The Emergence of the Integrated Musical: Otto Harbach, Oratorical Theory, and the Cinema

Rogers, Bradley. 2022. The Emergence of the Integrated Musical: Otto Harbach, Oratorical Theory, and the Cinema. Theatre Survey, ISSN 0040-5574 [Article]

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Item Type:

Article

Identification Number (DOI):

https://doi.org/10.1017/S0040557422000059

Additional Information:

This article has been published in a revised form in Theatre Survey [https://doi.org/10.1017/S0040557422000059]. This version is published under a Creative Commons CC-BY-NC-ND licence. No commercial re-distribution or re-use allowed. Derivative works cannot be distributed. © The Authors, 2022.

Departments, Centres and Research Units:

Theatre and Performance (TAP)

Dates:

DateEvent
8 June 2022Published Online
May 2022Published

Item ID:

36822

Date Deposited:

14 Jun 2024 14:38

Last Modified:

14 Jun 2024 15:28

Peer Reviewed:

Yes, this version has been peer-reviewed.

URI:

https://research.gold.ac.uk/id/eprint/36822

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