sublime-sound-of-the-one-hand [Ryōan-ji]. FocaalBlog, associated with Focaal: Journal of Global and Historical Anthropology, [Article]

Drever, John L. and Bharat, Vinita. 2023. Auraldiversity: Do you hear differently? Frontiers for Young Minds, ISSN 2296-6846 [Article]

[img]
Preview
Exarchos, Dimitris. 2007. Injecting Periodicities: Sieves as Timbres. 4th Sound and Music Computing Conference, [Article]

[img]
Preview
Exarchos, Dimitris. 2005. Inside/Outside Time: Metabolae in Xenakis’s Tetora. Definitive Proceedings of the “International Symposium Iannis Xenakis” (Athens, May 2005), [Article]

[img]
Preview
Falconer, Peter. 2024. Seaton Snook and the building of a parafictional seaside town. Tempo, 78(308), pp. 70-82. ISSN 0040-2982 [Article]

Freed, Moss. 2024. Sonic Socialities: compositional voice in/as ensemble microtradition. Contemporary Music Review, ISSN 0749-4467 [Article] (Forthcoming)

[img]
Preview
Garrelfs, Iris. 2021. Acts of air: reshaping the urban sonic. Sound Studies, 7(2), pp. 269-272. ISSN 2055-1940 [Article]

[img]
Preview
Garrelfs, Iris. 2019. override: An experiment in interrupting the congruity of audio-visual relationships‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬. SoundEffects: An Interdisciplinary Journal of Sound and Sound Experience, 8(1), pp. 104-121. [Article]

Graham, Stephen. 2011. David Toop, Sinister Resonance: The Mediumship of the Listener (2010) (Book Review). Journal of the Society for Musicology in Ireland(6), pp. 93-100. [Article]

[img]
Preview
Graham, Stephen. 2015. Frank Zappa and the And. Edited by Paul Carr (Book Review). Popular Music, 34(1), pp. 147-150. ISSN 0261-1430 [Article]

[img]
Graham, Stephen. 2019. From Microphone to the Wire: Cultural change in 1970s and 1980s music writing. Twentieth-Century Music, 16(3), pp. 531-555. ISSN 1478-5722 [Article]

Graham, Stephen. 2013. 'Popular Music and Television in Britain' Ian Inglis (ed.). (Book Review). Music, Sound, and the Moving Image, 7(1), pp. 83-88. ISSN 1753-0768 [Article]

[img]
Preview
Graham, Stephen. 2021. Summer’s Gone: Late Style and Popular Music. Journal of the Royal Musical Association, 146(2), pp. 315-333. ISSN 0269-0403 [Article]

[img]
Preview
Graham, Stephen. 2022. Ulyssess Journey - In Context. Contemporary Music Centre, Dublin, [Article]

Graham, Stephen. 2010. (Un)Popular Avant-Gardes: Underground Popular Music and the Avant-Garde. Perspectives of New Music, 48(2), pp. 5-20. ISSN 0031-6016 [Article]

[img] [img]
Preview
Graham, Stephen. 2017. The X Factor and Reality Television: Beyond Good and Evil. Popular Music, 36(1), pp. 6-20. ISSN 0261-1430 [Article]

Halstead, Jill. 2005. The Night Mrs Baker Made History: Conducting, Display and the Interruption of Masculinity. Women a Cultural Review, 16(2), pp. 222-235. ISSN 14701367 [Article]

Harris, Rachel and Norton, Barley. 2002. Introduction: Ritual Music and Communism. British Journal of Ethnomusicology, 11(1), pp. 1-8. ISSN 1741-1912 [Article]

Hirshberg, Jehoash and McVeigh, Simon. 2000. The Making of a Ritornello Movement: Compositional Strategy and Selection in Tessarini’s 'Opera prima'. Informazioni e Studi Vivaldiani, 21, pp. 35-73. ISSN 0393-2915 [Article]

Ikeshiro, Ryo. 2014. Audification and Non-Standard Synthesis in Construction in Self. Organised Sound, 19(1), pp. 78-89. ISSN 1355-7718 [Article]

[img] [img]
Preview
Ivashkin, Alexander V.. 2011. Alexander Raskatov's 'A Dog's Heart'. Tempo, 65(256), pp. 54-56. ISSN 0040-2982 [Article]

[img]
Preview
Ivashkin, Alexander V.. 2011. Amerikanskii vzgliad na Sovetskuiu muzyku [American View on Soviet Music]. Muzykal'naia Zhizn' [Musical Life], 2011(1), pp. 56-57. [Article]

Ivashkin, Alexander V.. 2009. Cooling the volcano: Prokofiev's Cello Concerto Op. 58 and Symphony-Concerto Op. 125. Three Oranges: Journal of the Serge Prokofiev Foundation, 18, pp. 7-14. ISSN 1472-9946 [Article]

[img]
Preview
[img]
Preview
Ivashkin, Alexander V.. 2011. Dmitrii Shostakovich. Cello Concerto N0. 1 . The New Collected Works Edition of Dmitrii Shostakovich Works. Critical Edition., 46, pp. 63-113. ISSN 979-0-706364-29-2 [Article]

[img]
Preview
Ivashkin, Alexander V.. 2013. John Cage in Soviet Russia 'Tempo', 66 ( 266), 2013: 1- 10. Tempo, 66(3), pp. 1-10. ISSN 0040-2982 [Article]

[img]
Preview
Ivashkin, Alexander V.. 2011. 'Kod Schnittke' ['The Schnittke Code']. Al'fredu Schnittke posviashchaetsia [Dedicated to Alfred Schnittke: Schnittke Yearbook, 8], ed. Alla Bogdanova and Elena Dolinskaia. Moscow: Kompozitor, 2011: 13-24. Al'fredu Schnittke posviashchaetsia [Dedicated to Alfred Schnittke: Schnittke Yearbook, 8], ed. Alla Bogdanova and Elena Dolinskaia. Moscow: Kompozitor, 2011, 8, pp. 13-24. ISSN 978-5-4254-0037-6 [Article]

[img]
Preview
Ivashkin, Alexander V.. 2012. ‘Shostakovich. Second Cello Concerto.’ In D.D. Shostakovich, New Collected Works Critical Edition, vol. 49. Moscow: DSCH, 2012, 83–124. D.D. Shostakovich, New Collected Works Critical Edition, vol. 49. Moscow: DSCH, 2012, 83–124., 49, pp. 83-124. [Article]

[img]
Preview
Ivashkin, Alexander V.. 2013. Stravinsky and Khrennikov: An Unlikely Alliance. Mittelungen der Paul Sacher Stiftung, 26, April 2013, 12- 16(26), pp. 12-16. ISSN 1015-0536 [Article]

[img]
Johnston, Nessa and Kampman, Anneke. 2016. I Will Leave You Now and this Loudspeaker Will Take My Place. The New Soundtrack, 6(1), pp. 17-27. ISSN 2042-8855 [Article]

Joncus, Berta. 2009. Communications: on Ballad Operas Online (BOPO). Eighteenth-Century Music, 6(2), pp. 302-303. ISSN 1478-5706 [Article]

Joncus, Berta. 2012. Editorial. Eighteenth-Century Music, 9(1), pp. 5-8. ISSN 1478-5706 [Article]

[img]
Joncus, Berta. 2020. Fixing her Reputation: Giulia Frasi and her Ranelagh Garden Concerts. Händel-Jahrbuch, 66, pp. 137-180. ISSN 0440-0615 [Article]

Joncus, Berta. 2006. Handel at Drury Lane: Ballad Opera and the Production of Kitty Clive. Journal of the Royal Musical Association, 131(2), pp. 179-226. ISSN 0269-0403 [Article]

Joncus, Berta. 2021. The Handel-Senesino Rivalry. Handel Institute Newsletter, 32(1), pp. 1-3. [Article]

Joncus, Berta. 2005. ‘His Spirit is in Action Seen’: Milton, Mrs Clive and the Simulacra of the Pastoral in Comus. Eighteenth-Century Music, 2(1), pp. 7-40. ISSN 1478-5706 [Article]

Joncus, Berta. 2011. “In Wit Superior as in Fighting”: Kitty Clive and the Conquest of a Rival Queen. Huntington Library Quarterly, 74(1), pp. 23-42. ISSN 0018-7895 [Article]

[img]
Joncus, Berta. 2009. 'A Likeness Where None Was To Be Found': Imagining Kitty Clive (1711-1785). Music in Art, 34(1-2), pp. 89-106. ISSN 1522-7464 [Article]

Joncus, Berta. 2010. Martha Feldman: Opera and Sovereignty: Transforming Myths in Eighteenth-Century Italy [Review]. The Opera Quarterly, 26(4), pp. 626-634. ISSN 1476-2870 [Article]

Joncus, Berta. 2005. One God, so many Farinellis: Mythologising the Star Castrato. Journal for Eighteenth-Century Studies (formerly British Journal for Eighteenth-Century Studies), 28(3), pp. 437-496. [Article]

Joncus, Berta. 2014. Opera librettos and British politics. Early Music, 42(2), pp. 297-299. ISSN 0306-1078 [Article]

Joncus, Berta. 2013. Review: Stefanie Tcharos, Opera's Orbit: Musical Drama and the Influence of Opera in Arcadian Rome. Eighteenth-Century Music, 10(1), pp. 136-139. ISSN 1478-5706 [Article]

Joncus, Berta. 2013. ‘To Propagate Sound for Sense’: Music for Diversion and Seduction at Ranelagh Gardens. The London Journal, 38(1), pp. 34-66. ISSN 0305-8034 [Article]

Joncus, Berta. 2009. 'Women's Song in Georgian England' [Book Review]. Early Music, 37(3), pp. 479-481. ISSN 0306-1078 [Article]

[img]
Preview
Kirby, Jenn. 2023. Approaches for Working with the Body in the Design of Electronic Music Performance Systems. Contemporary Music Review, 42(3), pp. 304-318. ISSN 0749-4467 [Article]

[img]
Preview
Kirby, Jenn. 2015. Composing Perceivable Time. Leonardo, 48(1), pp. 6-12. ISSN 0024-094X [Article]

[img]
Preview
Kirby, Jenn. 2022. Five Sonic Artists Practices and Experiences in Lock-down. Interference Journal(8), ISSN 2009-3578 [Article]

Kivy, Peter. 2006. Ars Perfecta: toward perfection in musical performance? The British Journal of Aesthetics, 46(2), pp. 111-132. ISSN 14682842 [Article]

[img]
Preview
Koren, Réka and Gingras, Bruno. 2014. Perceiving individuality in harpsichord performance. Frontiers in Psychology, 5, 141. ISSN 16641078 [Article]

Langley, Leanne. 2007. Agency and Change: Berlioz in Britain, 1870-1920. Journal of the Royal Musical Association, 132(2), pp. 306-348. ISSN 02690403 [Article]

Matsumoto, Naomi. 2010. Englishness and Burlesque on the London Stage: the Case of The Dragon of Wantley. The Journal of the Musicological Society of Japan, 55(2), pp. 97-110. [Article]

[img]
Preview
Matsumoto, Naomi. 2016. "Ghost Writing”: an Exploration of Presence and Absence in Lucia di Lammermoor (1835)’. Word and Music Studies, 15, pp. 63-84. ISSN 1566-0958 [Article]

Matsumoto, Naomi. 2008. The Identity of the librettist of Monteverdi’s Il ritorno d’Ulisse in patria. The Journal of the Musicological Society of Japan, 53(2), pp. 134-137. [Article]

Matsumoto, Naomi. 2012. Instrumental Music and the Industrial Revolution. Ad Parnassum: Journal of 18th and 19th century Instrumental Music, 10(20), [Article]

Matsumoto, Naomi. 2012. Liner notes to Quintetto Vocale Italiano, Gesualdo. Gesualdo Six Books of Madrigals for 5 Voices, [Article]

[img]
Preview
Matsumoto, Naomi. 2019. The Mad Scene: Portrayals of Insanity in Opera. Japanese Journal of Clinical Psychiatry, 48(3), ISSN 0300-032X [Article]

[img]
Matsumoto, Naomi. 2021. Madam Butterfly and the Forging of Japanese Identity. History Today, 71(3), pp. 28-37. ISSN 0018-2753 [Article]

[img]
Matsumoto, Naomi. 2023. "Madama Butterfly": Prospettive occidentali e giapponesi a confronto. Commentari dell'Ateneo di Brescia, ISSN 1594-8218 [Article] (Forthcoming)

Matsumoto, Naomi. 2008. Motoo Ohtaguro interviews Prokofiev. Three Oranges: the Journal of the Sergey Prokofiev Foundation, 15, pp. 9-13. [Article]

[img]
Preview
Matsumoto, Naomi. 2011. Pio Enea degli Obizzi and the Opera Torneo Genre – Towards an Understanding of the Commercialisation of Early Italian Opera’. The Journal of the Musicological Society of Japan, lvii(1), pp. 56-68. ISSN 00302597 [Article]

[img]
Preview
Matsumoto, Naomi. 2024. Representing Insanity and the Crisis of Identity through Henry Purcell's 'Bess of Bedlam'. Swiss Journal of Musicology, 40, pp. 11-40. ISSN 0259-3165 [Article]

Matsumoto, Naomi. 2006. An anonymous setting of L’Ospedale and the question of an “asylum opera” genre. The Journal of the Musicological Society of Japan, pp. 45-61. [Article]

Matsumoto, Naomi. 2009. The dating of MS, GB-Lcm: n. 927, The Dragon of Wantley. The Journal of the Musicological Society of Japan, 54(1), pp. 75-77. [Article]

[img]
Preview
McKeon, EJ. 2021. The Concept Album as Curatorial 'Medium': Colin Riley's "In Place". Tempo, 75(296), pp. 46-56. ISSN 0040-2982 [Article]

[img]
Preview
McLaughlin, Scott; Kanga, Zubin and Benjamin, Mira. 2021. Composing Technique, Performing Technique. Journal for Artistic Research(23), ISSN 2235-0225 [Article]

McVeigh, Simon. 1983. Felice Giardini: a Violinist in Late Eighteenth-Century London. Music and Letters, 64, pp. 162-172. ISSN 0027-4224 [Article]

McVeigh, Simon. 2007. A Free Trade in Music: London during the Long 19th Century in a European Perspective. Journal of Modern European History, 5(1), pp. 67-94. ISSN 16118944 [Article]

McVeigh, Simon. 2013. The London Symphony Orchestra: the First Decade Revisited. Journal of the Royal Musical Association, 138(2), pp. 313-376. ISSN 0269-0403 [Article]

McVeigh, Simon. 1988. Music and Lock Hospital in the 18th Century. Musical Times, 129, pp. 235-240. ISSN 0027-4666 [Article]

McVeigh, Simon. 1989. The Professional Concert and Rival Subscription Series in London, 1783-93. Royal Musical Association Research Chronicle, 22, pp. 1-135. ISSN 00804460 [Article]

[img]
Preview
McVeigh, Simon. 2020. Rescuing a Heritage Database: Some Lessons from London Concert Life in the Eighteenth Century. Research Data Journal for the Humanities and Social Sciences, 5(2), pp. 50-61. ISSN 2452-3666 [Article]

[img]
Preview
Negus, Keith. 2011. Authorship and the Popular Song. Music and Letters, 92(4), pp. 607-629. ISSN 0027-4224 [Article]

[img]
Preview
Negus, Keith. 2002. Belonging and detachment - musical experience and the limits of identity. Poetics, Journal of Empirical Research on Culture, the Media and the Arts, 30(1-2), pp. 133-145. ISSN 00484571 [Article]

[img]
Preview
Negus, Keith. 2010. Bob Dylan's Phonographic Imagination. Popular Music, 29(2), pp. 213-228. ISSN 0261-1430 [Article]

[img]
Preview
Negus, Keith. 2023. Book Review: Made in Hong Kong: Studies in Popular Music. Global Media and China, ISSN 2059-4364 [Article] (In Press)

[img]
Preview
Negus, Keith. 2005. Elvis Costello at 50. Popular Music, 24(3), pp. 453-457. ISSN 0261-1430 [Article]

[img]
Preview
Negus, Keith. 2007. Living, Breathing Songs: Singing Along With Bob Dylan. Oral Tradition, 22(1), pp. 71-83. ISSN 0883-5365 [Article]

[img]
Preview
Negus, Keith. 2018. Musicians on Television at the BBC, 1936-1972. Discussion Paper, [Article]

Negus, Keith. 2006. Musicians on Television: Visible, Audible and Ignored. Journal of the Royal Musical Association, 131(2), pp. 310-330. ISSN 02690403 [Article]

Negus, Keith. 2012. Narrative Time and the Popular Song. Popular Music and Society, 35(4), pp. 483-500. ISSN 0300-7766 [Article]

[img]
Preview
Negus, Keith. 2012. Narrative, Interpretation and the Popular Song. Musical Quarterly, 95(2-3), pp. 368-395. ISSN 1741-8399 [Article]

[img]
Preview
Negus, Keith. 2024. Perspectives on cultural economy: personal, institutional, historical. Journal of Cultural Economy, 17(5), pp. 694-699. ISSN 1753-0350 [Article]

[img]
Preview
Negus, Keith. 2002. The Work of Cultural Intermediaries and the Enduring Distance between Production and Consumption. Cultural Studies, 16(4), pp. 501-515. ISSN 09502386 [Article]

[img]
Preview
Negus, Keith and Astor, Pete. 2022. Authenticity, empathy, and the creative imagination. Rock Music Studies, 9(2), pp. 157-173. ISSN 1940-1159 [Article]

[img]
Preview
Negus, Keith and Sledmere, Adrian. 2022. Postcolonial paths of pop: a suburban psychogeography of George Michael and Wham! Popular Music, 41(2), pp. 131-151. ISSN 0261-1430 [Article]

[img]
Preview
Negus, Keith and Street, John. 2016. The Mediations of Music and Alcohol. Popular Music, 35(02), pp. 161-165. ISSN 0261-1430 [Article]

Nielinger-Vakil, Carola. 2006. 'The Song Unsung': Luigi Nono's Il canto sospeso. Journal of the Royal Musical Association, 131(1), pp. 83-150. ISSN 14716933 [Article]

Norton, Barley. 2008. CD Review: Huong Thanh, Cai Luong Music. Songlines: The World Music Magazine., 53, p. 77. [Article]

Norton, Barley. 2007. CD Review: Que Huong (Homeland). Songlines: The World Music Magazine., 44, p. 75. [Article]

Norton, Barley. 2007. CD Review: The Rough Guide to the Music of Vietnam. Songlines: The World Music Magazine, 46, p. 67. [Article]

Norton, Barley. 2007. CD Review: Vietnam: Vocal music from the Northern Plains. Songlines: The World Music Magazine, 41, p. 75. [Article]

Norton, Barley. 2014. Engendering Emotion and the Environment in Vietnamese Mediumship. Vietnam Social Sciences Review, 164(6), pp. 1-16. [Article]

Norton, Barley. 2007. Feature article "Postcard from Hanoi, Vietnam". Songlines: The World Music Magazine., 45, p. 51. [Article]

[img]
Norton, Barley. 2019. Feature article “Dispatch from Vietnam”. Songlines: The World Music Magazine, 144, p. 85. [Article]

Norton, Barley. 2011. Huong Thanh - Vietnam's Song Bird. Songlines, 80, p. 27. [Article]

Norton, Barley. 2002. The Moon Remembers Uncle Ho: The Politics of Music and Mediumship in Northern Vietnam. British Journal of Ethnomusicology, 11(1), pp. 71-100. ISSN 1741-1912 [Article]

[img]
Preview
Norton, Barley. 2016. 'Music, Ethnicity and Heritage: A Comparison of Then and Lên đồng Rituals in Vietnam (Âm nhạc, Tộc người và Di Sản: So sánh giữa nghi lễ Then và Lên đồng của Việt Nam)'. Thông Báo Khoa Học Viện Âm Nhạc (Bulletin of Vietnamese Institute for Musicology), 156, pp. 22-33. ISSN 18594360 [Article]

[img]
Norton, Barley. 2013. Music, Protest & the Vietnam War. Goldlink Magazine(40), pp. 18-20. [Article]

Norton, Barley. 2007. A Review Essay on Recordings of Music from Vietnam. World of Music, 49(1), pp. 215-222. [Article]

Norton, Barley. 2011. Review of the CD "Burma: Classical Theatre Music". VDE-Gallo. Songlines: The World Music Magazine, 74, p. 78. [Article]

