Browse by Goldsmiths authors: Redgate, Roger

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Number of items: 82.


Redgate, Roger. 2020. Where Are We Going? Teleological Structures in New Music. Principles of Music Composing, 20, pp. 23-34. ISSN 2351-5155 [Article]

Redgate, Roger. 2019. Do you hear what I hear? Audiation and the Compositional Process. Principles of Music Composing, 18, pp. 19-27. ISSN 2351-5155 [Article]

Redgate, Roger. 2019. The ontology of the work: exploring the creative discourse. Contemporary Musicology, 2019-2(2), pp. 43-59. ISSN 2597-9731 [Article]

Redgate, Roger. 2019. When is an Orchestra not an Orchestra? Principles of Music Composing, 19, pp. 9-21. ISSN 2351-5155 [Article]

Redgate, Roger. 2018. Music after the Death of Art. Twentieth Century Music, 14(3), pp. 41-44. ISSN 1478-5722 [Article]

Redgate, Roger. 2017. Emergent Material: Reinventing the Compositional Process. Principles of Music Composing, 17, pp. 117-126. ISSN 2351-5155 [Article]

Redgate, Roger. 2001. Brian Ferneyhough's etudes transcendantales. Contemporary Music Review, 20(1), pp. 79-100. ISSN 0749-4467 [Article]

Redgate, Roger. 2000. Marginalisierung und Subversion. Musik & Asthetik, 13, pp. 94-98. [Article]

Redgate, Roger. 1999. Neue Musik in Grossbritannien: Ein Situationsbericht. Musik & Asthetik, 10, pp. 59-66. [Article]

Redgate, Roger. 1995. Ferneyhough as teacher. Contemporary Music Review, 13(1), pp. 19-21. [Article]


Redgate, Roger. 2016. Runa. [Audio]

Redgate, Roger and Wright, Matthew. 2014. Single Combat. [Audio]

Redgate, Roger. 2014. Eperons. [Audio]

Redgate, Roger. 2009. Eperons. [Audio]

Redgate, Roger. 2009. Residua. [Audio]

Redgate, Roger. 2005. +R. [Audio]

Redgate, Roger. 2005. +R. [Audio]

Book Section

Heyde, Neil; Redgate, Christopher; Redgate, Roger and Wright, Matthew. 2018. What is it like to be an improviser? In: Eric F. Clarke and Mark Doffman, eds. Distributed Creativity: Collaboration and Improvisation in Contemporary Music. Oxford: Oxford University Press, pp. 314-316. ISBN 9780199355914 [Book Section]

Redgate, Roger. 2018. Contemporary British Music: Technique and the Compositional Process. In: P. Archblod and R. Saxton, eds. Contemporary British Music: Technique and the Compositional Process. Ashgate. ISBN 978-0-7546-6367-6 [Book Section] (Forthcoming)

Redgate, Roger. 2017. Notation, Structure and Performance: Towards a Grammatology of Music. In: R. Woodley, ed. Notation and Practice: Essays in Musical Performance and Textuality. Cambridge: Cambridge University of Press. [Book Section] (Forthcoming)

Redgate, Roger. 1998. Michael Finnissy: The Chamber Music, in Uncommon Ground: The Music of Michael Finnissy. In: Henrietta Brougham; Christopher Fox and Ian Pace, eds. Uncommon Ground: The Music of Michael Finnissy. Aldershot: Ashgate, pp. 135-168. ISBN ISBN 1 85928365 X [Book Section]


Redgate, Roger. 2021. Radix, Matrix. [Composition]

Redgate, Roger. 2014. Runa. [Composition]

Redgate, Roger. 2014. Sgraffito. [Composition]

Redgate, Roger. 2007. Monk. [Composition]

Redgate, Roger. 2007. Koan. [Composition]

Redgate, Roger. 2005. Oboe Quintet. [Composition]

Redgate, Roger. 2005. Residua. [Composition]

Redgate, Roger. 2004. Mirlitonnades. [Composition]

Redgate, Roger. 2004. écart. [Composition]

Redgate, Roger. 2004. …still…. [Composition]

Redgate, Roger. 1999. arc. [Composition]

Redgate, Roger. 1996. trace. [Composition]

Redgate, Roger. 1995. Atemkristall. [Composition]

Redgate, Roger. 1994. Celan Songs. [Composition]

Redgate, Roger. 1993. Graffiti. [Composition]

Redgate, Roger. 1992. Beuys. [Composition]

Redgate, Roger. 1992. Feu la cendre. [Composition]

Redgate, Roger. 1991. +R. [Composition]

Redgate, Roger. 1990. Inventio. [Composition]

Redgate, Roger. 1990. Vers-Glas. [Composition]

Redgate, Roger. 1989. Pas au-delà. [Composition]

Redgate, Roger. 1988. Eperons. [Composition]

Redgate, Roger. 1985. Eidos. [Composition]

Redgate, Roger. 1984. Eos. [Composition]

Redgate, Roger. 1982. Ausgangspunkte. [Composition]

Redgate, Roger. 1980. Genoi Hoios Essi. [Composition]

Conference or Workshop Item

Redgate, Roger. 2022. 'Improvisation as Creative Impulse for Composition'. In: Principles of Music Composing XXI: Phenomenon of Creativity. Lithuanian Academy of Muisc and Theatre, Lithuania 17-19 November 2022. [Conference or Workshop Item]

Redgate, Roger. 2022. 'Disseminative Notation and the Impurities of Performance.'. In: The Performer-Composer in the second half of the 20th century. Orpheus Institute, Ghent, Belgium 10-12 October 2022. [Conference or Workshop Item]

Redgate, Roger. 2021. 'Beyond the Text: Capturing the Reality of the Image'. In: Technique of Musical Сomposition: Нistorical Avatars Analytical Musicology. Gnesin Russian Academy of Music, Russian Federation 13–15 April 2021. [Conference or Workshop Item]

Redgate, Roger. 2020. 'Complexity: The Precise Articulation of the Imprecise'. In: Imperfection as an Aesthetic Idea in Music. Institute for Music Aesthetics and the Artistic Research Doctoral School of the University for Music and Performing Arts Graz, Austria, Austria 19 – 21 November 2020. [Conference or Workshop Item]

Redgate, Roger. 2016. 'The Ideality of Time'. In: Making Time in Music. University of Oxford, United Kingdom 12-14 September 2016. [Conference or Workshop Item]

Redgate, Roger. 2015. 'Towards an Aesthetic of Resistance'. In: For Cryin' Outloud: Music and Politics. University of Utrecht, Netherlands 6-8 September 2015. [Conference or Workshop Item]

This list was generated on Mon Jul 22 04:08:37 2024 BST.