Curated by Michael Newman and Kate Macfarlane, FIGURE/S: drawing after Bellmer explores the body as a site of oppression, liberation and troubling pleasures through the work of modern and contemporary artists. It takes as its starting point the radical and transgressive drawings of Hans Bellmer (1902-1975), whose work simultaneously mimicked and resisted the dehumanisation performed by fascism and racism. His drawings have had a powerful influence, sometimes subterranean, on many artists across the world in both high and popular culture, from French Surrealism to Japanese manga. Recently there has been an upsurge of interest in his work, especially the drawings, by younger contemporary artists.
The exhibition explores Bellmer’s lasting influence on artists and thinkers through work by twenty modern and contemporary artists from Japan, UK, Lebanon, Nigeria, Germany, France and US. It includes carefully selected drawings made by Bellmer in the 1940s to 60s, by his partner Unica Zürn in the 1960s, by Richard Hamilton in the 1950s and by the Lebanese artist Huguette Caland in the 1970s. These modern works are combined with contemporary approaches that relate to feminism, gender fluidity and anti-racism, including new commissions by Mathew Hale, Rebecca Jagoe, Aura Satz and Marianna Simnett. Bellmer’s influence in Japan is represented by the work of Fuyuko Matsui, Kumi Machida and Tabaimo and the exhibition also includes Paul Chan, Neil Gall, Sharon Kivland, Jade Montserrat, Jean-Luc Moulène, John Murphy, Paul Noble, Wura-Natasha Ogunji and Chloe Piene.

Accompanying publication by edited by Kate Macfarlane, Michael Newman, Sharon Kivland, & Louis Mason, ON FIGURE/S. DRAWING AFTER BELLMER, London, Ma Bibliothéque, 2021.
https://mabibliotheque.cargo.site/ON-FIGURE-S-2021

https://research.gold.ac.uk/id/eprint/38338