Norton, Barley. 2008. Review of the CD "Fragile Beauty" by Huong Thanh and Nguyen Le. ACT 94512. Songlines: The World Music Magazine., 50, p. 101. [Article]

[img]
Norton, Barley. 2020. Review of the CD 'Hoạ Âm Xưa' by Saigon Soul Revival, Saigon Supersound. Songlines: The World Music Magazine, 156, p. 62. [Article]

Norton, Barley. 2018. Review of the CD 'Lao Dreaming' by Wonderfeel, Skeletone. Songlines: The World Music Magazine, 136, p. 65. [Article]

Norton, Barley. 2015. Review of the CD 'Radio Vietnam', compiled by Mark Gergis. Sublime Frequencies. Songlines: The World Music Magazine, 109, p. 71. [Article]

[img]
Norton, Barley. 2019. Review of the CD 'Saigon Supersound, 1964-75 Volume 2', INFRACom! Songlines: The World Music Magazine, 144, p. 68. [Article]

Norton, Barley. 2017. Review of the CD 'Saigon Supersound, 1965-75 Volume 1', INFRACom! Songlines: The World Music Magazine, 131, p. 59. [Article]

Norton, Barley. 2009. Review of the CD 'Saiyuki' by Nguyen Le, ACT 9483-2. Songlines: The World Music Magazine, 64, p. 97. [Article]

Norton, Barley. 2012. Review of the CD 'Song Hanh' by Onno Krijn and Ngo Hong Quang. Noon Records. Songlines: The World Music Magazine., 84, p. 94. [Article]

[img]
Norton, Barley. 2019. Review of the CD 'Streams' by Nguyên Lê Quartet, ACT. Songlines: The World Music Magazine(147), p. 65. ISSN 2059-6782 [Article]

[img]
Norton, Barley. 2019. Review of the CD 'The Art of the Vietnamese Zither: Đàn Tranh' by Tri Nguyen, ARC Music. Songlines: The World Music Magazine(147), p. 60. ISSN 1464-8113 [Article]

Norton, Barley. 2012. Review of the CD 'Tree of Dreams' by Huong Thanh. Buda Musique. Songlines: The World Music Magazine., 83, p. 88. [Article]

[img]
Norton, Barley. 2005. Singing the Past: Vietnamese Ca Tru, Memory and Mode. Asian Music, 36(2), pp. 27-56. [Article]

[img]
Preview
Perchard, Tom. 2017. Growing Old Together: Pop Studies and Music Sociology Today. Twentieth-Century Music, 14(2), pp. 335-343. ISSN 1478-5722 [Article]

Perchard, Tom. 2007. Writing Jazz Biography: Race, Research and Narrative Representation. Popular Music History, 2(2), pp. 119-145. ISSN ISSN: 1740-7133 [Article]

Pickens, Jeremy; Bello, Juan Pablo; Monti, Giuliano; Sandler, Mark; Crawford, Tim and Dovey, Matthew. 2003. Polyphonic Score Retrieval Using Polyphonic Audio Queries: A Harmonic Modeling Approach. Journal of New Music Research, 32(2), pp. 223-236. ISSN 09298215 [Article]

Potter, Keith. 2000. Booklet essay for Philip Glass: Violin Concerto, Prelude and Dance from Akhnaten and Company (Naxos 8 554568). Philip Glass: Violin Concerto, Prelude and Dance from Akhnaten and Company, [Article]

Potter, Keith. 2000. 'Notes on Cage'. 'John Cage: The Seasons' (ECM New Series 1696), [Article]

Potter, Keith. 2008. Philip Glass: the compositions and some contexts. Glass: a Nonesuch Retrospective Box, pp. 49-72. ISSN Nonesuch 424508-2 [Article]

Potter, Keith. 2008. Programme Notes. BBC Symphony Orchestra/Mikhail Agrest, [Article]

Potter, Keith. 2004. What's The Score? The Independent, [Article]

Potter, Keith. 2000. A ripe harvest of Eastern promise. The Independent, p. 16. [Article]

[img]
Preview
Powers, Devon and Perchard, Tom. 2017. Introduction: The Critical Imperative. Popular Music, 36(1), pp. 1-5. ISSN 0261-1430 [Article]

Pryer, Anthony J.. 1977. Guillaume de Machaut, c. 1300-1377. Music and Musicians, pp. 26-30. [Article]

[img]
Pryer, Anthony J.. 1997. Introduction to the Complete Secular Music of Guillaume Dufay (c. 1400-1474). Complete recording of the secular music of Guillaume Dufay (c. 1400-1474) by the Medieval Ensemble of London, [Article]

Pryer, Anthony J.. 2000. Machaut and the Moderns: A Distant Mirror. BBC Music Magazine, pp. 26-28. [Article]

Pryer, Anthony J.. 1997. Monteverdi, two sonnets and a letter. Early Music, 25(3), pp. 357-371. ISSN 0306-1078 [Article]

Pryer, Anthony J.. 2004. Mozart's Operatic Audition. The Milan Concert, 12 March 1770: A reappraisal and revision. Eighteenth Century Music, 1(2), pp. 265-288. ISSN 14785706 [Article]

Pryer, Anthony J.. 1996. Nattiez's 'Music and Discourse': Situating the Philosophy. Music Analysis, 15(1), pp. 101-116. ISSN 0262-5245 [Article]

Pryer, Anthony J.. 1994. Re-thinking History. The Musical Times, 135(1), pp. 682-690. ISSN 0027-4666 [Article]

Pryer, Anthony J.. 1999. Trouble in Arcadia: Music Aesthetics and the Bounds of Culture. Journal of the Royal Musical Association, 124(1), pp. 134-152. ISSN 0269-0403 [Article]

Redgate, Roger. 2001. Brian Ferneyhough's etudes transcendantales. Contemporary Music Review, 20(1), pp. 79-100. ISSN 0749-4467 [Article]

Redgate, Roger. 1995. Ferneyhough as teacher. Contemporary Music Review, 13(1), pp. 19-21. [Article]

Redgate, Roger. 2000. Marginalisierung und Subversion. Musik & Asthetik, 13, pp. 94-98. [Article]

Redgate, Roger. 2018. Music after the Death of Art. Twentieth Century Music, 14(3), pp. 41-44. ISSN 1478-5722 [Article]

Redgate, Roger. 1999. Neue Musik in Grossbritannien: Ein Situationsbericht. Musik & Asthetik, 10, pp. 59-66. [Article]

[img]
Preview
Redgate, Roger. 2019. When is an Orchestra not an Orchestra? Principles of Music Composing, 19, pp. 9-21. ISSN 2351-5155 [Article]

[img]
Preview
Redgate, Roger. 2020. Where Are We Going? Teleological Structures in New Music. Principles of Music Composing, 20, pp. 23-34. ISSN 2351-5155 [Article]

[img]
Preview
Redhead, L. 2018. The Avant Garde as Exform. Tempo, 72(286), pp. 7-16. ISSN 0040-2982 [Article]

[img]
Preview
Redhead, L. 2015. The Beautiful and the Political. Contemporary Music Review, 34(2-3), pp. 247-255. ISSN 0749-4467 [Article]

[img]
Preview
Redhead, L. 2023. ‘Developing Live-interactive Approaches to New Music for Organ and Electronics Through Collaboration’. Contemporary Music Review, 42(3), pp. 339-350. ISSN 0749-4467 [Article]

[img]
Preview
Redhead, L. 2020. Introduction: Musik und Sprache: Music/Language/Speech. Contemporary Music Review, 39(3), ISSN 0749-4467 [Article]

[img] [img]
Preview
Redhead, L. 2022. Iterative Processes: Notating, Composing, and Performing as Journey Forms. Contemporary Music Review, 41(2-3), pp. 266-280. ISSN 0749-4467 [Article]

[img]
Preview
Redhead, L. 2020. Language as a Material Process. Contemporary Music Review, 39(3), ISSN 0749-4467 [Article]

[img]
Preview
Redhead, L. 2024. Listening Intertextually in Beat Furrer's Music Theatre Works. Tempo, 78(307), pp. 51-61. ISSN 0040-2982 [Article]

[img]
Preview
Redhead, L. 2022. Music Composition and Epistemic Injustice. Tempo, 76(302), pp. 32-41. ISSN 0040-2982 [Article]

[img]
Preview
Redhead, L. 2014. Quotation and Psychogeographic Experience as Repetition in the Music of Bernhard Lang and Chico Mello. Contemporary Music Review, 33(2), pp. 148-166. ISSN 0749-4467 [Article]

[img]
Preview
Redhead, L. 2020. Vibrant Echoes: A Material Semiotics of the Voice in Music by Iris Garrelfs and Marlo Eggplant. Contemporary Music Review, 39(5), pp. 564-579. ISSN 0749-4467 [Article]

[img]
Preview
Redhead, L. 2017. entoptic landscape and ijereja: music as an iterative process. New Sound International Journal of Music, 49, pp. 97-113. ISSN 0354-818X [Article]

[img]
Preview
Redhead, L. 2020. hearmleoþ-gieddunga: temporal and material layeredness. ECHO, 1, ISSN 1424-3644 [Article]

[img]
Preview
Redhead, L; Zaldua, Alistair; Gisby, S and Stone, S. 2017. Performing Temporal Processes. New Sound International Journal of Music, 50, pp. 113-127. ISSN 0354-818X [Article]

[img]
Rogers, Holly. 2006. Acoustic Architecture: Music and Space in the Video Installations of Bill Viola. twentieth-century music, 2(02), pp. 197-219. ISSN 1478-5722 [Article]

Rogers, Holly. 2008. ‘Audio-Visual Biography: Music and Image in Derek Jarman’s Caravaggio’. The Journal of Musicological Research, 27(2), pp. 134-168. ISSN 0141-1896 [Article]

Rogers, Holly. 2006. 'Beethoven’s Myth Sympathy: Hollywood’s Biographical Reconstruction'. British Postgraduate Musicology, 8, ISSN 1460-9231 [Article]

[img]
Preview
Rogers, Holly. 2013. Composing with Reality: Digital Sound and Music in Documentary Film. ZDOK: Zürcher Hochschule der Künste, 13, pp. 1-13. [Article]

Rogers, Holly. 2004. 'Fitzcarraldo’s Search for Aguirre: Music and Text in the Amazonian Films of Herzog'. Journal of the Royal Musical Association, 129(1), pp. 77-99. ISSN 0269-0403 [Article]

[img]
Rogers, Holly. 2020. Locked Down Listening / Communal Re-Imagination. Flow: A Critical Forum on Media and Culture, [Article]

Rogers, Holly. 2011. ‘Review: A History of Film Music (Mervyn Cooke)’. Twentieth Century Music, 7(2), pp. 245-248. ISSN 1478-5722 [Article]

Rogers, Holly. 2007. ‘Review: EcoMedia (Sean Cubitt)’. Scope: Journal of Film Studies, 7, [Article]

[img]
Preview
[img]
Rogers, Holly. 2020. Sonic Elongation: Creative Audition in Documentary Film. JCMS: Journal of Cinema and Media Studies, 59(2), pp. 88-113. ISSN 0009-7101 [Article]

Rogers, Holly. 2011. ‘The Unification of the Senses: Intermediality in Video Art-Music’. The Journal of the Royal Music Association, 136(2), pp. 399-428. ISSN 0269-0403 [Article]

[img]
Preview
[img]
Preview
Rogers, Holly; Alvim, Luíza and Paiva Chaves, Renan. 2022. Contemporary Audiovisualities, Intermediality and Remediation. Revista Eco-Pós, 21(1), pp. 320-341. ISSN 2175-8689 [Article]

[img]
Preview
Rogers, Holly and Britton, Heather. 2022. The Spaces Beyond: Experimenting with the Theory of Audiovisual Concrète. [in]Transition: Journal of Videographic Film & Moving Image Studies, 9(1), ISSN 2469-4312 [Article]

[img]
Preview
Rogers, Holly; Vernallis, Carol and Perott, Lisa. 2016. Beyoncé’s Lemonade: She Dreams in Both Worlds. Film International, [Article]

[img]
Preview
Rosani, Silvia. 2013. Resistance music finds new shapes. Political Perspectives, 7(2), pp. 61-84. [Article]

Smirnov, Dmitri. 2003. “Dodecamania” of Pierre Boulez or The notes on his “Notations”. Muzykalnaya Academia(4), pp. 112-119. ISSN 0869–4516 [Article]

Smirnov, Dmitri. 1996. Going beyond the borders – On Brian Ferneyhough (Russian). Muzykalnaya Academia, 2, pp. 202-208. ISSN 0869–4516 [Article]

Smirnov, Dmitri. 2002. Marginalia quasi una Fantasia: on the Second Violin Sonata by Alfred Schnittke. Tempo (New Series)(220), pp. 2-10. ISSN 0040-2982 [Article]

Smirnov, Dmitri. 2002. Musical Idea: About the Mystery of creation processes in music. Muzykalnaya Academia, 2, ISSN 0869–4516 [Article]

Smirnov, Dmitri. 2006. My Shostakovich (English). DSCH(24), pp. 13-17. [Article]

Smirnov, Dmitri. 2006. My Shostakovich (Russian). Muzykal’naya Akademia(3), pp. 30-34. [Article]

Smirnov, Dmitri. 1995. On the Symphony by Anton Webern (Russian). Muzykalnaya Academia(3), pp. 204-220. [Article]

Smirnov, Dmitri. 1998. On the Symphony by Anton Webern (Russian). “I svet vo t’me svetit” About music by Webern, 25, pp. 91-116. [Article]

Smirnov, Dmitri. 1999. The Panic in the United Kingdom: On music by Harrison Birtwistle. Muzykalnaya Academia(2), pp. 145-150. ISSN 0869–4516 [Article]

Smirnov, Dmitri. 2001. Postlude in memory of Schnittke Op112 – Composer's note (Russian). Muzykalnaya Academia(2), pp. 21-24. ISSN 0869–4516 [Article]

Smirnov, Dmitri. 1998. Shostakovich, Symphony No, 1. BBC Music Magazine, p. 21. [Article]

[img]
Preview
Spillane, Jeremiah. 2017. [Book Review] Blue Rhythm Fantasy: Big Band jazz Arranging in the Swing Era, by John Wriggle. University of Illinois Press. Journal of the International Association for the Study of Popular Music (IASPM), 7(2), ISSN 2079-3871 [Article]

Spillane, Jeremiah. 2020. [Book Review] Jazz Diaspora: Music and Globalisation By Bruce Johnson (2019). Journal of the International Association for the Study of Popular Music (IASPM), ISSN 2079-3871 [Article]

Spillane, Jeremiah. 2015. Hybridizing the intangible: unraveling Django Reinhardt's socio-cultural milieu. HANDAI ONGAKUGAKUHO, Journal of HANDAI Music Studies, [Article]

[img] [img]
Preview
Winston, Emma. 2017. Nightcore and the Virtues of Virtuality. Brief Encounters, 1(1), ISSN 2514-0612 [Article]

[img]
Preview
Young, Michael W.. 2009. Creative Computers, Improvisation and Intimacy. Dagstuhl Seminar Proceedings(09291), pp. 1-7. [Article]

[img]
Preview
Young, Michael W.. 2010. Identity and Intimacy in Human-Computer Improvisation. Leonardo Music Journal, 20(n/a), p. 97. ISSN 0961-1215 [Article]

[img]
Preview
Young, Michael W. and Adderley, Paul. 2007. Here is Now and There the Sound of the Land: 'Ground-breaking'. MutaMorphosis: Challenging Arts and Sciences Conference Proceedings, p. 1. [Article]

[img]
Preview
Young, Michael W. and Bown, Oliver. 2010. Clap-along: A negotiation strategy for creative musical interaction with computational systems. Proceedings of the International Conference on Computational Creativity 2010, pp. 215-222. [Article]

[img]
Preview
Young, Michael W.; Drever, John L.; Grierson, Mick and Stonehouse, Ian. 2008. Goldsmiths Electronic Music Studios: 40 Years. International Computer Music Conference Proceedings 2008, pp. 315-318. [Article]

[img]
Preview
ap Sion, Pwyll and Redhead, L. 2014. Introduction: Musical Borrowing and Quotation in the Twentieth and Twenty-first Centuries. Contemporary Music Review, 34(2), pp. 125-127. ISSN 0749-4467 [Article]

[img]
Preview
de Lacey, A. 2020. Mitchell Ohriner, "Flow: The Rhythmic Voice in Rap Music". Journal of the Society for Musicology in Ireland, 15(2020), pp. 31-35. ISSN 1649-7341 [Article]

[img]
Preview
de Lacey, Alex. 2020. ‘Let us know you’re locked’: Pirate radio broadcasts as historical and musical artefact. Popular Music History, 12(2), pp. 194-214. ISSN 1740-7133 [Article]

[img]
Preview
[img]
Preview
de Lacey, Alex. 2021. Pirate mentality: How London radio has shaped creative practice in grime music. Radio Journal: International Studies in Broadcast & Audio Media, 19(1), pp. 197-215. ISSN 1476-4504 [Article]

[img]
Preview
de Lacey, Alex. 2020. ‘Wot do u call it? Doof doof’: Articulations of glocality in Australian grime music. Global Hip Hop Studies, 1(1), pp. 115-141. ISSN 2632-6825 [Article]

Audio

Alexander, Tamsin; Bullock, Philip Ross and Crilly, Ciarán. 2024. Talking History: Tchaikovsky. [Audio]

Freed, Moss; Williams, Chris; Goller, Ruth and Panter, Finlay. 2022. Let Spin: 'Thick as Thieves'. [Audio]

Ivashkin, Alexander V.; Barlow, Ora and Halliday, Kim. 2009. Pacific voyage. [Audio]

Kirby, Jenn. 2020. Being Time. [Audio]

Kirby, Jenn. 2022. Ravel. [Audio]

[img]
McLaughlin, Scott; Benjamin, Mira and Kanga, Zubin. 2024. we are environments for each other. [Audio]

Redgate, Roger. 2005. +R. [Audio]

Redhead, L. 2014. concerto. [Audio]

[img]
Preview
[img]
Redhead, L. 2016. ijereja. [Audio]

[img] [img]
Preview
Redhead, L. 2020. the octopus. [Audio]

Redhead, L and Zaldua, Alistair. 2015. Diapason: Music for Organ and Electronics. [Audio]

Redhead, L; Zaldua, Alistair and Cannon, J. 2018. hearmleoþ—gieddunga. [Audio]

Zorn, John and Eastmond, Sam. 2023. John Zorn's Bagatelles - Sam Eastmond, Vol. 16. [Audio]

Book

[img]
Preview
Perchard, Tom, ed. 2014. From Soul to Hip Hop (The Library of Essays on Popular Music). Ashgate. ISBN 978-1-4094-2719-3 [Book]

[img]
Preview
Baily, John S.. 2001. Can You Stop the Birds Singing? The Censorship of Music in Afghanistan. Copenhagen: Freemuse. ISBN 0004707729 [Book]

Baily, John S.. 2010. Mosiqi Afghanistan wa Honarmandan Herfawai shaehre Herat. Kabul: Ministry of Information and Culture. [Book]

[img]
Preview
Baily, John S.. 2011. Songs from Kabul: The Spiritual Music of Ustad Amir Mohammad. Aldershot: Ashgate. ISBN 978-0-7546-5776-7 [Book]

[img]
Preview
Cottrell, Stephen J.. 2004. Professional Music-Making in London. Ashgate. ISBN 0754608891 [Book]

Dobbins, Frank. 2002. Claudio Montiverdi, Scherzi musicali a tre voci (1607). Cremona: Fondazione Claudio Monteverdi. ISBN 8886288275 [Book]

Dobbins, Frank. 2005. Jacotin, Chansons. Turnhout: Brepols. ISBN 9782503515939 [Book]

Dobbins, Frank and Vacchelli, A.. 2002. Claudio Monteverdi, Scherzi musicali a una e due voci (1632). Cremona: Fondazione Claudio Monteverdi. ISBN 978-88-86288-28-6 [Book]

Gisler, Priska; Guggenheim, Michael; Maranta, Alessandro; Nowotny, Helga and Pohl, Christian. 2004. Imaginierte Laien. Die Macht der Vorstellung in wissenschaftlichen Expertisen. Weilerswist: Velbrück Wissenschaft. ISBN 978-3934730793 [Book]

Graham, Stephen. 2023. Becoming Noise Music: Style, Aesthetics, History. London: Bloomsbury Academic. ISBN 9781501378669 [Book]

