Number of items at this level: 1325.
A
Aceti, Lanfranco;
Jefferies, Janis K.;
Sondergaard, Morten;
Stallabrass, Julian;
Bulley, James;
Drever, John L.;
Munro, Jonathan;
Noy, Irene and
Sahin, Ozden.
15 - 17 May 2014
Histories, Theories and Practices of Sound Art.
[Project]
B
Preview |
Bulley, James.
2017.
'Living Symphonies'.
In:
Sound and Environment. University of Huddersfield, United Kingdom 29 June—1 July 2017.
[Conference or Workshop Item]
Preview |
Bulley, James.
2015.
Tactus No.1.
In: "Sonic Pattern, Mykolas Žilinskas Art Gallery, Kaunas Biennial", Kaunas, Lithuania, 18 September – 1 January 2016.
[Show/Exhibition]
Preview |
Bulley, James.
2023.
Testimony.
In:
Elizabeth Price and
Nina Wakeford, eds.
Document of the testimony, deliberation and reflection of the Artist Citizens Jury 2022.
London: Goldsmiths CCA, pp. 49-62.
ISBN 9781739492410
[Book Section]
Bulley, James and
Feshareki, Shiva.
2018.
Still Point.
In: "BBC Prom 13", Royal Albert Hall, London, United Kingdom, 23 July 2018.
[Performance]
Burrows, Donald and
Joncus, Berta.
2017.
Music and Representation.
In:
Joanna Marschner, ed.
Enlightened Princesses: Caroline, Augusta, Charlotte, and the Shaping of the Modern World.
New Haven: Yale Center for British Art, pp. 202-207.
ISBN 9780300217100
[Book Section]
C
D
Diabaté, Toumani and
Gardiner, Ian R..
2008.
Manchester.
In: "Concert, Toumani Diabaté and the London Symphony Orchestra, 29th October 2008", Barbican, London, 28 October 2008.
[Performance]
Dix, Alan;
Cowgill, Rachel;
Bashford, Christina;
McVeigh, Simon and
Ridgewell, Rupert.
2016.
Spreadsheets as User Interfaces.
AVI '16 Proceedings of the International Working Conference on Advanced Visual Interfaces,
pp. 192-195.
[Article]
Drever, John L..
2022.
'Creating A Buzz!'.
In:
Creating A Buzz! Insect Sound Workshop. Museum of Zoology, Cambridge, United Kingdom 6 April 2022.
[Conference or Workshop Item]
Drever, John L..
2022.
'London Street Noises'.
In:
Sonic Cartography: Soundscape, Simulation and Re-enactment 2022. University of Kent, United Kingdom 28-30 October 2022.
[Conference or Workshop Item]
Drever, John L. and
Murdin, Alex.
2022.
Mothratorium.
In: "Insect Breeding Institute", Trumpington Park Primary School, Cambridge, United Kingdom.
[Show/Exhibition]
E
Exarchos, Dimitris.
2009.
The Sieves of Iannis Xenakis.
In:
Timour Klouche and
Thomas Noll, eds.
Mathematics and Computation in Music First International Conference, MCM - Revised Selected Papers.
Berlin, Germany: Springer Berlin Heidelberg, pp. 419-429.
ISBN 978-3-642-04578-3
[Book Section]
F
G
Gardiner, Ian R. and
Diabaté, Toumani.
2008.
Kaira.
In: "Concert, Toumani Diabaté and the London Symphony Orchestra, 29th October 2008", Barbican, London, United Kingdom, 28 October 2008.
[Performance]
Preview |
Garrelfs, Iris.
2023.
Infinity Kisses 23 Live.
In: "Carolee Schneemann’s Cats by the collective Cats Like Plain Crisps", Blindside, Melbourne, Australia, 9 November 2023.
[Performance]
Preview |
Garrelfs, Iris;
Clover, Catherine;
Yang, Yeung;
Jones, Shauna;
Corringham, Viv;
Bartley, Roseanne and
Roseanne, Johanna.
2023.
Carolee Schneemann’s Cats.
In: "Carolee Schneemann’s Cats", Blindside, Melbourne, Australia, 8 November – 2 December 2023.
[Show/Exhibition]
H
Preview |
Hawes, V and
Redhead, L.
2016.
Introduction.
In:
V Hawes and
L Redhead, eds.
Music and/as Process.
Newcastle: Cambridge Scholars, pp. 1-8.
ISBN 978-1-4438-9491-3
[Book Section]
Heyde, Neil;
Redgate, Christopher;
Redgate, Roger and
Wright, Matthew.
2018.
What is it like to be an improviser?
In:
Eric F. Clarke and
Mark Doffman, eds.
Distributed Creativity: Collaboration and Improvisation in Contemporary Music.
Oxford: Oxford University Press, pp. 314-316.
ISBN 9780199355914
[Book Section]
I
Preview |
Ivashkin, Alexander V..
2012.
‘Shostakovich. Second Cello Concerto.’ In D.D. Shostakovich, New Collected Works Critical Edition, vol. 49. Moscow: DSCH, 2012, 83–124.
D.D. Shostakovich, New Collected Works Critical Edition, vol. 49. Moscow: DSCH, 2012, 83–124., 49,
pp. 83-124.
[Article]
J
Joncus, Berta.
2011.
Clive, Catherine.
