Monster as Medium: Experiments in Perception in Early Modern Science and Film

Litvintseva, Sasha and Wagner, Beny. 2021. Monster as Medium: Experiments in Perception in Early Modern Science and Film. e-flux journal(116), ISSN 2164-1625 [Article]

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Abstract or Description

One, two, three, four—and a plant framed in the middle of the shot is ripped out from the ground with its severed roots dangling in midair. The seeming oxymoron of a “taxonomy of monsters” can also be displaced and reencountered in the monstrousness of taxonomies as such; they sever specimens from the fluid integrity of the environments they inhabit, and which inhabit them, in order to monstrare: reveal, show, demonstrate. They cut apart the world, just as surgeons cut into the flesh. And what is more uniquely cinematic than the cut? What aspect of film more monstrous?

Item Type:

Article

Keywords:

Experimental Film, Animals, Modernity, The Occult & Mysticism, Libraries & Archives

Departments, Centres and Research Units:

Art

Dates:

DateEvent
March 2021Published

Item ID:

35835

Date Deposited:

12 Apr 2024 09:50

Last Modified:

12 Apr 2024 09:50

URI:

https://research.gold.ac.uk/id/eprint/35835

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