[img]
Preview
Graham, Stephen. 2016. Sounds of the Underground: A Cultural, Political and Aesthetic Mapping of Underground and Fringe Music. Michigan: University of Michigan Press. ISBN 9780472119752 [Book]

Halstead, Jill. 2006. Ruth Gipps: Anti-Modernism, Nationalism and Difference in English Music. Ashgate. ISBN 0754601781 [Book]

[img]
Preview
Ivashkin, Alexander V.. 1996. Alfred Schnittke. London: Phaidon. ISBN 0714831697 [Book]

[img]
Preview
Ivashkin, Alexander V.. 2007. Rostropovich. Tokyo: Shunjusha Publishing Company. ISBN 978-4-393-93518-7 [Book]

[img]
Preview
Ivashkin, Alexander V. and Oerhlein, Josef. 1997. Rostrospektive: zum Leben und Werk von Mstislaw Rostropowitsch. On the life and achievement of Mstislav Rostropovich. Frankfurt-Schweinfurth: Reimund Maier Verlag. ISBN 3-926300-30-2 [Book]

[img]
Preview
Joncus, Berta. 2019. Kitty Clive, or The Fair Songster. Martlesham, Suffolk: Boydell & Brewer. ISBN 9781783273461 [Book]

Kivy, Peter. 2006. The Performance of Reading: an essay in the philosophy of literature. Blackwell. ISBN 1405146923 [Book]

[img]
Preview
Kivy, Peter. 2001. The Possessor and the Possessed: Handel, Mozart, Beethoven, and the Idea of Musical Genius. New Haven: Yale University Press. ISBN 0300087586 [Book]

Matsumoto, Naomi. 2025. The Challenge of Music History: 10 Works from the 'Musical Canon' and Their Meanings. Tokyo: Asahi Newspaper Publications Inc.. [Book] (Forthcoming)

[img]
Matsumoto, Naomi. 2022. Critical Edition of Anonymous, Lo Spedale. Middleton, Wisconsin, United States: A-R Editions. ISBN 9781987208146 [Book]

[img]
Matsumoto, Naomi. 2023. Music Historiography: How and why music history has been written. Tokyo: Yamaha Music Entertainment Holdings, Inc.. ISBN 9784636101164 [Book]

[img]
Preview
McVeigh, Simon. 1993. Concert Life in London from Mozart to Haydn. Cambridge: Cambridge University Press. ISBN 0521413532 [Book]

[img]
Preview
McVeigh, Simon and Hirshberg, J.. 2004. The Italian Solo Concerto, 1700-1760: Rhetorical Strategies and Style History. Boydell Press. ISBN 1843830922 [Book]

[img]
Preview
Negus, Keith. 2008. Bob Dylan. London: Equinox London. ISBN 13 978 1 904768 25 8 [Book]

[img]
Preview
Negus, Keith. 1999. Music Genres and Corporate Cultures. London: Routledge. ISBN 0-415-17399-X [Book]

[img]
Preview
Negus, Keith. 2011. Producing Pop: Culture and Conflict in the Popular Music Industry. London: Edward Arnold. ISBN 0340575123 [Book]

[img]
Preview
Negus, Keith; Du Gay, Paul; Hall, Stuart; Janes, Linda and Mackay, Hugh. 1997. Doing Cultural Studies: The Story of the Sony Walkman. London: Sage. ISBN 0-7619-5402-3 [Book]

[img]
Preview
Norton, Barley. 2009. Songs for the Spirits: Music and Mediums in Modern Vietnam. Urbana and Chicago: University of Illinois Press. ISBN 9780252033995 [Book]

[img]
Preview
Perchard, Tom. 2006. Lee Morgan: His Life, Music and Culture. London: Equinox. ISBN 1845532058 [Book]

[img]
Preview
Perchard, Tom. 2009. Lee Morgan: La vita, la musica e il suo tempo. Bologna: Odoya. ISBN 978-88-6288-014-5 [Book]

Perchard, Tom; Graham, Stephen; Rutherford-Johnson, Tim and Rogers, Holly. 2022. Twentieth-Century Music in the West. Cambridge: Cambridge University Press. ISBN 9781108481984 [Book]

[img]
Preview
Pickering, M. and Negus, Keith. 2004. Creativity, Communication & Cultural Value. Sage. ISBN 0761970754 [Book]

[img]
Preview
Potter, Keith. 2010. Philip Glass: First Classics, 1968-1969. London and New York: Chester Music. ISBN 0-521-48250 [Book]

Pryer, Anthony J.. 2012. Claudio Monteverdi: Sacrae Cantiunculae; Madrigali Spirituali; Canzonette a 3 Voci. Cremona (Italy): Fondazione Claudio Monteverdi. ISBN 9788886288361 [Book]

Rogers, Holly. 2024. Re/Sounding Spaces: Listening Across Audiovisual Culture. Cambridge, Massachusetts: MIT Press. [Book] (Forthcoming)

[img]
Preview
Rogers, Holly. 2013. Sounding the Gallery: Video and the Rise of Art Music. Oxford: Oxford University Press. ISBN 978-0-19-986142-2 [Book]

Rogers, Holly; Vernallis, Carol and Perrott, Lisa. 2016. New Approaches to Sound, Music and Media. Bloomsbury. [Book]

[img]
Preview
Smirnov, Dmitri. 2003. A Geometer of Sound Crystals: a book on Philip Herschkowitz. Verlag Ernst Kuhn. ISBN 3928864998 [Book]

Book Section

[img]
Alexander, Tamsin. 2024. A Collaborative Genesis: Behind the Music of The Rite. In: Davinia Caddy, ed. The Cambridge Companion to The Rite of Spring. Cambridge: Cambridge University Press. [Book Section] (Forthcoming)

Alexander, Tamsin. 2012. 'An “Extraordinary Engagement”: A Russian Opera Company in Britain, 1888’. In: Anthony Cross, ed. A People Passing Rude: British Responses to Russian Culture. Open Book Publishers. [Book Section]

Ayrey, Craig L.. 2002. Stravinsky in analysis: the anglophone traditions. In: J. Cross, ed. The Cambridge Companion to Stravinsky. Cambridge University Press, pp. 203-229. ISBN 9780521663779 [Book Section]

Baily, John S.. 2010. The Circulation of Music Between Afghanistan and the Afghan Diaspora. In: Angela Schlenkhoff and Ceri Oeppen, eds. Beyond the 'Wild Tribes': Understanding Modern Afghanistan and Its Diaspora. London: Hurst & Co., pp. 157-171. ISBN 9781849040556 [Book Section]

Baily, John S.. 2008. Ethnomusicology, Intermusability, and Performance Practice. In: Henry Stobart, ed. The New (Ethno)musicologies. Chicago: Scarecrow Press, pp. 117-134. [Book Section]

Baily, John S.. 2010. Modi operandi in the making of 'world music' recordings. In: Amanda Bayley, ed. Recorded Music: Society, Technology and Performance. Cambridge: Cambridge University Press, pp. 107-124. ISBN 9780521863094 [Book Section]

Baily, John S.. 2009. Music and censorship in Afghanistan, 1973-2003. In: Laudan Nooshin, ed. Music and the Play of Power: Music, Politics and Ideology in the Middle East, North Africa and Central Asia. Aldershot: Ashgate, pp. 143-163. ISBN 9780754634577 [Book Section]

Baily, John S.. 2011. "Music is in Our Blood": Gujarati Muslim Musicians in the UK. In: Lucy Green, ed. Learning, Teaching, and Musical Identity: Voices across Cultures. Bloomington, IN: Indiana University Press, pp. 109-127. ISBN 978-0-253-22293-0 [Book Section]

Baily, John S.. 2011. Music, migration and war: the BBC’s interactive music broadcasting to Afghanistan and the Afghan diaspora. In: Jason Toynbee and Byron Dueck, eds. Migrating Music. London: Routledge, pp. 180-194. ISBN 978-0-415-59448-6 [Book Section]

Baily, John S.. 2009. Rebuilding Kabul’s art music culture in the post-Taliban era. In: Michael Schramm, ed. Musik in Fremdwahrnehmung. Bonn: Militärmusikdienst der Bundeswehr, pp. 125-136. ISBN 9783000282089 [Book Section]

[img]
Preview
Bulley, James. 2018. 'Progress Music': Daphne Oram, Geoffrey Jones and 'Trinidad and Tobago'. In: Geoffrey Cox, ed. Soundings: Documentary Film and the Listening Experience. Huddersfield: Huddersfield University Press, pp. 125-150. ISBN 9781862181540 [Book Section]

[img]
Preview
Bulley, James. 2023. Testimony. In: Elizabeth Price and Nina Wakeford, eds. Document of the testimony, deliberation and reflection of the Artist Citizens Jury 2022. London: Goldsmiths CCA, pp. 49-62. ISBN 9781739492410 [Book Section]

[img]
Preview
Bulley, James and Gray, Andrew. 2017. RDM in the Performing Arts: Living Symphonies by Daniel Jones & James Bulley (Unit for Sound Practice Research, Goldsmiths, University of London). In: , ed. LEARN Toolkit of Best Practice for Research Data Management. London: University College London, pp. 59-65. [Book Section]

Burrows, Donald and Joncus, Berta. 2017. Music and Representation. In: Joanna Marschner, ed. Enlightened Princesses: Caroline, Augusta, Charlotte, and the Shaping of the Modern World. New Haven: Yale Center for British Art, pp. 202-207. ISBN 9780300217100 [Book Section]

[img]
Canova-Green, Marie-Claude and Matsumoto, Naomi. 2024. Exoticism or Eclecticism? Carnival at Court and the Mascarade du Roy de la Chine. In: Marie-Claude Canova-Green, ed. Spectacular Orientalism in Early Modern Europe. Turnhout, Belgium: Brepols. ISBN 9782503610566 [Book Section] (In Press)

[img]
Preview
Chen, Yuting and Negus, Keith. 2023. Guochao music and new Chinese identities: Gender, generation, and nation. In: Kimi Kärki, ed. Popular Music Climates. Turku, Finland: Turku: International Insitute of Popular Culture, pp. 18-23. ISBN 9789512994274 [Book Section]

Cottrell, Stephen J.. 2003. The Future of the Symphony Orchestra. In: C. Lawson, ed. The Cambridge Companion to the Orchestra. Cambridge University Press, pp. 251-264. ISBN 0521001323 [Book Section]

Crawford, Tim; Pickens, J. and Wiggins, Geraint. 2006. Dimensionality Reduction in Harmonic Modeling for Music Information Retrieval. In: Richard Kronland-Martinet; Thierry Voinier and Sylvi Ystad, eds. Computer Music Modeling and Retrieval. Lecture Notes in Computer Science, pp. 233-248. ISBN 03029743 [Book Section]

[img]
Preview
Dix, Alan; Cowgill, Rachel; Bashford, Christina; McVeigh, Simon and Ridgewell, Rupert. 2019. Crowdsourcing and Scholarly Culture: Understanding Expertise in an Age of Popularism. In: Vassillis-Javed Khan; Konstantinos Papangelis; Ioanna Lykourentzou and Panos Markopoulos, eds. Macrotask Crowdsourcing: Engaging the Crowds to Address Complex Problems. Cham, Switzerland: Springer, pp. 189-214. ISBN 9783030123338 [Book Section]

Dobbins, Frank. 2005. The Chansons of Thomas Crecquillon - Literary and Musical Sources and "Thomas Crecquillon: Chansons Principal Sources and Concordances". In: E. Jas, ed. Beyond Contemporary Fame: Reassessing the Art of Clemens non Papa and Thomas Crecquillon. Turnhout: Brepols, p. 83. ISBN 2503518842 [Book Section]

Drever, John L.. 2024. Aural Diverse Spatial Perception: From Paracusis to Panacusis Loci. In: Emma-Kate Matthews; Jane Burry and Mark Burry, eds. The Routledge Companion to the Sound of Space. Abingdon: Routledge. ISBN 9781032388540 [Book Section] (In Press)

Drever, John L.. 2007. Nostophonics: approaches to grasping everyday sounds from a British perspective. In: Ros Bandt; Michelle Duffy and Dolly MacKinnon, eds. Hearing Places. Newcastle upon Tyne: Cambridge Scholars Press, pp. 161-173. ISBN 9781847182555 [Book Section]

[img]
Drever, John L.. 2024. On Listening Back to “Soundscapes in Particular [Autumn 2023]". In: , ed. Enclave, Poéticas de Emergencia Acústica. Vol. 2. Festival Enclave, pp. 48-64. [Book Section]

Drever, John L.. 2022. Phonating Hand Dryers: exploits in product and environmental acoustics, and aural diverse composition and co-composition. In: John L. Drever and Andrew Hugill, eds. Aural Diversity. Abingdon: Routledge, pp. 43-54. ISBN 9781032025001 [Book Section]

Drever, John L.. 2023. Re-Walking and Re-Hearing the Deptford Soundwalk. In: John Drever, ed. Magnified Ear. London: APT Gallery & Curating Matters, pp. 9-20. ISBN 9781739731731 [Book Section]

Drever, John L.. 2009. Sound effect – object – event. Endemic and exogenous electro-acoustic sound practices in theatre. In: Ross Brown, ed. Sound: a reader in theatre practice. Hampshire: Palgrave Macmillan Ltd., pp. 188-205. ISBN 9780230551886 [Book Section]

Drever, John L. and Hugill, Andrew. 2022. Aural Diversity: General Introduction. In: John L. Drever and Andrew Hugill, eds. Aural Diversity. Abingdon: Routledge, pp. 1-12. ISBN 9781032025001 [Book Section]

Eichner, Barbara. 2003. Singing the Songs of Scotland: the German Musician Johann Rupprecht Durrner and Musical Life in Nineteenth-Century Edinburgh. In: Horton and B. Zon, eds. Nineteenth-Century British Music Studies. Ashgate, pp. 171-191. ISBN 0754636143 [Book Section]

[img]
Preview
Exarchos, Dimitris. 2015. Listening Outside of Time. In: M. Solomos, ed. Xenakis. La musique électroacoustique. L'harmattan. [Book Section]

Exarchos, Dimitris. 2009. The Sieves of Iannis Xenakis. In: Timour Klouche and Thomas Noll, eds. Mathematics and Computation in Music First International Conference, MCM - Revised Selected Papers. Berlin, Germany: Springer Berlin Heidelberg, pp. 419-429. ISBN 978-3-642-04578-3 [Book Section]

[img]
Garrelfs, Iris. 2024. Musings on mycelic creative practice. In: , ed. Enclave Festival Catalogue. Festival Enclave, pp. 19-27. [Book Section]

Garrelfs, Iris. 2024. Scores for Listening #8: How does one blade of grass sound. In: Stephanie Loveless, ed. A Year of Deep Listening: 365 Text Scores for Pauline Oliveros. Newark: Terra Nova Press. ISBN 9781949597349 [Book Section]

[img]
Preview
Glover, R and Redhead, L. 2018. Collaborative and Distributed Processing in Contemporary Music-Making: Overview. In: L Redhead and R Glover, eds. Collaborative and Distributed Processes in Contemporary Music-Making. Newcastle: Cambridge Scholars, pp. 1-9. ISBN 978-1-5275-1398-3 [Book Section]

[img]
Preview
Goddard, M N. 2023. Sincere, Authentic, Remediated: The Affective Labour and Cross Cultural Remediations of Music Video Reaction Videos on YouTube. In: Holly Rogers; Joana Freitas and João Francisco Porfirio, eds. Remediating Sound: Repeatable Culture, YouTube and Music. London: Bloomsbury Academic, pp. 73-92. [Book Section]

Graham, Stephen. 2013. The Encyclopaedia of Music in Ireland. In: Harry White and Barra Boydell, eds. The Encyclopaedia of Music in Ireland. University College Dublin Press. ISBN 9781906359782 [Book Section]

[img]
Graham, Stephen. 2023. Familiarity Breeds Consent? Distance and Dependence in Fringe Music Writing. In: Ian Pace and Christopher Wiley, eds. Writing on Contemporary Musicians: Promotion, Advocacy, Disinterest, Censure. Abingdon: Routledge. [Book Section] (Forthcoming)

Graham, Stephen. 2015. Historical Documents of the Irish Avant-Garde. In: Jennifer Walshe, ed. Historical Documents of the Irish Avant-Garde. Aisteach Foundation. [Book Section]

[img]
Graham, Stephen. 2018. Modernism for and of the Masses? On Popular Modernisms. In: Björn Heile and Charles Wilson, eds. The Routledge Research Companion to Modernism in Music. Abingdon: Routledge, pp. 239-257. ISBN 9781472470409 [Book Section]

Guggenheim, Michael. 2004. Von Nah und Fern. Wie sich Umweltdienstleistungsfirmen Laien vorstellen. In: Priska Gisler; Michael Guggenheim; Alessandro Maranta; Helga Nowotny and Christian Pohl, eds. Imaginierte Laien. Die Macht der Vorstellung in wissenschaftlichen Expertisen. Weilerswist: Velbrück Wissenschaft. [Book Section]

Guggenheim, Michael and Heller, Florian. 2002. Über Parallelen zwischen Kochen und Denken oder weshalb schlechte Symposien gute Esser zeitigen. In: Anja Eichelberg and Helga Nowotny, eds. Jahrbuch 2002 des Collgeium Helveticum der ETH Zürich. Zurich: vdf Hochschulverlag AG, 2003, pp. 337-347. ISBN 9783728128669 [Book Section]

Halstead, Jill. 2005. She Composes in the Kitchen: Ruth Gipps 1921-1999: An English Reactionary and Radical. In: Christa Brustle, ed. Music as a Bridge: Musikalische Beziehungen zwischen England und Deutschland, 1920-1950. Olms Verlag, pp. 1-9. ISBN 3487129620 [Book Section]

[img]
Preview
Hawes, V and Redhead, L. 2016. Introduction. In: V Hawes and L Redhead, eds. Music and/as Process. Newcastle: Cambridge Scholars, pp. 1-8. ISBN 978-1-4438-9491-3 [Book Section]

Heyde, Neil; Redgate, Christopher; Redgate, Roger and Wright, Matthew. 2018. What is it like to be an improviser? In: Eric F. Clarke and Mark Doffman, eds. Distributed Creativity: Collaboration and Improvisation in Contemporary Music. Oxford: Oxford University Press, pp. 314-316. ISBN 9780199355914 [Book Section]

Hirshberg, Jehoash and McVeigh, Simon. 2004. The 'Virtuosi Instromenti' and the Milanese Concerto in the Early Eighteenth Century. In: Anna Cattoretti, ed. Giovanni Battista Sammartini and his Musical Environment. Turnhout: Brepols, pp. 203-244. ISBN 250351233X [Book Section]

Ivashkin, Alexander V.. 2012. Shostakovich, old believers and new minimalists. In: Alexander V. Ivashkin and Andrew Kirkman, eds. Contemplating Shostakovich. Farnham: Ashgate, pp. 19-45. ISBN 978-1-4094-3937-0 [Book Section]

[img]
Preview
Ivashkin, Alexander V.. 2009. Symbols, Metaphors and Irrationalities in Twentieth-Century Music. In: Rafael Jimenez Catano and Ignacio Yarza, eds. Mimesi, Verità e Fiction. 3 Rome: Edusc, pp. 69-88. ISBN 88-8333-220-3 [Book Section]

Joncus, Berta. 2012. 'The Assemblage of every female Folly': Lavinia Fenton, Kitty Clive and the Genesis of Ballad Opera. In: Tiffany Potter, ed. Women of Fashion: Popular Culture in the Eighteenth Century and the eighteenth century in popular culture. Toronto: University of Toronto Press, pp. 25-51. ISBN 9781442641815 [Book Section]

Joncus, Berta. 2017. ‘Ballad Opera: Commercial Song in Enlightenment Garb. In: Robert Gordon and Olaf Jubin, eds. The Oxford Handbook of the British Musical. New York: Oxford University Press, pp. 31-63. ISBN 9780199988747 [Book Section]

Joncus, Berta. 2010. Ballad Operas Online (BOPO): Tuning in to Eighteenth-Century Popular Song. In: Michael Burden, ed. A Handbook for Studies in 18th-century English Music, Part 18: Ballad Opera. Oxford: Burden & Cholij. [Book Section]

Joncus, Berta. 2013. ‘Ballad Opera’, ‘Beard, John’, ‘Beggar’s Opera’, ‘Clive, Catherine’, ‘Gay, John'. In: David Vickers and Annette Landgraf, eds. The Cambridge Handel Encyclopedia. Cambridge: Cambridge University Press. ISBN 978-1107666405 [Book Section]

