Alston, Adam. 2024. "It is the spectator, and not life, that art really mirrors": Dorian Gray 2.0. Cusp: Late 19th-/Early 20th-Century Cultures, 2(2), pp. 339-346. ISSN 2768-637X [Article]

Alston, Adam. 2021. Carnal acts: Decadence in theatre, performance and live art. Volupté: Interdisciplinary Journal of Decadence Studies, 4(2), ii-xxiii. ISSN 2515-0073 [Article]

Alston, Adam. 2021. Survival of the sickest: On decadence, disease and the performing body. Volupté: Interdisciplinary Journal of Decadence Studies, 4(2), pp. 130-156. ISSN 2515-0073 [Article]

Alston, Adam. 2021. ‘Burn the witch’: Decadence and the occult in contemporary feminist performance. Theatre Research International, 46(3), pp. 285-302. ISSN 0307-8833 [Article]

Alston, Adam. 2019. Immersive theatre in austerity Britain: Les Enfants Terribles’ riot in the Saatchi Gallery and the liquidation of differencEngine. Contemporary Theatre Review, 29(3), pp. 238-255. ISSN 1048-6801 [Article]

Alston, Adam. 2017. Immersive theatre and the aesthetics of decadence: on the ruined worlds of Punchdrunk, SHUNT and Hammer Film Productions. Theatre and Performance Design, 3(4), pp. 199-217. ISSN 2332-2551 [Article]

Alston, Adam. 2016. Making Mistakes in Immersive Theatre: Spectatorship and Errant Immersion. Journal of Contemporary Drama in English, 4(1), pp. 61-73. [Article]

Alston, Adam. 2015. Performing labour in Look Left Look Right's Above and Beyond. Research in Drama Education: The Journal of Applied Theatre and Performance, 20(1), pp. 50-61. ISSN 1356-9783 [Article]

Alston, Adam. 2013. Audience Participation and Neoliberal Value: Risk, agency and responsibility in immersive theatre. Performance Research, 18(2), pp. 128-138. ISSN 1352-8165 [Article]

Alston, Adam. 2012. Reflections on Intimacy and Narcissism in Ontroerend Goed's Personal Trilogy. Performing Ethos: International Journal of Ethics in Theatre & Performance, 3(2), pp. 107-119. ISSN 1757-1979 [Article]

Alston, Adam and Daker, Rebecca. 2012. Contemporary Theatre "Philanthropy" and the Purchase of Participatory Privilege. Contemporary Theatre Review, 22(3), pp. 433-437. ISSN 1048-6801 [Article]

Alston, Adam. 2012. Damocles and the Plucked: Audience Participation and Risk in Half Cut. Contemporary Theatre Review, 22(3), pp. 344-354. ISSN 1048-6801 [Article]

Alston, Adam. 2012. Funding, Product Placement and Drunkenness in Punchdrunk's The Black Diamond. Studies in Theatre and Performance, 32(2), pp. 193-208. [Article]

Couch, Amanda and Alston, Adam. 2019. Digesting Ritual. [Artist's Book]

Alston, Adam. 2023. Staging Decadence: Theatre, Performance, and the Ends of Capitalism. London: Bloomsbury Academic. ISBN 9781350237049 [Book]

Alston, Adam. 2016. Beyond Immersive Theatre: Aesthetics, Politics and Productive Participation. London: Palgrave Macmillan. ISBN 9781137480446 [Book]

Alston, Adam. 2023. Decadence and the Antitheatrical Prejudice. In: Dustin Friedman and Kristin Mahoney, eds. Nineteenth-Century Literature in Transition: The 1890s. Cambridge: Cambridge University Press, pp. 264-284. ISBN 9781009063852 [Book Section]

Alston, Adam. 2019. Holstein’s hair: The Politics of Decadence in The Famous Lauren Barri Holstein’s Splat! In: Peter Eckersall and Helena Grehan, eds. The Routledge Companion to Theatre and Politics. Routledge. ISBN 9781138303485 [Book Section]

Alston, Adam. 2016. 'Tell no-one': Secret Cinema and the Paradox of Secrecy. In: Anna Harpin and Helen Nicholson, eds. Performance and Participation: Practices, Audiences, Politics. Red Globe Press (Macmillan International). ISBN 9781137393173 [Book Section]

Alston, Adam. 2016. The Promise of Experience: Immersive Theatre in the Experience Economy. In: James Frieze, ed. Reframing Immersive Theatre: The Politics and Pragmatics of Participatory Performance. Palgrave Macmillan. ISBN 978-1-137-36603-0 [Book Section]

Alston, Adam. 2013. Politics in the Dark: Risk Perception, Affect and Emotion in Lundahl and Seitl’s Rotating in a Room of Images. In: Nicola Shaughnessy, ed. Affective Performance and Cognitive Science Body, Brain and Being. Bloomsbury (Methuen Drama). ISBN 9781408193150 [Book Section]

Alston, Adam and Ideh, Amelia. 2020. Staging Decadence (project website). [Digital]

Alston, Adam and Desmarais, Jane H., eds. 2024. Decadent Plays, 1890-1930. London: Bloomsbury. ISBN 9781350171824 [Edited Book]

Alston, Adam and Welton, Martin, eds. 2017. Theatre in the Dark: Shadow, Gloom and Blackout in Contemporary Theatre. London: Bloomsbury. ISBN 9781474251181 [Edited Book]

Alston, Adam and Bickley Trott, Alexandra, eds. 2021. Volupté: Interdisciplinary Journal of Decadence Studies, Volume 4, Issue 2 (Winter 2021): Decadence and Performance, Volupté: Interdisciplinary Journal of Decadence Studies, 4(2). 2515-0073 [Edited Journal]

Alston, Adam; Messias, Nando and Williams, Sam. 2023. Nando Messias: decadence, performance and the archive (Staging Decadence residency - Goldsmiths). [Film/Video]

Alston, Adam and Parry, Owen. 2022. Staging Decadence (Documentary). [Film/Video]

Alston, Adam. 2024. Staging Decadence: Decadent Costume. In: "V&A Late, Feminist Futures", V&A, United Kingdom, 26 April 2024. [Performance]

Alston, Adam. 2023. Staging Decadence: Dress to Kill. In: "Staging Decadence: Dress to Kill", Queen Mary, University of London, United Kingdom, 24 May 2023. [Performance]

Alston, Adam; Condé, Alice and Prashar-Savoie, Anjali. 2022. Decadence @ Iklectik. In: "Decadence @ Iklectik", Iklectik Arts Lab, London, United Kingdom, 29 July 2022. [Performance]

Alston, Adam; Parry, Owen and Rich Mix, Arts Centre. 2022. Staging Decadence (salon). In: "Staging Decadence (London salon)", Rich Mix, London, United Kingdom, 21 January 2022. [Performance]

Alston, Adam; Desmarais, Jane H. and Meth, Jonathan. 2021. Decadent Plays. In: "Decadent Plays", The Albany, London, United Kingdom, 10 November 2021. [Performance]

Alston, Adam; Parry, Owen and HERE, Arts Centre. 2021. HERE RAW: Staging Decadence. In: "HERE RAW: Staging Decadence", HERE, New York, United States, 9 September 2021. [Performance]