Concepts for Computing Patterns in 15th Century Korean Music
Moon, Sukhie; Daykin, Jacqueline W. and Pu, Ida. 2020. 'Concepts for Computing Patterns in 15th Century Korean Music'. In: PATTERNS 2020: The Twelfth International Conference on Pervasive Patterns and Applications. Nice, France 25 - 29 October 2020. [Conference or Workshop Item]
|
Text
paper85_pkm7.pdf - Accepted Version Available under License Creative Commons Attribution Non-commercial. Download (1MB) | Preview |
Abstract or Description
Computational musicology denotes the use of computers for analyzing music. This paper proposes applying techniques from stringology for analyzing classical Korean music. Historically, Sejong, the fourth king of the Joseon Dynasty in Korea, intended to rule the country with courtesy and music following the teaching of Neo-Confucianism. For this, he invented a music score in which music could be written. He made the structure of the music score based on the meaning of Neo-Confucianism, and recorded contemporary music with two notation patterns. In this paper, we first study the patterns in the structure of the music score and then investigate the notation patterns by which contemporary music was recorded in the music score. Finally, we establish links between these musical patterns and computing pattern inference for music via the field of stringology. Future research directions are outlined.
Item Type: |
Conference or Workshop Item (Paper) |
||||
Additional Information: |
Copyright (c) IARIA, 2020 |
||||
Keywords: |
Korean music; Lyndon word; Musicology; Notation pattern; Stringology; Structure of music score; V -word |
||||
Related URLs: |
|
||||
Departments, Centres and Research Units: |
|||||
Dates: |
|
||||
Event Location: |
Nice, France |
||||
Date range: |
25 - 29 October 2020 |
||||
Item ID: |
32024 |
||||
Date Deposited: |
19 Jul 2022 09:00 |
||||
Last Modified: |
20 Jul 2022 16:48 |
||||
URI: |
View statistics for this item...
Edit Record (login required) |