Joncus, Berta. 2024. Clive [née Raftor], Kitty [Catherine]. In: Deane Root, ed. Grove Music Online. New York: Oxford University Press. ISBN 9781561592630 [Book Section] (Forthcoming)

Joncus, Berta. 2011. Clive, Catherine. In: Marx Hans-Joachim; Manuel Gervink and Steffen Voss, eds. Handel-Lexikon. Laaber: Laaber-Verlag. ISBN 978-3890075525 [Book Section]

Joncus, Berta. London: Concert Life. In: Helen Coffey and Annette Landgraf, eds. Handel in Context. Cambridge: Cambridge University Press. [Book Section] (In Press)

Joncus, Berta. 2012. 'Nectar if you taste and go, poison if you stay': struggling with the Orient in eighteenth-century British musical theatre. (Forthcoming). In: Marina Warner and Philip F. Kennedy, eds. The Arabian Nights: Encounters and Translations in Literature and the Arts. New York: New York University Press. [Book Section]

[img]
Joncus, Berta. 2025. "No Country shall outdo us in either Perfection or Price": John Walsh and Estienne Roger. In: Berta Joncus; Gesa zur Nieden and Berthold Over, eds. Music Publisher John Walsh outside Britain: 18th-Century Print Dissemination and Collection«. Bielefeld: transcript Verlag. ISBN 9783837672169 [Book Section] (Forthcoming)

[img]
Preview
Joncus, Berta. 2009. Private Music in Public Spheres: Chamber Cantata and Song. In: Simon P. Keefe, ed. The Cambridge History of Eighteenth-Century Music. Cambridge: Cambridge University Press, pp. 513-40. ISBN 9780521663199 [Book Section]

Joncus, Berta. 2007. Producing Stars in dramma per musica. In: Melania Bucciarelli and Berta Joncus, eds. Music as Social and Cultural Practice: Essays in Honour of Reinhard Strohm. Woodbridge, Suffolk: Boydell & Brewer, pp. 275-93. ISBN 9781843833178 [Book Section]

Joncus, Berta. 2013. “United voices formed the very perfection of harmony”: Music and the Invention of Harriett Abrams (c1758–1821)’,. In: Bärbel Czennia, ed. Celebrity: The Idiom of a Modern Era. New York: AMS Press, pp. 67-106. ISBN 9780404648701 [Book Section]

[img]
Joncus, Berta. 2020. ‘When Farce and when Musick can eke out a Play’: Ballad Opera and Theatre’s Commerce. In: Delia da Sousa Correa, ed. The Edinburgh Companion to Literature and Music. Edinburgh: Edinburgh University Press, pp. 296-303. ISBN 9780748693122 [Book Section]

Joncus, Berta and Rogers, Vanessa. 2013. 'United voices formed the very perfection of harmony': Music and the invention of Harriett Abrams (c.1758-1821). In: Baerbel Czennia, ed. Celebrity: the idiom of a modern era. 70 New York: AMS Press. ISBN 978-0-404-64870-1 [Book Section]

Joncus, Berta and Rogers, Vanessa L.. 2014. Ballad Opera and British double entendre: Henry Fielding’s The Mock Doctor. In: Judith Le Blanc and Herbert Schneider, eds. Pratiques du timbre et de la parodie d'opéra en Europe (XVIe - XIXe siècles)/Timbre-Praxis und Opernparodie im Europa des 16. bis 19. Jahrhunderts. (40) Hildesheim: Georg Olms Verlag, pp. 101-140. ISBN 9783487150727 [Book Section]

Joncus, Berta and Rogers, Vanessa L.. 2011. Beyond 'The Beggar’s Opera': John Rich and English Ballad Opera. In: Berta Joncus and Jeremy Barlow, eds. 'The Stage’s Glory’: John Rich (1692-1761). Newark, Delaware: University of Delaware Press, pp. 184-204. ISBN 9781611490329 [Book Section]

[img]
Preview
Kalodiki, Georgia. 2014. Interactive Performance Systems Conceptual interacting strategies in forming electroacoustic sound identities. In: G. Kouroupetroglou and A. Georgaki, eds. Proceedings - 40th International Computer Music Conference, ICMC 2014 and 11th Sound and Music Computing Conference, SMC 2014 - Music Technology Meets Philosophy: From Digital Echos to Virtual Ethos. , pp. 314-317 ISBN 978-960466137-4 [Book Section]

Kennedy-McCracken, Caroline. 2024. The Critical Song of Serge Gainsbourg. In: Olivier Julien and Olivier Bourderionnet, eds. Serge Gainsbourg: An International Perspective. London: Bloomsbury Academic, pp. 55-62. ISBN 9781501365669 [Book Section]

Kennedy-McCracken, Caroline. 2020. When A Mouth Is A Gun: Complicating Gendered Bodies In Song-based Work. In: Jon Stratton; Jon Dale and Tony Mitchell, eds. An Anthology Of Australian Albums: Critical Engagements. New York: Bloomsbury Academic, pp. 67-82. ISBN 9781501339851 [Book Section]

[img]
Preview
Kirby, Jenn. 2019. Defining and Evaluating the Performance of Electronic Music. In: Russ Hepworth-Sawyer; Jay Hodgson; Justin Paterson and Rob Toulson, eds. Innovation in Music: Performance, Production, Technology and Business. New York: Routledge, pp. 77-86. ISBN 9781138498211 [Book Section]

Kivy, Peter. 2004. Music, Language and Cognition: which doesn't belong? In: K. Korta and J. Larrazabal J, eds. Truth, Rationality, Cognition and Music, Proceedings of the Seventh International Colloquium on Cognitive Science. Kluwer, pp. 157-174. ISBN 1402019122 [Book Section]

Langley, Leanne. 2007. Building an Orchestra, Creating an Audience: Robert Newman and The Queen's Hall Promenade Concerts, 1895-1926. In: N. Kenyon; J. Doctor and D. Wright, eds. The Proms: A New History. Thames and Hudson, pp. 32-73. ISBN 9780500513521 [Book Section]

Langley, Leanne. 2001. Dictionary entries on English music critics and criticism. In: Sadie Stanley, ed. The New Grove Dictionary of Music and Musicians. Macmillan, p. 57. ISBN 0333608003 [Book Section]

Langley, Leanne. 2003. Roots of a Tradition: The First Dictionary of Music and Musicians. In: M. Musgrave, ed. George Grove, Music and Victorian Culture. Palgrove, pp. 168-215. ISBN 0004707729 [Book Section]

Matsumoto, Naomi. 2007. 1001 Classical Recordings. In: Matthew Rye, ed. 1001 Classical Recordings. London: Quintessence, 24-34, 38, 42-48, 50-54, 56-59, 62-64. [Book Section]

[img]
Preview
Matsumoto, Naomi. 2015. Charles Marshall’s “Dioramic” Scenery: Staging Verdi in Victorian London. In: , ed. Staging Verdi and Wagner. Turnhout: Brepols, pp. 53-80. ISBN 9782503564821 [Book Section]

[img]
Preview
Matsumoto, Naomi. 2025. Dreaming of Wagner: Opera in Japan, Gluck and the Aspiration for 'National Theatre'. In: Clair Rowden and Paulo M Kuhl, eds. Opera in Transnational Contexts: Circulating Identities and Cultures. Routledge. [Book Section] (Forthcoming)

[img]
Preview
Matsumoto, Naomi. 2017. Giovanni Vittorio Rosi's Musical Theatre: Opera, Operetta and the Westernisation of Modern Japan. In: Michela Niccolai and Clair Rowden, eds. Musical Theatre in Europe 1830-1945. Turnout: Brepols, pp. 351-385. ISBN 9782503577661 [Book Section]

[img]
Preview
Matsumoto, Naomi. 2018. L'opera dei pupi, Torneo, and Early Opera: Shared Traditions and Intangible Experiences. In: Barley Norton and Naomi Matsumoto, eds. Music as Heritage: Historical and Ethnographic Perspectives. Routledge-Taylor and Francis. ISBN 9781138228047 [Book Section]

[img]
Matsumoto, Naomi. 2011. Manacled Freedom: 19th-Century Vocal Improvisation and the Flute-Accompanied Cadenza in Donizetti’s Lucia di Lammermoor. In: Rudolf Rasch, ed. Beyond Notes: Improvisation in Western Music of the Eighteenth and Nineteenth Centuries. Turnhout: Brepols, pp. 295-316. ISBN 978-2503542447 [Book Section]

[img]
Matsumoto, Naomi. 2014. Michael Costa at the Haymarket: the Establishment of the Modern Role of 'The Director of Music'. In: Roberto Illiano and Michela Niccolai, eds. Orchestral Conducting in the Nineteenth Century. Turnhout: Brepols, pp. 25-60. ISBN 9782503552477 [Book Section]

[img]
Preview
Matsumoto, Naomi. 2014. Nature in Music, Music in Nature: Imitation, Quotation and Representation. In: Naomi Matsumoto and Kazuto Yamamoto, eds. SHIZENGAKU: the Search for a Coming Aesthetic. Kyoto, Japan: Nakanishiya, pp. 124-133. ISBN 9784779507915 [Book Section]

[img]
Preview
Matsumoto, Naomi. 2022. Notice sur l'établissement de la musique. In: Marie-Claude Canova-Green and Suzanne Jones, eds. Raymond Poisson: Théâtre complet. Paris: Classique Garnier, pp. 53-60. ISBN 9782406125198 [Book Section]

Matsumoto, Naomi. 2020. The Other Reversed? Japan’s Assimilation of Carmen, 1885 to 1945. In: Richard Langham Smith and Clair Rowden, eds. Carmen Abroad: Bizet's Opera on the Global Stage. Cambridge: Cambridge University Press, pp. 284-303. ISBN 9781108481618 [Book Section]

[img]
Preview
Matsumoto, Naomi. 2018. Pio Enea Obizzi: Power and Authorship. In: R Rasch, ed. Music and Power in the Baroque Era. 6 Turnhout: Brepols, pp. 275-298. ISBN 9782503580715 [Book Section]

[img]
Preview
Matsumoto, Naomi. 2023. Realising Arianna: the Problematic Accompaniments of Claudio Monteverdi's Lamento d'Arianna. In: Marcello Mazzetti, ed. Basso Continuo in Italy: Sources, Pedagogy and Performance. Turnhout, Belgium: Brepols, pp. 3-29. ISBN 9782503608501 [Book Section]

[img]
Matsumoto, Naomi. 2023. Representational Conventions and Varieties of Operatic Madness: The Gap between Dramaturgy and Diagnosis. In: Lorenzo Lorusso; Michele Augusto Riva and Vittorio Alessandro Sironi, eds. Effects of Opera Music from Brain to Body: A Matter of Wellbeing. Cham, Switzerland: Springer, pp. 125-129. ISBN 9783031347689 [Book Section]

McFarlane, Meredith and McVeigh, Simon. 2004. The String Quartet in London Concert Life, 1769–1799. In: Susan Wollenberg and Simon McVeigh, eds. Concert Life in Eighteenth-Century Britain. Aldershot: Ashgate, pp. 161-190. ISBN 0754638685 [Book Section]

McVeigh, Simon. 2018. Academy of Ancient Music (Eighteenth Century); Programmes (of Concerts), Tartini (Giuseppe). In: Colin Lawson and Robin Stowell, eds. The Cambridge Encyclopedia of Historical Performance in Music. Cambridge: Cambridge University Press. ISBN 9781107108080 [Book Section]

McVeigh, Simon. 2010. 'As the Sand on the Sea Shore': Women Violinists in London’s Concert Life around 1900. In: Emma Hornby and David Maw, eds. Essays on the History of English Music in Honour of John Caldwell. Woodbridge: Boydell & Brewer, pp. 232-258. ISBN 9781843835356 [Book Section]

McVeigh, Simon. 2004. An Audience for High-Class Music: Concert Promoters and Entrepreneurs in Nineteenth-Century London. In: W. Weber, ed. The Musician as Entrepreneur, 1700-1914: Managers, Charlatans and Idealists. Indiana University Press, pp. 162-182. ISBN 0253344565 [Book Section]

McVeigh, Simon. 1999. The Benefit Concert in Nineteenth-Century London: From 'tax on the nobility' to 'monstrous nuisance'. In: Bennett Zon, ed. Nineteenth-Century British Music Studies 1. Aldershot: Ashgate, pp. 242-266. ISBN 1840142596 [Book Section]

McVeigh, Simon. 2019. “Brightening the lives of the people on Sunday”: the National Sunday League and Liberal Attitudes towards Concert Promotion in Victorian Britain. In: Sarah Collins, ed. Music and Victorian Liberalism: Composing the Liberal Subject. Cambridge: Cambridge University Press, pp. 37-59. ISBN 9781108628778 [Book Section]

McVeigh, Simon. 2018. Britain and Europe in the Time of Clementi: Cosmopolitanism and Perceptions of National Culture. In: Luca Lévi Sala and Rohan H. Stewart-MacDonald, eds. Muzio Clementi and British Musical Culture: Sources, Performance Practice and Style. Abingdon: Routledge, pp. 10-31. ISBN 9781138633896 [Book Section]

McVeigh, Simon. 2018. Building a Concert Career in Edwardian London. In: Rosemary Golding, ed. The Music Profession in Britain, 1780-1920: New Perspectives on Status and Identity. Abingdon: Routledge, pp. 189-219. ISBN 9781138291867 [Book Section]

McVeigh, Simon. 2002. Clementi, Viotti and the London Philharmonic Society. In: Roberto Illiano; Luca Sala and Massimiliano Sala, eds. Muzio Clementi: Studies and Projects. Bologna: Ut Orpheus, pp. 67-80. ISBN 8881094487 [Book Section]

McVeigh, Simon. 2009. Concerto of the Individual. In: Simon P. Keefe, ed. Cambridge History of Eighteenth-Century Music. Cambridge: Cambridge University Press, pp. 583-612. ISBN 9780521663199 [Book Section]

McVeigh, Simon. 2008. The Constrained Entrepreneur: Concert Promotion in Eighteenth-Century London. In: Hans Erich Bödeker; Patrice Veit and Michael Werner, eds. Organisateurs et formes d’organisation du concert en Europe 1700–1920: Institutionnalisation et pratiques. Berlin: Berliner Wissenschafts-Verlag, pp. 47-56. ISBN 9783830515517 [Book Section]

McVeigh, Simon. 2000. Freemasonry and Musical Life in London in the late Eighteenth Century. In: David Wyn Jones, ed. Music in Eighteenth-Century Britain. Aldershot: Ashgate, pp. 72-100. ISBN 1840146885 [Book Section]

McVeigh, Simon. 2014. Handel in Concert: Social, National and Cultural Roles in Later Eighteenth-Century Britain. In: Laurenz Lütteken and Wolfgang Sandberger, eds. Göttinger Händel-Beiträge 15. Göttingen: Vanderkoeck & Ruprecht, pp. 161-176. ISBN 9783525278321 [Book Section]

McVeigh, Simon. 2010. Industrial and Consumer Revolutions in Instrumental Music: Markets, Efficiency, Demand. In: Roberto Illiano and Luca Sala, eds. Instrumental Music and the Industrial Revolution. Bologna: Ut Orpheus, pp. 3-35. ISBN 9788881094684 [Book Section]

McVeigh, Simon. 2001. Italian Violinists in Eighteenth-Century London. In: Reinhard Strohm, ed. The Eighteenth-Century Diaspora of Italian Music and Musicians. Turnhout: Brepols, pp. 139-176. ISBN 2503510205 [Book Section]

McVeigh, Simon. 1996. London Newspapers 1750 to 1800: a Checklist and Guide for Musicologists. In: Michael Burden and Irena Cholij, eds. A Handbook for Studies in 18th-Century English Music VI. Oxford: Burden & Cholij, pp. 1-60. ISBN 0951278584 [Book Section]

McVeigh, Simon. 2002. The Musician as Concert-Promoter in London, 1780-1850. In: Hans-Erich Bödeker; Patrice Veit and Michael Werner, eds. Le concert et son public. Paris: Editions Maison des Sciences de l’Homme, pp. 71-92. ISBN 2735109143 [Book Section]

McVeigh, Simon. 2020. The Nineteenth-Century Concert Series: a Contested Space. In: Paul Watt; Sarah Collins and Michael Allis, eds. The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century. New York: Oxford University Press. ISBN 9780190616922 [Book Section]

McVeigh, Simon. 2012. Performance in the 'Long Eighteenth Century': an Overview. In: Colin Lawson and Robin Stowell, eds. The Cambridge History of Musical Performance. Cambridge: Cambridge University Press, pp. 473-505. ISBN 9780521896115 [Book Section]

McVeigh, Simon. 2022. Piano Manufacturers and Concert Promotion in Edwardian London: New Light on the Broadwood Concerts (1902-1912). In: Étienne Jardin, ed. Financing Music in Europe. Turnhout, Belgium: Brepols, pp. 319-342. ISBN 9782503602899 [Book Section]

McVeigh, Simon. 2016. The Prince of Wales, Giardini and Pleyel: Searching for the Source of the Public String Quartet in London Concert Life. In: Christian Speck, ed. The String Quartet: From the Private to the Public Sphere. 27 Turnhout: Brepols, pp. 165-197. ISBN 9782503568003 [Book Section]

McVeigh, Simon. 2000. The Society of British Musicians (1834-1865) and the Campaign for Native Talent. In: Christina Bashford and Leanne Langley, eds. Music and British Culture, 1785-1914: Essays in Honour of Cyril Ehrlich. Oxford: Oxford University Press, pp. 145-168. ISBN 019816730 [Book Section]

McVeigh, Simon. 2012. The Symphony in Britain. In: Mary Sue Morrow and Bathia Churgin, eds. The Symphonic Repertoire: The Eighteenth-Century Symphony. Bloomington: Indiana University Press, pp. 629-661. ISBN 9780253356406 [Book Section]

McVeigh, Simon. 2012. Trial by Dining Club: the Instrumental Music of Haydn, Clementi and Mozart at London's Anacreontic Society. In: Bennett Zon, ed. Music and Performance Culture in Nineteenth-Century Britain: Essays in Honour of Nicholas Temperley. Farnham: Ashgate, pp. 105-138. ISBN 9781409495536 [Book Section]

McVeigh, Simon. 1992. The Violinists of the Baroque and Classical Periods. In: Robin Stowell, ed. The Cambridge Companion to the Violin. Cambridge: Cambridge University Press, pp. 46-60. ISBN 0521399238 [Book Section]

McVeigh, Simon. 2006. Viotti and London Violinists during the 1790s: A Calendar of Performances. In: Massimiliano Sala, ed. Giovanni Battista Viotti: A Composer between the Two Revolutions. Turnhout: Brepols, pp. 87-119. ISBN 8881094576 [Book Section]

McVeigh, Simon. 2021. Wilhelm Cramer, the Professional Concert, and the Foundation of the Modern Symphony Orchestra. In: Peter Lynan and Julian Rushton, eds. British Music, Musicians and Institutions, c. 1630-1800: Essays in Honour of Harry Diack Johnstone. Woodbridge: Boydell Press, pp. 32-53. ISBN 9781783276479 [Book Section]

McVeigh, Simon and Ehrlich, C.. 2002. The Modernisation of London Concert Life Around 1900. In: M. Talbot, ed. The Business of Music. Liverpool University Press, pp. 96-120. ISBN 0853235287 [Book Section]

McVeigh, Simon and Weber, William. 2020. From the Benefit Concert to the Solo Song Recital in London, 1870-1914. In: Natasha Loges and Laura Tunbridge, eds. German Song Onstage: Lieder Performance in the Nineteenth and Early Twentieth Centuries. Bloomington, Indiana: Indiana University Press, pp. 179-202. ISBN 9780253047007 [Book Section]

[img]
Preview
Negus, Keith. 1996. Globalization and the Music of the Public Spheres. In: Sandra Braman and Annabelle Sreberny-Mohammadi, eds. Globalisation, Communication and Transnational Civil Society. Cresskill, New Jersey: Hampton Press, pp. 179-195. ISBN 1-57273-020-X [Book Section]

Nielinger-Vakil, Carola. 2006. Intolleranza 1960. In: , ed. Intolleranza 1960. , pp. 8-17 ISBN 00000000 [Book Section]

