The exhibition title refers to the longstanding art historical convention of leaving artworks ‘untitled’ in order to encourage attention onto the works themselves, and eliminate reliance upon contextual information. Untitled asks viewers to examine the conditions of our time through the prism of Black British artists working today, without reducing the encounter solely to an exploration of Black British identity. By avoiding such over-contextualisation, the exhibition seeks to foreground these artists’ practices and show how they create platforms for audiences to explore the connections between art, culture and society.

This exhibition is a new iteration of UNTITLED: Art on the conditions of our time, originally produced by New Art Exchange, Nottingham in 2017, and curated by Paul Goodwin and Loren Hansi Gordon. At Kettle’s Yard it is curated by Paul Goodwin with Guy Haywood. The exhibition is financially supported by Arts Council, England.

https://research.gold.ac.uk/id/eprint/38485