Third Nature: on Shu Lea Cheang's UKI and nature's infestations of technology
Fuller, Matthew. 2025. Third Nature: on Shu Lea Cheang's UKI and nature's infestations of technology. Theory, Culture & Society, ISSN 0263-2764 [Article] (In Press)
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Matthew Fuller Third Nature- on Shu Lea Cheang's UKI and nature's infestations of technology GRO May 2025.pdf - Accepted Version Available under License Creative Commons Attribution Non-commercial No Derivatives. Download (230kB) |
Abstract or Description
Shu Lea Cheang's film, UKI, (2023) presents a 'sci-fi viral alt reality' diagnosing the present via elaboration into a future. The film, made in a game engine, narrates cunning and desire in the interlacing of Biotechnology, the state, hacking, ecology, the formation of waste and the invention of sexual practices. UKI proposes a way of thinking the interaction of technology and nature.
First Nature is that given by evolution. Second Nature, as the figure of speech goes, is arrived at through training, tools and technologies shaped by abstractions, such as capital or the scientific bifurcation of nature. Third Nature is brought about when First Nature starts to overspill and inhabit, even rework, the terrain of Second Nature.
This article maps this typology and works with UKI to assess the stakes of Third Nature.
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Article |
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Shu Lea Cheang, UKI, posthuman, nature, Sohn-Rethel, virus |
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38889 |
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Date Deposited: |
30 May 2025 09:52 |
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30 May 2025 09:54 |
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Yes, this version has been peer-reviewed. |
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