Norton, Barley. 2008. Ca Tru Restoration: Issues and Challenges. In: . Vietnamese Institute for Musicology, ed. Ca Tru Singing of the Viet People. Hanoi: Vietnamese Institute for Musicology, pp. 187-192. ISBN No ISBN [Book Section]

Norton, Barley. 2006. Effeminate’ Men and ‘Hot-Tempered’ Women: The Performance of Music and Gender in Vietnamese Mediumship. In: Karen Fjelstad and Hien Thi Nguyen, eds. Possessed by the Spirits: Mediumship in Contemporary Vietnamese Communities. Ithaca, NY: Cornell University Press, pp. 55-75. ISBN 0877271410 [Book Section]

Norton, Barley. 2013. Engendering Emotion and the Environment in Vietnamese Music and Ritual. In: Fiona Magowan and Louise Wrazen, eds. Performing Gender, Place and Emotion in Music: Global Perspectives. Rochester, New York: Rochester University Press, pp. 29-59. ISBN 9781580464642 [Book Section]

[img]
Preview
Norton, Barley. 2021. Ethnomusicology and Filmmaking. In: Stephen Cottrell, ed. Music, Dance, Anthropology. Hertfordshire: Sean Kingston Publishing, pp. 121-143. ISBN 978-1-912385-31-7 [Book Section]

[img]
Preview
Norton, Barley. 2018. Filming Music as Heritage. In: Hui Yu, ed. Ethnomusicology in Audiovisual Time. Zheijang: Zheijang University Press, pp. 78-90. ISBN 978-7-308-18210-2 [Book Section]

Norton, Barley. 2019. Filming Music as Heritage: The Cultural Politics of Audiovisual Representation. In: Barley Norton and Naomi Matsumoto, eds. Music as Heritage: Ethnographic and Historical Perspectives. Abingdon: Routledge, pp. 79-101. ISBN 9781138228047 [Book Section]

[img]
Norton, Barley. 2024. Intimacy in Ethnographic Film: Listening to How to Improve the World by Nguyễn Trinh Thi. In: Stephen Cottrell; Dafni Tragaki and Stephen Wilford, eds. Ethnomusicology and its Intimacies. New York: Routledge, pp. 148-162. ISBN 9781032431314 [Book Section]

Norton, Barley. 2004. Lên đồng Việt Nam: Cấu tạo âm nhạc của thần thánh (Vietnamese mediumship rituals: the musical construction of the spirits). In: Đức Thịnh Ngô, ed. Đạo Mẫu và các hình thức Shaman trong các tộc người ở Việt Nam và châu Á (The Mother Religion and Forms of Shamanism among Ethnic Groups in Vietnam and Asia). Hanoi: Social Science Publishing House, pp. 310-341. [Book Section]

Norton, Barley. 2014. Music Revival, Ca Trù Ontologies, and Intangible Cultural Heritage in Vietnam. In: Caroline Bithell and Juniper Hill, eds. The Oxford Handbook of Music Revival. New York: Oxford University Press, pp. 160-181. ISBN 9780199765034 [Book Section]

Norton, Barley. 2018. Music and Censorship in Vietnam since 1954. In: Patricia Hall, ed. The Oxford Handbook of Music Censorship. New York: Oxford University Press, pp. 303-331. ISBN 9780199733163 [Book Section]

Norton, Barley. 2010. “Nhân Học Âm Nhạc Việt?” (“The Anthropology of Vietnamese Music?”). In: Hy Van Luong, ed. Hiện Đậi và Động Thái của Truyền Thống Ở Việt Nam: Những Cách Tiếp Cận Nhân Học (Modernities and the Dynamics of Tradition in Vietnam: Anthropological Approaches). 2 Ho Chi Minh City: National University of Ho Chi Minh Press, pp. 623-636. [Book Section]

Norton, Barley. 2018. Orchestrating the Nation: Court Orchestras, Nationalism and Agency in Vietnam. In: Tina K. Ramnarine, ed. Global Perspectives on Orchestras: Collective Creativity and Social Agency. New York: Oxford University Press, pp. 301-323. ISBN 9780199352227 [Book Section]

[img] [img]
Norton, Barley. 2020. "Sự Truyền Tải Bằng Hình Thức Nghe Nhìn Của Di Sản Văn Hoá Trong Xã Hội Đương Đại" [“The Audiovisual Mediation of Cultural Heritage in Contemporary Society”]. In: Lâm Đoàn Trần, ed. Bảo Vệ Và Phát Huy Giá Trị Nghệ Thuật Xoè Thái Trong Xã Hội Đương Đại [“Safeguarding and Promoting of the Art of Xòe Dance of the Tai People in Contemporary Society"]. Hanoi: Nhà Xuất Bản Thế Giới, pp. 534-549. ISBN 9786047786602 [Book Section]

[img]
Norton, Barley. 2017. Vietnam: Popular Music and Censorship. In: Marie Korpe, ed. Targeting the Arts. Copenhagen, Denmark: Freemuse, pp. 21-31. ISBN 9788799886814 [Book Section]

Norton, Barley. 2013. Vietnamese Popular Song in ‘1968’: War, Protest and Sentimentalism. In: Beate Kutschke and Barley Norton, eds. Music and Protest in 1968. Cambridge: Cambridge University Press, pp. 97-118. ISBN 9781107007321 [Book Section]

Norton, Barley and Blackburn, Philip. 2009. Vietnam: Music on the Move. In: Simon Broughton, ed. The Rough Guide to World Music: Europe and Asia. 2 London: Rough Guides, pp. 778-797. ISBN 1843538660 [Book Section]

Norton, Barley and Matsumoto, Naomi. 2019. Introduction: Historical and Ethnographic Perspectives on Music as Heritage. In: Barley Norton and Naomi Matsumoto, eds. Music as Heritage: Historical and Ethnographic Perspectives. London and New York: Routledge, pp. 1-17. ISBN 9781138228047 [Book Section]

Peyton Jones, Jeremy. 2013. Composing music for The Zero Hour. In: Andrew Quick, ed. Theatricalising Cinema: imitating the dog's The Zero Hour and 6 Degrees Below the Horizon. Lancaster: Live at LICA, n/a-n/a. ISBN 978-1-86220-308-2 [Book Section]

[img]
Preview
Peyton Jones, Jeremy. 2014. Sound Production as Theatrical Action. In: Marilyn Wyers and Osvaldo Gileca, eds. Sound, Music and the Moving Thinking Body. Cambridge Scholars Publishing. [Book Section]

Potter, Keith. 2003. A Conversation with James Dillon. In: P. O'Hagan, ed. Aspects of British Music of the 1990's. Ashgate, pp. 131-140. ISBN 0004707729 [Book Section]

Potter, Keith. 1995. 'Cornelius Cardew: some (Postmodern?) reflections on Experimental Music and political music. In: Mark Delaere, ed. New Music, Aesthetics and Ideology/Neue Musik, Asthetik und Ideologie. Wilhelshaven: Germany: Florian Noetzel, pp. 152-169. [Book Section]

Potter, Keith. 1993. The Current Musical Scene. In: Robert P. Morgan, ed. Modern Times: from World War I to the present. Englewood Cliffs, NJ/Basingstoke: Prentice Hall/Macmillan, pp. 349-387. ISBN 0 13 590159 6 [Book Section]

Potter, Keith. 2001. Entry on David Bedford. In: L. Finscher, ed. Die Musik in Geschichte und Gegenwart. Kassel: Barenreiter. [Book Section]

[img]
Preview
Potter, Keith. 2017. Harmonic Progressions as a Gradual Process: towards an understanding of the development of tonality in the music of Steve Reich. In: Felix Woerner and Philip Rupprecht, eds. Tonality Since 1950. Stuttgart: Franz Steiner Verlag, pp. 189-207. ISBN 978-3-515-11582-7 [Book Section]

Potter, Keith. 2013. Le Minimalisme. In: Nicolas Donin and Laurent Feneyrou, eds. Théories de la composition musicale au xxe siècle. 2 Lyon, France: Symétrie, pp. 775-800. ISBN 978-2-914373-60-9 [Book Section]

[img]
Preview
Potter, Keith. 2013. Mapping Early Minimalism. In: Keith S. Potter; Kyle Gann and Pwyll ap Siôn, eds. The Ashgate Research Companion to Minimalist and Postminimalist Music. Farnham, UK: Ashgate, pp. 19-37. ISBN 9781409435495 [Book Section]

[img]
Preview
Potter, Keith. 2019. Sketching a New Tonality: A Preliminary Assessment of Steve Reich’s Sketches for Music for 18 Musicians in Telling the Story of This Work’s Approach to Tonality. In: Sumanth Gopinath and Pwyll ap Sion, eds. Rethinking Reich. New York: Oxford University Press, pp. 191-215. ISBN 9780190605292 [Book Section]

[img]
Preview
Potter, Keith; Gann, Kyle and ap Sion, Pwyll. 2013. Introduction: experimental, minimalist, postminimalist? Origins, definitions, communities. In: Keith S. Potter; Kyle Gann and Pwyll ap Sion, eds. The Ashgate Research Companion to Minimalist and Postminimalist Music. Farnham: Ashgate, pp. 1-16. ISBN 9781 409435495 [Book Section]

[img]
Preview
Potter, Keith; Wilkins, Suzie and Wiggins, Geraint. 2016. On the Nature of Subjectivity in Music Analysis: some observations on analysing an early score by Philip Glass. In: Lauren Redhead and Vanessa Hawes, eds. Music and/as Process. Newcastle: Cambridge Scholars Publishing, pp. 34-55. ISBN 978-1-4438-9491-3 [Book Section]

Pryer, Anthony J.. 2007. Approaching Monteverdi: His Cultures and Ours, Chapter 1. In: J. Whenham and R. Wistreich R, eds. The Cambridge Companion to Monteverdi. Cambridge University Press, pp. 1-19. ISBN 9780521875257 [Book Section]

Pryer, Anthony J.. 1996. Authentic Performance, Authentic Experience and "Pur ti miro" from Poppea. In: Raffaello Monterosso, ed. Performing Practice in Monteverdi's Music: the Historic-Philological Background. Cremona: Fondazione Claudio Monteverdi, pp. 191-213. ISBN 88-86288-25-5 [Book Section]

[img]
Pryer, Anthony J.. 2013. Hanslick, Legal Processes and Scientific Methodologies: How Not to Construct an Ontology of Music. In: Nicole Grimes; Siobhán Donovan and Wolfgang Marx, eds. Rethinking Hanslick: Music, Formalism and Expression. Rochester New York: University of Rochester Press, pp. 52-69. ISBN 9781580464321 [Book Section]

Pryer, Anthony J.. 2011. Monteverdi, Two Sonnets and a Letter. In: Richard Wistreich, ed. Monteverdi. 5 Farnham: Ashgate, pp. 337-352. ISBN 9780754629023 [Book Section]

Pryer, Anthony J.. 2014. The Ontology of Music and the Challenge of Performance: Identity versus Variety, and the Persistence of the ‘Text’. In: Taina Riikonen and Arjaana Virtanen, eds. The Embodiment of Authority: Perspectives on Performances, Interdisziplinäre Studien zur Musik. Frankfurt: Peter Lang, pp. 87-102. ISBN 978-3-631-65085 [Book Section]

[img]
Preview
Pryer, Anthony J.. 2013. 'Real' Nature, 'Aesthetic' Nature and the Making of Artworks: Some Challenges of Cross-Cultural Collaboration. In: Kazuto Yamamoto and Naomi Matsumoto, eds. Shizengaku: A Search for the Coming Aesthetic. Kyoto: Nakanishiya, pp. 6-26. ISBN 978-4-7795-0791-5 [Book Section]

Pryer, Anthony J.. 2014. ‘Real’ Nature, ‘Aesthetic’ Nature and the Making of Artworks: Some Challenges of Cross-Cultural Collaboration (in Japanese Translation). In: Kazuto Yamamoto and Naomi Matsumoto, eds. Shizengaku: a Search for the Coming Aesthetic. Kyoto: Nakanishiya, pp. 6-26. ISBN ISBN 978-4-7795-0791-5 [Book Section]

Pryer, Anthony J.. 1996. Settling Old Scores: The Authentic Performance Argument. In: Erik Levy and Calum MacDonald, eds. BBC Music Magazine Top 1000 CDs Guide. London: BBC Worldwide, pp. 19-22. ISBN 0-563-38709-2 [Book Section]

Redgate, Roger. 2018. Contemporary British Music: Technique and the Compositional Process. In: P. Archblod and R. Saxton, eds. Contemporary British Music: Technique and the Compositional Process. Ashgate. ISBN 978-0-7546-6367-6 [Book Section] (Forthcoming)

Redgate, Roger. 1998. Michael Finnissy: The Chamber Music, in Uncommon Ground: The Music of Michael Finnissy. In: Henrietta Brougham; Christopher Fox and Ian Pace, eds. Uncommon Ground: The Music of Michael Finnissy. Aldershot: Ashgate, pp. 135-168. ISBN ISBN 1 85928365 X [Book Section]

Redgate, Roger. 2017. Notation, Structure and Performance: Towards a Grammatology of Music. In: R. Woodley, ed. Notation and Practice: Essays in Musical Performance and Textuality. Cambridge: Cambridge University of Press. [Book Section] (Forthcoming)

[img]
Preview
Redhead, L. 2018. A Common Method? Distributed Creativity in Composition and/as Practice Research. In: L Redhead and R Glover, eds. Collaborative and Distributed Processes in Contemporary Music-Making. Newcastle: Cambridge Scholars, pp. 27-44. ISBN 978-1-5275-1398-3 [Book Section]

[img]
Preview
Redhead, L. 2019. The Medium is Now the Material: The ‘Folklore’ of Chris Newman and Michael Finnissy. In: I Pace and N McBride, eds. Critical Perspectives on the Music of Michael Finnissy: Bright Futures, Dark Pasts. Routledge. ISBN 9781138491977 [Book Section]

[img]
Preview
Redhead, L. 2015. 'New Music' as Patriarchal Category. In: C Haworth and L Colton, eds. Gender, Age and Musical Creativity. London: Routledge, pp. 171-184. [Book Section]

[img]
Preview
Redhead, L. 2016. Notation as Process: 
Interpretation of Open Scores 
and the ‘Journey Form’. In: V Hawes and L Redhead, eds. Music and/as Process. Newcastle: Cambridge Scholars, pp. 116-134. ISBN 978-1-4438-9491-3 [Book Section]

[img]
Redhead, L. 2022. ‘Nothing Really Changes’: Material Processes in and as Time in hearmleoþ—gieddunga. In: Michelle Phillips and Matthew Sergeant, eds. Music and Time: Psychology, Philosophy, Practice. Woodbridge, Suffolk: Boydell & Brewer. ISBN 9781783277087 [Book Section]

[img]
Rogers, Holly. 2017. ‘Audio-Visual Dissonance in Found Footage Films’. In: Holly Rogers and Jeremy Barham, eds. The Sound and Music of Experimental Film. New York: Oxford University Press. ISBN 9780190469900 [Book Section]

[img]
Rogers, Holly. 2019. Audio-visual Collisions: Moving Image Technology and the Laterna Magika Aesthetic in New Music Theatre. In: Robert Adlington, ed. New Music Theatre in Europe: Transformations Between 1955-1975. Abingdon: Routledge, pp. 79-100. ISBN 9781138323018 [Book Section]

[img]
Preview
Rogers, Holly. 2019. The Audiovisual Eerie: Transmediating Thresholds in the Work of David Lynch. In: Carol Vernallis; Holly Rogers and Lisa Perrott, eds. Transmedia Directors: Artistry, Industry and the New Audiovisual Aesthetics. New York: Bloomsbury, pp. 241-270. ISBN 9781501341007 [Book Section]

[img]
Rogers, Holly. 2015. ‘Beethoven’s Myth Sympathy: Hollywood’s Reconstruction’. In: Michael Spitzer, ed. Beethoven. Farnham: Ashgate, pp. 509-521. ISBN 978-1-4724-4030-3 [Book Section]

[img]
Rogers, Holly. 2013. ‘“Betwixt and Between” Worlds: Spatial and Temporal Liminality in Video Art-Music’. In: Claudia Gorbman; John Richardson and Carol Vernallis, eds. The Oxford Handbook of New Audiovisual Aesthetics. New York: Oxford University Press, pp. 525-542. ISBN 9780199733866 [Book Section]

Rogers, Holly. 2022. Canons. In: Tom Perchard; Stephen Graham; Tim Rutherford-Johnson and Holly Rogers, eds. Twentieth Century Music in the West. Cambridge: Cambridge University Press, pp. 104-128. ISBN 9781108481984 [Book Section]

[img]
Rogers, Holly. 2012. ‘Death for Five Voices: Gesualdo’s “poetic truth”’. In: Brad Prager, ed. A Companion to Werner Herzog. Hoboken, N.J: Wiley-Blackwell, pp. 187-207. ISBN 978-1-4051-9440-2 [Book Section]

[img]
Preview
Rogers, Holly. 2023. “I feel like I’ve heard it before”: The Audiovisual Echoes of YouTube. In: Holly Rogers; Joana Freitas and João Francisco Porfírio, eds. Remediating Sound: Repeatable Culture, YouTube and Music. London: Bloomsbury, pp. 1-34. ISBN 9781501387326 [Book Section]

Rogers, Holly. 2022. Instruments. In: Tom Perchard; Stephen Graham; Tim Rutherford-Johnson and Holly Rogers, eds. Twentieth Century Music in the West. Cambridge: Cambridge University Press, pp. 202-226. ISBN 9781108481984 [Book Section]

[img]
Preview
Rogers, Holly. 2023. Listening Through Social Media: Soundscape Composition, Collaboration and Networked Sonic Elongation. In: Holly Rogers; Joana Freitas and João Francisco Porfírio, eds. Remediating Sound: Repeatable Culture, YouTube and Music. London: Bloomsbury Academic, pp. 113-144. ISBN 9781501387326 [Book Section]

[img]
Rogers, Holly. 2013. Multimedia Art: Video Art-Music. In: Tim Shepherd and Anne Leonard, eds. Routledge Companion to Music and Visual Art. New York: Routledge, pp. 367-375. ISBN 9780415629256 [Book Section]

Rogers, Holly. 2022. Music and the Moving Image. In: Tom Perchard; Stephen Graham; Tim Rutherford-Johnson and Holly Rogers, eds. Twentieth Century Music in the West. Cambridge: Cambridge University Press, pp. 295-318. ISBN 9781108481984 [Book Section]

[img]
Rogers, Holly. 2014. ‘Music, Sound and the Nonfiction Aesthetic’. In: Holly Rogers, ed. Music and Sound in Documentary Film. New York: Routledge, pp. 1-19. [Book Section]

Rogers, Holly. 2008. ‘“Noises, Sounds and Sweet Airs”: Singing the Film Space in Prospero’s Books’. In: David Cooper, ed. Cinemusic: Constructing the Film Score. Cambridge: Cambridge Scholar's Publishing, pp. 141-164. [Book Section]

Rogers, Holly. 2022. Recording and Production. In: Tom Perchard; Stephen Graham; Tim Rutherford-Johnson and Holly Rogers, eds. Twentieth Century Music in the West. Cambridge: Cambridge University Press, pp. 229-252. ISBN 9781108481984 [Book Section]

[img]
Rogers, Holly. 2024. “The Shock of Time”: Hauntological Echoes of La Folia in Max Richter’s Woolf Works. In: Delphine Vincent and Holly Rogers, eds. Max Richter: History, Memory, Nostalgia. Turnhout, Belgium: Brepols, pp. 181-196. ISBN 978-2-503-61185-3 [Book Section]

[img]
Preview
Rogers, Holly. 2021. Sonic Elongation and Sonic Aporia: Two Modes of Disrupted Listening in Film. In: Carlo Cenciarelli, ed. The Oxford Handbook of Cinematic Listening. Oxford: Oxford University Press, pp. 427-449. ISBN 9780190853617 [Book Section]

[img]
Rogers, Holly. 2013. ‘Spatial Reconfiguration in Interactive Video Art-Music’. In: Karen Collins; Bill Kapralos and Holly Tessler, eds. The Oxford Handbook of Interactive Audio. Oxford: Oxford University Press, pp. 15-30. ISBN 9780199797226 [Book Section]

[img]
Rogers, Holly. 2014. ‘Twisted Synaesthesia: Visual Artists and the Music Video’. In: Germano Celant, ed. Music or Art. Milan: Fondazione Prada, pp. 281-288. [Book Section]