In:
Marx Hans-Joachim;
Manuel Gervink and
Steffen Voss, eds.
Handel-Lexikon.
Laaber: Laaber-Verlag.
ISBN 978-3890075525
[Book Section]
Joncus, Berta.
2023.
Musical Abolitionism.
In: "Abolitionism and the Arts in the Long Eighteenth Century: An interdisciplinary symposium", Columbia University, United States, 6 May 2023.
[Performance]
Joncus, Berta.
2007.
Producing Stars in dramma per musica.
In:
Melania Bucciarelli and
Berta Joncus, eds.
Music as Social and Cultural Practice: Essays in Honour of Reinhard Strohm.
Woodbridge, Suffolk: Boydell & Brewer, pp. 275-93.
ISBN 9781843833178
[Book Section]
K
Preview |
Kanga, Zubin;
Dyer, Mark;
Rowley, Caitlin;
Packham, Jonathan;
Benjamin, Mira;
Climent, Ricardo;
Gioti, Artemi-Maria;
Gorton, David;
Hayden, Sam;
Howard, Emily;
Hunt, Edmund;
Laidlow, Robert;
McLaughlin, Scott;
Nickel, Luke and
Redhead, L.
2024.
Technology and Contemporary Classical Music: Methodologies in Practice-Based Research.
Project Report.
National Centre for Research Methods, Southampton.
[Report]
Kirby, Jenn.
2021.
Legacy is.
In: "Woman in the Machine, Carlow Arts Festival", Carlow, Ireland.
[Show/Exhibition]
Kivy, Peter.
2004.
Music, Language and Cognition: which doesn't belong?
In:
K. Korta and
J. Larrazabal J, eds.
Truth, Rationality, Cognition and Music, Proceedings of the Seventh International Colloquium on Cognitive Science.
Kluwer, pp. 157-174.
ISBN 1402019122
[Book Section]
L
M
McVeigh, Simon.
2009.
Concerto of the Individual.
In:
Simon P. Keefe, ed.
Cambridge History of Eighteenth-Century Music.
Cambridge: Cambridge University Press, pp. 583-612.
ISBN 9780521663199
[Book Section]
McVeigh, Simon.
2012.
The Symphony in Britain.
In:
Mary Sue Morrow and
Bathia Churgin, eds.
The Symphonic Repertoire: The Eighteenth-Century Symphony.
Bloomington: Indiana University Press, pp. 629-661.
ISBN 9780253356406
[Book Section]
N
Nielinger-Vakil, Carola.
2006.
Intolleranza 1960.
In: , ed.
Intolleranza 1960.
, pp. 8-17
ISBN 00000000
[Book Section]
Norton, Barley and
Blackburn, Philip.
2009.
Vietnam: Music on the Move.
In:
Simon Broughton, ed.
The Rough Guide to World Music: Europe and Asia.
2
London: Rough Guides, pp. 778-797.
ISBN 1843538660
[Book Section]
O
P
Potter, Keith.
1993.
The Current Musical Scene.
In:
Robert P. Morgan, ed.
Modern Times: from World War I to the present.
Englewood Cliffs, NJ/Basingstoke: Prentice Hall/Macmillan, pp. 349-387.
ISBN 0 13 590159 6
[Book Section]
Potter, Keith.
2001.
Entries on 20th-century British composers and other subjects: 'Minimalism'; 'Bedford, David', 'Bryars, Gavin', 'Fitkin, Graham', 'Martland, Steve', 'Montague Stephen', 'Skempton, Howard'.
In:
Stanley Sadie and
John Tyrell, eds.
The New Grove Dictionary of Music and Musicians.
London: Macmillan.
[Book Section]
Potter, Keith.
2001.
Four revised articles on contemporary American composers: 'Adams, John', 'Glass, Philip', 'Monk, Meredith' and 'Reich, Steve'; also versions of previously published entries on 'Kagel, Mauricio' and 'Schnittke, Alfred'.
In:
Amanda Holden, ed.
The New Penguin Opera Guide.
London: Penguin Books.
[Book Section]
Potter, Keith.
2013.
Le Minimalisme.
In:
Nicolas Donin and
Laurent Feneyrou, eds.
Théories de la composition musicale au xxe siècle.
2
Lyon, France: Symétrie, pp. 775-800.
ISBN 978-2-914373-60-9
[Book Section]
Preview |
Potter, Keith.
2013.
Mapping Early Minimalism.
In:
Keith S. Potter;
Kyle Gann and
Pwyll ap Siôn, eds.
The Ashgate Research Companion to Minimalist and Postminimalist Music.
Farnham, UK: Ashgate, pp. 19-37.
ISBN 9781409435495
[Book Section]
Pryer, Anthony J..
2002.
Thirty items for the revised edition of the Oxford Companion to Music: Braille Notation, Chironomy, Coloration, Corona, Degree, Durum, Diastematic Neumes, Franconian Notation, Graphic Notation, Half-Coloration, Ligatures, Mensural Music, Mensural Notation, Middle C Modus, Mollis, Prolatio, Shape Note, Tempus, Accidental, Clef, Dot, Intabulation, Intavolatura, Liquescent Nuemes, Mensurstrich, Musica Ficta, Notation, Tablature, Time Signature.
In:
Alison Latham, ed.
The Oxford Companion to Music.
Oxford: Oxford University Press, p. 159.
ISBN 0198662122
[Book Section]