Monster as Medium: Experiments in Perception in Early Modern Science and Film
Litvintseva, Sasha and Wagner, Beny. 2021. Monster as Medium: Experiments in Perception in Early Modern Science and Film. e-flux journal(116), ISSN 2164-1625 [Article]
No full text availableAbstract or Description
One, two, three, four—and a plant framed in the middle of the shot is ripped out from the ground with its severed roots dangling in midair. The seeming oxymoron of a “taxonomy of monsters” can also be displaced and reencountered in the monstrousness of taxonomies as such; they sever specimens from the fluid integrity of the environments they inhabit, and which inhabit them, in order to monstrare: reveal, show, demonstrate. They cut apart the world, just as surgeons cut into the flesh. And what is more uniquely cinematic than the cut? What aspect of film more monstrous?
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Article |
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Experimental Film, Animals, Modernity, The Occult & Mysticism, Libraries & Archives |
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35835 |
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Date Deposited: |
12 Apr 2024 09:50 |
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Last Modified: |
12 Apr 2024 09:50 |
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