[img]
Preview
Rogers, Holly. 2023. “Welcome to your world”: YouTube and the Reconfiguration of Music’s Gatekeepers. In: Holly Rogers; Joana Freitas and João Francisco Porfírio, eds. YouTube and Music: Online Culture and Everyday Life. London: Bloomsbury Academic, pp. 1-38. ISBN 9781501387272 [Book Section]

[img]
Preview
Rogers, Holly; McGrath, John; Vernallis, Carol and Chapman, Dale. 2021. Ben Salisbury: Scoring Science for Alex Garland. In: Holly Rogers; Carol Vernallis; Selmin Kara and Jonathan Leal, eds. Cybermedia: Explorations in Science, Sound, and Vision. New York: Bloomsbury, pp. 130-137. ISBN 9780190853617 [Book Section]

[img]
Rogers, Holly and Vernallis, Carol. 2021. Terence Nance: Random Acts of Flyness. In: Holly Rogers; Carol Vernallis; Selmin Kara and Jonathan Leal, eds. Cybermedia: Explorations in Science, Sound, and Vision. New York: Bloomsbury, pp. 311-328. ISBN 9780190853617 [Book Section]

Smirnov, Dmitri. 2003. “Dodecamania” of Pierre Boulez or The notes on his “Notations”. In: Various, ed. SATOR TENET OPERA ROTAS: Yuri Kholopov and His School. Moscow, pp. 238-253. [Book Section]

Smirnov, Dmitri. 2003. Marginalia quasi una Fantasia: on the Second Violin Sonata by Alfred Schnittke in “Shostakovich and the Consequences”. In: Ernst Kuhn, ed. Schostakowitsch-Studien. (220) Berlin: Band 6, SSM 32 Studia Slavica Musicologica, Verlag, p. 1. ISBN 3-928864-93-9 [Book Section]

Smirnov, Dmitri. 2005. Melos of Prokofiev’s Visions: On the thematic patterns of his “Visions fugitives”. In: Ernst Kuhn, ed. “Schraeg zur Linie des Sozialistichen Realismus?” Prokofjew-Studien, Band 3. SSM 37 Studia Slavica Musicologica. Berlin: Verlag. ISBN 3-9366637-03-2 [Book Section]

Smirnov, Dmitri. 2005. “Prokofjew and Schostakowich (in German). In: Ernst Kuhn, ed. “Schraeg zur Linie des Sozialistichen Realismus?” Prokofjew-Studien, Band 3. SSM 37 Studia Slavica Musicologica. Berlin: Verlag. ISBN 3-9366637-03-2 [Book Section]

Smirnov, Dmitri. 1999. Symbolism in the Flute Concerto by Edison Denisov (Russian). In: Various, ed. SVET. DOBRO. VECHNOST. Moscow: Moskovskaja Gosudarstvennaja konservatorija, pp. 369-381. ISBN 978-5895980521 [Book Section]

Spillane, Jeremiah. 2020. Jazz Manouche. In: David Horn and John Shepherd, eds. Bloomsbury Encyclopedia of Popular Music of the World (EPMOW). Vol. XIII. London: Bloomsbury. [Book Section] (Forthcoming)

[img]
Preview
Yee-King, Matthew; Krivenski, Maria; Brenton, Harry and d'Inverno, Mark. 2015. Music circle: designing educational social machines for effective feedback. In: Luc Steels, ed. Music learning with Massive Open Online Courses (MOOCs). 6 Amsterdam: IOS Press, pp. 87-100. ISBN 9781614995920 [Book Section]

[img]
Preview
Zheng, Zhou and Negus, Keith. 2023. Creating an Oriental Fantasy: Transnational Game Production and New Nationalism in Honor of Kings. In: Kimi Kärki, ed. Popular Music Climates. Turku, Finland: Turku: International Insitute of Popular Culture,, pp. 105-110. ISBN 9789512994274 [Book Section]

[img]
Preview
d'Inverno, Mark and Luck, Michael. 1996. A formal view of social dependence networks. In: Dickson Lukose and Chengqi Zhang, eds. Distributed Artificial Intelligence Architecture and Modelling. 1087 Berlin, Germany: Springer, pp. 115-129. ISBN 9783540613145 [Book Section]

Broadcast

Freed, Moss. 2022. North Sea Swim. [Broadcast]

Freed, Moss; Goller, Ruth; Williams, Chris and Panter, Finlay. 2022. Let Spin broadcasts. [Broadcast]

Freed, Moss; Zorn, John; Eastmond, Sam and Keeffe, Charlotte. 2022. Broadcasts featuring Moss Freed (guitar). [Broadcast]

[img]
Preview
[img]
Preview
Kampman, Anneke and Simensky, Nastassja. 2022. TESTCARD. [Broadcast]

Mwamba, Corey and Elcombe, Chris. 2022. Screaming, like a bell. [Broadcast]

Mwamba, Corey and Elcombe, Chris. 2022. Voice of The Vibraphone: Hit it!. [Broadcast]

Composition

[img]
Preview
[img]
Preview
Abtan, Freida. 2012. Fear of Flight. [Composition]

[img]
Preview
Abtan, Freida and Turner, Shane. 2010. F.A.S.T.: Dreams of Waking. [Composition]

Alessandrini, Patricia and Carreño, Juan Pablo. 2012. ICElab. [Composition]

[img]
Preview
Bowie, David and Gardiner, Ian R.. 2019. Space Oddity by David Bowie [Arranger Ian Gardiner]. [Composition]

[img]
Preview
Bulley, James. 2018. OSKA (Mini-Oramics). [Composition]

[img]
Preview
[img]
Preview
Bulley, James and Feshareki, Shiva. 2016. Still Point. [Composition]

[img]
Preview
Bulley, James and Feshareki, Shiva. 2018. Still Point. [Composition]

[img]
Preview
[img]
Preview
Busby, Lisa and Harries, John. 2011. Sleeps in Oysters: Lo!. [Composition]

[img]
Preview
Dembelé, Sidiki and Gardiner, Ian R.. 2021. Shaka by Sidiki Dembelé [Arranger Ian Gardiner]. [Composition]

[img]
Preview
Diabaté, Toumani and Gardiner, Ian R.. 2020. Moon Kaira by Toumani Diabaté [adaptation by Ian Gardiner]. [Composition]

Drever, John L. and Cook, Christopher. 2015. Acoustic ecology of great places. [Composition]

Drever, John L.; Ishikawa, Ryo and Okada, Shuji. 2012. Shizengaku. [Composition]

Drever, John L. and Upton, Lawrence. 2016. Porth Dances & Sings. [Composition]

[img] [img]
Preview
Freed, Moss. 2022. North Sea Swim. [Composition]

[img]
Preview
[img]
Freed, Moss. 2022. Theremin Gong Bath. [Composition]

[img]
Preview
Gardiner, Ian R.. 2014. 45RPM. [Composition]

[img]
Preview
Gardiner, Ian R.. 2021. Another Berceuse (for SB). [Composition] (Forthcoming)

[img]
Preview
Gardiner, Ian R.. 2018. Berceuses Automatique No.1. [Composition]

[img]
Preview
Gardiner, Ian R.. 2013. Charing X. [Composition]

[img]
Preview
Gardiner, Ian R.. 2021. Compendium. [Composition] (Forthcoming)

[img]
Preview
Gardiner, Ian R.. 2018. En Blanc et Blanc. [Composition]

[img]
Preview
Gardiner, Ian R.. 2021. Fugue (from British Museum). [Composition] (Forthcoming)

[img]
Preview
Gardiner, Ian R.. 2013. Kaira - Ensemble version. [Composition]

[img]
Gardiner, Ian R.. 1993. Monument. [Composition]

Gardiner, Ian R.. 2007. VORMITTAGSSPUK. [Composition]

[img]
Preview
[img]
Gardiner, Ian R.. 1995. Zarb Dances. [Composition]

[img]
Preview
Gardiner, Ian R.. 2018. berceuse automatique nº 1. [Composition]

[img]
Preview
Gardiner, Ian R.. 2018. berceuse automatique nº 2. [Composition]

[img]
Preview
Gardiner, Ian R.. 2018. berceuse automatique nº 3. [Composition]

[img]
Preview
Gardiner, Ian R.. 2019. brexitmeansbrexit. [Composition]

[img]
Preview
Gardiner, Ian R.. 2018. rictus 93. [Composition]

[img]
Preview
[img]
Preview
Gardiner, Ian R.. 2012. spinning and weaving (1st version). [Composition]

[img]
Preview
[img]
Preview
Gardiner, Ian R.. 2019. thread. [Composition]

[img] [img]
Gardiner, Ian R.. 2020. zugzwang. [Composition]

[img]
Preview
Gardiner, Ian R. and Al Kawas, Hiba. 2008. Araftu Beirut. [Composition]

[img]
Preview
Gardiner, Ian R. and Al Kawas, Hiba. 2008. Li Anni Ahiya. [Composition]

[img]
Preview
Gardiner, Ian R. and Diabaté, Toumani. 2009. Kaira - score of orchestral version. [Composition]

[img]
Preview
[img]
Preview
Gardiner, Ian R. and Diabaté, Toumani. 2008. Mamadou Kanda Keita (previously Mamadou Boutiquier). [Composition]

[img]
Preview
Garrelfs, Iris. 2023. Infinity Kisses 23. [Composition]

Kirby, Jenn. 2023. Body Fragmented. [Composition]

Kirby, Jenn. 2020. Hear to Listen. [Composition]

[img] [img]
Preview
Kirby, Jenn. 2023. Melding Streams. [Composition]

Kirby, Jenn. 2022. music: a movement. [Composition]

Peyton Jones, Jeremy. 2015. The Train. [Composition]

[img]
Preview
Peyton Jones, Jeremy and Gardiner, Ian R.. 2022. And Then He Asked Me. [Composition]

[img]
Preview
Peyton Jones, Jeremy and Gardiner, Ian R.. 2022. Going Down. [Composition]

[img]
Preview
Peyton Jones, Jeremy and Gardiner, Ian R.. 2022. Tuning. [Composition]

Redgate, Roger. 1995. Atemkristall. [Composition]

Redgate, Roger. 1992. Beuys. [Composition]

Redgate, Roger. 1994. Celan Songs. [Composition]

Redgate, Roger. 1985. Eidos. [Composition]

Redgate, Roger. 1988. Eperons. [Composition]

Redgate, Roger. 1990. Inventio. [Composition]

Redgate, Roger. 2007. Koan. [Composition]

Redgate, Roger. 2004. Mirlitonnades. [Composition]

Redgate, Roger. 2021. Radix, Matrix. [Composition]

[img]
Redgate, Roger. 2014. Sgraffito. [Composition]

Redgate, Roger. 1999. arc. [Composition]

Redgate, Roger. 2004. écart. [Composition]

Redgate, Roger. 2004. …still…. [Composition]

Redgate, Roger. 1996. trace. [Composition]

[img]
Preview
Redhead, L. 2019. The Whale. [Composition]

[img]
Preview
Redhead, L. 2015. boxmusic. [Composition]

[img]
Preview
Redhead, L. 2017. a common method. [Composition]

[img]
Preview
Redhead, L. 2016. for Luc Brewaeys. [Composition]

[img]
Preview
Redhead, L. 2018. humata, hukhta, huvarshta. [Composition]

[img]
Preview
Redhead, L. 2018. ore. [Composition]

[img]
Preview
Redhead, L. 2015. parergons. [Composition]

[img]
Preview
Redhead, L. 2019. puer natus est. [Composition]

[img]
Preview
Rosani, Silvia. 2016. Li Rin. [Composition]

[img]
Preview
Rosani, Silvia. 2016. No doubt they can feel pain. [Composition]

[img]
Preview
Rosani, Silvia. 2016. White Mask, for solo cello. [Composition]

[img]
Preview
Selaocoe, Abel and Gardiner, Ian R.. 2021. Qhawe by Abel Selaocoe [Arranger Ian Gardiner]. [Composition]

[img]
Preview
Selaocoe, Abel and Gardiner, Ian R.. 2021. Zawose by Abel Selaocoe [Arranger Ian Gardiner]. [Composition]

Young, Michael W.. 2004. Argrophylax. [Composition]

Young, Michael W.. 2006. Ebbs. [Composition]

[img]
Preview
Zagorac, Slavko. 2024. Comprov Full Score. [Composition] (Submitted)

[img]
Preview
Zagorac, Slavko. 2024. Red Mass Full Score. [Composition] (Submitted)

[img]
Preview
Zagorac, Slavko. 2024. Socket Dialogues Full Score. [Composition] (Submitted)

[img]
Preview
Zagorac, Slavko. 2024. Ukodus Full Score. [Composition] (Submitted)

[img]
Preview
Zagorac, Slavko. 2024. Union Rose Full Score. [Composition] (Submitted)

[img]
Preview
Zagorac, Slavko. 2024. Vexilla Full Score. [Composition]

Conference or Workshop Item

[img]
Preview
Abtan, Freida. 2009. 'A Phenomenological Time-Based Approach to Videomusic Composition'. In: Proceedings of the Toronto Electroacoustic Symposium. Toronto, Canada. [Conference or Workshop Item]

Ayrey, Craig L.. 2005. 'Pousseur’s Scambi (1957), and the new problematics of the open work'. In: The 'Scambi Project'. Goldsmiths 18 Feb 2005. [Conference or Workshop Item]

[img]
Preview
Baily, John S.. 2007. 'The circulation of ‘New Music’ between Afghanistan and its transnational community'. In: Conference on Music in the world of Islam. Assilah, Morocco 8-13 August 2007. [Conference or Workshop Item]

[img]
Preview
Birnbaum, David; Xin Wei, Sha; Abtan, Freida and Wanderley, Marcelo M.. 2007. 'Mapping and Dimensionality of a Cloth-based Sound Instrument.'. In: Proceedings of the 4th Sound and Music Computing Conference. Lefkada, Greece. [Conference or Workshop Item]

[img]
Preview
Bulley, James. 2017. 'Living Symphonies'. In: Sound and Environment. University of Huddersfield, United Kingdom 29 June—1 July 2017. [Conference or Workshop Item]

Bulley, James. 2024. 'Practice research'. In: Extended Competencies in the Arts. Lucerne, Switzerland 2 - 3 May 2024. [Conference or Workshop Item]

[img]
Preview
Bulley, James. 2017. ''Progress Music': Daphne Oram, Geoffrey Jones and 'Trinidad and Tobago'.'. In: Sound and Music in Documentary Film. University of Huddersfield, United Kingdom 23—24 February 2017. [Conference or Workshop Item]

Bulley, James. 2018. 'Sounding Materiality: Explorations with music, natural systems and touch-sound-landscapes'. In: Sensing Nature: Wellbeing with nature with sight impairment. Wellcome Collection, London, United Kingdom 30 October 2018. [Conference or Workshop Item]

[img]
Preview
Bulley, James. 2016. 'Tactus: Sound Scores for the Blind and Visually Impaired'. In: 'Make:Shift': Crafts Council Conference 2016. Museum of Science and Industry, Manchester, United Kingdom 10 November 2016. [Conference or Workshop Item]

Bulley, James and Sahin, Ozden. 2019. 'Making Practice Research Visible & Open'. In: Web of Arts Seminar. Open Data Institute, London, United Kingdom 10 April 2019. [Conference or Workshop Item]

Bulley, James and Sahin, Ozden. 2019. 'Practice Research: Proposition and Form'. In: Capturing practice research: improving visibility and searchability. London, United Kingdom 15 March 2019. [Conference or Workshop Item]

Bulley, James and Sahin, Ozden. 2021. 'What is practice research? & How can practice research be shared?'. In: London College of Communication Interdisciplinary Practice Research Forum. London, United Kingdom. [Conference or Workshop Item]

[img]
Preview
Cameron, Daniel; Lindsen, Job P.; Pearce, Marcus; Wiggins, Geraint; Potter, Keith and Bhattacharya, Joydeep. 2012. 'Entrainment of Premotor Cortex Activity by Ambiguity in Musical Metre'. In: Proceedings of the 12th International Conference on Music Perception and Cognition and the 8th Triennial Conference of the European Society for the Cognitive Sciences of Music. Thessaloniki, Greece July 23-28. [Conference or Workshop Item]

[img]
Preview
Cameron, Daniel; Potter, Keith; Wiggins, Geraint and Pearce, Marcus T.. 2012. 'Perception of Rhythmic Similarity in Reich’s Clapping Music: Factors and Models'. In: Proceedings of the 12th International Conference on Music Perception and Cognition and the 8th Triennial Conference of the European Society for the Cognitive Sciences of Music. Thessaloniki, Greece July 23-28. [Conference or Workshop Item]

Drever, John. 2020. 'Sanitary Soundscapes: The Noise Effects From Ultra-Rapid “Ecological” Hand Dryers on Vulnerable Subgroups'. In: HAVENS First Virtual Symposium – Group of researchers interested in the soundscapes of healthcare. TU Delft, Netherlands 15th July 2020. [Conference or Workshop Item]

Drever, John L.. 2022. 'Aural Diverse: Hearing within Responsible Soundscapes of Tourism and Hospitality'. In: International Conference on Responsible Tourism and Hospitality 2022 (ICRTH2022), Sarawak Research Society (SRS). Sarawak, Malaysia 1 - 3 September 2022. [Conference or Workshop Item]

[img]
Preview
[img]
Drever, John L.. 2022. 'Auraldiversity - from hearing as universal to hearing in particular'. In: Sound Studies Lecture Series, Sound Environment Centre at Lund University. Lund University, Sweden 17 November 2022. [Conference or Workshop Item]

Drever, John L.. 2023. 'Auraldiversity and Urban Sound'. In: Urban Sound Symposium 2023. La Salle Ramon Llull University, Spain 19 - 21 April 2023. [Conference or Workshop Item]

Drever, John L.. 2023. 'Auraltypical/Auraldiverse: from hearing as universal to hearing in particular'. In: Regenerative Listening Symposium curated by Lucia Farinati and Brandon LaBelle. Kingston University, United Kingdom 20 July 2023. [Conference or Workshop Item]

Drever, John L.. 2022. 'Clairaudience meets Auraldiversity'. In: Study Day: R. Murray Schafer’s Ecologies of Music and Sound Re-examined. Carleton University, Ottawa, Canada 30 September 2022. [Conference or Workshop Item]

Drever, John L.. 2022. 'Creating A Buzz!'. In: Creating A Buzz! Insect Sound Workshop. Museum of Zoology, Cambridge, United Kingdom 6 April 2022. [Conference or Workshop Item]

Drever, John L.. 2022. 'Field Recording and Noise Abatement'. In: Lecture Series: Sound, Ecology and Climate Changing. Music and Recording Art School, Communication University of China, China 22 November 2022. [Conference or Workshop Item]

Drever, John L.. 2022. 'London Street Noises'. In: Sonic Cartography: Soundscape, Simulation and Re-enactment 2022. University of Kent, United Kingdom 28-30 October 2022. [Conference or Workshop Item]

Drever, John L.. 2014. 'Ochlophonia Hong Kong SAR: audition, speech and feedback from within the crowded soundscape.'. In: Sound, Noise and the Everyday: Soundscapes in China. Aarhus University, Denmark. [Conference or Workshop Item]

Drever, John L.. 2023. 'On Acoustic Ecology'. In: Architecture and the Ear. Solus Ceramics, Farringdon, United Kingdom 5 October 2023. [Conference or Workshop Item]

Drever, John L.. 2023. 'Paracusis Loci to Otoloci– Spatial Perception in Auraldiversity'. In: Aural Diversity Network: Workshop 5 Music & Performance. University of Leicester, United Kingdom 21 - 22 January 2022. [Conference or Workshop Item]

Drever, John L.. 2015. 'Sanitary Soundscapes: The Noise Effects From Ultra-Rapid “Ecological” Hand Dryers On Vulnerable Subgroups In Publicly Accessible Toilets'. In: 2nd International Conference on Hyperacusis (ICH2). Birkbeck College, University of London. [Conference or Workshop Item]

Drever, John L.. 2015. 'Sensitive Hearing in an Auraltypical World'. In: Sound Studies: Art, Experience, Politics, CRASSH. University of Cambridge. [Conference or Workshop Item]

Drever, John L.. 2023. 'Timothy Drever / Tim Robinson – nature and nurture'. In: Remembering Tim and Máiréad Robinson. Goldsmiths, University of London, United Kingdom 2 July 2023. [Conference or Workshop Item]

Drever, John L.. 2020. 'Tinnitus, Auraldiversity and the Arts'. In: The BTA (British Tinnitus Association) Virtual Conference 2020. Online, United Kingdom 5 – 9 October 2020. [Conference or Workshop Item]

Drever, John L.. 2022. 'Towards an auraldiverse practice'. In: CSIPM - Centro Superior de Investigación Y Promoción de la Música. Ciudad Universitaria de Cantoblanco, Madrid, Spain 17 May 2022. [Conference or Workshop Item]

Drever, John L.; Thatcher, Tony and Redding, Emma. 2010. '-scape [Goodwins] – making horizontal'. In: RGS-IBG Annual International Conference. The Royal Geographical Society, United Kingdom. [Conference or Workshop Item]

Freed, Moss. 2023. 'Compositional Voice in/as Ensemble Microtradition: Collective Self-Organisation as Compositional Approach'. In: International Conference IMPACT: IMProvisation and Creativity In and Through Performing Arts. Lithuanian Academy of Music and Theatre, Lithuania 22 -25 November 2023. [Conference or Workshop Item]

Garrelfs, Iris. 2022. 'Field recordings an the Voice'. In: International Field Recording Meeting (EIGC). Online, Mexico 18 August 2022. [Conference or Workshop Item]

Garrelfs, Iris. 2020. 'Virtual Listening Wall for the Royal Musical Association´s 56th Annual Conference'. In: Royal Musical Association 56th Annual Conference. Online, United Kingdom 8 – 10 September 2020. [Conference or Workshop Item]

Garrelfs, Iris. 2022. 'Voice in field recording based practices'. In: Sonic Cartography: Soundscape, Simulation and Re-enactment. University of Kent, United Kingdom 28 - 30 October 2022. [Conference or Workshop Item]

[img]
Preview
Garrelfs, Iris. 2019. 'bodily interaction in vocal performance'. In: Electropixel 2019. Goldsmiths, University of London, United Kingdom 11 July 2019. [Conference or Workshop Item]

Garrelfs, Iris and Aslan, Jess. 2019. 'Introduction to Max/MSP'. In: Daphne Oram Award. Kings Place, London, United Kingdom 15 June 2019. [Conference or Workshop Item]

Garrelfs, Iris; Clover, Catherine and Bartley, Roseanne. 2023. 'Artists' Syllabus - Cats Like Plain Crisps'. In: Carolee Schneemann’s Cats. Blindside, Melbourne, Australia 11 November 2023. [Conference or Workshop Item]

Greenan, Althea; George, Rosalyn P.; Joncus, Berta; Richmond, Vivienne and Wolf, Nicole. 2014. 'Feminism@Goldsmiths'. In: Feminism@Goldsmiths. Goldsmiths, Universirty of London, United Kingdom. [Conference or Workshop Item]

Grierson, Mick. 2007. 'NOISESCAPE: AN INTERACTIVE 3D AUDIOVISUAL MULTI-USER COMPOSITION ENVIRONMENT'. In: International Computer Music Conference 2007. UNDEFINED 8/1/2007. [Conference or Workshop Item]

[img]
Preview
Joncus, Berta. 2017. '”And Fashion Makes me sing”: Song, Celebrities and The Beggar’s Opera'. In: Amherst Early Music Festival. Connecticut College, New London, United States 12 - 19 July 2017. [Conference or Workshop Item]

Joncus, Berta. 2007. '"And Fashion makes me Sing": Eighteenth-century English Ballad Opera and the Birth of a Popular Music Industry'. In: British Academy Postdoctoral Fellowship Symposium 2007. London, United Kingdom. [Conference or Workshop Item]

[img]
Preview
Joncus, Berta. 2019. 'Appropriation and Activism: “Negro Song” and English Abolitionists c1770–1800'. In: American Musicological Society Eighty-fifth Annual Meeting. Boston, United States 31 October - 3 November 2019. [Conference or Workshop Item]

[img]
Preview
Joncus, Berta. 2022. 'The Black Servant and Kitty Clive: Unsettling Relations in the Playhouse'. In: Department Colloquium. Mead Witter School of Music, University of Wisconsin-Madison, United States 22 February 2022. [Conference or Workshop Item]

[img]
Preview
Joncus, Berta. 2023. 'British Abolition Song Exported: Sounding Sentiment in Early America'. In: Voices and Agencies: America and the Atlantic, 1600-1865. Seminar series. Leibniz University, Hanover, Germany 7 July 2023. [Conference or Workshop Item]

[img]
Preview
Joncus, Berta. 2021. 'Celebrity Songster v. Justice Woodcock: Love in a Village (1762), or Sexual Predators on Trial'. In: The 51st Annual Meeting of the American Society for Eighteenth Century Studies. Toronto, Canada 7 - 11 April 2021. [Conference or Workshop Item]

[img]
Preview
Joncus, Berta. 2019. '"Charity as well as Skill in Music": Galatea, Giulia Frasi, and Self-Staging at Ranelagh Garden Concerts'. In: International Academic Conference during the Handel Festival in Halle (Saale). Halle, Germany 1 and 3 to 5 June 2019. [Conference or Workshop Item]

Joncus, Berta. 2006. ''Charm’d with the sprightly Innocence of Nell’: Re-Reading The Devil to Pay'. In: Twelfth Biennial International Conference on Baroque Music. Warsaw, Poland. [Conference or Workshop Item]

Joncus, Berta. 2005. ''Charm’d with the sprightly innocence of Nell’: Re-reading The Devil to Pay'. In: Seventy-first annual meeting of the American Musicological Society. Washington D.C, United States. [Conference or Workshop Item]

Joncus, Berta. 2006. 'Curse them all for a parcel of Italian bitches’: the seduction of mimicry on the mid-eighteenth-century London stage'. In: Thirty-fifth annual conference of the British Society for Eighteenth-Century Studies. Oxford, United Kingdom. [Conference or Workshop Item]

Joncus, Berta. 2008. 'Diva Thursday Live: Kitty Clive (15 May 2008)'. In: Diva Thursday live: Kitty Clive. Handel House, London, United Kingdom. [Conference or Workshop Item]

Joncus, Berta. 2008. 'Divas Off-stage, 6 July 2008'. In: Divas Off-stage. Handel House, London, United Kingdom. [Conference or Workshop Item]

Joncus, Berta. 2004. 'Eating Pigeon-Pye: Handel and the 'Sweet Bird' of Drury Lane'. In: Fortieth Annual Conference of the Royal Musical Association. Birmingham, United Kingdom 12-14 November 2004. [Conference or Workshop Item]

[img]
Preview
Joncus, Berta. 2019. 'For the Benefit of Kitty Clive'. In: Being Human Festival 2019. Foundling Museum, United Kingdom 15 November 2019. [Conference or Workshop Item]

Joncus, Berta. 2010. 'Fourteenth Biennial International Conference, on Baroque Music'. In: The 14th Biennial International Conference on Baroque Music. Queen's University Belfast, United Kingdom 30 June – 4 July 2010. [Conference or Workshop Item]

[img]
Preview
Joncus, Berta. 2017. 'From “Ellen a Roon” to “Aileen aroon”: Kitty Clive and the Irish Ballad'. In: The Irish and the London Stage: Identity, Culture, and Politics, 1680-1830. Trinity College, Dublin, Ireland 17 - 18 February 2017. [Conference or Workshop Item]

[img]
Preview
Joncus, Berta. 2021. 'Georgian Group Event. 'Kitty Clive, or the Fair Songster'. Online Lecture Berta Joncus'. In: The Georgian Group Online Lecture (with Music) Kitty Clive, or The Fair Songster. London, United Kingdom 19 January 2021. [Conference or Workshop Item]

[img]
Preview
[img]
Preview
Joncus, Berta. 2021. 'Handel in the Drawing-room: Women of Quality as Influencers of Britain's Music'. In: The Handel House Trust Handeliade. Spring Hill, Moreton-in-Marsh, United Kingdom 23 - 26 September 2021. [Conference or Workshop Item]

Joncus, Berta. 2009. 'Handel's 'Arianna in Creta''. In: Handel's 'Arianna in Creta'. Barbican Centre, London, United Kingdom. [Conference or Workshop Item]

[img]
Preview
Joncus, Berta. 2021. 'Howard Serwer Memorial Lecture. 'Posterity vs Celebrity: Handel Studies and the 21st Century''. In: American Handel Society Conference 2021. Indiana University, United States 11 - 14 March 2021. [Conference or Workshop Item]

[img]
Preview
Joncus, Berta. 2018. 'Joseph Antonia Emidy: Encounters, not Silhouettes'. In: American Musicological Society Eighty-fourth Annual Meeting. San Antonio, TX, United States 1 - 4 November 2018. [Conference or Workshop Item]

Joncus, Berta. 2011. 'Listening to portraits: music and the eighteenth-century opera celebrity'. In: The first actresses: celebrity, performance and representation in 'the long eighteenth century'. National Portrait Gallery, London, United Kingdom. [Conference or Workshop Item]

[img]
Preview
Joncus, Berta. 2021. 'Material Benefits of the Immaterial: Academic Publishing in the Digisphere'. In: CHASE Doctoral Training Day. London, United Kingdom 10 September 2021. [Conference or Workshop Item]

Joncus, Berta. 2007. 'Musicological choices: Gender, Prestige, and the Power of Subject Specialization'. In: Seventy-third Annual Meeting of the American Musicological Society. Quebec City, Canada. [Conference or Workshop Item]

Joncus, Berta. 2008. '"Of all the arts that sooth": Imagining Kitty Clive (1711-1785)'. In: Twelfth Conference of the Répertoire International d'Iconographie Musicale. New York, United States. [Conference or Workshop Item]

Joncus, Berta. 2010. '"Poison if you taste and go, Nectar if you stay": Struggling with the Orient in Eighteenth-Century British Musical Theatre'. In: Staging the East: Oriental Masking in the British Theatre, 1660-1830. Theatre Royal, Bury St. Edmunds, United Kingdom 11-12 June 2010. [Conference or Workshop Item]

Joncus, Berta. 2008. 'The Polly Row, 25 May 2008'. In: The Polly Row. Handel House, London, United Kingdom. [Conference or Workshop Item]

[img]
Preview
Joncus, Berta. 2008. '“The Power of Sound and Sing-Song”: The Production of Star Tenor John Beard'. In: John Rich and the Eighteenth-Century London Stage: Commerce, Magic and Management. Royal College of Surgeons, United Kingdom 25 - 27 January 2008. [Conference or Workshop Item]

[img]
Preview
Joncus, Berta. 2014. '“The Queen’s lov’d presence to each step adds life”: Caroline of Ansbach’s Musical Patronage and Dance’s Theatre'. In: Enlightened Princesses: Caroline, Augusta, Charlotte & the Shaping of the Modern World. Hampton Court Palace, London, United Kingdom 7 - 9 July 2014. [Conference or Workshop Item]

[img]
Joncus, Berta. 2024. 'Rendering Audible: Voice, Creative Practice, and 18th-century Airs about African Enslavement'. In: 2024 American Musicological Society (AMS) Annual Meeting. Chicago, United States 14 - 17 November 2024. [Conference or Workshop Item] (Forthcoming)

[img]
Preview
Joncus, Berta. 2016. 'Scoring for Celebrity: The Authority of the Vocalist in Love in a Village (1762)'. In: Music and Theater in Eighteenth-Century Britain. Jan Popper Theater, Schoenberg Music Building, University of California, Los Angeles, United States 4 – 5 November 2016. [Conference or Workshop Item]

Joncus, Berta. 2003. 'A Star is Born: Kitty Clive and Female Representation in Eighteenth-Century English Musical Theatre'. In: Sixty-ninth Annual Meeting of the American Musicological Society. Houston, Texas, United States. [Conference or Workshop Item]

Joncus, Berta. 2009. ''This glorious Approbation of Sounds': Handel, Purcell and London’s Eighteenth-Century Entertainments'. In: Purcell, Handel & Literature. Institute of Musical Research, London, United Kingdom 20-21 November 2009. [Conference or Workshop Item]

Joncus, Berta. 2008. '"To propagate Sound for Sense": Music for Diversion and Seduction at Ranelagh Gardens'. In: Vauxhall Revisited: Pleasure Gardens and their Publics, 1660-1880. Tate Britain, London, United Kingdom 14-16 July 2008. [Conference or Workshop Item]

[img] [img]
Joncus, Berta. 2024. 'Workshop 'Gender und Diversität in der Musikkultur des 18. Jahrhunderts. Neue Forschungsprojekte im Dialog''. In: Gender und Diversität in der Musikkultur des 18. Jahrhunderts. Neue Forschungsprojekte im Dialog. Institute for Musicology, University of Music and Performing Arts Vienna (MDW), Austria 7 - 8 November 2024. [Conference or Workshop Item] (Forthcoming)

[img]
Preview
Joncus, Berta. 2022. '“Zealous partisans of both, I think, must have applauded”: Kitty Clive, Regina Mingotti and Mimic Italian Song'. In: Nach der Norm: Musikwissenschaft. 21. Jahrhundert. Jahrestagung der Gesellschaft für Musikforschung, Berlin, 2022. Humboldt University, Germany 28 September - 1 October 2022. [Conference or Workshop Item]

[img]
Preview
Joncus, Berta and Guglielmo, Myriam. 2024. 'Promoting Celebrity: Venetian Opera Singers in the Pages of the Gazzetta Urbana Veneta'. In: International Conference Women, Opera and the Public Stage in Eighteenth-Century Venice. Trondheim, Norway 11 - 13 April 2024. [Conference or Workshop Item] (Forthcoming)

[img]
Preview
[img]
Preview
Joncus, Berta and Meyers, Amy. 2019. '‘Such and so great was the Affection he bare to Musick’: Hearing London's Eighteenth-century Black Community'. In: Black Music in Eighteenth-Century London. Yale Center for British Art, New Haven, United States 25 - 26 April 2019. [Conference or Workshop Item]

Joncus, Berta; Rogers, Vanessa and Ozmo, Žak. 2009. 'Music for the Common Man: Handel, Purcell and London’s Eighteenth-Century Entertainments'. In: Seventy-fifth Annual Meeting of the American Musicological Society. Philadelphia, United States. [Conference or Workshop Item]

[img]
Preview
Kampman, Anneke. 2024. 'Figures of Capital: Music-video as Immanent Critique'. In: Marxism in Culture seminar series. Institute of Advanced Studies (IAS). London, United Kingdom 31 May 2024. [Conference or Workshop Item]

Kampman, Anneke. 2019. 'Labour’s Own Sounding Ideal Presentation'. In: Citation: European Artistic Research Network (EARN) Annual Conference. Leeds Art Gallery, United Kingdom 7 - 8 November 2019. [Conference or Workshop Item]

[img]
Preview
Kampman, Anneke. 2021. 'Negative Product Media: Music-video as Immanent Critique'. In: Sonoridades Fronteiricas. Florianópolis, Brazil 9 – 11 June 2021. [Conference or Workshop Item]

Kampman, Anneke. 2022. 'Re-structing Feeling: Form as Contradiction in Rosalia’s ‘Motomami’'. In: Goldsmiths Music Research Series. Goldsmiths, University of London, United Kingdom 17 November 2022. [Conference or Workshop Item]

Kampman, Anneke and Dickson, Jane. 2016. 'Inside and outside the institution: Women Pioneers of Electronic Music'. In: Working in Music Conference, Musicians Union. Mitchell Library, Glasgow, United Kingdom 14 - 15 January 2016. [Conference or Workshop Item]

Kirby, Jenn. 2024. 'The Body in Digital Musical Instrument Design'. In: CHIME Seminar. Online, United Kingdom 28 February 2024. [Conference or Workshop Item]

Kirby, Jenn. 2019. 'Design Considerations for Digital Instruments'. In: Invited speaker, BBC Salford. Manchester, United Kingdom. [Conference or Workshop Item]

Kirby, Jenn. 2019. 'Digital Instrument Design'. In: BBC:Develop at BBC Radio Theatre. London, United Kingdom. [Conference or Workshop Item]

Kirby, Jenn. 2020. 'Live Electronics: Performer Agency and Audience Reception'. In: IRCAM Forum. Paris, France. [Conference or Workshop Item]

Kirby, Jenn. 2021. 'Performer Agency in Live Electronic Music'. In: Musicians Playing With Computers, Musicians Interacting With The World. Online. [Conference or Workshop Item]

Kirby, Jenn. 2024. 'Spiral: a two-player entangled performance system'. In: Creative Machines: Technology and Collaborative Practice in Contemporary Music Symposium. Royal Holloway, University of London, United Kingdom 7 June 2024. [Conference or Workshop Item]

Kirby, Jenn and Kilshaw, Simon. 2016. 'Swansea Laptop Orchestra: Composing for Laptops'. In: BEAST FEaST 2017. Birmingham, United Kingdom 28 - 29 April 2017. [Conference or Workshop Item]

[img]
Preview
Kirk, Pedro; Grierson, Mick; Bodak, Rebeka; Ward, Nick; Brander, Fran; Kelly, Kate; Newman, Nicholas and Stewart, Lauren. 2016. 'Motivating Stroke Rehabilitation Through Music: A Feasibility Study Using Digital Musical Instruments in the Home'. In: Proceedings of the 2016 CHI Conference on Human Factors in Computing Systems. San Francisco, United States. [Conference or Workshop Item]

[img]
Preview
[img]
Preview
Krivenski, Maria. 2019. 'Becoming a musical performer: Conceptions of the classical musician promoted at university'. In: RMA Study Day: The Classical Musician in the 21st Century. University of Cambridge, United Kingdom 23 May 2019. [Conference or Workshop Item]

Matsumoto, Naomi. 2002. 'Global Presentations of Madness in Musical Theatres: a Comparative Study of Britten’s Curlew River and Juro Motomasa’s Sumidagawa'. In: Musicology and Globalization: Proceedings of the International Congress. Shizuoka, Japan. [Conference or Workshop Item]

[img]
Preview
Moreno, Louis; Rekret, Paul; George, Edward; Sharma, Ash and Kampman, Anneke. 2023. 'Visible Music'. In: An Endless Archive. San Mei Gallery, London, United Kingdom 8 June 2023. [Conference or Workshop Item]

[img]
Preview
Negus, Keith. 2005. 'When the artist meets the audience: amour, anxiety and ambivalence'. In: 13th Biennial IASPM Conference, Making Music, Making Meaning. Università La Sapienza, Rome, Italy, Italy 25-30 July 2005. [Conference or Workshop Item]

[img]
Preview
[img]
Preview
Nielinger-Vakil, Carola. 2006. 'Between Memorial and Political Manifesto: Nono's Anti-fascist Pieces, 1951-1966'. In: International Nono Conference. Padova 2006. [Conference or Workshop Item]

Nielinger-Vakil, Carola. 2006. 'Between Memorial and Political Manifesto: Nono's Anti-fascist Works, 1951-1966'. In: International Conference 'Presenza storica di Luigi Nono'. UNDEFINED 12/1/2006. [Conference or Workshop Item]

[img]
Preview
Okumura, Hiromi; Williams, Valerie; Kirby, Jenn; Jobson, Thomas B and Vaughan, Joseph. 2022. 'AtmosActions: An Interactive Audiovisual Installation for a Human/Weather Interface'. In: Data Art for Climate Action. Hong Kong 21-26 February 2022. [Conference or Workshop Item]

[img]
Preview
Olowe, Ireti; Barthet, Mathieu; Grierson, Mick and Bryan-Kinns, Nick. 2016. 'FEATUR.UX: exploiting multitrack information for artistic visualization'. In: Proceedings of the International Conference on Technologies for Music Notation and Representation - TENOR2016. TENOR, United Kingdom. [Conference or Workshop Item]

Perchard, Thomas. 2015. 'Roundtable contributor'. In: ‘New Directions in Jazz Studies’ symposium.. Senate House, University of London, United Kingdom. [Conference or Workshop Item]

Perchard, Tom. 2017. 'Experiments in Critical Music Writing'. In: Experimental Approaches to Writing Research symposium. Birmingham City University, United Kingdom. [Conference or Workshop Item]

Perchard, Tom. 2011. 'Four Histories of 20th-Century Music.'. In: Cabaret Voltaire art foundation course. GBS University, St. Gallen, Switzerland. [Conference or Workshop Item]

Perchard, Tom. 2012. 'Going Cold on Cool: Miles Davis and Ascenseur pour l’échafaud’'. In: Invited research seminar. King’s College London. [Conference or Workshop Item]

Perchard, Tom. 2018. 'Hearing, Seeing, Talking, Touching: Pop Music Experiences in the Postwar British Home'. In: 8th William A. Kern Conference in Visual Communication. Rochester Institute of Technology, United States. [Conference or Workshop Item]

Perchard, Tom. 2012. 'Hip Hop Samples Jazz: Dynamics of Cultural Memory and Musical Tradition in the African American 1990s'. In: Unofficial Histories. Bishopsgate Institute, London. [Conference or Workshop Item]

Perchard, Tom. 2011. 'Hip Hop Samples Jazz: Dynamics of Cultural Memory and Musical Tradition in the African American 1990s'. In: Invited research seminar, ‘Directions in Musical Research’ series.. Institute of Musical Research, School of Advanced Study. [Conference or Workshop Item]

Perchard, Tom. 2017. 'Historiography and Popular Music'. In: 53rd Royal Music Association annual conference. University of Liverpool, United Kingdom. [Conference or Workshop Item]

Perchard, Tom. 2009. 'Hugues Panassié and Readings of Primitivism in Early French Jazz Criticism'. In: Invited research seminar. University of Sheffield. [Conference or Workshop Item]

Perchard, Tom. 2011. 'Ideologies of Improvisation: Miles Davis’ music for Ascenseur pour l’échafaud'. In: Invited research seminar. University of York. [Conference or Workshop Item]

Perchard, Tom. 2012. 'Jazz Trumpet and the Semiotics of Vulnerability'. In: 19th International Congress of the International Musicological Society. Rome, Italy. [Conference or Workshop Item]

Perchard, Tom. 2016. 'The Look of Listening: Audio Technology and the British Home, 1955-70'. In: Research Symposium. Canterbury Christ Church University, United Kingdom. [Conference or Workshop Item]

Perchard, Tom. 2012. 'Miles Davis’s Music for Louis Malle’s Ascenseur pour l’échafaud (1958): Improvisation, Realism and Ideology'. In: Perspectives on Musical Improvisation. University of Oxford. [Conference or Workshop Item]

Perchard, Tom. 2012. 'Monk Meets the French Critics'. In: Piacenza Jazz Fest study day. Piacenza, Italy. [Conference or Workshop Item]

Perchard, Tom. 2015. 'Popular Music teaching at Goldsmiths'. In: Reconcile Your Body and Soul (But How?)’. Symposium on academic and creative practice in popular music education. Seika University, Kyoto, Japan. [Conference or Workshop Item]

Perchard, Tom. 2011. 'Re-reading Primitivism in Hugues Panassié’s Writing on Jazz'. In: Jazz and Race, Past and Present. Open University. [Conference or Workshop Item]

Perchard, Tom. 2017. 'Reimagining Popular Music History'. In: Research Colloquium. University of Oxford, United Kingdom. [Conference or Workshop Item]

Perchard, Tom. 2011. 'Thelonious Monk Meets the French Critics: Art and Entertainment, Improvisation, and its Simulacrum'. In: Salford Jazz Research Seminar. University of Salford. [Conference or Workshop Item]

Perchard, Tom. 2009. 'Thelonious Monk Meets the French Critics: Improvisation and its Simulacra'. In: Mediating Jazz. University of Salford. [Conference or Workshop Item]

Perchard, Tom. 2018. 'Towards a History of Pop Music in the 20th-Century Home'. In: Research Symposium. Kunstuniversität Graz, Austria. [Conference or Workshop Item]

Perchard, Tom. 2016. 'Towards a History of Pop Music in the British Home'. In: Research symposium. University of York, United Kingdom. [Conference or Workshop Item]

Perchard, Tom. 2016. 'Utopia in the Living Room'. In: Jazz Utopia. Birmingham City University, United Kingdom. [Conference or Workshop Item]

Perchard, Tom. 2017. 'What Next for the History of Popular Music?'. In: 19th Biennial Conference of the International Association for the Study of Popular Music. Kassel, Germany. [Conference or Workshop Item]

Potter, Keith. 2007. '1976 and All That: Minimalism and Postminimalism, Analysis and Listening Strategies.'. In: Proceedings of the First International Conference on Music and Minimalism. Bangor, United Kingdom 11/1/2007. [Conference or Workshop Item]

[img]
Preview
Pryer, Anthony J.. 2010. 'The Ontology of Music and the Challenge of Performance: Identity versus Variety, and the Persistence of the "Text"'. In: The Embodiment of Authority: Perspectives on Performance. Sibelius Academy, Helsinki, Finland. [Conference or Workshop Item]

[img]
Preview
Pryer, Anthony J.. 2004. 'Vivaldi's Four Seasons and the Globalization of Musical Taste'. In: Musicology and Globalization: International Congress in Shizuoka. Shizuoka, Japan 2-4 November, 2002. [Conference or Workshop Item]

Redgate, Roger. 2021. 'Beyond the Text: Capturing the Reality of the Image'. In: Technique of Musical Сomposition: Нistorical Avatars Analytical Musicology. Gnesin Russian Academy of Music, Russian Federation 13–15 April 2021. [Conference or Workshop Item]

Redgate, Roger. 2022. 'Disseminative Notation and the Impurities of Performance.'. In: The Performer-Composer in the second half of the 20th century. Orpheus Institute, Ghent, Belgium 10-12 October 2022. [Conference or Workshop Item]

Redgate, Roger. 2022. 'Improvisation as Creative Impulse for Composition'. In: Principles of Music Composing XXI: Phenomenon of Creativity. Lithuanian Academy of Muisc and Theatre, Lithuania 17-19 November 2022. [Conference or Workshop Item]

[img]
Preview
Redhead, L. 2021. 'Practice Research: Accessibility and Reproducibility Enhancing searchability: archiving practice research'. In: Enhancing searchability: archiving practice research. Online workshop, United Kingdom 15 November 2021. [Conference or Workshop Item]

[img]
Redhead, L. 2023. 'The Practice of Practice Research'. In: Public Research Seminar: Dr Lauren Redhead - The Practice of Practice Research. Royal Birmingham Conservatoire, United Kingdom 21 February 2023. [Conference or Workshop Item]

[img]
Redhead, L. 2022. 'Using Collaborative Event Ethnography to Explore Embodied Approaches to Performing Experimental Music'. In: Performance Studies Network Conference 2022. University of Surrey, United Kingdom 30 June - 3 July 2022. [Conference or Workshop Item]

[img]
Preview
Redhead, L and Zaldua, Alistair. 2016. 'The Organ as Live Interface'. In: International Conference on Live Interfaces. University of Sussex 29 June - 3 July 2016. [Conference or Workshop Item]

[img]
Rosani, Silvia; Tóth, Kinga and Bolm, Andreas. 2016. 'Controller, video and stereo fixed media'. In: WISWOS 2016. Lancaster Institute for the Contemporary Arts, United Kingdom. [Conference or Workshop Item]

Spillane, Jeremiah. 2017. 'Bebop [r]evolution: understanding the new sound of jazz in Postwar France'. In: Royal Musical Association: Identity and Vinyl Culture Conference. University of Birmingham, United Kingdom Saturday 18th November 2017. [Conference or Workshop Item]

[img]
Preview
Spillane, Jeremiah. 2019. 'Codifying Jazz Manouche: A Brief History and Definition of Jazz Manouche in Relation to the Belgian and Dutch Manouche community.'. In: Jazz and Cultural Identity: In and Out of Europe. UCLAN, Preston, United Kingdom 07/06/2019. [Conference or Workshop Item]

Spillane, Jeremiah. 2017. 'Djangology: Examining the posthumous influence of Django Reinhardt and the formation of “Gypsy Jazz” through pedagogy and performance online.'. In: The Fourth Westminster-Goldsmiths Symposium for Student Research in Popular Music. University of Westminster, London, United Kingdom Friday, 26 May 2017. [Conference or Workshop Item]

Spillane, Jeremiah. 2020. '‘Footprints: Considering the environmental impact of the 2019 Galway Jazz Festival’'. In: Research Cafe. Goldsmiths, University of London, United Kingdom 18 March 2020. [Conference or Workshop Item]

Spillane, Jeremiah. 2014. 'Hybridized cultural musical expressions and their impact on creative musical expressions. An examination of Musette and its impact on Django Reinhardt’s creative vision and stylistic development'. In: ‘Vision and Articulation’, Graduate School Festival. Goldsmiths, University of London, United Kingdom. [Conference or Workshop Item]

Spillane, Jeremiah. 2014. 'Hybridizing the intangible: unraveling Django Reinhardt's socio-cultural milieu'. In: Safeguarding the Intangible: Cross-Cultural Perspectives on Music and Heritage’. Goldsmiths, University of London, United Kingdom. [Conference or Workshop Item]

Spillane, Jeremiah. 2015. '"Les Yeux Noirs": Django Reinhardt’s encounters with visual art'. In: The Second Westminster - Goldsmiths Symposium for Student Research in Popular Music. Westminster University, United Kingdom. [Conference or Workshop Item]

Spillane, Jeremiah. 2015. '"Les Yeux Noirs": Django Reinhardt’s encounters with visual art'. In: New Directions in Jazz Studies. Senate House, London, United Kingdom. [Conference or Workshop Item]

Spillane, Jeremiah. 2014. 'Mapping hybridities: exploring indigenous popular precursors to gypsy jazz'. In: London Popular Music PhD Symposium. University of Westminster, United Kingdom. [Conference or Workshop Item]

Spillane, Jeremiah. 2016. 'Transatlantic Swing: The Influence of Louis Armstrong on Django Reinhardt and the Development of Jazz in France'. In: Third Westminster-Goldsmiths Symposium for Student Research in Popular Music. Westminster University, London, United Kingdom. [Conference or Workshop Item]

Spillane, Jeremiah. 2013. 'A phonomusicological approach to investigating the stylistic development Django Reinhardt'. In: 'Music as Communication', Graduate School Festival. Goldsmiths, University of London, United Kingdom. [Conference or Workshop Item]

[img]
Preview
Spillane, Jeremiah; Givan, Benjamin; Hannum, Andrew and Bulley, James. 2016. 'Open in Action: Music, Computing and Open Data'. In: Open in Action: Music, Computing and Open Data. Special Collections Reading Room, Goldsmiths, United Kingdom 24/10/2016. [Conference or Workshop Item]

[img]
Preview
Stonehouse, Ian. 2024. 'Looking for Lily Greenham'. In: Tune in to Reality. Badischer Kunstverein, Karlsruhe, Germany 3-4 May 2024. [Conference or Workshop Item]

[img]
Preview
[img]
Preview
Young, Michael W.. 2007. 'NN Music: Improvising with a 'Living' Computer'. In: International Computer Music Conference. San Francisco 2007. [Conference or Workshop Item]

[img]
Preview
Zagorac, Slavko and Alessandrini, Patricia. 2018. 'ZScore: A Distributed System For Integrated Mixed Music Composition and Performance'. In: International Conference on Technologies for Music Notation and Representation — TENOR'18. Montreal, Canada 24 - 26 May 2018. [Conference or Workshop Item]

[img]
Preview
Zagorac, Slavko and Zbyszynski, Michael. 2020. 'Networked Comprovisation Stratagies with ZScore'. In: Proceedings of the International Conference on Technologies for Music Notation and Representation — TENOR'20. Hochschule für Musik und Theater, Hamburg, Germany. [Conference or Workshop Item]

Dataset

Design

Digital

[img]
Preview
Rogers, Holly. 2013. Video Art Primer. [Digital]

Edited Book

Ivashkin, Alexander V., ed. 2013. Alfred Schnittke: collected works. St Petersburg: Compozitor. ISBN 979-0-66000-053-3 [Edited Book]

Potter, Keith S.; ap Sion, Pwyll and Gann, Kyle, eds. 2013. The Ashgate Research Companion on Minimalist and Postminimalist Music. Aldershot: Ashgate. ISBN 9781472402783 [Edited Book]

Redhead, L and Glover, R, eds. 2018. Collaborative and Distributed Processes in Contemporary Music-Making. Newcastle: Cambridge Scholars. ISBN 978-1-5275-1398-3 [Edited Book]

Wollenberg, Susan and McVeigh, Simon, eds. 2004. Concert Life in Eighteenth-Century Britain. Aldershot: Ashgate. ISBN 0754638685 [Edited Book]

[img]
Preview
Ivashkin, Alexander V. and Kirkman, Andrew, eds. 2012. Contemplating Shostakovich: Life, Music and Film. Farnham: Ashgate. ISBN 978-1-4094-3937-0 [Edited Book]

[img]
Ivashkin, Alexander V. and Kirkman, Andrew, eds. 2012. Contemplating Shostakovich: Life, Music and Film. Farnham: Ashgate. ISBN 978-1-4094-3937-0 [Edited Book]

[img]
Rogers, Holly; Vernallis, Carol; Kara, Selmin and Leal, Jonathan, eds. 2021. Cybermedia: Explorations in Science, Sound, and Vision. New York: Bloomsbury Academic. ISBN 9781501357053 [Edited Book]

Kutschke, Beate and Norton, Barley, eds. 2013. Music and Protest in 1968. Cambridge: Cambridge University Press. ISBN 9781107007321 [Edited Book]

[img]
Preview
[img]
Rogers, Holly, ed. 2014. Music and Sound in Documentary Film. New York: Routledge. ISBN 9780415728669 [Edited Book]

[img] [img]
Rogers, Holly and Barham, Jeremy, eds. 2017. The Music and Sound of Experimental Film. New York: Oxford University Press. ISBN 9780190469900 [Edited Book]

Hawes, V and Redhead, L, eds. 2016. Music and/as Process. Newcastle: Cambridge Scholars. ISBN 978-1-4438-9491-3 [Edited Book]

Joncus, Berta and Bucciarelli, Melania, eds. 2007. Music as Social and Cultural Practice: Essays in Honour of Reinhard Strohm. Woodbridge, Suffolk: Boydell & Brewer. ISBN 9781843833178 [Edited Book]

[img]
Preview
[img]
Rogers, Holly; Freitas, Joana and Porfírio, João Francisco, eds. 2023. Remediating Sound: Repeatable Culture, YouTube and Music. London: Bloomsbury Academic. ISBN 9781501387340 [Edited Book]

Matsumoto, Naomi and Yamamoto, Kazuto, eds. 2014. SHIZENGAKU: the Search for a Coming Aesthetic. Kyoto: Nakanishiya. ISBN 978-4-9907368-0-4 [Edited Book]

Ivashkin, Alexander V., ed. 2002. A Schnittke Reader. Bloomington and Indianapolis: Indiana University Press. ISBN 0-253-33818-2 [Edited Book]

[img]
Matsumoto, Naomi, ed. 2015. Staging Verdi and Wagner. Turnhout: Brepols. ISBN 9782503564821 [Edited Book]

McVeigh, Simon and Lynan, Peter, eds. 2016. Thomas Arne, Judith: an Oratorio. London: The Musica Britannica Trust and Stainer & Bell Ltd. ISBN 9780852499474 [Edited Book]

[img]
Preview
Vernallis, Carol; Rogers, Holly and Perrott, Lisa, eds. 2020. Transmedia Directors: Artistry, Industry and New Audiovisual Aesthetics. London: Bloomsbury Academic. ISBN 9781501341007 [Edited Book]

[img]
Preview
Rogers, Holly; Freitas, Joana and Porfírio, João, eds. 2023. YouTube and Music: Online Culture and Everyday Life. London: Bloomsbury Academic. ISBN 9781501387272 [Edited Book]

Drever, John L. and Hugill, Andrew, eds. 2022. Aural Diversity. Abingdon: Routledge. ISBN 9781032025001 [Edited Book]

Joncus, Berta; zur Nieden, Gesa and Over, Berthold, eds. 2025. Music Publisher John Walsh outside Britain: 18th-Century Print Dissemination and Collection. Bielefeld, Germany: transcript Verlag. ISBN 9783837672169 [Edited Book] (Forthcoming)

Joncus, Berta and Barlow, Jeremy, eds. 2011. "The Stage's Glory": John Rich (1692-1761). Newark, Delaware: University of Delaware Press. ISBN 9781611490329 [Edited Book]

Edited Journal

Joncus, Berta, ed. 2009. Eighteenth-Century Music, Eighteenth-Century Music, . 1478-5706 [Edited Journal]

Gardiner, Ian R., ed. 2011. Music, Sound and the Moving Image, Music, Sound and the Moving Image, 5(2). [Edited Journal]

Gardiner, Ian R., ed. 2013. Music, Sound and the Moving Image, Music, Sound and the Moving Image, 7(1). [Edited Journal]

Gardiner, Ian R., ed. 2011. Music, Sound and the Moving Image, Music, Sound and the Moving Image, 5(1). [Edited Journal]

Beck, Jay; Gardiner, Ian R. and Hanson, Helen, eds. 2016. Music, Sound, and the Moving Image, Volume 10, Issue 1, Spring 2016, Music, Sound, and the Moving Image, 10(1). 1753-0776 [Edited Journal]

Beck, Jay; Gardiner, Ian R. and Hanson, Helen, eds. 2017. Music, Sound, and the Moving Image, Volume 11, Issue 2, Autumn 2017, Music, Sound, and the Moving Image, 11(2). 1753-0776 [Edited Journal]

Beck, Jay; Gardiner, Ian R. and Hanson, Helen, eds. 2018. Music, Sound, and the Moving Image, Volume 12, Issue 1, Spring 2018, Music, Sound, and the Moving Image, 12(1). 1753-0776 [Edited Journal]

Beck, Jay; Gardiner, Ian R. and Hanson, Helen, eds. 2013. Music, Sound, and the Moving Image, Volume 7, Issue 1, Spring 2013, Music, Sound, and the Moving Image, 7(1). 1753-0776 [Edited Journal]

Beck, Jay; Gardiner, Ian R. and Hanson, Helen, eds. 2013. Music, Sound, and the Moving Image, Volume 7, Issue 2, Autumn 2013, Music, Sound, and the Moving Image, 7(2). 1753-0776 [Edited Journal]

Beck, Jay; Gardiner, Ian R. and Hanson, Helen, eds. 2014. Music, Sound, and the Moving Image, Volume 8, Issue 1, Spring 2014, Music, Sound, and the Moving Image, 8(1). 1753-0776 [Edited Journal]

Beck, Jay; Gardiner, Ian R. and Hanson, Helen, eds. 2015. Music, Sound, and the Moving Image, Volume 9, Issue 1, Spring 2015, Music, Sound, and the Moving Image, 9(1). 1753-0776 [Edited Journal]

ap Sion, Pwyll and Redhead, L, eds. 2014. Musical Borrowing and Quotation in the Twentieth and Twenty-First Centuries, Contemporary Music Review, 33(2). 0749-4467 [Edited Journal]

[img]
Preview
Norton, Barley; Sendra, Estrella and Jackson, Joseph, eds. 2022. 'Musicology on Screen' Special Issue, Screenworks, 12(2). 2514-3123 [Edited Journal]

Redhead, L, ed. 2020. Musik und Sprache: Music/Language/Speech, Contemporary Music Review, 39(3). 0749-4467 [Edited Journal]

Harris, Rachel and Norton, Barley, eds. 2002. Red Ritual: Ritual Music and Communism, British Journal of Ethnomusicology, . 0968-1221 [Edited Journal]

[img]
Preview
Garrelfs, Iris, ed. 2012. Reflections on Process in Sound Issue 1, Reflections on Process in Sound, . [Edited Journal]

[img]
Preview
[img]
Preview
Garrelfs, Iris, ed. 2013. Reflections on Process in Sound Issue 2, Reflection on Process in Sound, 2. [Edited Journal]

Rogers, Holly, ed. 2020. Sonic Scope: New Approaches to Audiovisual Culture, Sonic Scope: New Approaches to Audiovisual Culture, . [Edited Journal]

Bulley, James; Sahin, Ozden; Drever, John L. and Aceti, Lanfranco, eds. 2018. Special Issue on Sound Curating, Leonardo Electronic Almanac, 22(3). 1071-4391 [Edited Journal]

[img]
Preview
Alexander, Tamsin and Helmers, Rutger, eds. 2023. Tsarist Russia and the Musical World, Nineteenth-Century Music Review, 20(2). 1479-4098 [Edited Journal]

Exhibition Catalogue

Film/Video

[img]
Preview
[img]
Preview
Abtan, Freida. 2008. The hands of the dancer. [Film/Video]

[img]
Preview
[img]
Preview
Abtan, Freida and B.A. Sound Arts and Design, London College of Communication. 2018. London College of Communication Visiting Practitioners Series: Freida Abtan. [Film/Video]

[img]
Preview